scholarly journals Fungsi dan Makna Desain Karakter Wayang Potehi Lakon Shi Jhin Kwie

Panggung ◽  
2020 ◽  
Vol 30 (1) ◽  
Author(s):  
Teguh Hartono Patriantoro
Keyword(s):  
Social Status ◽  
Popular Fiction ◽  
The Body ◽  
Dual Function ◽  
Personality Theory ◽  
Functional Theory ◽  
Head Section ◽  
Character Design ◽  
Underlying Causes ◽  
As If

The object of this research is to analyze the functions and meanings of the characters of Wayang Potehi or Potehi puppet by taking the play of Shi Jin Kwie. The play is a popular fiction story which was later adapted into the story of Prabu Lisanpuro in Javanese theater (ketoprak). The results of the research found the organology structure of Wayang Potehi. It consists of 2, namely (1) parts of the body; head, hand, feet, and (2) clothing; along with ornaments and additional accessories such as swords and hats. The head section can be identified as the interpretation of the puppet character. For instance, an antagonist character depicted as if he was using a Balinese leak mask with his mouth open and angry. The clothes could be the interpretation of social status. For example, the villagers wear plain clothes without ornaments, while the nobles use yellow, red clothing with a dragon/ phoenix pattern. There are 4 types of character design in this show, specifically (1) the firm/ wise character, (2) the entertaining character, (3) the functionaries/ officials/ priyayi character, (4) the antagonist character. Especially for entertaining characters, it has a dual function; to return the underlying causes of the story and become the spy of the enemy. The methods used in this research are personality theory and functional theory approaches. Keywords: potehi character design, Shi Jin Kwie, Function of potehi

Myriad Aspects of Secular Thinking on Malayali Cuisine

GIS Business ◽  
2019 ◽  
Vol 14 (3) ◽  
pp. 202-206
Author(s):  
SAJITHA M
Keyword(s):  
Social Status ◽  
Daily Life ◽  
Social Indicators ◽  
The Body ◽  
Human Being ◽  
Healthy Life ◽  
The Social ◽  
The World ◽  
History Of ◽  
Civilized Society

Food is one of the main requirements of human being. It is flattering for the preservation of wellbeing and nourishment of the body.  The food of a society exposes its custom, prosperity, status, habits as well as it help to develop a culture. Food is one of the most important social indicators of a society. History of food carries a dynamic character in the socio- economic, political, and cultural realm of a society. The food is one of the obligatory components in our daily life. It occupied an obvious atmosphere for the augmentation of healthy life and anticipation against the diseases.  The food also shows a significant character in establishing cultural distinctiveness, and it reflects who we are. Food also reflected as the symbol of individuality, generosity, social status and religious believes etc in a civilized society. Food is not a discriminating aspect. It is the part of a culture, habits, addiction, and identity of a civilization.Food plays a symbolic role in the social activities the world over. It’s a universal sign of hospitality.[1]

Critical Review on Standard Operative Procedure of Yapana Basti Karma

2018 ◽  
Vol 3 (5) ◽  
Author(s):  
Dr. Rishu Sharma ◽  
Dr. Gyanendra Datta Shukla ◽  
Dr. Alok Kumar Srivastava
Keyword(s):  
Side Effects ◽  
Critical Review ◽  
Treatment Modality ◽  
Operative Procedure ◽  
The Body ◽  
Dosage Schedule ◽  
Dual Function ◽  
Time Period ◽  
Curative Action

Panchakarma therapy is one of the vital branch of Ayurveda, which deals mainly with purification of the provoked Doshas from the body. Basti Chikitsa is regarded as the prime treatment modality among the Panchakarma. It is having not only curative action but also preventive and promotive actions. It is considered as best treatment for Vata Dosha. Yapana Basti is a subtype of Asthapana Basti, which is having the property to support life and promote longevity and widely used in various disorders. Rajayapana Basti is superior amongst all the Yapana Bastis described by Acharya Charaka as it is the king of Yapana. This Rasayana Yapana Basti performs dual function of both Anuvasana and Niruha; hence this is Srotoshodhaka and Brimhana at the sametime. That’s why there is no need to administer separate Anuvasana while giving Yapana Basti. There is an urgent need of standardizing the classical Panchakarma procedures in consideration of the need of today. The dosage schedule, exact procedures, medicaments, effects, and side effects are to be standardized so that uniform procedure of practice should be followed all over nation. Standardization is the need of hour for physicians, to prevent Atiyoga (over activity), Ayoga (less or no activity) and to get adequate effects in a systematic and sophisticated manner within desired time period.

scholarly journals Multiple aplasia cutis congenita type V and fetus papyraceous: a case report and review of the literature

2021 ◽  
Vol 15 (1) ◽  
Author(s):  
V. Thadchanamoorthy ◽  
Kavinda Dayasiri ◽  
M. Thirukumar ◽  
N. Thamilvannan ◽  
S. H. Chandraratne
Keyword(s):  
Rare Condition ◽  
The Body ◽  
Sri Lankan ◽  
Aplasia Cutis Congenita ◽  
Skin Defects ◽  
Underlying Causes ◽  
Cutis Aplasia ◽  
Contracture Formation ◽  
Type V ◽  
Aplasia Cutis

Abstract Background Aplasia cutis congenita is regarded as congenital focal absence of skin in the newborn, and occurrence of more than three similar skin defects is rare. The etiology is thought to be multifactorial, and precise etiopathogenesis is unknown. Case presentation A 13-day-old newborn Sri Lankan Tamil girl was referred to the dermatologic clinic with multiple skin defects at birth. There were six lesions on the body, and two of them had healed during intrauterine period, leaving scars. This was a second twin of her pregnancy. Her first twin fetus had demised before 19 weeks of pregnancy and was confirmed to be fetus papyraceous based on ultrasound-guided fetal assessment. The said child was thoroughly investigated and found to have no other congenital abnormalities. Chromosomal studies yielded normal findings. She was treated with tropical antibacterial ointment, and all lesions resolved spontaneously within 4 weeks, leaving scars. Physiotherapy was commenced to prevent contracture formation, and follow-up was arranged in collaboration with the plastic surgical team. Conclusions Aplasia cutis congenita is a rare condition of uncertain etiology, but consanguinity may play a role. This report described a newborn with type V cutis aplasia congenita in whom the diagnosis was confirmed based on clinical features and revision of antenatal history. The management depends on the pattern, extent, location, severity, underlying causes, and associated anomalies.

The Shroud of Turin

1997 ◽  
Vol 9 (1) ◽  
pp. 121-140
Author(s):  
Thaddeus J. Trenn ◽  
Keyword(s):  
Body Image ◽  
Scientific Evidence ◽  
The Body ◽  
Religious Art ◽  
Satisfactory Explanation ◽  
Marshall Mcluhan ◽  
Modern Age ◽  
Shroud Of Turin ◽  
High Degree ◽  
As If

The Shroud of Turin, a linen cloth with but a faint image, continues to capture the interest of many people of diverse beliefs. Although the measured age of the cloth is relatively recent, other scientific findings indicate an earlier provenance. Any firm conclusions regarding the cloth's history remain premature. No satisfactory explanation has been found as yet for how the image on the cloth was produced structurally or stylistically. Iconographic evidence suggests that the image was the source of facial peculiarities found in early works of religious art. The body image bears a striking yet preternatural correlation with Scriptural accounts of wounds. Curiously, the image on the cloth functions as a photographic negative, exhibiting a high degree of resolution, as if the original were produced in pixels. Despite serious efforts to discover some artistic origin md medium, scientific evidence points in the direction that it was not produced by hands. If it is tme that the medium is the message, as Marshall McLuhan wrote, then the Turin Shroud may be a parable for the modern age.

XXIV. Observations on the Chariots of the antient Britains. By the Rev. Mr. Pegge. In a Letter to the Rev. Mr. Norris

Archaeologia ◽  
1785 ◽  
Vol 7 ◽  
pp. 211-213
Author(s):  
Pegge
Keyword(s):  
The Body ◽  
Common Mistake ◽  
Proper Name ◽  
The Common ◽  
As If

Besides the common mistake of the annalists and historians in regard to this passage in Juvenal,Regem aliquem capies, aut de temone BritannoExcidet Arviragus—Juvenal IV. 126.By taking Arviragus for the proper name of a person, and not of an officer; the words of the satyrist are memorable in another respect, as serving to inform us, by the word temone, of a singular mode of fighting amongst the Britons; as if by leaving his carriage, and running upon the pole, the combatant from thence, or from the yoke, engaged the enemy, as long as he thought prudent and convenient, and then retreated back into the body of the vehicle.

scholarly journals Magnetic behaviour of supraconducting tin spheres

1935 ◽  
Vol 151 (873) ◽  
pp. 316-333 ◽  
Author(s):  
K. Mendelssohn ◽  
J. D. Babbitt ◽  
Frederick Alexander Lindemann
Keyword(s):  
Magnetic Field ◽  
External Magnetic Field ◽  
Magnetic Force ◽  
Magnetic Behaviour ◽  
The Body ◽  
Whole Body ◽  
Measured Field ◽  
Lines Of Force ◽  
As If ◽  
Field Strengths

Until a year ago it was generally accepted that if a body is made supraconducting while in a magnetic field the lines of magnetic force were "frozen in," i. e ., whatever lines of force passed through the body at the time when it became supraconducting remained there afterwards, unaffected by any change in the external field, so long as the body was supraconducting. Meissner and Ochsenfeld, however, showed that this supposition was not true. They measured field strengths in the immediate neighbourhood of cylinders which had been cooled to supraconductivity in an external magnetic field, and found that the field of force was then of the same nature as that to be expected in the neighbourhood of perfectly diamagnetic bodies. Thus it appeared that when a body becomes supraconducting in a magnetic field the lines of force are all pressed out of the body, and the induction inside the body falls to zero. At the same time, however, these authors report on another experiment, the result of which appears to us not entirely in accordance with the assumption that the induction in the whole body became zero. They measured the field strengths inside and outside a hollow cylinder, after it had become supraconducting in a field perpendicular to its axis, and found again that the field strength outside was as if the cylinder were almost perfectly diamagnetic, but the field inside was appreciably the same as if the cylinder were non-supraconducting. We therefore made a number of experiments, hoping to find out more exactly the nature of the phenomenon.

Traditional Aesthetics

2020 ◽  
pp. 65-75
Author(s):  
Julianne Newmark
Keyword(s):  
United States ◽  
New Mexico ◽  
Aesthetic Experience ◽  
The Body ◽  
Southwestern United States ◽  
Community History ◽  
As If

D. H. Lawrence’s essays ‘The Spinner and the Monks’ of 1913 and ‘The Hopi Snake Dance’ of 1924 offer evocative textual considerations of aesthetic mediation through acts of the body. In these essays, readers can understand ‘traditional’ aesthetic acts to be those that are not contrivances of modernity; through such acts, history is invoked in the now, as if unchanged. This chapter identifies Lawrence’s engagements with traditional aesthetics as unique experiences of the human sensorium. The examples this chapter examines – the first from Lawrence’s earliest trip outside England (Italy), and the second from New Mexico (in the Southwestern United States) – show how Lawrence progressively experienced and then wrote about ‘traditional’ aesthetic acts as having a unique capacity to engage with community, history and truth. They thus have broad implications concerning Lawrence’s movement toward a refined articulation of aesthetic difference and viscerally mediated relationships. Lawrence’s accounts of Hopi dance and Italian handiwork reveal an openness to the viscerally-mediating capacity of aesthetic experience. As a result of his multi-sensorial engagements, Lawrence experiences and textually records ‘traditional’ aesthetic performances or outputs as both meditating and transformational.

scholarly journals Visualizing Law and Justice at the Extraordinary Chambers in the Courts of Cambodia

AJIL Unbound ◽  
2020 ◽  
Vol 114 ◽  
pp. 128-132
Author(s):  
Maria Elander
Keyword(s):  
Criminal Law ◽  
International Criminal ◽  
The Body ◽  
International Criminal Law ◽  
Individual Identity ◽  
Personal Testimony ◽  
Law And Justice ◽  
As If

The body is falling backwards, facing the sky. The hands are clasped together in a sampeah, as if in greeting, as if in prayer. For the artist of the Cambodian Tragedy Memorial, also called A ceux qui ne sont plus là (For those who are no longer here), the body “speak[s] both to and beyond individual identity.” By standing both as personal testimony of loss and “in memory of the Cambodian genocide and its impossible representation,” the memorial raises longstanding questions on the authority and limits of testimony, on representation, and, importantly for this symposium, on the relation between art and international criminal law.

Art and Archaeology

2016 ◽  
Vol 63 (1) ◽  
pp. 140-143
Author(s):  
Nigel Spivey
Keyword(s):  
The Body ◽  
First Century ◽  
The Usa ◽  
Freed Slaves ◽  
Mr Safe ◽  
As If

In 1830 a hoard of Roman silver weighing some 25 kilograms was recovered from farmland near Berthouville, between Rouen and Caen. The silver was mostly worked into drinking vessels and associated items such as jugs, ladles, and bowls. Two statuettes of the god Mercury confirmed this as a votive deposit, as indicated by various dedications from Romano-Gallic pilgrims, notably on nine pieces left by Quintus Domitius Tutus (‘Mr Safe’) in the mid-first century ad. Restored by conservation experts at the Getty Museum, the cache – along with several other treasures from Gaul – has served as witness to ‘Roman luxury’ in an exhibition on tour in the USA. The exhibition's catalogue is a volume that earns its place in any classical library. The Berthouville Silver Treasure and Roman Luxury may not add very much to our understanding of luxuria in Roman discourse: it is left unclear what happens when a ‘luxury object’ is put out of circulation, or at least transferred into the enclosed economy of a sanctuary; and if Mercury was a deity of fortune favoured particularly by freed slaves, perhaps a set of silver spoons was not such an ‘elite’ attribute as supposed? Beyond such factors of value, however, the figurative elaboration on display is striking. At the centre of a libation bowl we find the Lydian queen Omphale in a drunken slumber, exposing her derrière – as if to say ‘Beware how you imbibe’. One wine pitcher shows Achilles leaping aboard his chariot, with the body of Hector trussed in tow; turn the jug round, and there is Achilles again, now himself stricken in battle. On another pitcher, Achilles is among Greeks mourning the death of Patroclus; and there is Hector's corpse in a pair of scales, as the price of his ransom is assessed. We would be impressed to find such ‘sophisticated’ iconography upon objects in use at some stately villa at Rome or around the Bay of Naples. What does its appearance in the moist pastures of Normandy signify – at least for our preconceptions of ‘provincial taste’?

Masterpieces of Oriental Art. 7

1946 ◽  
Vol 78 (3-4) ◽  
pp. 123-123
Author(s):  
Dora Gordine
Keyword(s):  
The Body ◽  
Slight Variation ◽  
Prominent Feature ◽  
The Individual ◽  
Modern Sense ◽  
As If

The border of this stone is composed of several rows of ornament. The outermost rim is carved in low relief that not only confines but gives width to the row of animals next to it. Those animals chase one another with the vigour of beasts in a circus ring, their exuberance apparent not only in the general rhythm but in the individual shape of every one of them. Each elephant is modelled with extreme sensitiveness in spite of his monumental form. The horses trot briskly with an air of concentration. The lions are alert and aggressive as if in. the presence of danger, while the cows are tame and placid. In every animal the massiveness of the body is a prominent feature, while sculptural stability is retained by the exaggerated shortness of the legs. The animals tread a row of foliated pattern, which gives the feeling of ground for their support and by its elaboration brings out the simplicity of the animals above and the geese beneath. The geese at first glance look symmetrical, yet they are not only pattern but alive, and the reason is that though they are subdued to an architectural purpose, there is individuality in every goose, and a slight variation in the gesture of every head. The lowest part of the border consists of two rows of lotus petals, delicate and faintly traced, the larger row climbing a swelling curve in the stone. The plain centre underlines the smallest modulation in the carving. This stone, which at first sight might be taken for decoration in the modern sense of a trade piece, proves on examination to be particularly rich and beautiful. How very different, for example, from Mestrovic's “Canadian War Memorial” illustrated in Some Modern Sculptors, by Stanley Casson.

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