scholarly journals The Creative Writing’s Role in the Formation of a New Linguistic Home in Exile: A Critical Stylistic Analysis of Christina Garcia’s Dreaming in Cuban (1990)

2020 ◽  
Author(s):  
Fadia Boualem ◽  
Noureddine Guerroudj

This paper depicts how exiles are psychologically damaged by language loss and how the latter engenders identity crises that affect the characters and destabilize their identity constructs. Linguistically speaking, although expatriates living outside their home countries master English more than their native words, they can circulate both locations comfortably. However, both languages fail to provide them with an efficient means of expressing their identity. The main question raised is whether language contributes to the understanding of the self or complicates the maturation process and engenders an identity crisis. It is for this particular reason that the researcher has chosen Cristina Garcia Dreaming in Cuban (1990) to portray how both languages are simultaneously used, creating a third language structure, this narrative that blends English with Spanish without making the reader notice the shift and enabling both the writer and the protagonist to express their bicultural identities. The aim of the current study is to investigate how linguistic meaning is used as a vehicle for constructing identity through a critical stylistic analysis of Christina Garcia’s Dreaming in Cuban (1990). The study concludes that this novel cannot be classified as either nostalgic or creative, but blends nostalgia with creativity so as to give birth to a new category of exile writing. The latter preaches hybridity as a remedial reconciliation capable of healing the emotional shock caused by exile.

2020 ◽  
Vol 2 (4) ◽  
pp. 20-26
Author(s):  
Eman Abedelkareem Hijazi ◽  

This study aims to analyze Layla Al-Atrash’s Nesa’a Ala Al-Mafareq stylistically to address the issue of an identity crisis and self-alienation by shedding light on the Arabic narrative discourse that is used by Al-Atrash in the selected novel. The stylistic analysis focuses on casting lights on how the five protagonists of the selected novel employed their feminist narrative discourse to represent their suffering and how the old cultural and social values affect their lives. To achieve the aim of the study, the researcher relies on Geffrey Leech's (2006) theory of figurative language to analyze the novel. Accordingly, this study is considered as the first study focusing on analyzing the language used by Al-Atrash linguistically in light of the stylistic analysis of figurative speech such as a simile, metaphor, hyperbole, personification, and metonymy. The researcher used both qualitative and quantitative approaches with (SPSS) program for statistics. The results showed that Al Atrash succeeded in utilizing her feminist narrative discourse linguistically to introduce the catastrophic situation the woman has in the masculine society. Taking into consideration metonyms with the highest rates (189) indicating the problems that the Arab woman encounters without finding a solution. Although hyperbole (126= 23%) refers to the writer's trial to support the readers with the perfect image of a woman’s life and why she surrenders to reality and accepts the outdated conventions and traditions.


2011 ◽  
Vol 13 ◽  
pp. 2005
Author(s):  
Jack Jedwab

During his 1996 swearing-in ceremony, Québec Premier Lucien Bouchard spoke about the need for “a renewed recognition on the northern part of the continent of two profoundly different peoples.”1 Explicitly referring to Québecers and Canadians, he added that these two peoples would soon have to decide upon their respective destinies. Those who are attached to both Québec and Canada will no doubt have difficulty situating themselves within the Premier’s observation. Still, his characterization remains representative of the way in which the national unity debate and the identity crisis that underlies it are often described by those who advocate Québec sovereignty. It also points to the extent to which an important number of Québecers — to be specific the province’s francophones — do not feel a strong attachment to Canada.


Author(s):  
Radha Devi Sharma

Bharati Mukherjee’s Jasmine is a story of a young Punjabi woman named Jasmine whose life takes her from India to the United States, where she goes through many different destinies with her effort to reinvent her coherent self. Searching for and defining a new identity is a central question for immigrants living in a foreign land. The confusion of identity and cultural conflict pushes the immigrants into an identity crisis. The novel exposes how Jasmine, the female protagonist, as an outsider, strives to shape her identity to fit in the mainstream American society. Fortunately, she encounters confirmations of her shifting identity in different stages of her life. Instead of rejecting these identities and names in various phases, she seeks to create a harmonious relationship with those identities. In this context, this paper tries to explore on how she struggles throughout her life to reinvent the coherent self by her constant effort to assimilate to the alien culture and setting.Crossing the Border: International Journal of Interdisciplinary Studies Vol.4(1) 2016: 29-38


1989 ◽  
Vol 3 (1) ◽  
pp. 48-62
Author(s):  
Robert J. Rotella ◽  
Douglas S. Newburg

Some athletes who are benched may experience identity crises, the impact of which may be long-lasting and far-reaching for them. Case-study interviews with three athletes who have experienced such crises are presented. The similarities in the case studies suggest that the bench/identity crisis may be a relatively common phenomenon. Suggestions are offered for athletes, coaches, and sport psychology consultants to help respond to such experiences effectively.


ATAVISME ◽  
2009 ◽  
Vol 12 (1) ◽  
pp. 23-30
Author(s):  
Henriono Nugroho

This research aims to discuss literary work through stylistic analysis based on sistemic functional linguistics and literature semiotic system. The research methods used are the librarian study, descriptive method and objective intrinsic approach. The research result shows that the semantic analysis has produced the automatized linguistic meaning and foregrounded linguistic meaning. Next, the first meaning produces the subject matter and the secong meaning produces the literary meaning. Later, the literary meaning produces theme. Finally, it is proved that the subject matter tells about harmony; the literary meaning is about Shelley’s fame; and, the theme is about a famous poet. Abstrak: Penelitian ini bertujuan mengkaji karya sastra melalui analisis stilistika berdasarkan ilmu bahasa fungsional sistemik dan sistem semiotik karya sastra. Metode penelitian menggunakan studi pustaka, metode deskriptif, dan pendekatan intrinsik objektif. Hasil penelitian menunjukkan bahwa analisis semantik menghasilkan makna bahasa latar belakang (the automatized linguistic meaning) dan makna bahasa latar depan (the foregrounded linguistic meaning). Makna pertama menghasilkan masalah utama (subject matter) dan makna kedua menghasilkan makna sastra (literary meaning). Makna sastra menghasilkan tema. Masalah utama berkisah tentang harmoni, makna sastra tentang ketenaran Shelley, dan tema tentang seorang penyair terkenal. Kata kunci: makna bahasa latar belakang, makna bahasa latar depan, makna sastra, tema.


Author(s):  
Aivis Dombrovskis

This paper reflects the results of a study that was aimed at finding links between identity crises and the sociodemographic indicators of first-year female students at Latvian universities.  The research cohort consists of 501 (N = 501) students aged 18 to 27 (M = 20.33; SD = 1.937).  The author used the Identity Distress Survey (IDS) for the research (Berman, et al., 2004), as well as the sociodemographic data of the students.  The Spearman correlation coefficient was used to analyse links between IDS indicators, and detailed analysis of links between IDS factors was also conducted. 


2014 ◽  
Vol 6 (1) ◽  
pp. 63-72
Author(s):  
Renáta Romoda

AbstractThe paper gives an account of the linguistic and cultural questions dealt with by Erzsébet Juhász in her novel Határregény [Border Novel]. It attempts to interpret the novel and to present the relations of its heroes to their environment. The narration covers the areas in which cultural and ethnic diversity, as well as linguistic colourfulness are present due to the coexistence of different nations. The novel’s central theme is spatial separation and separation evoked by political borders; the concept of border is introduced as early as in the novel’s title. The story of the Patarcsics is an inter-generational family story. Its members are characterized as people struggling with identity crisis and the uncertainty of national belonging. Wartime events, the behaviour and the way of thinking of families torn apart by border changes-with the mentality becoming the legacy of the next generation-are perfect reflections, illustrations of changes forced upon human lives pushed to the periphery. Not only identity and language loss, language replacement but introversion, seclusion and distantiation can also be observed at some characters. The work is exposing ruptures created by wars, and how these ruptures transform identity and cultural heritage, only to show us later how a new culture and mentality are created.


Neofilolog ◽  
2019 ◽  
pp. 15-28
Author(s):  
Hanna Komorowska

The article looks into the meaning of concepts of L2 Self, L2 Ideal self and L2 Motivational Self Systems from the point of view of their usefulness for SLA/FLT research. Psychological and sociological terminology related to the Self, Identity, Storied Self, Social Identity and Ethnicity is then discussed as well as various types of the Self useful in the analysis of attitudes to first, second and foreign languages. Examples of linguistic decisions are offered that lead to language maintenance, language loss or changes of the dominant language. Linguistic behaviour is traced back to possible ways of presenting the Self as well as to different approaches to ethnicity, integration and assimilation. Conclusions and implications for classroom language learning and teacher education are also presented.


2021 ◽  
Author(s):  
Maria Asuncion L. Magsino

As a counterargument to the Cartesian split that has impacted both speculative and practical fields of knowledge and culture, we propose Peirce’s doctrine of synechism to show the continuity in the semiotic activity that moves from the body as an Interpretant to the emergence of another Interpretant called the “self.” Biosemiotics, a nascent field of interdisciplinary research that tackles inquiries about signs, communication, and information involving living organisms is used as the framework in the discussion. The main question of whether a non-material “self” can emerge from a material body is tackled in many stages. First, the biosemiotic continuum is established in the natural biological processes that takes place in the body. These processes can be taken as an autonomous semiotic system generating the “language” of the body or the Primary Modeling System (PMS). Second, synechism is also observed in the relationship between the mind and the body and this is evident in any physician’s clinical practice. The patient creates a Secondary Modeling System (SMS) of how she perceives what the body communicates to her regarding its state or condition. Finally, the question about whether the emergence of “self” is synechistic as well is tackled. There is one organ from which emerges an Interpretant that is capable of generating a dialog between a Subject, that is the “self,” with its Object, and that is the brain. It is the primordial seat of specifically human activities like thought and language. The recent theory on quantum consciousness supports the doctrine synechism between the body as Interpretant to the “self” as Interpretant. This synechism is crucial for the creation of Secondary Models of “reality” that will, in turn, determine the creation of Tertiary Models more familiarly called culture.


2020 ◽  
Vol 28 (6) ◽  
pp. 917-949 ◽  
Author(s):  
Andrea Tomo ◽  
Rosanna Spanò

Purpose This paper aims to explore how accountants manage the processes of identity (re)construction after identity crisis, resulting from increasing pressures and regulatory requirements, considering both introspective and the extrospective issues. Design/methodology/approach The study drew on an integrated framework drawing on Luigi Pirandello’s views about identity crises and the search for individual coherence and possible representation strategies. It used an ethnographic approach based on photo-elicitation, conversations and documentary sources to explore the identity reconstruction processes of Italian Commercialisti. Findings Several conditions caused an identity crisis among Commercialisti, including regulatory requirements, public administration demands and increasing power of IT providers. Commercialisti reacted to these circumstances by re-constructing their image through strategies designed to impress both themselves and others. Practical implications The paper has implications for the accounting profession in general and in Italy, suggesting that further pressure may result in rapid change efforts among accountants. It provides a broader and more systematic understanding of the threats to the role of accountants and suggests how they can manage complexity to create new opportunities. It also encourages accountants to focus on alternative roles as a possible new strategy that few have tried. Originality/value The paper provides a novel contribution to the understanding of identity crisis issues and related representation strategies in the accounting profession. Unlike past contributions, it made a full assessment of both the dynamics of an identity crisis and the micro-level responses to it, in a new, non-Anglo-Saxon context.


Sign in / Sign up

Export Citation Format

Share Document