scholarly journals Transient Feelings

2021 ◽  
Vol 14 (1) ◽  
pp. 117-120
Author(s):  
Donnalyn Xu
Keyword(s):  
Creative Writing ◽  
Digital Communication ◽  
Creative Work ◽  
Stream Of Consciousness ◽  
Prose Poem ◽  
Digital Space ◽  
Textual Structure ◽  
The World ◽  
The Face ◽  
Affective Relations

In response to the shifts of communication following the COVID-19 lockdown restrictions, this research investigates the disorienting experience of navigating loneliness and intimacy in the digital space. Creative writing is a relatively unexplored but recently emerging field of academic inquiry (Skains 2018, 84). Poetry in particular involves research into the language and textures of the world—it is a critical way of thinking that incorporates not just the signified meaning of words, but also the phonaesthetics, placement, space, and textual structure. This practice-based creative work is presented in the form of a 9-part autoethnographic prose poem that echoes the fragmented and asynchronous nature of digital communication (Bonner 2016, 11). Through stream-of-consciousness vignettes that could be read in any order, I emulate the experience of scrolling through a feed. I explore ideas of limitlessness in the face of apocalyptic endings, where our desire for more is troubled by having too much. This experimental and experiential paper is ultimately an interrogation of the tension between affective relations and isolation, where mediated bodies are troubled by longing, loneliness, and looking.

Autobiographical narration in short prose by Yevgeniya Bozhyk

2020 ◽  
pp. 88-94
Author(s):  
Tetiana Tkachenko
Keyword(s):  
Short Stories ◽  
Literary Texts ◽  
Stream Of Consciousness ◽  
Time And Space ◽  
Textual Structure ◽  
The World ◽  
Rhetorical Constructions ◽  
The Moment ◽  
The Relationship ◽  
The Universe

The article devotes to the analysis of the autobiographical aspect of narration in short prose by Yevgeniya Bozhyk (1936–2012). It investigates interesting stories, essays, sketches as well as short stories. They are united by a holistic thematic and problematic circle of relevant universal issues that are outside of time and space. The writer reveals the secrets of her creative laboratory, uses various expressive means (metaphor, metonymy, refrain, symbol, rhetorical constructions, ellipse, excursion and anticipation, stream of consciousness, and open finale). She emphasizes such qualities of the creator as the ability to hear and listen, to catch the slightest nuances of mood in the world around her. It is noteworthy that literary texts have components of fiction, journalism in confessional presentation (author, hero and reader). The works have unique textual structure (fragmentation, sensitive dominant, intersemiotic components, primarily musical, aphoristic statements, changes in tempo, and autoallusions). The writer can communicate with people, read thoughts and feelings thanks to fine mental organization, guess unsaid things by female intuition, feel the relationship with the interlocutor at the highest sensory and mental levels. The artist of the word manages to capture the moment when there are changes in nature and man — two components of the universe. Therefore, the reader also becomes an author. He empathizes with the heroes, relates them to himself, learns and ponders what he has read. So, the creator builds conditional and frank conversation with each recipient of her works. Yevgeniya Bozhyk reproduces in literature her rich experience of meeting with different people (prototype characters), sharing her own view of the world with the reader and presents the vision of the Motherland in the bright and exciting kaleidoscope of events, perceptions, reflections. The keynote is the search for Man and Will. Only the brave can get rid of stereotypes and slavery. Indeed, the freedom of the country is unthinkable without the freedom (primarily spiritual) of each of its citizens.

Global Jihad and International Media Use

2020 ◽  
Author(s):  
el-Sayed el-Aswad ◽  
M. Joseph Sirgy ◽  
Richard J. Estes ◽  
Don R. Rahtz
Keyword(s):  
Significant Role ◽  
Digital Communication ◽  
Communication Technologies ◽  
The Internet ◽  
Global Media ◽  
International Media ◽  
The Past ◽  
Political Ideologies ◽  
The World ◽  
The Face

Globalization and international media are potent contributors to the rise of the Islamist global jihad. Widespread digital communication technologies that connect people all over the world are a substantial component of globalization. Over the past three decades, “virtual jihad” has emerged as a potent disseminator of radical religious-political ideologies, instilling fear and fostering instability worldwide. Western and global media, while often misrepresenting Islam and Muslims, have played a significant role in disseminating jihadist ideologies. The involvement of global jihadists (mujāhidīn) across myriad media outlets and platforms has allowed them to promote their agenda around the world. Using the Internet and media outlets, global jihadists are able to attract and recruit people to their ranks in an accelerated manner. Jihadists have engaged in media activities that have empowered and expanded the global jihad movement, even in the face of increased mitigation efforts.

Writing Bestsellers

2021 ◽  
Author(s):  
Kim Wilkins ◽  
Lisa Bennett
Keyword(s):  
Creative Writing ◽  
Creative Work ◽  
The World ◽  
New Perspective ◽  
The Relationship

While the term 'bestseller' explicitly relates books to sales, commercially successful books are also products of individual creative work. This Element presents a new perspective on the relationship between art and the market, with particular reference to bestselling writers and books. We examine some existing perspectives on art's relationship to the marketplace to trouble persistent binaries that see the two in opposition; we break down the monolith of the marketplace by thinking of it as made up of a range of invested, non-hostile participants such as publishing personnel and readers; we articulate the material dimensions of creative writing in the industry through the words of bestselling writers themselves; and we examine how the existence of bestselling books and writers in the world of letters bears enormous influence on the industry, and on the practice of other writers.

Power of Darkness: Narrative and Biographical Reflexivity in A Series of Unfortunate Events

2008 ◽  
Vol 1 (2) ◽  
pp. 200-212
Author(s):  
ELIZABETH BULLEN
Keyword(s):  
The Self ◽  
Risk Society ◽  
Project Risk ◽  
Young Readers ◽  
The World ◽  
The Face ◽  
High Earning ◽  
Textual Culture ◽  
Children’S Exposure ◽  
Central Claim

This paper investigates the high-earning children's series, A Series of Unfortunate Events, in relation to the skills young people require to survive and thrive in what Ulrich Beck calls risk society. Children's textual culture has been traditionally informed by assumptions about childhood happiness and the need to reassure young readers that the world is safe. The genre is consequently vexed by adult anxiety about children's exposure to certain kinds of knowledge. This paper discusses the implications of the representation of adversity in the Lemony Snicket series via its subversions of the conventions of children's fiction and metafictional strategies. Its central claim is that the self-consciousness or self-reflexivity of A Series of Unfortunate Events} models one of the forms of reflexivity children need to be resilient in the face of adversity and to empower them to undertake the biographical project risk society requires of them.

Persons in a World of Things

2018 ◽  
Author(s):  
Alan L. Mittleman
Keyword(s):  
Explanatory Power ◽  
The World ◽  
The Face ◽  
Classic Essay

This chapter focuses on the reality of persons in a world of things. It begins and ends with some relevant views drawn from the Jewish philosophers Buber (1878–1965), Heschel (1907–72), and Joseph B. Soloveitchik (1903–93). Framed by the Jewish concerns, it turns to a philosophical exploration of human personhood. The chapter begins by consiering Sellars's classic essay on the scientific and manifest images of “man-in-the-world.” Sellars shows how urgent and difficult it is to sustain a recognizable image of ourselves as persons in the face of scientism. With additional help from Nagel and Kant, it argues that persons cannot be conceptually scanted in a world of things. Notwithstanding the explanatory power of science, there is more to life than explanation. Explanation of what we are needs supplementing by a conception of who we are, how we should live, and why we matter. Those are questions to which Jewish sources can speak.

What If It Wasn’t Kato Who Raped Diana? Representing the Yearning for Justice in As I Stood Dead Before the World: Creative Writing from Luzira Prison (2018)

Imbizo ◽  
2020 ◽  
Vol 11 (2) ◽  
Author(s):  
Danson Sylvester Kahyana
Keyword(s):  
Creative Writing ◽  
Short Story ◽  
Human Beings ◽  
Innocent People ◽  
Creative Writers ◽  
The World

The article examines how selected works in Uganda’s first anthology of prison-authored work, As I Stood Dead before the World: Creative Writing from Luzira Prison (2018), handle one of the issues of paramount importance to inmates and their families: the possibility that convictions in courts of law are not foolproof since judicial officers are human beings and therefore susceptible to error. Drawing from four examples: two poems (Jackson O’s “Letter to Aber” and Sebuuma Gadafi’s “Twenty-Years”), one short story (Rachael Pearl Orishaba’s “A Secret”), and one short play (Jennifer Janette’s “What If It Wasn’t Kato?”), I show how different inmates imagine situations where judicial officers (prosecutors and magistrates/judges) make errors of judgement that see innocent people convicted of crimes they did not commit. The article closely reads the four selected pieces with the objective of investigating how creative writers can help judicial officers realise how important it is to turn every proverbial stone before a conviction is made.

Too WEIRD, Too Fast: Preprints about COVID-19 in the Psychological Sciences

2020 ◽  
Author(s):  
Arathy Puthillam
Keyword(s):  
Overwhelming Majority ◽  
Global Pandemic ◽  
The Us ◽  
The World ◽  
The Face ◽  
Conducting Research ◽  
Psychological Studies

That American and European participants are overrepresented in psychological studies has been previously established. In addition, researchers also often tend to be similarly homogenous. This continues to be alarming, especially given that this research is being used to inform policies across the world. In the face of a global pandemic where behavioral scientists propose solutions, we ask who is conducting research and on what samples. Forty papers on COVID-19 published in PsyArxiV were analyzed; the nationalities of the authors and the samples they recruited were assessed. Findings suggest that an overwhelming majority of the samples recruited were from the US and the authors were based in US and German institutions. Next, men constituted a large proportion of primary and sole authors. The implications of these findings are discussed.

Aplikasi Kuartu Berbasis Android Sebagai Media Pertukaran Informasi Kartu Nama

2017 ◽  
Vol 9 (1) ◽  
pp. 25-32
Author(s):  
Nandi Syukri ◽  
Eko Budi Setiawan
Keyword(s):  
Mobile Devices ◽  
Information Exchange ◽  
Smart Phone ◽  
Black Box ◽  
Qr Code ◽  
Business Card ◽  
Large Numbers ◽  
The World ◽  
The Face ◽  
Index Terms

Business Card is the most efficient, effective and appropriate tool for every business men no matter they are owners, employees, more over marketers to provide information about their businesses. Unfortunately, it is very difficult to bring and manage business card in large numbers also to remember the face of the business card owner. A Business Card application need to be built to solve all those issues mentioned above. The Application or software must be run in media which can be accessed anywhere and anytime such as smart phone. Kuartu is as business card application run in mobile devices. Kuartu is developed using object base modeling for mobile sub system. The platform of the mobile sub system is android, as it is the most widely used platform in the world. The Kuartu application utilizing NFC and QR Code technology to support the business card information exchange and the Chatting feature for communication. Based on the experiment and test using black box methodology, it can be concluded that Kuartu application makes business card owner to communicate each other easily, business card always carried, easy to manage the cards and information of the business card owner can be easily obtained. Index Terms— Business Card, Android, Kuartu, NFC, QrCode, Chatting.

MYTH IN SAM SHEPARD’S “THE GOD OF HELL” AND ITS POLITICAL IMPLICATION

2019 ◽  
pp. 32-38
Keyword(s):  
Literary Criticism ◽  
American Culture ◽  
The Political ◽  
Creative Work ◽  
Political Implication ◽  
Major Work ◽  
Sam Shepard ◽  
Long Period ◽  
Political Myth ◽  
The World

The article introduces the creative work of the famous American playwright Sam Shepard, whose works are almost unknown to our Uzbek reader. His plays are well known throughout the world; they influenced the formation of the worldview of readers of different nations and show the peculiarities of American culture. Despite the worldwide fame of Sam Shepard’s works, they are not studied well by literary critics. In America and Europe his works have been studied in details for a long period, and even several monographs in English have been written. However, neither in the Russian speaking, nor in the domestic literary criticism there is yet no major work on Shepard's works. The article also deals with the artistic features of the political myth of the “American dream” in one of the most scandalous plays, “The God of Hell,” dedicated to the protest against the war in Iraq. Thus, this study, which touches upon some issues of Shepard's creative work in connection with his innovative artistic originality, to a certain extent, seeks to fill this gap.

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