scholarly journals Nusantara Berdendang: Seremoni Multikulturalisme oleh Kabinet Kerja

Panggung ◽  
2018 ◽  
Vol 28 (4) ◽  
Author(s):  
Arief Rahman ◽  
Titis Srimuda Pitanav ◽  
Wakit Abdullah
Keyword(s):  
Cultural Studies ◽  
Representation Theory ◽  
Performing Arts ◽  
Qualitative Method ◽  
The State ◽  
The Arts ◽  
Arts And Culture ◽  
Stuart Hall ◽  
The Government ◽  
Performing Art

ABSTRACT Following the 1945 Constitution, the state is obliged to preserve the arts and culture of Indonesia. Kabinet Kerja commemorating 88 Years of Sumpah Pemuda with Nusantara Berdendang show at Istana Merdeka on October 28, 2016. This study discussesa multiculturalism discourse presented in the performance based on the Cultural Studies paradigm with the support of Stuart Hall's representation theory and power theory of Foucault. The research usesa qualitative method with descriptive and interpretative analysis.The multiculturalism discourse is produced by the Kabinet Kerja through performing arts that appear in Nusantara Berdendang. Performing arts are used by the state as a tool to show diversity, as well as a unifying symbol. The state ceremony becomes a discursive area of multiculturalism to implement the unity and unity of Indonesia. Multiculturalism discourse is used to facilitate the success of the Nawacita program. The implication is that Indonesia's image is a bhinneka state, (2) a tolerant and peaceful image of Indonesia,and (3) obedience to the government authorities. Keywords: multiculturalism, Kabinet Kerja, performing art, diversity, ethnicity ABSTRAK Sesuai dengan Undang-undang Dasar 1945, negara berkewajiban memelihara kesenian dan kebudayaan Indonesia.Kabinet Kerja memperingati 88 Tahun Sumpah Pemuda dengan pergelaran Nusantara Berdendang di Istana Negara pada 28 Oktober 2016. Penelitian ini membaca diskursus multikulturalisme yang dihadirkan dalam pergelaran tersebut dengan paradigma Kajian Budaya dengan dukungan teori representasi Stuart Hall (2003)  dan teori kuasa/pengetahuan. Penelitian menggunakan teknik analisis deskriptif kualitatif dan interpretatif.Diskursus multikulturalisme diproduksi oleh Kabinet Kerja melalui seni pertunjukan yang tampil di Nusantara Berdendang.Seni pertunjukan digunakan oleh negara sebagai alat untuk menunjukkan keberagaman, sekaligus sebagai simbol pemersatu.Seremoni negara menjadi area diskursif multikulturalisme untuk merawat kesatuan dan persatuan Indonesia. Diskursus multikulturalisme dilakukan oleh Kabinet untuk memperlancar suksesnya program Nawacita. Implikasinya, citra Indonesia merupakan negara bineka, (2) citra Indonesia yang toleran dan damai, serta (3) kepatuhan pada penguasa pemerintahan. Kata kunci: multikulturalisme, Kabinet Kerja, kesenian, keberagaman etnik

scholarly journals Optimizing Curatorial Rules in Performing Arts Festival: Strategy to Sustain Cultural Values in Disruptive Era

2020 ◽  
Author(s):  
Irawati Kusumorasri ◽  
Nanik Sri Prihartini ◽  
Bambang Sunarto
Keyword(s):  
Cultural Values ◽  
Field Observation ◽  
Performing Arts ◽  
Qualitative Method ◽  
Cultural Value ◽  
Cultural Exchanges ◽  
Arts Festival ◽  
The Government ◽  
Performing Art

Indonesia as a multicultural country has a rich range of performing arts. These assets encourage artists and the government to conduct festivals, exhibitions, and cultural exchanges. However, the programs are not always managed optimally, particularly with regards to curatorial management. This paper presents a study aiming at: (1) identifying the roles of curator in conducting performing art festivals to sustain the culture; (2) investigating challenges faced by the curators in doing their tasks. A descriptive qualitative method in the form of a case study was employed using three instruments, namely field observation, interview, and documentation. The collected data were analyzed to define the principles of curatorial management and its role in conducting performing art festivals. It was revealed during the interviews that there were no standard operational procedures (SOP) yet in doing curatorial tasks, so the curators identified and undertook tasks under their own initiative. Some curators stated that their lack of curatorial knowledge made them lack the confidence to invite the well-known artists. As a result, they tended to invite the artists based on pre-existing familiarity. A further challenge was the lack of official authority which hampered the execution of curat. Keywords: Cultural value sustainability, Curatorial roles, Disruptive era, Performing Arts Festival

scholarly journals Pengelolaan Bahasa Untuk Pembelajaran Di Indonesia

2021 ◽  
Vol 6 (1) ◽  
pp. 1078-1085
Author(s):  
Zuniar Kamaluddin Mabruri
Keyword(s):  
Research Method ◽  
Qualitative Method ◽  
The State ◽  
Language Policies ◽  
Literature Study ◽  
Language Management ◽  
Triangular Relationship ◽  
The Government

This study aims to understand language management for learning in Indonesia. The research method used is a qualitative method with the type of literature study. The results show that the State of Indonesia has carried out language management in relation to the recognition of existing languages and is regulating for the government in the context of the state and nation so that there is a triangular relationship between language and the state which is regulated by the government for the benefit of the nation. If the state has guaranteed the existence of a language as a whole, then a number of policies will emerge to guarantee the rights and obligations of each in managing the existing language. Policies are formulated in the form of rules known as regulations, to serve as joint guidelines between the government and speakers of existing languages.

scholarly journals CONFLICT OF FOREST RESOURCES AND ECOLOGICAL ADAPTATION STRATEGY

2019 ◽  
Vol 5 (15) ◽  
pp. 1483-1490
Author(s):  
Rita Rahmawati ◽  
Arya Hadi Dharmawan ◽  
Rilus Kinseng ◽  
Dudung Darusman
Keyword(s):  
Qualitative Method ◽  
Local Community ◽  
Adaptation Strategy ◽  
Forest Resources ◽  
The State ◽  
Ecological Adaptation ◽  
Cultural Tradition ◽  
Resource Conflicts ◽  
The Government ◽  
The Right

This study is focused on the adaptation strategy of the local community who has the problem of land rights. In Indonesia, all natural resources are subject to control and to manage by the state. As a ruler of the resources, the Government published any policy which provided revenue for the state, such as giving the right to industrial extraction of logging companies in the forest area. Whereas, many communities' lives depend on the forest. Forest resources are important for the Indonesian economy, as well as for the livelihood of communities who depend on the forest. It finds themselves in situations of conflict. The aim of the study is to analyse adaptation strategy of local community which is in the forest resource conflicts. The study used mix methods. A qualitative method with a focus on ecological adaptation and livelihood strategy, while the quantitative approach stresses defining the meaning of findings or facts that are deconstructed based on the subjective perspective of the researcher. The research held in two site, namely Sungai Utik Forest which Dayak Iban Community and Halimun Salak Mountain National Park which Kasepuhan community live. The result of the research showed that conflict of the forest resources have improved the adaptation strategy of the local community. Although various problems is already attacking them, local community still have loyalty to their tradition. They have own regulation to manage and utilize land, especially for managing forest and rice planting. Faithfulness in carrying this cultural tradition out are their ecological adaptation strategy. Keywords: Adaptation Strategy, Ecological Adaptation, Conflict of Forest Resources, Dayak Iban Community, Kasepuhan Community

scholarly journals Music Education and Sustainability in Lombok, Indonesia

2019 ◽  
Vol 19 (1) ◽  
pp. 1
Author(s):  
David Harnish
Keyword(s):  
Music Education ◽  
Performing Arts ◽  
Field Research ◽  
Traditional Music ◽  
Educational Institutions ◽  
Male Youth ◽  
Government Interventions ◽  
The Arts ◽  
The Government ◽  
New Generation

This article discusses the challenges of teaching and sustaining music and other performing arts on the island of Lombok in Indonesia. It follows my field research trajectory on the island over a period of 34 years and analyzes the efforts of government interventions, non-government actors, and teachers and educational institutions in the transmission and sustainability of the arts. Interpretations indicate that a combination of globalization, urbanization, social media, everyday mediatization, and Islamization over recent decades negatively impacted traditional musics in specific ways, by problematizing sustainability. However, several agents–individuals inside and outside the government who understood the situation and had the foresight to take appropriate action–developed programs and organizations to maintain or aestheticize the performing arts, sustain musician livelihoods, and engage a new generation of male youth in music and dance. These efforts, supplemented by the formation of groups of leaders dedicated to the study of early culture on Lombok and fresh initiatives in music education, have ushered in new opportunities and visibility for traditional music and performing arts and performing artists.

scholarly journals NARRATIVES OF DECOMMUNIZATION IN UKRAINE’S CULTURAL SPACE

2019 ◽  
pp. 47-53
Author(s):  
O. A. Grytsenko
Keyword(s):  
Cultural Studies ◽  
Cultural Study ◽  
The State ◽  
Cultural Space ◽  
Cultural Phenomenon ◽  
Systemic Analysis ◽  
Characteristic Modes ◽  
Stuart Hall ◽  
Foreign Media ◽  
Key Aspects

The article offers a cultural study of one of key aspects of the decommunization process in contemporary Ukraine, formally started by the in- troduction of so-called ‘four decommunization laws’ adopted on April 4, 2015, as manifested in the country’s cultural space through major narra- tives that describe, interpret and mythologize this process from various cultural and ideological positions and viewpoints. The methodological background for the study is provided by well-known cultural studies’ approach that, according to Paul Du Gay, Stuart Hall and others, presumes a systemic analysis of five key aspects of a given cultural phenomenon, namely, its production (creation), its consumption (reception), its regulation (by the state and other actors), its representations in culture (including narratives about it), and identities shaped or transformed by it. In this article, the penultimate part of a cultural study of Ukrainian decommunization is presented in detail. An overview of dozens of articles, columns, interviews and other texts about the decommunization in Ukrainian and foreign media demonstrates that there seem to be four main groups of decom- munization narratives, tentatively named: the ‘purification of Ukraine’ narrative, the regional (or decentralized) narrative, the ‘Bandera-ization’ narrative, and the liberal narrative, each with its characteristic modes of emplotment (from epic romance to satire), with its civilization perspective, its set of sym- bols and values, its ‘heroes’ and ‘villains’. Unsurprisingly, those portrayed as heroes in affirmative narratives (that of ‘purification’, for instance) tend to become villains in negative narratives, the head of Ukrainian Institute of National Remembrance Volodymyr Viatrovych being the most prominent one.

scholarly journals MOSQUE WITHOUT DOME: CONSERVING TRADITIONAL-DESIGNED MOSQUE IN MELAKA, MALAYSIA

2012 ◽  
Vol 1 (3) ◽  
Author(s):  
Roslan B. Thalib, M. Zailan Sulieman
Keyword(s):  
The State ◽  
Future Generations ◽  
Historic Buildings ◽  
Design Elements ◽  
Religious Buildings ◽  
Cultural Arts ◽  
Architectural Features ◽  
Arts And Culture ◽  
The Government ◽  
The Town

<p>Jasin is one of the area in the state of Malacca in Malaysia, known for its long winding history. Located in the middle seat of government of the Empire of the famous Melaka Sultanate, Jasin district does have a number of quality historic buildings. One of the old buildings found in one the villages located quite close to the town of Jasin is the unique domeless Air Barok Village Mosque. Its location is situated along the main road, easy to reach. In a study stated in this paper, it  shows how the unique architecture of this mosque of Air Baroque Village can be appreciated. This paper presents a study of the design elements and architectural features that are unique to the mosque around this region. This paper stated on the approach in creating this structure is different compared to most of the existing mosque currently and previously being built around the state. The concept of neo-archipelago idea to have the Chinese Buddha features in a Muslim mosque was unique found on this religious building located at the side of the world. Expectations for this study to reveal the noble efforts of the Government bodies involved in restoring old  buildings such as this mosque can indirectly maintain the cultural arts of the local Malays who are the largest race in Malaysia. Efforts should also be given to maintain old buildings; not only religious buildings but also other building types; in the effort to ensure local arts and culture still exist and can be appreciated by future generations.</p> <p> </p> <p><strong>K</strong><strong>e</strong><strong>y</strong><strong>w</strong><strong>o</strong><strong>r</strong><strong>d</strong><strong>s</strong>: Traditional mosque, conservation, mosque history, Melaka mosque</p>

scholarly journals Trading In Influence Dalam Perspektif Fikih Korupsi

2020 ◽  
Vol 11 (1) ◽  
pp. 1
Author(s):  
Mohammad Farid Fad
Keyword(s):  
Criminal Law ◽  
Qualitative Method ◽  
The State ◽  
The Government ◽  
Undue Advantage ◽  
Almost All

<p><strong></strong>Corruption is a deep-rooted phenomenon existing in inumerable forms that occurs in almost all countries. Of the inumerable forms of corruption, trading in influence (TI) is considered soft corruption as it is not directly inflict losses on the state. However, through misuse influence a person has, he can obtain undue advantage. This article seeks to describe critically about the practice of trading in influence from the perspective of fiqh corruption. The type of method used in this study was a qualitative method. Descriptive-analitycal method was used to accurately describe and systematically analyze the facts found. This research found that fromthe perspective of Islamic criminal law, TI is considered khiyanah or <em>ghulul</em> (betrayal) and <em>risywah</em> (bribes), while the sentence is left to the policy of a judge or ruler (<em>ta'zir</em>), no matter whether the perpetrators are the government or private parties.</p><p><strong> </strong></p><p><strong>Abstrak</strong></p><p>Korupsi merupakan fenomena yang terjadi hampir merata di berbagai negara. Dari berbagai macam varian korupsi yang ada, <em>trading in influence</em> (TI) termasuk kriteria korupsi yang <em>soft</em>, artinya, negara tidak secara langsung dirugikan, namun melalui pengaruh yang diperdagangkan, seseorang bisa memperoleh keuntungan yang tidak semestinya (<em>undue advantage</em>) lewat kebijakan yang bersifat memihak. Artikel ini berupaya mendeskripsikan secara kritis tentang praktek TI dalam perspektif fikih korupsi. Jenis metode yang digunakan dalam penelitian ini adalah metode kualitatif. Sementara dalam menganalisis, peneliti menggunakan metode deskriptif-analitis, guna menggambarkan serta menganalisis secara sistematis fakta yang ditemukan secara akurat dan cermat. Penelitian ini menemukan bahwa dalam perspektif hukum pidana Islam, TI dapat digolongkan dalam kategori <em>khiyanah</em> atau <em>ghulul</em> (pengkhianatan) dan <em>risywah</em> (suap), sementara hukumannya diserahkan pada kebijakan hakim atau penguasa (<em>ta’zir</em>), baik pelakunya penyelenggara negara maupun pihak swasta.</p>

scholarly journals Sastra Lokal dan Industri Kreatif: Revitalisasi Sastra dan Budaya Using

ATAVISME ◽  
2013 ◽  
Vol 16 (2) ◽  
pp. 183-193
Author(s):  
Novi Anoegrajekti
Keyword(s):  
Cultural Studies ◽  
Key Words ◽  
Cultural Values ◽  
Performing Arts ◽  
Oral Tradition ◽  
Local Area ◽  
Creative Economy ◽  
Creative Industry ◽  
Local Literature ◽  
Performing Art

Pemerintah mencanangkan tahun 2009 sebagai Tahun Industri Kreatif. Seni pertunjukan, termasuk tradisi lisan yang ada di dalam pertunjukan menjadi salah satu prioritas yang akan dikembangkan agar bisa meningkatkan kesejahteraan masyarakat pendukungnya. Tujuan tersebut representatif karena masyarakat Indonesia memiliki beragam seni pertunjukan dan sastra lokal yang apabila dikelola dengan baik bisa menjadi penopang munculnya ekonomi kreatif. Banyuwangi, misalnya, memiliki beragam seni pertunjukan dan tradisi lisan, seperti syair­ syair gandrung, lagu­lagu dalam pertunjukan angklung, cerita rakyat jinggoan, dan tradisi wangsalan dan basanan. Sampai saat ini, dinas terkait di Banyuwangi belum dapat membuat kebijakan yang mampu mendukung terciptanya pola pikir, sistem, dan praktik industri kreatif berbasis lokalitas dan tetap mengedepankan karakteristik nilai­nilai kultural yang ada. Untuk itu, tulisan ini bertujuan mengembangkan model industri kreatif berbasis sastra lokal dan budaya Using. Dengan metode etnografis dan analisis yang menggunakan pendekatan cultural studies, model tersebut diharapkan mampu mengembangkan industri kreatif di wilayah lokal. Abstract: The Indonesian government announced the year of 2009 as the Creative Industry Year. Performing art, including oral tradition existing in performance, has become a priority which will be developed to improve the prosperity of its supporting community. This goal is representative because Indonesian people have various performing arts and local literature which, if well managed, will support the creative economy. Banyuwangi, for instance, has various performing arts and oral tradition, such as gandrung poems, songs in angklung performance, jinggoan folklores, and traditions of wangsalan and basanan. To date, the relevant services of Banyuwangi government have not been able to make policies able to support the creation of creative industry pattern of thinking, system, and practice which are locally based and keep on proposing the characteristics of existing cultural values. Therefore, this article is aimed at developing a creative industry model based on Using local literature and culture. By using ethnography method and cultural studies approach, the model is expected to be able to develop the creative industry in the local area. Key Words: local literature; Using culture; creative industry; revitalization

scholarly journals Is Cash Waqf Linked Sukuk (CWLS) Less Than Ideal According to Islamic Laws?

2021 ◽  
Vol 39 (12) ◽  
Author(s):  
Akhmad Hafandi ◽  
Puji Handayati
Keyword(s):  
Public Interest ◽  
Qualitative Method ◽  
Financial Institution ◽  
Descriptive Analysis ◽  
The State ◽  
Research Approach ◽  
Social Investment ◽  
Religious Activities ◽  
Library Research ◽  
The Government

As a step to promote public interest in conducting cash waqf, the government launched a program called the National Money Waqf Movement (GNWU) which also introduced Cash Waqf Linked Sukuk (CWLS) Retail Series SWR001 which is a development of the CWLS (SW Series). Both are developments of the Money Waqf and Sukuk (State Sukuk) which have been regulated in the DSN-MUI Fatwa No. 131/DSN-MUI/X/2019. Law No. 41 of 2004, concerning Waqf, and Law No. 19 of 2008, concerning State Sharia Securities (SBSN). CWLS is a form of social investment in Indonesia where the cash waqf is received by the Indonesian Waqf Board as Nazhir through a Sharia Financial Institution as a Cash Waqf Recipient (LKSPWU). It will be managed and placed on the State Sukuk or SBSN instrument and the proceeds of its development are used to finance various economic, social and religious activities. Nonetheless, this CWLS model is perceived to be less than ideal by some parties. This study adopted a qualitative method using using library research approach. The data were collected through analysing literature papers, documentation and conducting an interview. Descriptive-analysis used to compare the statutory provisions, fatwas of MUI, and fiqh rules with the implementation of CWLS. The findings in this study indicate that CWLS is an appropriate with Indonesian context and Islamic principles.

scholarly journals The Contrast Portrayals of American and Pakistani Culture in The Big Sick Movie

2019 ◽  
Vol 3 (2) ◽  
pp. 111-126
Author(s):  
Nidia Nikita ◽  
Ranti Andela ◽  
Ghina Zahra Fauziah ◽  
Zhia Aulia Nazafi
Keyword(s):  
Cultural Studies ◽  
Qualitative Method ◽  
American Culture ◽  
Cultural Stereotypes ◽  
Her Family ◽  
Stuart Hall

This study aims to describe the cultural stereotypes between American and Pakistani that are portrayed in The Big Sick (2017) movie. This study uses a qualitative method with a Cultural Studies approach. The analysis is done by looking at the characteristics of American and Pakistani characters by using the theory of characterization from Boggs and the theory of representation by Stuart Hall to present the cultural stereotype issues that appear in the movie (Hall, 1997). The cultural stereotype of the American and Pakistani culture is presented by some American characters (Emily and her family) and some Pakistani characters (Kumail and his family) of The Big Sick movie. The result of the study shows that the characteristics of Pakistani characters are religious and deceitful, while the characteristics of American characters are smart and straightforward. Furthermore, through the analysis of the characters’ characteristics, the writers found the cultural stereotype in the movie. Pakistani characters are associated with conservatism and close-mindedness. On the contrary, American characters are associated with modernism and open-mindedness. It can be concluded that in this movie, American culture is depicted as more positive than Pakistani.

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