scholarly journals Ha Jin’s Ecocritical Irony in the Stylistic Analysis of the Personal Pronouns in “A Tiger Fighter is Hard to Find”

Il Tolomeo ◽  
2020 ◽  
Author(s):  
Isabella Marinaro
Keyword(s):  
Short Story ◽  
Chinese American ◽  
Literary Text ◽  
Point Of View ◽  
Stylistic Analysis ◽  
Digital Analysis ◽  
Personal Pronouns ◽  
American Writer ◽  
Siberian Tiger ◽  
Ha Jin

This paper aims at showing how stylistics and ecocriticism, both being strongly ‘centripetal’ and ‘interdisciplinary’ fields, can cooperate in the exploration of a literary text. This is the case of a short story written by the Chinese-American writer Ha Jin. Also thanks to the help of the digital analysis, the paper mainly focuses on the stylistic analysis of the personal pronouns and of the narrator’s point of view to show the stinging and subversive irony which pervades the narration of the vicissitudes of a Chinese TV film crew who is asked to shoot a scene where a muscular hero has to fight bare-handed against a real Siberian tiger. The analysis also aims to show how the story becomes the opportunity for the writer to depict the narrow frame of mind of the blind dictatorship of his homeland and its deplorable consequences on both humans and animals. Thus, the whole exploration, in the end, reveals the ecocritical lens through which Ha Jin narrates the story.

scholarly journals Le Mulâtre: A Call to Connection through Narrative Technique

2015 ◽  
Vol 2 (1,2) ◽  
Author(s):  
Jeff Longard
Keyword(s):  
United States ◽  
African American ◽  
Short Story ◽  
Speech Acts ◽  
Life Histories ◽  
The United States ◽  
Point Of View ◽  
Human Being ◽  
American Writer ◽  
History Of

The short story Le Mulâtre (1837) recounts the tragic history of a slave during Haiti’s turbulent 1790s. The first published work of Victor Séjour, it is the first known work of fiction by an African-American writer. At first glance a typical melodramatic tale of brigands, betrayal and revenge, the work is anything but typical in its stark depiction of Caribbean slavery and in its sophisticated use of narration and voice. Written when slavery was still being practiced by both France and the United States, this overt yet sensitive critique is a triumph of the narrative art.This article highlights a modern Structuralist analysis of narration. Séjour not only moves subtly through levels of narration but also through shifts of point of view within discourse and even within speech acts which form an almost unconscious commentary on the action. Moreover, the apparently standard tragic trope is undermined by a complex weaving of life histories in which the triumph of humanity overturns the notion of tragic loss. Thus a story of oppression and inevitability is structured within a voice of commentary, insight, and agency: Séjour succeeds in connecting the humanity on both sides of an inhuman war and in underscoring what is at stake for both master and slave in the continued exploitation of human being by human being.

scholarly journals DEVIATION AS A MEANS OF FOREGROUNDING IN LITERARY TEXT

2021 ◽  
pp. 225-230
Author(s):  
Анастасия Владиславовна Коробова
Keyword(s):  
Short Story ◽  
Literary Text ◽  
Point Of View

В данной статье появление девиации в художественном тексте рассматривается с точки зрения выполнения ею функции выдвижения с учётом её стилистического потенциала как средства смыслообразования. Материалом для интерпретации послужил текст произведения Дж. Сэлинджера «A Perfect Day for Bananafish» и встретившиеся в нём случаи девиации. In this article, the occurrence of deviation in a literary text is considered from the point of view of performing its foregrounding function, as a means of better interpreting text. The material for the analysis is the text of the short story «A Perfect Day for Bananafish» by J. Salinger and the cases of deviation in it.

scholarly journals Theme of Isolation and Child versus Adult Feelings: Stylistic Analysis of Alice Munro’s Short Story “The Eye”

2020 ◽  
Vol 3 (3) ◽  
pp. 485-494
Author(s):  
Fozia Chandio ◽  
Zia Ahmed ◽  
Akbar Sajid
Keyword(s):  
Qualitative Research ◽  
Short Stories ◽  
Short Story ◽  
Point Of View ◽  
Stylistic Analysis ◽  
Research Approach ◽  
Alice Munro ◽  
Literary Aesthetics ◽  
The Relationship ◽  
Made In

Analysis of the stylistics features of any author has been very interesting technique to explore themes depicted by him/her. This paper examines a short story of Alice Munro titled ‘The Eye’, from stylistic perspective. ‘The Eye’ is the opening tale of the set of four stories, in a style of memoir that is titled as ‘Finale’. This set of four stories appears in her collection of short stories titled “Dear Life” (2012. ) The paper presents the stylistics analysis of the story keeping the stylistic approach in focus suggested by Leech and Short in Style in Style in Fiction (2007). The story is analyzed stylistically in terms of character and characterization, point of view and speech, thought and writing presentation. Stylistic study of any text effectively provides comprehension of the base of the text particularly and its evaluation generally (Peer 2008). In order to carry this out, the method of textual analysis of Qualitative research approach is conducted. The end of the analysis is to have a turnout of a deeper comprehension of the relationship between style and literary aesthetics in ‘The Eye’ by studying the stylistic patterns behind Munro’s narrative, in order to find out her creative approach. Paul Simpson maintains, “Stylistics serves to inquire into the language of the text and on a broader level to investigate creativity in the use of language (2004:3). The endeavor made in the paper explores that Munro has an ambivalent and complicated technique of presentation, both structurally and thematically. Here, the argument is that the stylistic analysis of the story reveals that Munro has high artistic approach towards the short story; she narrates the fiction with such an ambiguous approach that it welcomes more than one interpretations of the story.

scholarly journals A Study of Feminist Stylistic Analysis of Language Issues of Gender Representation in Selected Literary text

2021 ◽  
Vol 0 (43) ◽  
pp. 102-117
Author(s):  
Ali Abdulilah Gheni ◽  
Keyword(s):  
Language Use ◽  
Feminist Criticism ◽  
Literary Text ◽  
Point Of View ◽  
Literary Texts ◽  
Gender Representation ◽  
Stylistic Analysis ◽  
Whole Number ◽  
The World

Stylistics is the analysis of the language of literary texts integrated within various approaches to create a framework of different devices that describe and distinct a particular work. Therefore, feminist stylistics relied on theories of feminist criticism tries to present a counter- image of a woman both in language use and society, to draw attention , raise awareness and change ways that gender represents. Feminist stylistic analysis is related not only to describe sexism in a text, but also to analyze the way that point of view, agency, metaphor, and transitivity choices are unanticipatedly and carefully connected to issues of gender(Mills,1995:1) The study tries to discuss matters of gender representation in stylistic analysis and how questions and messages of gender are deducted and exposed when reading and interpreting a text. Moreover, the concept of transitivity and how meaning is encoded and adopted by different patterns of transitivity will be analyzed and investigated. The study has shown that transitivity patterns are used as a device to analyze gender representation as well as to describe the ideational meaning which involves the experiential realization of the world. The results of the analysis of transitivity choices of the selected romantic scene have shown that the whole number of processes are nineteen, the female does five processes in her role as an actor, whereas male shows fourteen which are the highest number in his performance. The male appears to be the active participant agent who is conscious and in control of his action, whereas the female appears to be passive in her quality, volition and being affected or recipient actor. Also, it is seen that feminist analysis tries to create a new message and picture of woman position; this is depicted by the essential role of the readers' assumption and contextual factors of the text in the process of interpretation.

scholarly journals Transitivity, paradigmatic choices, and thought presentation: A stylistic analysis of Joyce’s Eveline

2019 ◽  
Vol 9 (1) ◽  
Author(s):  
Bonifacio Tala Cunanan
Keyword(s):  
Second Language ◽  
Short Story ◽  
Point Of View ◽  
Stylistic Analysis ◽  
Esl Students ◽  
Linguistic Features ◽  
Role Assignment ◽  
Syntactic Features

This paper shows how analyzing styles in fiction can be achieved in three ways: an in-depth examination of the role assignment of lexico-syntactic features, categorization of the choices in combining words, and examination of strategies in presenting characters’ perspectives. It offers ways on how to guide students in English as a second language (ESL) in analyzing and appreciating English fiction. It aims to equip them with language tools in evaluating a writer’s intended and desired aesthetic effects by using chosen linguistic features. To achieve this objective, this paper applies M.A.K. Halliday’s systemic-functional grammatical model illustrating how language works in Joyce’s Eveline, a short story. Specifically, this paper shows how EFL or ESL students can acquire a deeper appreciation of the worldview, perspective, or point of view of the author and his characters. Also, it illustrates how they may have a deeper appreciation of the craft, originality, and ingenuity of an author. Moreover, it demonstrates how using different techniques in speech and thought presentation could be made accessible by showing how rendering thoughts, feelings, and expressions can offer new perceptions and appreciations of what seems to be habitualized and ineffectual.

POLIVARIABILITY OF THE BASTARD MOTIF IN THE SHORT STORIES BY GUY DE MAUPASSANT: CHARACTER IN SEARCH OF SELF-IDENTIFICATION

2018 ◽  
pp. 20-27
Author(s):  
Oksana Galchuk
Keyword(s):  
Short Stories ◽  
Short Story ◽  
Social Institutions ◽  
Point Of View ◽  
Guy De Maupassant ◽  
Traditional Values ◽  
The Social ◽  
Role Of It ◽  
Structural Methods

The theme of illegitimacy Guy de Maupassant evolved in his works this article perceives as one of the factors of the author’s concept of a person and the plane of intersection of the most typical motifs of his short stories. The study of the author’s concept of a person through the prism of polivariability of the motif of a bastard is relevant in today’s revision of traditional values, transformation of the usual social institutions and search for identities, etc. The purpose of the study is to give a definition to the existence specifics of the bastard motif in the Maupassant’s short stories by using historical and literary, comparative, structural methods of analysis as dominant. To do this, I analyze the content, variability and the role of this motive in the formation of the Maupassant’s concept of a person, the author’s innovations in its interpretation from the point of view of literary diachrony. Maupassant interprets the bastard motif in the social, psychological and metaphorical-symbolic sense. For the short stories with the presentation of this motif, I suggest the typology based on the role of it in the structure of the work and the ideological and thematic content: the short stories with a motif-fragment, the ones with the bastard’s leitmotif and the group where the bastard motif becomes a central theme. The Maupassant’s interpretation of the bastard motif combines the general tendencies of its existence in the world’s literary tradition and individual reading. The latter is the result of the author’s understanding of the relevant for the era issues: the transformation of the family model, the interest in the theory of heredity, the strengthening of atheistic sentiments, the growth of frustration in the system of traditional social and moral values etc. This study sets the ground for a prospective analysis of the evolution the bastard motif in the short-story collections of different years or a comparative study of the motif in short stories and novels by Maupassant.

Bleibende Aufgaben einer phänomenologischen Literaturtheorie

2019 ◽  
Vol 23 (1) ◽  
pp. 265-273
Author(s):  
Eckhard Lobsien
Keyword(s):  
Literary Theory ◽  
Literary Text ◽  
Point Of View ◽  
Literary Texts ◽  
Radical Theory ◽  
Theory Of Reading ◽  
Phenomenological Point

Abstract What sort of object is a literary text? From a phenomenological point of view - phenomenology considered as both a radical theory of reading and a theory of radical reading - a range of answers arise, many of them tinged with deconstructive momentum. This paper aims at pointing out some basic issues in reading literary texts, offering ten theses on the enduring tasks of phenomenological literary theory.

scholarly journals Edogawa Rampo’s short story Kagami Jigoku: A Structural Study

KIRYOKU ◽  
2020 ◽  
Vol 4 (1) ◽  
pp. 7-17
Author(s):  
Yuliani Rahmah
Keyword(s):  
Short Stories ◽  
Short Story ◽  
Japanese Society ◽  
Modern Technology ◽  
Point Of View ◽  
The Other ◽  
Cultural Aspects ◽  
Analysis Process ◽  
Structural Methods ◽  
Modern Era

The purpose of this research is to analyze the intrinsic elements found in the short story Kagami Jigoku by Edogawa Rampo. By using structural methods the analysis process  find out the intrinsic elements which builds  the Kagami Jikoku short story. As a result it is known that the Kagami Jikoku is a short story with a mystery theme as the hallmark of Rampo as its author. The characteristic of this short story can be seen from the theme which raised the unusual obsession problem of the main characters. With the first person point of view which tells in unusual way from the other short stories, the regression plot in Kagami Jikoku is able to tell the unique phenomenon of Japanese society and its modern technology through elements of place, time and socio-cultural aspects of Japanese society in the modern era

POETIC FEATURES OF THE LITERARY TEXT

2020 ◽  
Vol 73 (3) ◽  
pp. 123-132
Author(s):  
G. Mukhamejanova ◽  
◽  
A. Mukhamejanova ◽  
Keyword(s):  
Literary Text ◽  
Point Of View ◽  
Work Of Art ◽  
The Subject ◽  
Language Literature ◽  
Study Development

Currently, due to linguistic personalities associated with culture, language, national existence, especially with literature, various aspects and aspects of linguistics are revealed in the development of literature in linguistics and linguoculturology. From this point of view, linguistics, first of all, reveals the essence of linguistic poetics, determines the degree of its residence in the language, literature, reveals the subject of study, development, teaching, and connections with other branches of science. This article examines the phonetic micropoetics of the language of a work of art, and also analyzes the nature of phonetic phenomena used in a work of art, using specific examples.

Sign in / Sign up

Export Citation Format

Share Document