scholarly journals ORTHODOX CHURCHES IN TOMSK: CARTOGRAPHIC RECONSTRUCTI

Author(s):  
S. N. Eremeev

The paper describes the Orthodox church historical heritage in Tomsk which in the 20th century was mostly lost because of ideological reasons. For the first time, a list of all historical Orthodox churches of Tomsk is studied. A comparative analysis is given to all types of Orthodox churches, which are parish, home, monastery, cemetery churches and chapels. A preservation of these objects in nowadays is evaluated. As a result, a combined table is developed for 84 objects and the cartographic reconstruction is proposed for all historical church objects of Tomsk from the 1750s to the 1950s.

Author(s):  
Tetiana Tverdokhlib

The views of V. Belikov, A. Vasyliev, P. Lashkarov, P. Linytskyi, I. Malyshevskyi, A. Sheremetynskyi and other teachers and religious figures about teaching pedagogy in educational institutions of the Orthodox Church in 1867-1884 have been covered in the article basing on the analysis of primary sources and historical and pedagogical literature. It has been established that the theoretical groundwork on these issues was presented in the projects and publications of such ecclesiastical periodicals as Volynskie Eparxial'nye Vedomosti, Pravoslavnoe Obozrenie, Poltavskie eparxial'nye vedomosti, Trudy Kievskoj duxovnoj akademii, etc. The ideas of teachers and religious figures regarding the content, methodological support, organizational aspects, forms, staffing of teaching pedagogy in academies, seminaries and women's educational institutions of the Orthodox Church have been identified and considered. The comparative analysis of theoretical developments on pedagogical education in the Orthodox educational institutions of the early nineteenth century – the mid 60's of the nineteenth century and 1867-1884 has been carried out in the research. It was found on its basis that during the period under research the problems of teaching and methodological support and the organization of teaching pedagogy were rarely brought up by teachers and religious figures, but at the same time they joined to solving new issues. In 1867-1884 the works where the forms of organizing the process of teaching pedagogy, peculiarities of the activities of teachers of this discipline in the educational institutions of the ecclesiastical department were considered appeared for the first time.


Author(s):  
A.O. Kadurina ◽  
Yu.S. Nazarchuk

Purpose. The research is devoted to the analysis of the agricultural exhibition pavilions symbolism in Dyukovsky Park in Odessa in 1950s years. Methodology. Field study and bibliographic research, synthesis and analysis, historical method, and method of analogies are used in that work. Results. The stages of Dyukovsky Park formation have been studied, from the Duke de Richelieu, which gave the name to the park, dacha creation to the active construction and landscaping of the park in the XX century. In particular, from the symbolism point of view, the architectural and artistic decor of the agricultural exhibition pavilions of the 1950s years is analyzed. These are: a pavilion of Vegetable growing which is crowned by layers of wheat and a 5-pointed star (the first place in the wheat export); the pavilion of the Textile Industry and other goods decorated with jugs and towels with symbols of fertility and abundance; the pavilion of the Vinery State Farms with plant motifs and the Fish Pavilion with high reliefs of fish, anchors, ship noses and bas-reliefs of nets (active development of sea fishing). In general, the symbolism of all presented pavilions reflects the idea of wealth, prosperity and active development of the main directions of agriculture and industry of the country. For the first time, the architectural heritage of the agricultural exhibition, which is the compositional core of the Odessa Dyukovsky Park, is analyzed from the symbolism point of view. At the same time, the decoding of the semantic loads inherent in the architectural and artistic decor of the pavilions is correlated with the theme of the exhibition, as well as with the historical features of the construction period. Today, all buildings of the former exhibition pavilions are empty or are used as warehouses. Perhaps the analysis of the information code of these buildings will again attract the attention of the city authorities to the issues of reconstruction of the city's historical heritage, reviving it.


Author(s):  
Инесса Слюнькова ◽  
Inessa Slyun'kova

The paper describes the findings of some new historical and architectural surveys of the great Livadia Palace in H2 of the 19th — early 20th centuries. Belonging to the Russian monarchs — from Alexander II to Nicholas II — the building is a monument of architecture and the landmark of the palace and park ensemble in the Crimea. For the first time, the equal focus was given to the original and the new palace that replaced it and was built according to the designs of architects I.A. Monighetti (1866) and M.P. Krasnov (1911), a graphical comparative analysis of layouts was carried out. The author has used the newly discovered archival materials and graphic sources, which indicate the replacement of one palace by another and allow raising the question of similarity lines and fundamental differences between the architecture of the old and the new buildings, due to the content of the order and the unbiased historical course of time. The author dwells upon the interaction of the new art of symbolism in the early 20th century with the architectural texts of the past. She hypothesizes about the search for the artistic equivalent of existential perception of time in the architecture.


Author(s):  
Manuel Pérez Jiménez

Este trabajo pretende realizar una aportación a la literatura comparada desde el campo de la teoría teatral. La hipótesis del mismo viene dada por la adscripción de El tintero, pieza del autor español Carlos Muñiz estrenada en 1961, a los principios teóricos y compositivos desarrollados por el Expresionismo en el teatro alemán de las primeras décadas del siglo XX. Para ello se lleva a cabo una aplicación de las teorías teatrales expresionistas al análisis comparado entre la obra de Muñiz y la pieza Hinkemann, escrita por el dramaturgo alemán Ernst Toller entre 1921 y 1922. Adoptando como objeto específico del estudio el modo de configuración de las obras (constituido, en el teatro expresionista, por el género de la tragedia), se definen la entidad de los agonistas y las dimensiones del proceso trágico. En las conclusiones, las dos obras analizadas aparecen como supradramas expresionistas, por ser representaciones de conflictos entre lo esencial humano y lo suprarreal deshumanizador . This essay aims to contribute to comparative literature, working from the field of drama theory. Its hypothesis is that El tintero, by the Spanish playwright Carlos Muñiz and performed for the first time in 1961, adheres to the theoretical and creative principles formulated by the Expressionism of the early decades of 20th Century German drama. An application of Expressionist dramatic theories is carried out in the comparative analysis of Muñiz’s play and Ernst Toller’s work Hinkemann (written by the German playwright in 1921-22). The paper focuses on the composition of the plays (constituted in Expresionist drama by the genre of tragedy) and it includes a description of the entity of the agonists and the dimensions of the tragic process. The conclusion suggests that both plays are Expressionist supradramas, as both are representations of conflicts between essential humanity and supra-real dehumanization.


2015 ◽  
pp. 48-51
Author(s):  
Nadezhda A. Dogorova

The article gives a comparative analysis of historical and ethnographic materials of the late 19th - early 20th century to define the anthropological characteristics of theatricality in the context of Mordovian dance plasticity. For the first time ever, the basis is provided to the artistic and esthetic levels of existence of the syncretic behavioural activities of ancient composition of the “bezaktersky” theater of the “folklore period”.


2018 ◽  
Vol 22 (1) ◽  
pp. 111-135
Author(s):  
Brigita Tranavičiūtė

This article presents an analysis of Soviet consumer advertising as a means of Soviet propaganda in order to form a public consumer culture. Material from Soviet advertising institutions in Lithuania, creators of advertisements from the second half of the 20th century, and archival and published sources, has been used to achieve this aim. In order to show the propaganda goal of Soviet advertising, periodical publications from the period have also been analysed. Based on socialist propaganda arguments formulated in various sources, the author conducts an analysis of the functions of Soviet advertising and a comparative analysis of Soviet and Western advertising in the article. After defining the functions of Soviet advertising, one of the aims of this article is to determine the influence of Soviet advertising on the formation of Soviet consumer culture.


2020 ◽  
Vol 2020 (11-2) ◽  
pp. 254-267
Author(s):  
Petr Tsitkilov

Based on the statements of contemporaries of that era - prominent bishops, hierarchs of the Russian Orthodox Church, press materials, regulatory and other documents, the article considers the problem of the crisis of Russian religious consciousness in pre-revolutionary Russia. Based on the method of generalization of spatio-temporal characteristics (typological), an argument is given of its main causes. The historical and anthropological method allowed us to study the period under review through its perception in the minds of famous contemporaries - Saint Righteous John of Kronstadt, Archbishop Nikon (Rozhdestvensky), Metropolitan Veniamin (Fedchenkov), etc. Using the method of comparative analysis, it was possible to identify the specifics of the influence on the origin and development of the religious crisis consciousness of various social strata and social classes (nobility, intelligentsia, clergy).


Author(s):  
Антон Кириллович Салмин

Актуальность и необходимость статьи обусловлена отсутствием сравнительно-сопоставительного анализа фондов Научного архива Чувашского государственного института гуманитарных наук (НА ЧГИГН) и 17-ти томного капитального словаря «Чӑваш сӑмахĕсен кĕнеки. Словарь чувашского языка. The saurus linguae Tschuvaschorum» («Словаря») члена-корреспондента АН СССР Н. И. Ашмарина. Написанный и изданный в первой половине XX в., «Словарь» опирается на тексты, хранящиеся в названном архиве, и отражает повседневную жизнь и лексику традиционного чувашского общества из области истории, археологии, религии, этнографии, языка, искусства и фольклора. Несомненно, «Словарь» является сокровищем чувашского народа, он полнее и ценнее всех имеющихся словарей чувашского языка, оценен лингвистами России и мира очень высоко. Следует согласиться с высказанным мнением о том, что чувашский народ может гордиться тем, что имеет такой превосходный словарь. Все примеры автором статьи приводятся из первоисточников DE VISU. Проведенный сравнительный анализ позволяет прийти к выводу о несомненном преимуществе архивных текстов, так как они значительно точнее и полнее «Словаря». Хотя мысль, возможно, и не нова, но она всегда была априорной. Статья нацелена на продолжение обсуждаемой темы, поскольку она разрабатывается впервые в данной публикации. The relevance of the article is due to the absence of the comparative analysis of the holdings of the Scientific Archive of the Chuvash State Institute of Humanities (SA ChSIH) and the 17-volume capital dictionary “The Dictionary of the Chuvash Language” by the correspondent member of the USSR Academy of Sciences N.I. Ashmarin. The “Dictionary” written and published in the first half of the 20th century is based upon the texts stored in the aforesaid archives and reflect the day-to-day life and vocabulary of the traditional Chuvash society in terms of history, archaeology, religion, ethnography, language, arts, and folklore. Undoubtedly the “Dictionary” is a jewel of the Chuvash people, it is more complete and valuable than all the dictionaries of the Chuvash language and is valued highly by linguists in Russia and worldwide. It is wise to subscribe to the opinion that the Chuvash people can be proud of such an excellent dictionary. All the examples provided by the author of the article are taken from original sources de visu. The comparative analysis performed makes it possible to make a conclusion on unquestionable advantage of archival texts because they are substantially more exact and complete compared with the “Dictionary”. The idea may not be new, but it has always been an a priori one. The article is meant to continue the discussed subject, since it is being developed for the first time in this work.


1995 ◽  
Vol 34 (05) ◽  
pp. 518-522 ◽  
Author(s):  
M. Bensadon ◽  
A. Strauss ◽  
R. Snacken

Abstract:Since the 1950s, national networks for the surveillance of influenza have been progressively implemented in several countries. New epidemiological arguments have triggered changes in order to increase the sensitivity of existent early warning systems and to strengthen the communications between European networks. The WHO project CARE Telematics, which collects clinical and virological data of nine national networks and sends useful information to public health administrations, is presented. From the results of the 1993-94 season, the benefits of the system are discussed. Though other telematics networks in this field already exist, it is the first time that virological data, absolutely essential for characterizing the type of an outbreak, are timely available by other countries. This argument will be decisive in case of occurrence of a new strain of virus (shift), such as the Spanish flu in 1918. Priorities are now to include other existing European surveillance networks.


2020 ◽  
Vol 53 (1) ◽  
pp. 27-54
Author(s):  
Fiona Haig

Democratic centralism was the Leninist-Bolshevik pyramidal model of internal organization in operation in all communist parties for most of the 20th century. Thus far, the question of whether it functioned consistently across the non-ruling parties has not been addressed explicitly or systematically. This article examines the implementation of this essential internal dynamic in a French and an Italian communist party federation in the early postwar period. Drawing on new personal testimonies from more than 50 informants, and inedita archival evidence, this analysis reveals not only similarities but also clear functional disparities between the two cases.


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