scholarly journals La noción de ciudad como ambiente significante. Las primeras propuestas teóricas urbanas de Juan Navarro Baldeweg | The notion of city as a significant environment. Juan Navarro Baldeweg’s first theoretical urban proposals

ZARCH ◽  
2017 ◽  
pp. 184
Author(s):  
Covadonga Lorenzo Cueva
Keyword(s):  
Urban Environment ◽  
Real Time ◽  
Present Article ◽  
Urban Space ◽  
Physical Reality ◽  
Voluntary Participation ◽  
Professional Career ◽  
Urban Intervention ◽  
The Creation ◽  
The City

El presente artículo trata de ilustrar el concepto de ciudad entendido como espacio de significación implícito en las primeras propuestas teóricas urbanas de Juan Navarro Baldeweg al comienzo de su trayectoria, poniendo de manifiesto la relevancia de un nuevo modo intervención sobre la ciudad, alejada de metodologías de carácter formalista o funcionalista, que darían lugar a intervenciones menos legibles, pero que trataban de transcender al medio físico y dotar a un entorno urbano de cierta identidad y significación. En estas propuestas plantearía, en primer lugar, la incorporación al medio urbano de un sistema de símbolos o imágenes lo suficientemente variado como para representar en tiempo real procesos que podían tener lugar en el ámbito social. En segundo lugar, la generación de una estructura que permitía la participación voluntaria de los miembros de la comunidad en la conformación del espacio urbano. En tercer lugar, el desarrollo de sistemas artificiales autónomos que incorporaban procesos de retroalimentación, haciendo visibles a través de medios tecnológicos las relaciones entre la realidad física con la que se operaba y los símbolos que la dotaban de significación. Y por último, la superación de concepciones preestablecidas en las metodologías de intervención urbana a través de la apertura a una nueva semántica variada, dinámica y de carácter efímero.PALABRAS CLAVE: Navarro Baldeweg, ciudad, urbanismo, medio ambiente, comunicación e información.The present article tries to illustrate the concept of the city understood as a significant environment implicit in Juan Navarro Baldeweg’s first theoretical urban proposals developed during the first years of his professional career. It reveals the importance of a new way to intervene on the city far away from formal or functional methodologies that uses less legible interventions to go beyond the physical reality providing the urban environment of certain identity and significance. In all these proposals, first of all, he proposes adding the urban environment a system of symbols or images sufficiently varied to represent real time processes that could take place in the society. Secondly, the creation of a structure that allows the voluntary participation of the members of the community in the conformation of the urban space. Thirdly, the development of autonomous artificial systems that incorporates feedback, making visible through technology the relationships between the physical reality and the symbols that provides it with significance. And finally, the overcoming of pre-established conceptions in methodologies of urban intervention through the opening of a new, dynamic and ephemeral semantic.KEYWORDS: Navarro Baldeweg, city, urbanism, environment, communication and information

scholarly journals Urban water bodies as the basis for functioning of public spaces

2020 ◽  
Vol 217 ◽  
pp. 02005
Author(s):  
Valentina Kurochkina
Keyword(s):  
Urban Planning ◽  
Urban Environment ◽  
Urban Space ◽  
Public Spaces ◽  
Water Bodies ◽  
High Rate ◽  
The Creation ◽  
The Impact ◽  
The City

Recently, housing construction in cities has been carried out at a high rate. Increasingly, urban abandoned and flooded depressive spaces near water bodies (often rivers), which were previously used as industrial facilities or temporarily used, are becoming the sphere of architectural and landscape transformations. The restoration of such territories helps to improve the quality of urban space and improve its ecological properties. Correct development of territories near rivers and various water bodies has a great health-improving effect on the urban environment, improves its natural and climatic conditions. In addition, social and economic factors play an important role in this process, since such transformed territories and territories adjacent to them significantly increase investment attractiveness. This paper examines modern approaches to the development of urban public spaces, based on the formation of architectural environments that ensure the relationship of urban development with water bodies and adjacent territories. The paper notes that water bodies are not only an important component of the natural-ecological framework, but are also the basis for the framework of urban-planning natural-technogenic systems as a whole. And the creation of a continuous urban fabric is impossible without the organization of a ‘water’ line of development, provision of compositional, functional and communication interconnection of open urban and water spaces, which is actively being introduced today in architectural and urban planning practice. The paper examines the role of water bodies in the ecological system of the city, as well as in its structure as a whole. The aim of the study is to identify the features of the formation of a public urban space, to determine the patterns of its development, to identify criteria that reflect the nature, scale and features of the impact of urbanization on a water body. Some principles of revitalization of coastal areas, as well as the creation of a system of publicly accessible, compositionally expressive spaces are considered. The principles of space transformation aimed at the formation of a holistic image of the city, as well as the impact of such a spatial arrangement of urban and water bodies on the safety and quality of the urban environment are considered.

scholarly journals URBAN STUDIES IN THE CONTEXT OF THEORIES OF VISUAL PRACTICES

2017 ◽  
pp. 93-97
Author(s):  
A. M. Tormakhova
Keyword(s):  
Cultural Studies ◽  
Urban Environment ◽  
Urban Space ◽  
Urban Studies ◽  
Urban Areas ◽  
Mutual Influence ◽  
Interdisciplinary Approach ◽  
Practical Significance ◽  
Monumental Architecture ◽  
The City

One of the leading trends in contemporary cultural studies is the appealto the field of visual. Thepurpose of the article is to investigate the range of problems associated withthe existence, functioning of various visual practices in the urban space and the disclosure of the specifics of communication carried out through their intermediation. In urban space, there are many forms, such as monumental architecture, urban sculpture, outdoor illumination, landscape art, street art, graffiti and others. These artifacts are the subject of cultural research within different disciplines - aesthetics, cultural studies, design, and art. It may be noted that in recentdecades, significant development gets such a direction as Urban Studies, in which the focus of research serves the city. The methodology of the study includes an appeal to an interdisciplinary approach that relies on the achievements of practical cultural studies, Urban studies,and aesthetics theory by Ukrainian and Western authors. Scientific novelty consists in analyzing the connection ofactual visual practices presented in the urban space and forming of Internet activity, which facilitates the mutual influence of these spheres one on another. The author noted that urban space is gradually becoming not only interactive, but also fully assuming the characteristics of WEB 2.0, which means active rethinking and transforming the environment, urban residents involvement in decision-making that becomes a norm of everyday life. City is a kind of text that reflects changing tastes, politicaland economic factors in visualform. Town and city public spaces play an important role in shaping the interaction within society. One of the pressing problems of practical cultural studies in general and urban areas in particular, should be integrated into organization of the urban environment and design the image of the city. The practical significance lies in the fact that the results of the research can beused in developing the urban sphere in particular and in actualizing the issue of organizing the urban environment and constructing the image of the city.

scholarly journals HETERO-TEXTUALITY AND CO-SPATIALITY: FROM THE SEMIOTICS OF THE CITY TO THE TRANS-SEMIOTICS OF THE POST-CITY

2021 ◽  
Vol 70 (1) ◽  
pp. 70-79
Author(s):  
Dmitry N. Zamyatin ◽  
◽  
Keyword(s):  
Urban Space ◽  
Urban Spaces ◽  
Literary Texts ◽  
General Context ◽  
Research Material ◽  
Single Text ◽  
Urban Narratives ◽  
Key Features ◽  
The Creation ◽  
The City

Literary texts can be considered as the most attractive research material for analyzing the key features of both the semiotics of the city as a whole and the semiotics of individual cities, to which many works of art are devoted. The urban space of Modernity as a result of the processes of powerful semiotization can be considered as both textual and intertextual. The intertextuality of Modern urban spaces presupposes sets of “floating” topological signifiers corresponding to similar sets of “floating” topological signs. In the traditional semiotics of the city, the existence of two realities is assumed — the “real” reality and the “semiotic” reality, between which clear logical correspondences and/or relations can be observed and analyzed. The appearance of non-classical/post-classical urban narratives focused on the problems of dis-communication at the beginning of the 20th century became one of the important signs of the primary formation of the post-city and post-urbanism phenomena. The post-city is not a text and can not be regarded as a text; at the same time, it can generate separate texts that are not related to each other in any way. Post-urban texts, which are the communicative results of specific co-spatialities, remain local “flashes” that do not form a single text or meta-text (super-text). Hetero-textuality is a phenomenon of post-urban reality, which is characterized by the coexistence, as a rule, of texts that do not correlate with each other, relating to certain stable urban loci. Trans-semiotics in general context is understood as the study of any texts that involve the creation of sign-symbolic breaks or “gaps” with any other potentially possible correlating texts in the process of signification. Trans-semiotics of post-cities are studies of (literary) texts that involve the creation of sign-symbolic breaks or “gaps” with any other potentially possible correlating texts related to a particular urban locus in the process of signifying any urban loci. The post-city heterostructuality can be considered as the co-spatiality of mutually exclusive texts corresponding to “non-seeing” post-city loci. Post-urban trans-semiotics in the course of their development form a kind of “dark zones” that reject or neutralize any attempt at any semiotic interpretation.

scholarly journals The importance of vertical buildings in perception and memorising the city

2018 ◽  
Vol 33 ◽  
pp. 01031
Author(s):  
Rifat Alihodzic ◽  
Domen Zupančič
Keyword(s):  
Urban Environment ◽  
Urban Space ◽  
Gestalt Psychology ◽  
Elementary Process ◽  
Spatial Relationships ◽  
Significant Phenomenon ◽  
Spatial Use ◽  
Spatial Hierarchy ◽  
As Relationship ◽  
The City

Being aware of the surrounding we live in, among other things, means establishing of spatial relationships between oneself and the environment, equally important as relationship between oneself and others. Environment consists of facilities and space. Space, „gift by itself“, is defined by terrain topography, sky horizon, plants and animals. The architecture, as a profession, is interested in space created distinctively. Perception, as elementary process of consciousness and psychological life, deals with being conscious about something. In this case, physical structures that create a city. Psychological experience of urban environment is important factor having effect on perception, memorising and orientation in urban space. Gestalt psychology of perceiving is area applying to and significant for architecture either. The importance of vertical lies in its perceiving the gravitation, forming perceiving focus, landmark, for urban units and subunits to be memorised, creating spatial hierarchy and perception logics, remembering and orientation in space. This work analyses reasons for building upright with comparative analyses in their participation in space and on human psychology. This paper’s purpose is to, using fundamental facts, show the importance of vertical buildings, not as a spatial use phenomenon, but also as significant phenomenon.

scholarly journals An attempt of creating new museum narratives by the example of the exhibition project «Shevchenko by the urban tongue»

2021 ◽  
pp. 112-123
Author(s):  
Mykhailo Zubar ◽  
◽  
Oleh Mahdych ◽  
Keyword(s):  
Public Space ◽  
Urban Space ◽  
Historical Period ◽  
The Public ◽  
New Public ◽  
New Meanings ◽  
Process Of Urbanization ◽  
The Creation ◽  
The City ◽  
Ukrainian Society

Taras Shevchenko is one of the most researched and discussed figures in Ukrainian society. In each historical period receptions and assessments around Shevchenko` personality differentiates, depending on the public circumstances or prevailing trends in humanitarian discourse. These perceptions swayed between positive and critical judgment. Authors identified several key perceptions of Shevchenko in Ukrainian public space, for instance, «national hero», «father of the nation», «poet», «revolutionary democrat». In their opinion, modern Ukraine still faces the search for Shevchenko` new image. New forms of public honour (commemoration) are being developed, including through museum exhibition projects. Authors also analyze the significance of the museum narrative expositions and exhibitions for the creation of new public images, giving the example of the exhibition project «Shevchenko by the urban tongue», which took place in the Taras Shevchenko national museum from November 4th to January 31th in 2021. Curators attempted to explore how personal experience in the city changed due to the process of urbanization from the XIX-th century and how the urban space influenced the shaping of the Taras Shevchenko figure. Specifically, in the XIX-th century, cities ultimately transformed into an environment, which created trends, emphases of the global public development that influenced Shevchenko, since exactly in the city he gained domestic freedom, profession and widened his social circle. The city gave him a sense of understanding of the culture, its influence and importance not only for consumer purposes or acceptance but also for the creation of new meanings. According to the authors, this approach allows us to better understand the significance of Taras Shevchenko, his connection to modern Ukrainian realities and world context.

scholarly journals The Contested Gallery: street art, ethnography and the search for urban understandings

AmeriQuests ◽  
2006 ◽  
Vol 2 (1) ◽  
Author(s):  
Justin Armstrong
Keyword(s):  
Visual Culture ◽  
Urban Environment ◽  
Public Space ◽  
Urban Space ◽  
Urban Spaces ◽  
Cultural Value ◽  
Street Art ◽  
Cultural Characteristics ◽  
The Road ◽  
The City

This is a paper on street art and its role as a form of artistic insurrection that challenges popular understandings of public space and urban visual culture. I would like to think of it as a field guide to urban seeing, a means of revising the way in which we view the cityscape and its imagery. It is a way of imagining the city as a canvas onto which ideas may be inscribed and reinterpreted, where resistance percolates up to those who look for it. It is here, in what Kathleen Stewart has called a “place by the side of the road” that the work of the street artist exists, slowly gurgling up through the cracks in the sidewalk and briefly illuminated by the yellow-white glow of the street lights. Street art most often takes the form of adhesive stickers, spray-painted stencils, and wheat-pasted posters, and while it shares many similar aesthetic and cultural characteristics with graffiti, street art embodies a unique ideology. Graffiti represents a territorialization of space (‘tagging’, or reclaiming urban spaces through the use of pseudonyms as territorial markings); street art represents a reterritorialization of space. Rather than taking space, street art attempts to re-purpose the existing urban environment. This paper seeks to reflect the changing dynamic of urban space through an analysis of the practice of street art. By examining the roles that street artists play in disrupting the flow of visual noise in the city, I will illuminate the cultural value and significance of this form of urban artistic resistance.

scholarly journals Depressed spaces as an instrument for transformation of urban areas

2020 ◽  
Vol 217 ◽  
pp. 02008
Author(s):  
Valentina Kurochkina
Keyword(s):  
Urban Planning ◽  
Urban Environment ◽  
Urban Areas ◽  
Planning System ◽  
Urban Systems ◽  
Social Significance ◽  
The Creation ◽  
The Impact ◽  
The City

Recently, more and more often urban abandoned and depressed spaces that were previously used as industrial facilities or temporarily used are becoming the sphere of architectural and landscape transformations. These territories can occupy a significant part of the city. This paper examines the features of the formation of urban planning systems, as well as the impact of depressed spaces on the quality of the urban environment. This paper studies such depressed spaces as abandoned industrial areas and objects of unfinished construction. The paper assesses the impact of depressed spaces, identifies criteria that reflect the nature, scale and features of their impact on the environment, on the safety and quality of the urban environment, as well as their role in the structure of the city as a whole. The principles and features of the formation of such urban depressed spaces, as well as the patterns of their development are revealed. The features of the formation of open public space of urban systems, as well as ways of transforming depressed spaces, aimed at increasing their social significance, integrating them into the general urban development, and improving the ecological and social situation are considered. The paper concludes that the problem of restoration of depressed spaces is very important and urgent today. The creation of a continuous urban tissue is impossible without the reorganization of such spaces, as well as the creation of an integral compositional, functional and communication urban planning system.

scholarly journals Participation in Cities in Sociological Discourse

Discourse ◽  
2020 ◽  
Vol 6 (4) ◽  
pp. 46-61
Author(s):  
A. A. Beschasnaya ◽  
N. N. Pokrovskaia
Keyword(s):  
Urban Environment ◽  
Urban Space ◽  
Social Practice ◽  
Urban Population ◽  
Social Activity ◽  
Urban Life ◽  
Social Solidarity ◽  
City Management ◽  
The Social ◽  
The City

Introduction. The social practice of participativeness, active participation in the transformation of urban space in the interests of residents, is gaining popularity among the urban population. The study of this phenomenon is interest for obvious integration with management decisions. Expanding the practice of implementing social activity of the population and studying the components of participativeness determine the goal of writing the paper-the formation of a theoretical and methodological basis for studying this phenomenon.Methodology and source. The paper presents a review of classical and modern sociological theories that reveal the potential of empirical study of aspects of the manifestation of participation of urban residents. Among the mentioned by the authors are the theory of social action, social solidarity, phenomenology, social constructivism.Results and discussion. The problematic nature of living in cities and the penetration of these problems into the daily interaction of citizens forms the origins of solidary participation of citizens-individual and private interests form collective actions-processes. Multiple individual forms of citizens' activity on urban improvement are transformed into participativeness – institutionalized joint activity. Its participants can take differentiated positions in the social structure of the urban community according to the criteria of having a diverse experience of interaction, i.e. exchange, with the urban environment and taking a position in the city management structure, which determines the level of regulated authority to make managerial decisions. The problems of urban life that are common to different categories of citizens and the typification of social activity to solve them order the interaction of participants, organize and “produce” the urban space.Conclusion. In the process of reasoning, a theoretical model of the formation of participativeness is presented, which allows us to trace the transformation of activity of the urban population into the right to the city and the formation of a favorable urban environment.

scholarly journals THE ROLE OF LANDSCAPE COMPONENT IN THE CREATION OF «HUMAN SCALE» URBAN ENVIRONMENT

2020 ◽  
Vol 8 (1) ◽  
pp. 284-288
Author(s):  
Irina Lukina ◽  
Angelina Selivanova ◽  
B. Temirsultanova
Keyword(s):  
Urban Environment ◽  
Main Criterion ◽  
Visual Contact ◽  
Human Environment ◽  
Human Scale ◽  
The Creation ◽  
Systematic Understanding ◽  
The One ◽  
The City

Excessive increase in the size of the main urban development objects on the one hand, and the creation of abstract volumes of the urban environment that do not have any familiar details comparable to the size of a person on the other hand, creates an architecture completely divorced from people and hostile to them. Therefore, there was a need to justify the use of landscape components to create a medium-scale human environment. The natural environment is that component of the spatial planning structure of the city, which, if properly placed, will absorb the negative psychological effect of the perception of huge undifferentiated abstract arrays of buildings in a re-compacted urban environment. The main criterion for the psychological comfort of a city dweller is the visual contact of a person in the house with the street, the ability to see the details and, most importantly, understand what they are in relation to the person. Along with small architectural forms, such elements will be trees, shrubs, benches, information boards, which have constant and understandable ergonomic dimensions. This is what is always referred to in the term anthropocentrism in architecture. The article proposes to clarify the concept of “human scale” on the basis of a systematic understanding of scale in architecture, and then this category of scale is considered not as a compositional means of aesthetic expressiveness of the urban environment, but as a factor in biological safety and physical survival of a person in conditions of total urbanization.

Of time and the city: curating urban fragments for the purposes of place marketing

2019 ◽  
Vol 12 (2) ◽  
pp. 181-196 ◽  
Author(s):  
Gary Warnaby
Keyword(s):  
Urban Space ◽  
Design Methodology ◽  
Corporate Identity ◽  
Full Potential ◽  
Place Marketing ◽  
Urban Management ◽  
Content Type ◽  
Theoretical Context ◽  
The Creation ◽  
The City

Purpose This paper aims to analyse the place marketing potential of historic urban “fragments”, with particular reference to old corporate identity symbols still extant in urban space. Design/methodology/approach Following a discussion of theoretical context, specifically incorporating spatial semiotics and psychogeography, the paper constitutes an interpretive account of a “tour” around the city of Manchester, UK, apprehending and discussing various historic corporate identity fragments still visible in the city. Findings Historic corporate identity fragments are identified and outlined, and issues arising from their continued existence, in terms of, for example, what constitutes heritage, and how this heritage can be used for the creation of urban distinctiveness (or genius loci) for the purposes of place marketing/branding are discussed. Originality/value The potential of heritage to be incorporated into the “representation work” of those responsible for urban management/marketing is highlighted, along with the need for such heritage fragments to be “curated”, if their full potential in this regard is to be realised.

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