scholarly journals Symbols of the Dyukovsky Park constructions in Odessa. Heritage of the 1950s agricultural exhibition.

2020 ◽  
Vol 1 (97) ◽  
pp. 181-190
Author(s):  
A.O. Kadurina ◽  
Yu.S. Nazarchuk
Keyword(s):  
Textile Industry ◽  
Point Of View ◽  
Architectural Heritage ◽  
Construction Period ◽  
Historical Method ◽  
The 1950S ◽  
Historical Heritage ◽  
First Time ◽  
The City ◽  
Pointed Star

Purpose. The research is devoted to the analysis of the agricultural exhibition pavilions symbolism in Dyukovsky Park in Odessa in 1950s years. Methodology. Field study and bibliographic research, synthesis and analysis, historical method, and method of analogies are used in that work. Results. The stages of Dyukovsky Park formation have been studied, from the Duke de Richelieu, which gave the name to the park, dacha creation to the active construction and landscaping of the park in the XX century. In particular, from the symbolism point of view, the architectural and artistic decor of the agricultural exhibition pavilions of the 1950s years is analyzed. These are: a pavilion of Vegetable growing which is crowned by layers of wheat and a 5-pointed star (the first place in the wheat export); the pavilion of the Textile Industry and other goods decorated with jugs and towels with symbols of fertility and abundance; the pavilion of the Vinery State Farms with plant motifs and the Fish Pavilion with high reliefs of fish, anchors, ship noses and bas-reliefs of nets (active development of sea fishing). In general, the symbolism of all presented pavilions reflects the idea of wealth, prosperity and active development of the main directions of agriculture and industry of the country. For the first time, the architectural heritage of the agricultural exhibition, which is the compositional core of the Odessa Dyukovsky Park, is analyzed from the symbolism point of view. At the same time, the decoding of the semantic loads inherent in the architectural and artistic decor of the pavilions is correlated with the theme of the exhibition, as well as with the historical features of the construction period. Today, all buildings of the former exhibition pavilions are empty or are used as warehouses. Perhaps the analysis of the information code of these buildings will again attract the attention of the city authorities to the issues of reconstruction of the city's historical heritage, reviving it.

“Satisfied with the Ruins of Berlin”: The German Capital’s Image in Soviet Graphics of 1945

2021 ◽  
Vol 17 (6) ◽  
pp. 564-575
Author(s):  
Irina I. Rutsinskaya
Keyword(s):  
Visual Art ◽  
Visual Image ◽  
Point Of View ◽  
The Public ◽  
Historical Justice ◽  
Public Consciousness ◽  
Post War ◽  
The One ◽  
First Time ◽  
The City

An artist who finds themselves in the last days of a war in the enemy’s defeated capital may not just fix its objects dispassionately. Many factors influence the selection and depicturing manner of the objects. One of the factors is satisfaction from the accomplished retribution, awareness of the historical justice triumph. Researchers think such reactions are inevitable. The article offers to consider from this point of view the drawings created by Soviet artists in Berlin in the spring and summer of 1945. Such an analysis of the German capital’s visual image is conducted for the first time. It shows that the above reactions were not the only ones. The graphics of the first post-war days no less clearly and consistently express other feelings and intentions of their authors: the desire to accurately document and fix the image of the city and some of its structures in history, the happiness from the silence of peace, and the simple interest in the monuments of European art.The article examines Berlin scenes as evidences of the transition from front-line graphics focused on the visual recording of the war traces to peacetime graphics; from documentary — to artistry; from the worldview of a person at war — to the one of a person who lived to victory. In this approach, it has been important to consider the graphic images of Berlin in unity with the diary and memoir texts belonging to both artists and ordinary soldiers who participated in the storming of Berlin. The combination of verbal and visual sources helps to present the German capital’s image that existed in the public consciousness, as well as the specificity of its representation by means of visual art.

The Contribution of the Turkish Historical Society to the First Stage of the Governmental Program for the Protection of Monuments in Edirne (1933-1941): Preservation Policies and Ideology in the Representation of Architectural Heritage

Belleten ◽  
2012 ◽  
Vol 76 (276) ◽  
pp. 673-690
Author(s):  
Giorgio Gasco
Keyword(s):  
Point Of View ◽  
Visual Narrative ◽  
Ministry Of Education ◽  
Historical Buildings ◽  
Architectural Heritage ◽  
Historical Society ◽  
Emerging Culture ◽  
Historical Heritage ◽  
Scientific Base

The beginning of restoration works on a scientific base in Turkey dates back on 1933 when a specific committee for the protection of monuments (Anıtları Koruma Komisyonu) was officially appointed by the Ministry of Education. The preliminary working phase, carried on under the direction of this committee, was soon distinguished by the clear attempt to visualize the results in order to cast the monuments as national icons. The present paper's aim is to discuss this process of visualization focusing on the case study of a series of works realized in Edime from 1933 to 1944. Apart from the historical value of monuments included in the protection program, the study explores the ideological side of these works stressing their value as a pioneering enterprise of a modem nation that celebrated its emerging culture in the protection and preservation of monuments as a sign of progress and civilization. Edirne's restoration works in fact arouse a great deal of interest in the national press, becoming the best show-case for the effort of the Ministry. By this point of view the study focuses on the key-role played by the Turkish Historical Society in the construction of a visual narrative in the attempt to disseminate the result of these works. In particular the efforts of the Turkish Historical Society in advertising the scheduled interventions found their outlet in the editing of a set of postcards displaying Edirne's historical buildings. The result is a series of powerful images in which a number of buildings are re-casted as the first cultural-historical assets of the Turkish nation. The construction of this visual material was set according to a powerful aesthetic format, clear and instantly recognizable, in order to assure an immediate public reception of the historical heritage of the country. The collection of these images stands as a prime contribution in the construction of the national identity of the country thanks to the production of a collective visual heritage, that, on the ground of an effective popular aesthetics, was able to feature the idea of nation as a landscape of monuments.

scholarly journals Adaptive Reuse of Architectural Heritage and Its Role in the Post-Disaster Reconstruction of Urban Identity: Post-Communist Łódź

2020 ◽  
Vol 12 (19) ◽  
pp. 8054
Author(s):  
Julia Sowińska-Heim
Keyword(s):  
Textile Industry ◽  
Adaptive Reuse ◽  
City Centre ◽  
Architectural Heritage ◽  
Urban Identity ◽  
Main Research ◽  
Identity Reconstruction ◽  
The 19Th Century ◽  
The City

The article examines the role of the adaptive reuse of architectural heritage in urban identity reconstruction and strengthening undertaken after the disaster caused by a strong economic and social crisis. The main research material includes activities and projects implemented in post-communist Łódź, one of the largest Polish cities. The city developed extremely dynamically at the beginning of the 19th century as a centre of textile industry. Characteristic factories located in the city centre operated continuously until the end of the 1980s, when the transformation brought about radical political changes, as a result of which Łódź experienced a rapid process of deindustrialisation. The nineteenth-century architectural heritage played an important role in the search for ways to regenerate the city and redefine its identity. Starting from the local, i.e., historical, social or identity contexts, the reader is led to universal conclusions, concerning important problems, issues and challenges related to the confrontation of architectural heritage with contemporary needs and expectations.

scholarly journals DEVELOPMENT OF VOTKINSK CITY-PLANT PRIOR TO 1917

2018 ◽  
pp. 57-73 ◽  
Author(s):  
Yu. A. Stoyak ◽  
L. S. Romanova
Keyword(s):  
Urban Development ◽  
Complex Analysis ◽  
Town Planning ◽  
Architectural Heritage ◽  
The Urals ◽  
Research Results ◽  
First Time ◽  
The City

The paper is relevant due to changes in the city-plant Votkinsk situated in the Urals. These changes condition a loss of architectural and artistic originality of the city. The purpose of the paper is to reveal its town-planning features. For the first time, the stages of its urban development are identified empirically on the basis of the complex analysis results on the historical and architectural heritage of Votkinsk. The research results can be used for the formation of the concept concerning the properties conservation of Votkinsk.

scholarly journals Ideas of Muslim History Rethinking in the Works by Arab Intellectuals of the Late 20th – Early 21st Centuries

Islamovedenie ◽  
2021 ◽  
Vol 12 (1) ◽  
pp. 121-129
Author(s):  
Sokolov Oleg Aleksandrovich ◽  
Keyword(s):  
21St Century ◽  
Point Of View ◽  
Muslim World ◽  
Historical Method ◽  
Multi Stage ◽  
History Of ◽  
Frame Work ◽  
First Time

In the 21st century, Muslim reformist thought is going through a period of rapid devel-opment, during which the ideas of the renovators of the 19th – 20th centuries are being trans-formed and developed. In the late 20th – early 21st centuries, major Arab intellectuals put for-ward various ideas for rethinking the Muslim reformist paradigm by changing approaches to the study and understanding of the history of the Muslim Ummah and overcoming the non-historicity of discourse. Within the framework of this article, for the first time, an attempt was made to classify the approaches of the largest Arab representatives of the Muslim reformist movement to the study of the history of Muslim civilization from the point of view of changing the paradigms of modern humanitarian knowledge. Muhammad al-Ashmawi, within the frame-work of the positivist concept, advocated a reinterpretation of the era of the “righteous caliphs”. Faraj Fuda, who stuck to a post-positivist position, put forward the idea of an inductive rethink-ing of Muslim history. Muhammad al-Jabri, being a representative of structuralism, proposed to build a clear referential framework for the periodization of the history of Muslim civilization. Finally, Muhammad Arkun, analyzing the ways of solving the indicated problem, relied on the post-structuralist ideas of “applied Islamology” based on the progressive-regressive historical method. The presented classification clearly demonstrates the diversity of modern Muslim re-formist thought and the multi-stage nature of its development. The proposed division of ap-proaches to the study and understanding of the history of the Muslim Ummah by Arab authors can be further correlated with the typology of the development of reformist ideas in other re-gions of the Muslim world.

scholarly journals Geographische Tatsachen und Fiktionen in Platons Atlantisbericht

2019 ◽  
Author(s):  
Rainer Kühne
Keyword(s):  
Point Of View ◽  
First Time ◽  
The City

This paper examines the geographical description of Athens and Atlantis in Plato's dialogues Timaios and Critias. Plato described both Attika and the Athenian Acropolis essentially correct. The description of the Acropolis resembles the historical Acropolis of the Mycenaean time, but also the city of Athens of Plato's time. Plato's description of Atlantis is impossible from the geological point of view. Greek elements which appeared for the first time in the 7th century BC are included in the cultural description of Atlantis. The flood and cataclysms mentioned by Plato are based neither on Greek nor Egyptian tradition, but are based on his philosophical views.

THE LITERARY LANDSCAPE OF WESTERN SIBERIA IN N. A. LUKHMANOVA’S “ESSAYS FROM THE LIFE IN SIBERIA”

2020 ◽  
Vol 6 (2) ◽  
pp. 48-63
Author(s):  
Alyona I. Pershina ◽  
Elena N. Ertner
Keyword(s):  
Creative Thinking ◽  
Western Siberia ◽  
Climatic Conditions ◽  
Point Of View ◽  
Way Of Life ◽  
Old Believers ◽  
Literary Context ◽  
The Individual ◽  
First Time ◽  
The City

The subject of this article is the literary landscape of Western Siberia, which was represented in “Essays from life in Siberia” (1895) by Nadezhda Aleksandrovna Lukhmanova. The relevance of this research is determined by the increased importance of studying “local” texts of Russian culture, including the need for a more detailed study of the phenomenon of Siberia. The mythopoetics of landscape in N. Lukhmanova’s “Essays” is considered in the context of prose of the turn of the 19th-20th centuries (G. Uspensky, K. Nosilov). The literary context of the study of “Siberian” texts for the first time includes the stories by S. I. Kartsevsky. The geographical imagery of Western Siberia is reconstructed in the texts under consideration from the point of view of philological analysis, which allows determining the features of representation of the Place in the creative thinking of a particular writer and identifying the individual author’s view of the depicted locus. “Essays from life in Siberia” by N. Lukhmanova reflect different points of view on the landscape of the Siberian city. Geographical remoteness, climatic conditions, and the closed way of life of old believers form the image of a fortress city, “the country behind the Stone”. The reflected provincial way of life of the city is destroyed on the pages of “Essays” with the arrival of merchant children who were educated in the capital, the growth of industry, the laying of the railway. Siberia in the minds of newcomers appears “a remote, lost place”, while in the perception of Siberians it is the “native land”, “Paradise”. N. Lukhmanova’s “Essays” reflect the “double mythologem” of Western Siberia: it is “alien”, closed space and at the same time “one’s own”, “reserved”, and “secret”.

‘Carthage Must Be Destroyed’, 400 BC–146 BC

The Great Sea ◽  
2011 ◽  
Author(s):  
David Abulafia
Keyword(s):  
Good Reason ◽  
Point Of View ◽  
The Other ◽  
Personal Factors ◽  
The West ◽  
Naval Power ◽  
Western Sicily ◽  
The Common ◽  
First Time ◽  
The City

While the war between Athens and Sparta for control of the Aegean was at its peak, other conflicts, further to the west, embroiled Greek cities in struggles for their life. Carthage was as significant a naval power in its sector of the Mediterranean as Athens was further to the east. In 415, the Carthaginians were content to look on while the Athenians attacked Syracuse. They could see that the Greeks were divided among themselves and too busy squabbling to turn their attention against the Phoenician trading stations on Sicily. From their point of view, anything that weakened Greek power in Sicily was welcome. On the other hand, the destruction of the Athenian forces posed a new problem, to which they found themselves responding rapidly. Not for the first time the Syracusans threatened to dominate the island. However, the real troublemakers proved once again to be the Elymian inhabitants of Segesta, who, not content with the havoc they had wreaked by calling in the Athenians, now appealed to Carthage for help against their old rivals, the Greeks of Selinous. The Carthaginians had good reason to support Segesta. It lay in an area dotted with Punic, that is Phoenician, colonies, notably Panormos (Palermo) and Motya. When in 410 the Segestans offered to become dependants of Carthage in return for protection, the Carthaginian assembly realized that the time had come to consolidate their city’s hold on western Sicily. The Segestan appeal marked a decisive moment in the transformation from a loose confederation of allies and trading stations presided over by Carthage to a Carthaginian empire that included among its subjects not just fellow-Phoenicians but subject peoples – ‘Libyans’, as the Berbers of North Africa were called by Greek writers, Elymians, Sikels and Sikans in Sicily, not to mention Sards and Iberians. There were other, personal factors at work among the Carthaginian elite, for the city was at this time controlled by a group of powerful dynasties that dominated its Senate. A prominent Carthaginian with the common name Hannibal is said to have conceived a passionate hatred for all Greeks after his grandfather Hamilcar was killed in battle against the Syracusan army at Himera in 480 BC.

scholarly journals ORTHODOX CHURCHES IN TOMSK: CARTOGRAPHIC RECONSTRUCTI

2019 ◽  
pp. 60-73
Author(s):  
S. N. Eremeev
Keyword(s):  
Comparative Analysis ◽  
20Th Century ◽  
Orthodox Church ◽  
The 1950S ◽  
Historical Heritage ◽  
First Time

The paper describes the Orthodox church historical heritage in Tomsk which in the 20th century was mostly lost because of ideological reasons. For the first time, a list of all historical Orthodox churches of Tomsk is studied. A comparative analysis is given to all types of Orthodox churches, which are parish, home, monastery, cemetery churches and chapels. A preservation of these objects in nowadays is evaluated. As a result, a combined table is developed for 84 objects and the cartographic reconstruction is proposed for all historical church objects of Tomsk from the 1750s to the 1950s.

scholarly journals Comparative analysis of the content of heavy metals in raw materials of some representatives of the genus Paeonia L.

2021 ◽  
Vol 214 (11) ◽  
pp. 45-55
Author(s):  
Antonina Reut ◽  
Svetlana Denisova
Keyword(s):  
Heavy Metals ◽  
Raw Materials ◽  
Correlation Study ◽  
Point Of View ◽  
Atomic Spectroscopy ◽  
Degree Correlation ◽  
First Time ◽  
The City ◽  
Maximum Content ◽  
Mathematical Data Processing

Abstract. Currently, heavy metals are considered as priority soil pollutants. It is known that the vegetative mass of agricultural crops is capable of accumulating them in large quantities. Ornamental flower crops, which firmly occupy their ecological niche, are practically not considered from this point of view. The aim of this work is to study the features of the accumulation of heavy metals in the aboveground and underground organs of some representatives of the genus Paeonia L. in the urbanized environment of the city of Ufa. The objects of research were seven taxa of Paeonia (P. peregrina Mill., P. lactiflora Pall., P. lactiflora f. rosea, P. delavayi Franch., P. × hybrida Appassionata, Mustai Karim, Jeanne d’Arc). Methodology. The study of the elemental composition of the aboveground and underground parts was carried out according to the method No. M-02-1009-05 atomic spectroscopy. Mathematical data processing was carried out using generally accepted methods of variation statistics using the AgCStat software package in the form of an Excel add-in. Scientific novelty. For the first time, different taxa and parts of Paeonia plants were taken for research. Results. It was revealed that in the studied samples the copper content is 4,15–2520,00 times higher than that of other elements. It is noted that the minimum concentrations of arsenic, cadmium, chromium, manganese and iron are noted in the roots; lead and nickel – in flowers; copper – in the leaves of the studied paeonies. The maximum content of arsenic, lead, chromium is found in the leaves; cadmium, nickel, manganese – in the stems; iron – in flowers. That is, cutting paeonies in the autumn before retirement avoids the accumulation of these microelements in the soil. The results of the correlation analysis showed that the absolute values of the concentrations of the studied elements in the considered taxa of paeonies correlate with each other to a weak and medium degree. Correlation study of pairs of elements makes it possible to assess the synergism of accumulation and its absence, which is consistent with the opinion of other authors.

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