scholarly journals El enigma de lo insignificante. Subjetividad y ciudad en "Jakob von Gunten"

Author(s):  
Juan Evaristo Valls Boix

El propósito del presente estudio consiste en analizar las relaciones entre subjetividad y espacio urbano a través de la novela Jakob von Gunten de Robert Walser. La novela desarrolla una tensión entre, de un lado, un instituto de enseñanza y una forma de subjetividad entendida como interioridad privada y normativizada, y, de otro, la ciudad como espacio de lo múltiple y lo irrepresentable y una forma de subjetividad entendida como intimidad o secreto. La tensión entre ambas relaciones espacio-sujeto supone una versión peculiar de la dialéctica entre modernización y modernidad tal y como Benjamin o Kracauer la relatan, y permite pensar formas alternativas y superpuestas de concebir la subjetividad y el espacio a partir de distintas lecturas de un texto. The purpose of the present study is to analyze the relations between subjectivity and urban space through the novel Jakob von Gunten by Robert Walser. The novel develops a tension between, on the one hand, an institute of teaching and a form of subjectivity understood as private and normative interiority, and, on the other, the city as a space of the multiple and the unrepresentable and a form of subjectivity understood as intimacy The secret. The tension between both space-subject relations supposes a peculiar version of the dialectic between modernization and modernity as Benjamin or Kracauer relate it, and allows to think alternative and superposed forms of conceiving the subjectivity and the space from different readings of a text.

2008 ◽  
Vol 13 ◽  
Author(s):  
Attila Gergely Mráz

This paper explores some possibilities of interpreting the motif of the city in John Dos Passos's Manhattan Transfer as a multiply vacuous common sphere. First, it is shown how the spatial aspect of the city can be characterized by its twofold rendition as a place endowed with intrinsic ambiguity on the one hand, and as a defective common space on the other. Second, a structurally similar duality is investigated in the temporal experience of Dos Passos's city dwellers by distinguishing between (vacuous) present time and historicity, each associated with attributes of the city as a place and a space. Finally, it is shown that the postulated spatiotemporal vacuity of the city correlates with the pervasively aesthetic character of the urban sphere, where interpersonal relations are inherently deficient. This leads to an ultimate, moral vacuity in the common urban space; the only aspect of the vacuity discussed which is not absorbed at the end of the novel.


Urban History ◽  
2017 ◽  
Vol 45 (2) ◽  
pp. 233-252
Author(s):  
MIKKEL THELLE

ABSTRACT:This article investigates the emergence of the Copenhagen slaughterhouse, called the Meat City, during the late nineteenth century. This slaughterhouse was a product of a number of heterogeneous components: industrialization and new infrastructures were important, but hygiene and the significance of Danish bacon exports also played a key role. In the Meat City, this created a distinction between rising production and consumption on the one hand, and the isolation and closure of the slaughtering facility on the other. This friction mirrored an ambivalent attitude towards meat in the urban space: one where consumers demanded more meat than ever before, while animals were being removed from the public eye. These contradictions, it is argued, illustrate and underline the change of the city towards a ‘post-domestic’ culture. The article employs a variety of sources, but primarily the Copenhagen Municipal Archives for regulation of meat provision.


2021 ◽  
Vol 8 (1) ◽  
pp. 36-48
Author(s):  
Ratna Noviani ◽  
Elok Santi Jesica

This article discusses how urban life is represented through the Barsa City, Uttara the Icon, and The Palace apartment advertisements and promotional videos. Applying Guy Debord's idea of spectacle to examine how urban life is transformed into visualization and commodification, also George Ritzer’s idea of re-enchantment of the disenchanted world and the new means of consumption. This article is aimed to analyze the position of apartments in the urban space of Yogyakarta that is discursively constructed through apartment promotional media. The conclusion of this research shows that apartments are functionalized to create the spectacle of the city. Urban space and life are aestheticized and spectacularized, in which apartments are displayed as part of dramatic and extravagant urban arts. Presented as one-stop-serving buildings, the apartments also promote the fusion of living space, urban style experience, and consumption which lead to the difficulty in distinguishing spatial boundaries. The advertisements and promotional videos of the apartment in Yogyakarta also promote temporal paradox. On the one hand, it promotes time compression and speed, meanwhile, on the other hand it promotes prolonged and extended time to foster consumption in the urban space.


2018 ◽  
Vol 14 (2) ◽  
pp. 48
Author(s):  
Kadet G. Bertin ◽  
Adjelou Kessou ◽  
Anoh Kouassi Paul

The dynamics of Bouaflé, an urban locality in the center-west of Côte d'Ivoire, faces a double challenge. On the one hand, the plight related to the mortality of the under-five stands out as a threat to their future. On the other hand, owing to lack of drinking water in the city as well as harmful effects of polluting activities on the local environment, environmental pathologies affect the urban space. From available documents on this city supplemented by field surveys, this study showcases an inventory of the determining factors of infant and child mortality in Bouaflé and highlights the limitations of local governance in the quest for a sustainable development for the capital city of the Marahoué.


Author(s):  
Jeffrey N. Cox

We normally associate writing about the city with a line of continental writers from Baudelaire to Benjamin and beyond. However, there was an earlier account of the city in the writers identified with the Cockney School and in particular Leigh Hunt. Hunt’s Wishing Cap Papers are a striking instance of an attempt to write about the city from the perspective of someone who is, on the one hand, below the circles that control the city, and, on the other hand, capable of imagining a world beyond the city as it exists in the present. While our image of Hunt in the city might begin and end with Dickens’ Skimpole, we can recover behind that savage portrait an engaged city-dweller trying to imagine the urban space remade by pleasure. This is part of the Cockney attempt to create a cosmopolitanism that moves from the local to the global in order to bypass the nation.


2020 ◽  
Vol 24 (2) ◽  
pp. 195-208 ◽  
Author(s):  
Giulia Gonzales

This article analyses the research methods adopted while working with Kel Tamasheq (Tuareg) families in the urban space of Bamako. With no authorisation to move outside the city, the researcher cannot but be, on the one hand, a fixed point of observation of informants' movements in and out of the city. On the other hand, the progressively acquired capacity to move through Bamako's Kel Tamasheq families – sometimes depending on others, sometimes autonomously – resituates a mobile approach within a context of general immobility. As these two levels of observations collide, this article reflects on an emerging methodological approach to 'discontinuous (im)mobility'. The article suggests that strategic (im)mobility is key to comprehending the extension and organisation of different relationships. By discontinuous (im)mobility this article means a not-necessarily pre-planned organisation of the researcher's mobility while doing fieldwork. Initially this might seem to lead to great confusion in collecting and analysing qualitative ethnographic data. However, in the long run it provides a rich and varied corpus of observations and interactions that are inclusive and intra-scalar. Readiness to be (im)mobile, to navigate volatility, is the norm that is not grasped by equilibrium-driven methodological approaches based on ordered and sequential fieldwork design. This discontinuous (im) mobility allows us to comprehend the entanglement and ongoing reproduction of such variabilities, whose change is hastened by the shifting socio-political context in Mali. To support my argument, the article takes the example of tbushak, a practice of visiting relatives and friends.


Author(s):  
Andreas Philippopoulos-Mihalopoulos

The connection between law and the city is an increasingly relevant area of transdisciplinary research currently explored from both applied and theoretical perspectives. Existing approaches, however, have not adequately focussed on the fusion between the law and the space of a city, the geographical physicality of the urban in its material ontology on the one hand, and the operations of the law within such materiality on the other. This chapter builds on my previous work on the concept of the Lawscape, which has shown that law’s reluctance of the law to grapple with urban space may well be on account of the counter-intuitiveness of the connection: positive law greatly relies on its immateriality, its objective, abstract application independently of spatial parameters. I argue here that the lawscape is the surface on which the concept of spatial justice emerges as a true interstice. The problem with spatial justice, however, is that it is woefully undertheorised and usually equated with rather innocuous constructions such as social justice and democracy. Employing a Deleuzian approach, I offer a conceptualisation of spatial justice not as synthesis but as emergence from the folds of the lawscape.


2019 ◽  
Vol 10 (1) ◽  
pp. 12
Author(s):  
Marco Gargiulo ◽  
Antonio Catolfi

This article aims to focus on two main aspects of Rome urban space vision and representation through Ettore Scola’s filmography: on the one hand, we try to decode the interconnections between languages and cinematic architectural space and, on the other hand, we intend to disclose how Scola meant to create a connection between his personal cinematic narrative and the tangled urban space in the city of Rome. Our investigation is mainly focused on the so called “urban village” Palazzo Federici, a town within the city, which is the A Special Day and The Story of a Poor Young Man’s main location. Palazzo Federici is an architectural complex of 400 dwellings designed by architect Mario De Renzi and built between 1931 and 1937; it is an ideal place to describe a hive shape building, with a squared structure inspired to a small fortified town, with a central courtyard and an empty fountain, that can represent the different faces of the suffocating fascist regime. The interrelation between the social and the architectural structures and between the mental and urban space anatomies are evident in these two films. Palazzo Federici is a protagonist in the story narrated during the visit of Hitler in Rome, the 6th May 1938, the Special Day when Antonietta (Sophia Loren) and Gabriele (Marcello Mastroianni) meet, and it leads the characters as a dark set for the Story of a Poor Young Man where it describes the drama of human solitude and desperation in a labyrinthine urban environment in Rome.  


2018 ◽  
pp. 33-35
Author(s):  
N. O. Anisimov

The article examines the semiotic field of the city and its influence on the formation of a specific socio-cultural space. The author considers the city as a historically and culturally developed space, continuously producing cultural information. According to the author, urban space is a special subject-object environment, where an individual, a citizen, is in the role of an actively cognizing subject, and the city is in the status of an object, on the one hand, passively cognizable, on the other hand, actively giving itself to identify, reveal with the help of specific techniques, called us semantic-semiological practices. Semiotic meanings of urban space appear before us in the form of a cultural code that a person is able to read.


2006 ◽  
Vol 15 (3) ◽  
pp. 49-65
Author(s):  
Ole B. Jensen

Ole B. Jensen: The city: power and network. A new urban sociology’s reading of the representational logic of urban interventions This article presents an analytical framework for revitalising the field of urban sociology. It draws on two forms of discussion within sociology. On the one hand, there is the contemporary discussion among sociologists such as Sassen and Castells. On the other hand, the framework involves an understanding of social practices as spatial and material, as well as being embedded in cultural and normative contexts of meaning. Thus by applying a general frame for understanding social action as both spatial and symbolic practices, the article suggests that we can gain a better understanding of how particular interventions in urban space are embedded in a network of representations, institutions and agents, as well as how they reflect a particular power and rationality configuration. The analytical framework is tentatively applied on the empirical case of the urban harbour front development in Aalborg, Denmark.


Sign in / Sign up

Export Citation Format

Share Document