scholarly journals The creative heritage of the folk storyteller N. I. Stepanov – Nooroy

Author(s):  
О.Н. Степанова

Рассматривается творческое наследие якутского сказителя Николая Ивановича Степанова – Ноорой (1897–1975). Особое внимание уделяется его творческой разносторонности: его мастерству как выдающегося олонхосута, талантливого народного певца, самодеятельного режиссёра, одного из первых постановщиков олонхо на сцене, организатора первого драматического кружка «Олонхо». Новизной статьи являются новые факты из жизни и творчества сказителя, найденные из отдельных источников. Цель – воссоздание наиболее полной картины творческого наследия, выявление многогранного таланта Н. И. Степанова, как носителя традиционной культуры якутского народа и одного из зачинателей якутского советского фольклора. Для достижения цели были изучены библиография Н. И. Степанова, литература о его жизни и творчестве, все изданные его произведения, также некоторые рукописные материалы, статьи, труды фольклористов Г. У. Эргиса, И. В. Пухова, Н. В. Емельянова, В. В. Илларионова, композиторов, музыкальных деятелей Н. И. Пейко, И. А. Штейнман, М. Н. Жиркова, Г. М. Кривошапко и др. Произведён анализ поэтики олонхо «Кюн Эрили» с переводом отдельных фрагментов олонхо на русский язык, а также классифицируются песни-тойукиН. И. Степанова по темам. В работе использованы аналитический, типологический, историко-конкретный методы исследования. В результате исследования мы пришли к выводу, что Н. И. Степанов, будучи неграмотным, был особо одарённым, талантливым сказителем и народным певцом, и не менее талантливым режиссёром и сценаристом. Он был большим энтузиастом и новатором, владел организаторскими навыками и, будучи наделенным особой харизмой и прекрасными человеческими качествами, сумел организовать первый в истории Якутии драматический кружок, чем привлёк большое внимание к олонхо, особенно к якутскому музыкальному фольклору, ученых, профессиональных композиторов, которые в свою очередь оформили нотные записи песен персонажей олонхо. The creative heritage of the Yakut epicteller Nikolai Ivanovich Stepanov – Nooroy (1897–1975) is considered. Particular attention is paid to his creative versatility: his skills as an outstanding olonkho-teller, talented folk singer, amateur director, one of the first producers of olonkho on stage, the organizer of the first dramatic circle “Olonkho”. The novelty of the article is new facts about the life and work of the olonkho-teller, found from separate sources. The aim was to recreate the most complete picture of the creative heritage, to reveal the multifaceted talent of Nikolai Stepanov as a carrier of the traditional culture of the Yakut people and one of the founders of the Yakut Soviet folklore. The bibliography of Stepanov, literature on his life and work, all his published works, also some manuscript materials, articles, works of folklorists G. U. Ergis, I. V. Pukhov, N. V. Emelyanov, V. V. Illarionov, composers, musical figures N. I. Peiko, I. A. Steinman, M. N. Zhirkov, G. M. Krivoshapko and others were studied to achieve the goal. The analysis of the poetics of the oolonkho “Kyun Erili” with the translation of some fragments of the oolonkho into Russian was made, as well as the classification of the songs-toyukby Stepanov by themes. Analytical, typological, historical and specific methods of research were used in the work. As a result of the study, we came to the conclusion that Nikolai Stepanov, being illiterate, was a particularly gifted, talented storyteller and folk singer, and no less talented director and screenwriter. He was a great enthusiast and innovator, had organizational skills and, endowed with a special charisma and excellent human qualities, managed to organize the first drama circle in the history of Yakutia, which attracted great attention to the olonkho, especially to the Yakut musical folklore, scholars and professional composers, who in turn created musical records of the olonkho characters' songs.

2015 ◽  
pp. 151-158
Author(s):  
A. Zaostrovtsev

The review considers the first attempt in the history of Russian economic thought to give a detailed analysis of informal institutions (IF). It recognizes that in general it was successful: the reader gets acquainted with the original classification of institutions (including informal ones) and their genesis. According to the reviewer the best achievement of the author is his interdisciplinary approach to the study of problems and, moreover, his bias on the achievements of social psychology because the model of human behavior in the economic mainstream is rather primitive. The book makes evident that namely this model limits the ability of economists to analyze IF. The reviewer also shares the author’s position that in the analysis of the IF genesis the economists should highlight the uncertainty and reject economic determinism. Further discussion of IF is hardly possible without referring to this book.


2020 ◽  
Vol 19 (12) ◽  
pp. 2358-2371
Author(s):  
S.A. Moskal'onov

Subject. The article addresses the history of development and provides the criticism of existing criteria for aggregate social welfare (on the simple exchange economy (the Edgeworth box) case). Objectives. The purpose is to develop a unique classification of criteria to assess the aggregate social welfare. Methods. The study draws on methods of logical and mathematical analysis. Results. The paper considers strong, strict and weak versions of the Pareto, Kaldor, Hicks, Scitovsky, and Samuelson criteria, introduces the notion of equivalence and constructs orderings by Pareto, Kaldor, Hicks, Scitovsky, and Samuelson. The Pareto and Samuelson's criteria are transitive, however, not complete. The Kaldor, Hicks, Scitovsky citeria are not transitive in the general case. Conclusions. The lack of an ideal social welfare criterion is the consequence of the Arrow’s Impossibility Theorem, and of the group of impossibility theorems in economics. It is necessary to develop new approaches to the assessment of aggregate welfare.


2019 ◽  
Vol 8 (2) ◽  
Author(s):  
Ngo Quang Son ◽  
Nguyen Thi Phuong

Traditional culture of ethnic minorities is the material and spiritual values that are accumulated and preservedin the whole history of ethnic minority development. In thatcommon cultural flow, every ethnic minorities group in ourcountry has its own characteristics in traditional culture.That identity is expressed firstly in language. Language is animportant element of the ethnic minorities character, therefore,the loss of language is the loss of a great asset, thereby leadingto the erasure of art literature, religious beliefs and the custom,customary law.Therefore, in the context of modern life, preserving andpromoting the cultural and linguistic identity of ethnicminorities is an urgent task. In particular, pay specialattention to the method of cultural preservation through thedevelopment of Information, Education and CommunicationModel in ethnic minorities languages in schools and localcommunities.


2020 ◽  
pp. 97-114
Author(s):  
Elena M. Burova ◽  

The article covers the issues of initiative acquisition of archives in the documents of personal origin during the Great Patriotic War, the organization of work to identify and collect the wartime documents. Collecting documents of ordinary citizens, in particular letters from the front and to the front is analyzed. Proposals to create the specialized archives of documents on the history of the war were never implemented. Quite a lot of the actions, search operations and expeditions were conducted in the country, for example, the “Chronicle of the Great Patriotic War”, the “Frontline letter”, the “Search”, the “Memory”, etc., during which a significant number of documents of war participants and home front workers were collected and stored. Not so much of the documents of personal origin of the war participants are concentrated in the archives. In general, there prevails the collection type of organization for storing documents from the period of the Great Patriotic War. With reference to the corpus of documents of personal origin of the war period the research literature pays its attention mostly to correspondence and diaries, memoirs. Historians and archivists, analyzing wartime letters, offer different classifications depending on the authors, recipients, subjects, etc. The article provides a generalized classification of letters based on their inherent similarities. The author also analyzes the reasons for a small number of extant diaries and memoirs, and provides examples of their classification. Likewise the article describes current approaches to the collection of personal papers within the frames of the Moscow Glavarkhiv project “Moscow – with care for history” and the Ministry of Defense project “The Memory Road”.


2011 ◽  
pp. 143-147
Author(s):  
L. G. Naumova ◽  
V. B. Martynenko ◽  
S. M. Yamalov

Date of «birth» of phytosociology (phytocenology) is considered to be 1910, when at the third International Botanical Congress in Brussels adopted the definition of plant association in the wording Including Flaó and K. Schröter (Flahault, Schröter, 1910; Alexandrov, 1969). The centenary of this momentous event in the history of phytocenology devoted to the 46th edition of the Yearbook «Braun-Blanquetia», which began to emerge in 1984 in Camerino (Italy) and it has a task to publish large geobotanical works. During the years of the publication of the Yearbook on its pages were published twice work of the Russian scientists — «The steppes of Mongolia» (Z. V. Karamysheva, V. N. Khramtsov. Vol. 17. 1995), and «Classification of continental hemiboreal forests of Northern Asia» (N. B. Ermakov in collaboration with English colleagues and J. Dring, J. Rodwell. Vol. 28. 2000).


2020 ◽  
Vol 15 (2) ◽  
pp. 68
Author(s):  
А. Н. Сухов

This given article reveals the topicality not only of destructive, but also of constructive, as well as hybrid conflicts. Practically it has been done for the first time. It also describes the history of the formation of both foreign and domestic social conflictology. At the same time, the chronology of the development of the latter is restored and presented objectively, in full, taking into account the contribution of those researchers who actually stood at its origins. The article deals with the essence of the socio-psychological approach to understanding conflicts. The subject of social conflictology includes the regularities of their occurrence and manifestation at various levels, spheres and conditions, including normal, complicated and extreme ones. Social conflictology includes the theory and practice of diagnosing, resolving, and resolving social conflicts. It analyzes the difficulties that occur in defining the concept, structure, dynamics, and classification of social conflicts. Therefore, it is no accident that the most important task is to create a full-fledged theory of social conflicts. Without this, it is impossible to talk about effective settlement and resolution of social conflicts. Social conflictology is an integral part of conflictology. There is still a lot of work to be done, both in theory and in application, for its complete design. At present, there is an urgent need to develop conflict-related competence not only of professionals, but also for various groups of the population.


2018 ◽  
pp. 153-165
Author(s):  
L. V. Bertovsky ◽  
V. M. Klyueva ◽  
A. L. Lisovetsky

Sergey Esenin’s tragic end is widely known and provokes disputes to this day. The official reports put it down as a suicide. The incident could be analyzed more effectively by means of an interdisciplinary approach using the latest forensic know-how. The documented circumstances of Esenin’s death, found in recorded testimonies and interviews, as well as the materials of the Russian National Esenin Committee of Writers, are examined through the author’s own classification of forensically relevant evidence of suicide. The analysis reveals that suicide remains the most probable version. Far from solving this incident for good, these conclusions may become an important forensic contribution to the history of Russian culture.


2020 ◽  
Vol 3 (152) ◽  
pp. 92-99
Author(s):  
S. M. Geiko ◽  
◽  
O. D. Lauta

The article provides a philosophical analysis of the tropological theory of the history of H. White. The researcher claims that history is a specific kind of literature, and the historical works is the connection of a certain set of research and narrative operations. The first type of operation answers the question of why the event happened this way and not the other. The second operation is the social description, the narrative of events, the intellectual act of organizing the actual material. According to H. White, this is where the set of ideas and preferences of the researcher begin to work, mainly of a literary and historical nature. Explanations are the main mechanism that becomes the common thread of the narrative. The are implemented through using plot (romantic, satire, comic and tragic) and trope systems – the main stylistic forms of text organization (metaphor, metonymy, synecdoche, irony). The latter decisively influenced for result of the work historians. Historiographical style follows the tropological model, the selection of which is determined by the historian’s individual language practice. When the choice is made, the imagination is ready to create a narrative. Therefore, the historical understanding, according to H. White, can only be tropological. H. White proposes a new methodology for historical research. During the discourse, adequate speech is created to analyze historical phenomena, which the philosopher defines as prefigurative tropological movement. This is how history is revealed through the art of anthropology. Thus, H. White’s tropical history theory offers modern science f meaningful and metatheoretically significant. The structure of concepts on which the classification of historiographical styles can be based and the predictive function of philosophy regarding historical knowledge can be refined.


2020 ◽  
Vol 28 ◽  
pp. 27-79
Author(s):  
Marc Brose

“Perfective and Imperfective Participle”: This article deals with the basic semantic opposition of the two types of Egyptian participles, jri̯ and jrr. After an extended overview of the history of research presenting the classical approaches of K. Sethe and A. H. Gardiner, who both used established terms of models of tense and aspect, and also the advanced approaches of W. Schenkel, J. P. Allen, K. Jansen-Winkeln and E. Oreál, who introduced new concepts and terminolgy and so tried to overcome the classical approaches, it is nevertheless shown that the classification of the opposition as “perfective–imperfective”, with modernized definitions in contrast to Gardiner’s, suffices to explain the entire functional range of the two types and that the advanced approaches are not necessary.


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