scholarly journals Uncovering Identity Complication in Season of Migration to the North a Novel by Tayeb Salih

2020 ◽  
Vol 1 (1) ◽  
pp. 33-37
Author(s):  
Saman A. Husain
Keyword(s):  
No Value ◽  
Postcolonial Theory ◽  
Identity Crisis ◽  
Frantz Fanon ◽  
The Novel ◽  
Tour Guides ◽  
Homi Bhabha ◽  
Tourist Satisfaction ◽  
The North ◽  
Tayeb Salih

The aim of this paper is to analyse and investigate the issue of identity in Tayeb Salih's novel Season of Migration to the North according to postcolonial theory.  Identity crisis refers to the context in which a person questions the whole idea of life. Philosophically, the identity crisis has been studied under the theories of existentialism. The term is coined to indicate a person, whose egoism and personality is filled with questions regarding life foundation, feeling and arguing that life has no value. in the novel by Tayeb Salih, Season of Migrating to the North, there are several instances that can be cited to indicate the existence of an identity crisis in the story. In this paper, we highlight and exemplify on such issues in an attempt to show how the theme of identity crisis has been presented in the novel. The paper considers the postcolonial theories of Edward Said, Frantz Fanon and Homi Bhabha to analyse the novel in terms of their representation of identity crisis. Keywords— tour guides, tour guide performance, tourist satisfaction, destination and customer loyalty.

scholarly journals Immigrants Identity Crisis in The Lonely Londoners

2016 ◽  
Vol 4 (1) ◽  
Author(s):  
Saman Abdulqadir Hussein Dizayi
Keyword(s):  
Postcolonial Theory ◽  
Identity Crisis ◽  
The Novel ◽  
Samuel Selvon ◽  
Homi Bhabha ◽  
The Caribbean ◽  
Postcolonial Discourse

<div><p><em>This paper looks into the novel The Lonely Londoner by Samuel Selvon that is reviewed as a postcolonial novel. The paper examines the plight of the Caribbean migrants who traveled to England hoping that the fairytales they had been fed on by the colonizers were realistic and confined to England. The study considers the predicament that these migrants went through in their colonizer's homeland where they felt despised and derelict against their immense hope that they had when they were leaving their native islands. The paper also looks into the theme of mimicry as posted by Homi Bhabha in his postcolonial theory. By considering the view of Bhabha, the paper looks deeply into the theory advanced and how it is consequently used in the novel. Thus, the paper investigates how mimicry and hybridity have been portrayed in the novel The Lonely Londoner, and at the same time looks into how Samuel Selvon typically applied them to express his postcolonial discourse in his work.</em></p></div>

scholarly journals Poets in Prose: Genre & History in the Arabic Novel

Daedalus ◽  
2020 ◽  
Vol 150 (01) ◽  
pp. 147-159
Author(s):  
Robyn Creswell
Keyword(s):  
Twentieth Century ◽  
The Novel ◽  
Intellectual Life ◽  
Literary Traditions ◽  
The North ◽  
Art Form ◽  
Tayeb Salih ◽  
Contemporary Life

Novelists in many literary traditions have come to terms with the distinctiveness of their art form by thinking about poets and poetry. The need to differentiate the novel from poetry is especially pressing for Arab prose writers because of poetry's preeminent status in that literary corpus. Many twentieth-century Arab intellectuals have valorized the novel as the representative genre of modernity–whether conceived as an absent ideal or the epoch of consumerist capitalism–while situating poetry as a backward element of contemporary life. But poetry has also offered prose writers such as Muhammad al-Muwaylihi, in A Period of Time, and novelists such as Tayeb Salih, in Season of Migration to the North, a way to reflect on the ambivalences engendered by modernity and the experience of colonialism. This tradition of using the novel to meditate on historical rupture and the fate of poetry continues into the present, even as poetry's relation to political and intellectual life becomes increasingly tenuous.

Homi Bhabha and Communication Studies

2018 ◽  
Author(s):  
J. Daniel Elam
Keyword(s):  
American Literature ◽  
Postcolonial Theory ◽  
Frantz Fanon ◽  
Communication Studies ◽  
Edward Said ◽  
Homi Bhabha ◽  
British Rule ◽  
Key Concepts ◽  
Political Commitments ◽  
The U.S

Homi Bhabha (b. 1949) is among the founding generation of scholars of “postcolonial theory” as it emerged in the U.S. and U.K. academies in the 1980s and 1990s, and is currently the Anne F. Rothenberg Professor of English and American Literature and Language. Bhabha’s intellectual emergence coincided with the emergence of “postcolonial theory” in the 1980s and 1990s. Bhabha’s particular contribution to postcolonial critique is unique in successfully combining the fields of post-structuralism, history, and psychoanalysis, and in relationship to the texts and histories of British rule in South Asia. Bhabha is best situated within an often-overshadowed strain of postcolonial theory committed to the recovery of universality rather than the demand for particularity, a lineage that includes Frantz Fanon and Edward Said. Bhabha’s key concepts and terms, especially “ambivalence” and “hybridity,” have been taken up across many fields under the rubrics of postcolonial and/or diasporic intervention. Bhabha’s writing and theoretical arguments are based primarily in perpetual negotiation, in opposition to negation. Understanding this key intervention makes it possible to grasp the full scale of Bhabha’s driving concerns, theoretical conceptions, and political commitments.

scholarly journals The Narration Method Of “Story Speech” In The Novel “Mawsim Al-Hijraila Al-Shamal”(Seasons Of Migration To The North) By Tayeb Salih

2018 ◽  
Vol 9 ◽  
pp. 1292-1297
Author(s):  
Masoud Bavanpouri ◽  
Amir Moqaddam Mottaqi ◽  
Abdolahad Ghaibi ◽  
Hadiseh Motavali
Keyword(s):  
First Person ◽  
The Novel ◽  
Direct Speech ◽  
The North ◽  
Tayeb Salih ◽  
Analytic Design ◽  
Narrative Report

The speech of characters is one of the important elements of story as it defines the thoughts of the story and it can promote the events of story. A narrator transfers the speech from the author to the reader and it is manifested as “The narration methods of story speeches”. The story speeches are dived into five groups as direct, indirect, free direct and free indirect and narrative report. In the famous novel “Mawsim al-Hijraila alShamal” by “Tayeb Salih”, contemporary Sudani author, the mentioned methods are manifested based on narrative situation of story. The story is started with the first-person view and the narrator presents the report and other methods are dominant as the characters are increased. The present study is a descriptive-analytic design showing that the direct speech is highly frequent in the novel.

“An Indigenous Sovereignty of the Imagination”: Reenvisioning the Great Australian Novel in Alexis Wright's Carpenteria

Genre ◽  
2021 ◽  
Vol 54 (2) ◽  
pp. 195-219
Author(s):  
Liz Shek-Noble
Keyword(s):  
Third Space ◽  
Indigenous Communities ◽  
The Other ◽  
Mutual Understanding ◽  
The Novel ◽  
Two Cultures ◽  
Women Novelists ◽  
Homi Bhabha ◽  
White Settler ◽  
The One

Alexis Wright's second novel, Carpentaria, received critical acclaim upon its publication by Giramondo in 2006. As the recipient of the Miles Franklin Literary Award in 2007, Carpentaria cemented Wright's position as the country's foremost Indigenous novelist. This article places Carpentaria within contemporary discussions of “big, ambitious novels” by contemporary women novelists by examining the ways the novel simultaneously invites and resists its inclusion into an established canon of “great Australian novels” (GANs). While critics have been quick to celebrate the formal innovations of Carpentaria as what makes it worthy of GAN status, the novel nevertheless opposes the integrationist and homogenizing myths that accompany canonization. Therefore, the article finds that Wright's vision of a future Australia involves moments of antagonism and mutual understanding between white settler and Indigenous communities. This article uses the work of Homi Bhabha to argue that Carpentaria demonstrates the emergence of a third space wherein negotiation between these two cultures produces knowledge that is “new, neither the one nor the other.” In so doing, Wright shows the resilience of Indigenous knowledge even as it is subject to transformation upon contact with contradictory ideological and epistemological frameworks.

scholarly journals How Tour Guides’ Professional Competencies Influence on Service Quality of Tour Guiding and Tourist Satisfaction: An Exploratory Research

2017 ◽  
Vol 7 (1) ◽  
Author(s):  
Yi-Chien Lin ◽  
Mei-Lan Lin ◽  
Yi-Cheng Chen
Keyword(s):  
Service Quality ◽  
Conceptual Framework ◽  
Least Squares ◽  
Partial Least Squares ◽  
Large Scale ◽  
Online Survey ◽  
Professional Competencies ◽  
Convenience Sample ◽  
Tour Guides ◽  
Tourist Satisfaction

Drawing upon the theoretical perspectives from activity competency model and prior tourism literature, this study propose a conceptual framework to explain the impacts of professional competencies on service quality and tourist satisfaction. Empirical data were gathered from a large-scale online survey with experienced GPT tourists to test the proposed hypotheses and research model. The proposed conceptual framework was validated using the partial least squares (PLS) technique. Data gathered from tourists was based on a convenience sample of 345 respondents to test the proposed plausible hypotheses. The conceptual model was validated using the partial least squares (PLS) technique. The empirical results indicate that tour guides’ professional competencies significantly impact on service quality and tourist satisfaction; and tour guides’ service quality positively influences tourist satisfaction.

scholarly journals Figurative Language in Layla Al-Atrash’s Nesa’a Ala Al-Mafareq: A Stylistic Analysis

2020 ◽  
Vol 2 (4) ◽  
pp. 20-26
Author(s):  
Eman Abedelkareem Hijazi ◽  
Keyword(s):  
Figurative Language ◽  
Social Values ◽  
Identity Crisis ◽  
Narrative Discourse ◽  
Stylistic Analysis ◽  
The Novel ◽  
Arab Woman ◽  
Qualitative And Quantitative ◽  
Figurative Speech ◽  
Quantitative Approaches

This study aims to analyze Layla Al-Atrash’s Nesa’a Ala Al-Mafareq stylistically to address the issue of an identity crisis and self-alienation by shedding light on the Arabic narrative discourse that is used by Al-Atrash in the selected novel. The stylistic analysis focuses on casting lights on how the five protagonists of the selected novel employed their feminist narrative discourse to represent their suffering and how the old cultural and social values affect their lives. To achieve the aim of the study, the researcher relies on Geffrey Leech's (2006) theory of figurative language to analyze the novel. Accordingly, this study is considered as the first study focusing on analyzing the language used by Al-Atrash linguistically in light of the stylistic analysis of figurative speech such as a simile, metaphor, hyperbole, personification, and metonymy. The researcher used both qualitative and quantitative approaches with (SPSS) program for statistics. The results showed that Al Atrash succeeded in utilizing her feminist narrative discourse linguistically to introduce the catastrophic situation the woman has in the masculine society. Taking into consideration metonyms with the highest rates (189) indicating the problems that the Arab woman encounters without finding a solution. Although hyperbole (126= 23%) refers to the writer's trial to support the readers with the perfect image of a woman’s life and why she surrenders to reality and accepts the outdated conventions and traditions.

scholarly journals The Concepts of Home and Exile in The Mimic Men, a Novel by V.S. Naipaul

2018 ◽  
Vol 9 (3) ◽  
pp. 174
Author(s):  
Saman Abdulqadir Hussein Dizayi
Keyword(s):  
Postcolonial Theory ◽  
Identity Crisis ◽  
Individual Identity ◽  
Colonial Authority

The aim of this research is to analyze the presence of the concepts of “Exile and Home” in raising the identity crisis in V. S. Naipaul’s novel The Mimic Men (1967). It examines Edward Said’s theoretic contention of exile’s influence in creating identity crisis and in the view of Naipaul’s writing as an attempt to resolve the dilemma of the protagonist Ralph Singh’s identity. The chapter shows Ralph’s responses in endeavoring to form an individual identity while struggling from the burdens of colonial heritage. It is an irony or quiet paradox to apply, as this dissertation does, postcolonial theory to the postcolonial novels, or those novels depicting ex-colonial subject resistance to colonial traditions while living in the very heart of the colonial center, i.e., London; nevertheless, such an application reveals the conflicting sides of the characters’ identity, which has grown in part from attempting to fit in: "The mimic is a contradictory figure who simultaneously reinforces colonial authority and disturbs it".

scholarly journals A CRITICAL STUDY OF INDIAN DIASPORA THROUGH THE NAMESAKE BY JHUMPA LAHRI

2018 ◽  
pp. 1-9
Keyword(s):  
Special Reference ◽  
Belief System ◽  
Identity Crisis ◽  
Critical Study ◽  
The Novel ◽  
Indian Diaspora ◽  
Jhumpa Lahiri ◽  
Education Culture

In this paper researcher does a critical study of the very famous novel Namesake written by Jhumpa Lahiri. In this novel author has endeavoured to describe the mentality of Indians who are in abroad. How they are confronted with the daily issues related to many things like religion, education, culture, belief system, identity crisis and so on. Researcher here has done a critical study of both the movie and the novel and reach the conclusion with the special reference to Indian Diaspora.

scholarly journals A Study of Baumeister’s Self Defining Process in The Blind Assassin

2018 ◽  
Vol 4 (1) ◽  
pp. 18-29
Author(s):  
Fatima Batool ◽  
Meher - ul - Nissa ◽  
Asia Khan
Keyword(s):  
Identity Crisis ◽  
The Novel ◽  
Over Time

This paper explores the novel The Blind Assassin through the lens of Baumeister’s self-defining process. Identity, being an interpretation of self, lies in persistence and consistence over time. Identity crisis is the inability to define basic values, long-term goals and major affiliations, all of which help a person in the process of self-defining. The Blind Assassin being the story of two sisters, Iris Griffen and Laura Griffen, is helpful in developing a comparison of the two characters who are subjected to same upbringing and same social surroundings. The elder sister manages to assert her will in a competitive society while the younger one suffers from identity crisis and finds solace in suicide. Baumeister’s model of identity provides basis to interpret the inability of Laura in defining herself. The more a person is socially compatible the more she is at ease with herself. Her biological, social and sexual needs never addressed, however, she keeps trying to make choices and struggles to realize her potential. She ends up discontented as she is taken as an eccentric and dissatisfied as her own sister gives her the greatest shock of her life. The more a person is allowed to make choices the more successful she is in defining herself. Laura completes her self-defining process by driving off the bridge which Freud interprets as a way of giving birth. This paper helps understanding the ways in which society particularly family affect an individual’s decisions and the ways in which an individual tries to assert her/his will.

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