scholarly journals The Blade of the Youngest Princess: The Eastern Kalimantan Folklore in the Analysis of Vladimir Propp’s Narrative Structure

2018 ◽  
Vol 5 (1) ◽  
pp. 83-94
Author(s):  
Siti Hafsah
Keyword(s):  
Qualitative Methods ◽  
Decision Maker ◽  
Narrative Structure ◽  
Moral Value ◽  
Good Decision ◽  
Educational Value ◽  
East Kalimantan ◽  
Vladimir Propp

The object of this research is The Blade of the Youngest Princess folklore (which abbreviated KLPB – Kepala Lading Putri Bungsu) from East Kalimantan. The researcher uses an approach of Vladimir Propp’s Narrative Structure to analyze the folklore. This research aims to reveal the function of the system of structure in folklore. The research uses qualitative methods and narrative structure of Vladimir Propp is used as an approach to identify the function and the structure of the story to reveal various values in community in East Kalimantan especially the moral value and the educational value. From the analysis, researcher finds that from the perspective of characters’ function, the folklore is formed from fifteen function. Whereas the elements of value of the community especially in East Kalimantan as reflected from the folklore is that the king is wise, fair, and a good decision maker.

scholarly journals Design of The Narrative Structure of Berau Natural Tourism Promotional Video using Freytag’s Pyramid Method

2021 ◽  
Vol 2 (1) ◽  
pp. 83-86
Author(s):  
Sonia Winner Nursalim ◽  
Alfiansyah Zulkarnain
Keyword(s):  
Qualitative Methods ◽  
Research Methodology ◽  
Narrative Structure ◽  
Tourist Attractions ◽  
East Kalimantan ◽  
Expert Interview ◽  
Tourism Potential ◽  
Promotional Video ◽  
Interview Studies ◽  
Valid Information

Indonesia's tourism potential is quite large. But in fact, tourism is still very centralized in only a few places such as Java and Bali. Even though, there are still a lot of tourist attractions that are no less interesting and beautiful, like the natural tourism of Berau Regency, which is located in East Kalimantan. Therefore, in designing this video, it is necessary to divide the narrative which is dissected using the Freytag's Pyramid narrative structure method. The research methodology used is to use qualitative methods by conducting expert interview studies who are expected to provide valid information. The divided narrative of this promotional video will be useful in the process of designing a visual study.

scholarly journals The Good Decision-Maker or Protecting the System

2020 ◽  
pp. 155-185
Author(s):  
Laura Affolter
Keyword(s):  
Decision Maker ◽  
Common Good ◽  
Asylum Seekers ◽  
Decision Makers ◽  
Individual Decision ◽  
Good Decision ◽  
The Common Good ◽  
Active Search ◽  
The Common

AbstractThis chapter explores how “digging deep”, which stands for the active “search for” inconsistencies in asylum seekers’ narratives in asylum interviews, becomes the morally correct thing for decision-makers to do. Building on Eckert (The Bureaucratic Production of Difference. transcript, Bielefeld, pp. 7–26, 2020) I challenge the depiction of bureaucracies as anethical and amoral. Ethics I understand not in a normative, but rather in an empirical sense, as the common good the administration is oriented towards. The chapter brings to light how particularly through fairness—both as a procedural norm and ethical value—digging deep is established as a routine, professionally necessary and desirable practice, which is connected to decision-makers’ role as “protectors of the system”. I argue that digging deep actively generates the “liars” and “false refugees” it sets out to “uncover”, thereby reinforcing the perception that, indeed, there “are” many false refugees which, again, strengthens the office’s and individual decision-makers’ endeavours to identify and exclude them from asylum.

scholarly journals KABA BONSU PINANG SIBARIBUIK: FUNGSI PELAKU YANG CUKUP LENGKAP DENGAN PENYIGIAN MORFOLOGI VLADIMIR PROPP The Narratives of Folktale Bonsu Pinang Sibaribuik: Almost Complete in Number of its Function of Action According to Vladimir Propps’s Narratology

Kadera Bahasa ◽  
2020 ◽  
Vol 12 (1) ◽  
pp. 58-76
Author(s):  
Mulyadi Mulyadi
Keyword(s):  
Fairy Tales ◽  
Qualitative Method ◽  
Narrative Structure ◽  
Story Telling ◽  
Universal Structure ◽  
Vladimir Propp

AbstrakArtikel ini menganalisis genre sastra tradisional Minangkabau, Kaba Bonsu Pinang Sibaribuik (KBPS), dengan menggunakan pendekatan naratologi morfologi Valdimir Propp. Dengan menggunakan metode kualitatif dan teori fungsi pelaku morfologi cerita rakyat dari Propp, penelitan ini membuktikan bahwa fungsi pelaku dalam kaba ini sangat relevan dengan teori Propp. Terdapat sebanyak 29 fungsi dalam kaba KBPS dari 31 yang dikemukakan Propp, dengan tiga pergerakan cerita atau tiga pengulangan pola fungsi tindakan pelaku, dengan tujuh persebaran fungsi pelaku yang sesuai/lengkap dengan Propp (lingkungan aksi: penjarah; pemberi (donor); pembantu/penolong; seorang putri (yang dicari) dan ayahnya; perantara/utusan; pahlawan/wira; dan pahlawan palsu. Narasi kaba ini membuktian relevasi dan equivalensi struktur kesejagadannya dengan pola-pola cerita peri Rusia yang diteliti Propp. Fungsi-fungsi tindakan dikemukakan Propp itu pada kaba KBPS bukan semata sebuah hasil rekayasa dan kejeniusan tukang cerita, hal itu juga keajaiban universalitasnya dalam penciptaan struktur naratif tradisional yang unik.Kata-kata kunci: Bonsu Pinang Sibaribuik, fungsi, morfologi cerita rakyat, struktur naratif, universal, Vladimir Propp  AbstractThis article analyses a traditional Minangkabau epic narrative entitled Kaba Bonsu Pinang Sibaribuik (KBPS) by using Vladimir Propp’s morphology of folktale. By using qualitative method and the theory of the function of action in Propp’s theory, this research proves that the function of action of the narrative is very relevant to the Propp’s pattern. From the analysis it was found that there are 29 functions (act of actions) in the narrative compared with 31 functions stated by Propp, with three movements of the story or three repetition of the functions of action with seven extent of function of acts that are fit to Propp invented (the circle of action: villain; donor; helper; a princess and her father; dispatcher; hero; and false hero). This narrative has proved its pattern has a universal structure as the pattern of fairy tales studied by Propp. The function of action proposed by Propp as revealed in the narrative of BPS is not a mere story telling intelligence, it is also as wonderful of the universality pattern in the making of unique traditional narrative structure.Keywords: Bonsu Pinang Sibaribuik; function, morphology of folktale, narrative structure; universal, Vladimir Propp.

scholarly journals STRUKTUR NARATIF CERITA NABI KHIDIR DALAM AL-QUR’AN

2011 ◽  
Vol 10 (2) ◽  
pp. 233
Author(s):  
M. Faisol
Keyword(s):  
Social Context ◽  
Simple Structure ◽  
Narrative Structure ◽  
Narrative Approach ◽  
Moral Value ◽  
The Social ◽  
The Given

This article aims at studying narrative structure of the story of Saint Khidir (Nabi Khidir) in the Koran by questioning its meaning, its structure and  fuction. The narrative approach is used in examining the story. It turns out that like any other stories in the Koran, the story of saint Khidir has a simple structure of narrative (ijaz).  The narrative structure of the story aims at strengthening the faith to Alloh through its thematic values. The story also informs us the social context of the given time and prophet Mohammad’s psychological realm in his preaching. The story gives tremendous moral value to Arabic society in giving meaning to their selves and their surroundings.  

scholarly journals Stuck in a Labyrinth (or a Tower) with the Minotaur and trying to get out: Princess Aurora and Imperator Furiosa as the heroes of the Multimyth

2020 ◽  
Author(s):  
Gitanjali Kapila
Keyword(s):  
Narrative Structure ◽  
Sleeping Beauty ◽  
Hero's Journey ◽  
Personal Agency ◽  
Joseph Campbell ◽  
New Methods ◽  
Heroine's Journey ◽  
Interpretive Model ◽  
Vladimir Propp ◽  
Made In

In The Hero with a Thousand Faces Joseph Campbell begins his thesis of the Monomyth with a recounting of the story of the Minotaur. His purpose is straightforward: the initiation and cycling of the hero’s journey is predicated on an origin of evil narrative which the story of the Minotaur quintessentially is. It is interesting to note, however, that differently gendered expressions of narrative evil give rise to distinct and gendered vectors of protagonist action. In Sleeping Beauty, for example, Maleficent, a female/mother variant of the tyrant-monster, gives rise to a protagonist, Princess Aurora, who is never the conscious agent of the action she takes. On the other hand, in Mad Max: Fury Road, Furiosa literally drives the narrative action which is initiated by the tyrant-father, Immortan Joe. Though it’s clear that Furiosa’s journey adheres to a more manifest expression of empowered action than Princess Aurora’s, this paper will argue that neither protagonist nor the implied origin of evil story setting each character’s journey in motion suffices to define the heroine’s journey. Rather, the fairytale princess and the female action-hero require a new interpretive model in order to describe both their conflicting and, surprisingly, common relationship to personal agency. Drawing on the methodology of Vladimir Propp, I intend to offer an alternative framework for understanding the attributes of the heroine’s journey which circumvents completely the essentializing gesture that is necessarily made in positing an expression of the hero-task which would be unique to a female protagonist. Rather, I offer the Multimyth, an interpretive framework which 1) applies the model of the hero’s journey to Sleeping Beauty and Mad Max: Fury Road in order to define, reveal, and interrogate the functioning of each film’s narrative structure foregrounding the roles of Princess Aurora and Furiosa, respectively; and, then 2) uses the aggregate conclusions of the application of Campbell’s model to each text to counter-interrogate the model itself. In doing so, I intend to expose the assumptions, omissions and limitations of the Monomyth as a narrative heuristic and at the same time elucidate the Multimyth as an interpretive model which honors Campbell’s conception of the hero-task and proffers new methods for the application of the hero’s journey which will result in a richer and more complex understanding of narrative structure.

scholarly journals Struktur Naratif Cerita Rakyat Sumbawa Barat

ATAVISME ◽  
2014 ◽  
Vol 17 (2) ◽  
pp. 240-253
Author(s):  
Nining Nur Alaini
Keyword(s):  
Key Words ◽  
Narrative Structure ◽  
Community Change ◽  
Oral Literature ◽  
Literary Works ◽  
Rich Variety ◽  
Environmental Actions ◽  
The Rich ◽  
Vladimir Propp

Oral literature will always change according to the dynamic of their community. Some oral literary works in Indonesia are extinct already due to not yet documented. Oral literature is, actually, a cultural treasure of Indonesia able to show the rich variety of cultures and values and the incredible creativity of their community. Change and the loss of a variety of oral literature mean the extinction or change of property contained in them. One form of Indonesian oral literature still enjoyed today is folklores of West Sumbawa. Therefore, this study aims to document the oral literature of West Sumbawa in the form of folklores. Furthermore, the folklores collected will be analyzed by using Vladimir Propp’s theory of narrative structure. The result shows that the folklores of West Sumbawa have fourteen actor functions. The fourteen functions can be distributed into five environmental actions. Oral literatures will always change according to the dynamic of their community. Some oral literary works in Indonesia are extinct already due to not yet documented. Oral literature is, actually, a cultural treasure of Indonesia able to show the rich variety of cultures and values and the incredible creativity of their community. Change and the loss of a variety of oral literature mean the extinction or change of property contained in them. One form of Indonesian oral literature still enjoyed today is folklores of West Sumbawa. Therefore, this study aims to document the oral literature of West Sumbawa in the form of folklores. Furthermore, the folklores collected will be analyzed by using Vladimir Propp’s theory of narrative structure. The result shows that the folklores of West Sumbawa have fourteen actor functions. The fourteen functions can be distributed into five environmental actions. Key Words: oral literature; folklore; narrative structure Abstrak: Kehidupan sastra lisan akan selalu berubah sesuai dengan dinamika komunitas pemiliknya. Ada beberapa sastra lisan di Indonesia, yang telah hilang karena belum didokumentasikan, sedangkan sastra lisan adalah kekayaan budaya Indonesia yang kaya akan khazanah kearifan lokal dan merupakan kreativitas yang luar biasa dari komunitas pemiliknya. Perubahan dan hilangnya sastra lisan berarti punahnya kearifan lokal dan khazanah budaya yang terkandung di dalamnya. Salah satu bentuk sastra lisan Nusantara yang masih hidup hingga saat ini adalah cerita rakyat Sumbawa Barat. Cerita rakyat yang berhasil didokumentasikan dikaji struktur naratifnya berdasarkan pada struktur naratif yang dikemukakan oleh Vladimir Propp. Penelitian ini akan mendokumentasikan sastra lisandari Sumbawa Barat yang berwujud cerita rakyat. Dari hasil kajian yang telah dilakukan, dapat disimpulkan bahwa cerita rakyat Sumbawa Barat memiliki empat belas fungsi pelaku. Keempat belas fungsi pelaku tersebut dapat didistribusikan ke dalam lima lingkungan tindakan

scholarly journals SPIRITUALITAS DALAM HEKSALOGI NOVEL SUPERNOVA KARYA DEE

2019 ◽  
Vol 8 (1) ◽  
pp. 50
Author(s):  
Luthfita Nur Rosyidah
Keyword(s):  
Key Words ◽  
Meaning Of Life ◽  
Narrative Structure ◽  
The Self ◽  
Analysis Phase ◽  
Serial Novel ◽  
Two Stages ◽  
Vladimir Propp

ABSTRAKPembahasan penelitian ini akan difokuskan pada tindakan plastisitas spiritualitas dalam serial novel Supernova karya Dee dengan judul Kesatria, Putri, dan Bintang Jatuh; Akar; Petir; Partikel; Gelombang; dan Intelegensi Embun Pagi. Penelitian ini memanfaatkan teori struktur naratif Vladimir Propp, yang terdiri dari dua tahap analisis. Pertama, analisis mengenai identifikasi motif spiritualitas dalam enam novel serial Supernova secara tekstual. Kedua, hasil identifikasi tersebut menunjukkan adanya unsur yang berulang terkait dengan motif spiritualitas yang disebut sebagai fungsi. Fungsi-fungsi tersebut kemudian dirumuskan sesuai dengan urutan kemunculannya dalam setiap novel. Melalui kedua tahap analisis tersebut dapat diperoleh makna dari adanya motif spiritualitas dalam keenam novel serial Supernova. Berdasarkan tahap analisis, ditemukan konsistensi motif spiritulitas dalam keenam novel merupakan sebuah proses pencarian dalam suatu kehidupan, serta merupakan usaha pemenuhan kekosongan diri untuk menemukan makna kehidupan. Plastisitas spiritualitas dalam keenam novel lebih menitikberatkan pada posisi sains sebagai unsur pembangun kesadaran setiap individu. Kata-kata kunci: Propp, fungsi, spiritualitas, plastisitas ABSTRACTThe research will be focused on the act of spirituality plasticity in Dee's Supernova novel series titled Kesatria, Putri, dan Bintang Jatuh; Akar; Petir; Partikel; Gelombang; dan Intelegensi Embun Pagi. This research utilizes the theory of narrative structure Vladimir Propp, which consists of two stages of analysis. First, an analysis of the identification of spirituality motif in six Supernova novel series. Second, the results of the identification indicate a recurring element related to the spirituality motif called function. These functions are then formulated according to the order in which they appear in each novel. Through these two stages of analysis can be obtained the meaning of the existence of a spirituality motif in the six serial Supernova novels. Based on the analysis phase, consistency of spirituality motifs can be found in the six novels as a process searching in life, and it is an attempt to fulfill the self-emptiness to find the meaning of life. Spirituality plasticity in the six novels is more focused on the role of science as an element of building awareness of each individual. Key words: Propp, function, spirituality, plasticity

scholarly journals Stories about Climate Change in Political and Survey Discourse

2017 ◽  
Vol 7 ◽  
Author(s):  
Øyvind Gjerstad ◽  
Kjersti Fløttum
Keyword(s):  
Climate Change ◽  
Narrative Structure ◽  
Institutional Commitment ◽  
Human Beings ◽  
Political Speech ◽  
Present Contribution ◽  
Intergovernmental Panel ◽  
Folk Tales ◽  
Narrative Perspective ◽  
Vladimir Propp

Narration as a fundamental activity practiced among human beings dates from long before writing was invented, and spread throughout many different civilisations. Within cultural and literary studies it underwent a renaissance through the work of the Russian folklorist and scholar Vladimir Propp, who analysed the basic plot components of Russian folk tales (published in Russia in 1928, translated to English in 1958, Morphology of the Folktale). Then, with the breakthrough of text linguistics, the narrative perspective entered forcefully into analyses of non-fictional texts (Wehrlich 1976, van Dijk 1980, Adam 1992). There have been many discussions about the number of components in the narrative structure, but there is currently a more or less clear consensus on the 5 component schema: initial situation, complication, reaction, resolution, final situation. The narrative structure has also entered non-linguistic fields, such as psychology and political science, and more particularly into climate change discourse, where even the Intergovernmental Panel on Climate Change (IPCC) has described its reports as “narratives”. With this as a backdrop, we will in the present contribution discuss the notion of narrative and its relevance in the analysis of climate change discourse within different genres, to show that despite their differences in both content and structure, there is a common climate change narrativity. The comparison involves two very distinct genres, the first of which is the political speech, exemplified by French President François Hollande’s prepared remarks at the climate change conference (COP21) in Paris in late 2015. The second genre has not yet received a label, but can be called “survey discourse”. This corresponds to answers to open-ended questions in a survey undertaken by the Norwegian Citizen Panel in 2015, where respondents answer freely in their own words the following question: “Concerning climate change, what do you think should be done?” The differences between the two genres are manifold. A political speech is carefully drafted by professionals and represents an institutional commitment by a leader. Survey answers are formulated by anonymous respondents who most often are not specialists in the field, and who in no way are bound by their statements. Despite these differences, our findings will show how these texts belonging to very different genres comprise a plot, and how different characters (heroes, victims, and villains) are integrated into the unfolding ‘story’, thus reflecting the socially pervasive nature of narratives.

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