scholarly journals SELF-CENSORSHIP LICENSED RELIGIOUS OF NEWS MEDIA FOR BALANCED JOURNALISM TO SUPPORT HARMONY AND HUMAN PROGRESS

2017 ◽  
Vol 3 (2) ◽  
Author(s):  
Amar Ma’ruf
Keyword(s):  
Risk Management ◽  
News Media ◽  
Human Mind ◽  
The Self ◽  
Good Image ◽  
Moral Improvement ◽  
The World ◽  
The Face ◽  
The Media ◽  
The Universe

Religion is a belief in the existence of a supernatural power who created and controls the universe. These days, Islam is often associated with terrorism so as to create Islamophobia. Distortion of information by the media decrease the good image of Islam. These days, many acts of terrorism going on in the world, but if not too highlighted if terrorists are not Muslims. Many civilians have been killed in Palestine, Syria, Afghanistan, and other countries have been killed, but it is not too claimed to be an act of terrorism as well as acts of terrorism that occurred in western countries which incidentally is known culprit is Muslim. One of the ways that have a major impact is the need to be made regarding the rules of self-censorship licensed religious for the news media. Technical implementation of the self-censorship licensed religious use of risk management. The principle is prevention. Prevention of the media to present imbalance in the news much better benefits than giving punishment to the media which wrong in presenting the news. If self-censorship is implemented, not only the equal of news that will be obtained, but the moral improvement of mankind will be achieved, given the media is a tool that easily influence the human mind. Thus proved that the acts of terrorism that confront terrorist act of taking his religion is just a scapegoat in the group seemed to be the face of the religion. Key words: self-cencorship, religious, news, journalism, harmony

scholarly journals Face of the Human and Surface of the World

2011 ◽  
pp. 121-134
Author(s):  
Walid El Khachab
Keyword(s):  
Human Subject ◽  
The Body ◽  
The Other ◽  
Nature And Culture ◽  
Other Hand ◽  
The World ◽  
The Status ◽  
The Face ◽  
The Media ◽  
The Universe

In this article, the surface of the world is envisaged as a face. Cinema as a record of this surface, and as a medium which “re-invented” the face in the close-up shot, makes it possible to reflect on the status of the human subject in the universe, thanks to the concept of cinematic pantheism. Following Elie Faure, the author underscores the pantheistic nature of cinema and claims that cinematic pantheism is the way by which film produces simultaneously transcendence and immanence, and materializes the unity of both, thus confirming Siegfried Kracauer's theory according to which man, nature and culture are part of the same “visible phenomena” in cinema. Cinema transforms all beings into surfaces: it operates by facialization and surfacialization. On the other hand, the article revisits Deleuze and Guattari's concept of faciality and argues that it describes a surface operating as the interface of the body in its interaction with other bodies in the media, the realm of the divine, or the universe. Thus faciality is also landscapity, and activating the camera means “transfiguring” the human (or the landscape) into face and introducing a vis-a-vis: the face of God, as immanent transcendence. In that sense, cinematic mysticism, as in Paradjanov's, Makhmalbaf's and Mikhalkov's films, is pantheistic.

Power of Darkness: Narrative and Biographical Reflexivity in A Series of Unfortunate Events

2008 ◽  
Vol 1 (2) ◽  
pp. 200-212
Author(s):  
ELIZABETH BULLEN
Keyword(s):  
The Self ◽  
Risk Society ◽  
Project Risk ◽  
Young Readers ◽  
The World ◽  
The Face ◽  
High Earning ◽  
Textual Culture ◽  
Children’S Exposure ◽  
Central Claim

This paper investigates the high-earning children's series, A Series of Unfortunate Events, in relation to the skills young people require to survive and thrive in what Ulrich Beck calls risk society. Children's textual culture has been traditionally informed by assumptions about childhood happiness and the need to reassure young readers that the world is safe. The genre is consequently vexed by adult anxiety about children's exposure to certain kinds of knowledge. This paper discusses the implications of the representation of adversity in the Lemony Snicket series via its subversions of the conventions of children's fiction and metafictional strategies. Its central claim is that the self-consciousness or self-reflexivity of A Series of Unfortunate Events} models one of the forms of reflexivity children need to be resilient in the face of adversity and to empower them to undertake the biographical project risk society requires of them.

‘A pinch of unseen, unguarded dust’: The World and Self in Thomas Hardy's Poems

2018 ◽  
Vol 8 (1) ◽  
pp. 49-66
Author(s):  
Monika Szuba
Keyword(s):  
The Body ◽  
The Self ◽  
Phenomenological Philosophy ◽  
The Earth ◽  
The World ◽  
The Universe ◽  
Recurrent Theme ◽  
Body Subject

The essay discusses selected poems from Thomas Hardy's vast body of poetry, focusing on representations of the self and the world. Employing Maurice Merleau-Ponty's concepts such as the body-subject, wild being, flesh, and reversibility, the essay offers an analysis of Hardy's poems in the light of phenomenological philosophy. It argues that far from demonstrating ‘cosmic indifference’, Hardy's poetry offers a sympathetic vision of interrelations governing the universe. The attunement with voices of the Earth foregrounded in the poems enables the self's entanglement in the flesh of the world, a chiasmatic intertwining of beings inserted between the leaves of the world. The relation of the self with the world is established through the act of perception, mainly visual and aural, when the body becomes intertwined with the world, thus resulting in a powerful welding. Such moments of vision are brief and elusive, which enhances a sense of transitoriness, and, yet, they are also timeless as the self becomes immersed in the experience. As time is a recurrent theme in Hardy's poetry, this essay discusses it in the context of dwelling, the provisionality of which is demonstrated in the prevalent sense of temporality, marked by seasons and birdsong, which underline the rhythms of the world.

The Writings of Skryabin

2018 ◽  
Author(s):  
Simon Nicholls ◽  
Michael Pushkin ◽  
Vladimir Ashkenazy
Keyword(s):  
World View ◽  
Creative Activity ◽  
Creative Play ◽  
Religious Feeling ◽  
The World ◽  
The Face ◽  
Section Viii ◽  
The Universe ◽  
Final Text ◽  
Life Work

An introduction by Boris de Schloezer gives the genesis of the final text in the section, the Preliminary Action, and explains its relation to Skryabin’s projected life-work, the Mystery. Section I: an effusion of Orthodox religious feeling from teenage years. Sections II-VII: Around 1900, an expression of rejection of God in the face of disillusion is followed by the text of the choral finale of the First Symphony, declaring faith in the power of art. An unfinished opera libretto, symbolic in narrative, expressing belief in Art’s power to seduce and persuade. Three notebooks develop a world view in which the world is the result of the self’s creative activity. The creation of art and of the universe are identical. There is a higher self, identical with divinity. Forgetfulness of individuality leads to freedom and universal consciousness. Section VIII: The literary poem written during the composition of the symphonic Poem of Ecstasy summarises the scenario developed in the notebooks. Life starts with the desire to create, delight in creative play meets opposition, the creative goal is achieved and disappointment sets in. The process is repeated until it is realized that the struggle is itself joyful and self-affirmation is achieved. Section IX: The text of the Preliminary Action is symbolic in structure. Primal Male and Female Principles emerge; the Female is identified with Death. Life arises from the union of energies. Struggle and bloodshed follow. The conclusion is an impulse towards unification, the synthesis of experience and dematerialisation. Both the complete first draft and the incomplete revision are included.

Accountability and the Media

2014 ◽  
Vol 652 (1) ◽  
pp. 206-221
Author(s):  
Anton Harber
Keyword(s):  
South African ◽  
News Media ◽  
Media Access ◽  
Political Interference ◽  
The Face ◽  
Public Broadcaster ◽  
The Media ◽  
The Government ◽  
The Cost ◽  
Poor Management

Two decades of contestation over the nature and extent of transformation in the South African news media have left a sector different in substantive ways from the apartheid inheritance but still patchy in its capacity to fill the democratic ideal. Change came fast to a newly open broadcasting sector, but has faltered in recent years, particularly in a public broadcaster troubled by political interference and poor management. The potential of online media to provide much greater media access has been hindered by the cost of bandwidth. Community media has grown but struggled to survive financially. Print media has been aggressive in investigative exposé, but financial cutbacks have damaged routine daily coverage. In the face of this, the government has turned its attention to the print sector, demanding greater—but vaguely defined—transformation and threatened legislation. This has met strong resistance.

scholarly journals Cenas da precariedade de ontem e de hoje | Scenes of the precariousness of yesterday and today

2021 ◽  
Vol 3 (1) ◽  
pp. 78-92
Author(s):  
José Edilson Amorim
Keyword(s):  
Working Class ◽  
Everyday Life ◽  
20Th Century ◽  
Rio De Janeiro ◽  
The Third ◽  
The Everyday ◽  
The World ◽  
The Face ◽  
The Media ◽  
Media Politics

ResumoA partir de uma crônica de Bráulio Tavares, este artigo reflete sobre cenas da precariedade de ontem e de hoje. A primeira cena está em Lima Barreto, em Recordações do escrivão Isaías Caminha, ao referir a Revolta da Vacina no Rio de Janeiro do século XX, comparada às manifestações de 2013 e 2014 no país; a segunda é a espetacularização da mídia sobre as manifestações de rua em 2013 e 2014, e sobre o processo de impedimento do mandato presidencial de Dilma Rousseff em 2015; a terceira é uma cena da vida cotidiana de uma moça de Brasília em outubro de 2014. As três situações revelam o mundo da classe trabalhadora e seu desamparo em meio ao espetáculo midiático.Palavras-chave: Trabalho. Mídia. Política. Espetáculo. AbstractFrom a chronicle by Bráulio Tavares, this paper reflects about scenes of the precariousness of yesterday and today. The first scene is in Lima Barreto’s novel Recordações do escrivão Isaías Caminha (Memories of the scrivener Isaías Caminha), when referring to the Vaccine Revolt in the Rio de Janeiro of the 20th century, compared to the manifestations of 2013 and 2014 in Brazil; the second is about the media spectacularization of the street manifestations between 2013 e 2014 in Brazil, and also on Dilma Rousseff's impeachment process in 2015; the third one is from the everyday life of a girl from Brasília in October of 2014. All those three situations reveal the world of the working class and its helplessness in the face of the media spectacularization.Keywords: Work. Media. Politics. Spectacle.

What Determines the World

2008 ◽  
pp. 148-183
Author(s):  
Azamat Abdoullaev
Keyword(s):  
Science And Technology ◽  
Human Mind ◽  
Legal Responsibility ◽  
Consistent System ◽  
Environment Changes ◽  
The World ◽  
Fundamental Challenge ◽  
The Many ◽  
Causal Laws ◽  
The Universe

The world or reality is the totality of things diversified into a multitude of collections of subworlds with the characteristic constraints and boundaries; all determined by the fundamental causal laws. Accordingly, the logic of reality is ultimately one; for there cannot be many logics of the universe. Although many personal perspectives allowed, and particular truths, special things and meanings, the global logic of reality is a single universal consistent system relied on a set of ontological classes and relationships, fundamental rules and laws. The universe is a deep, dark secret, mysterious and mystifying to human minds. And the fundamental challenge to the human mind is to provide a comprehensive account and model that explains in noncryprical terms how this unbounded environment changes and how its basic constituents causally related, and so forth. And this is all the legal responsibility of the UFO as a causal dynamic ontology, formulating the causal rules of world behavior as fundamental laws by establishing underlying regularities, uniformities, invariants, and correlations. So guiding science and technology, the task of dynamic ontology is to give us the overall structures, uniformities, patterns, laws, constraints, and invariants within which the many changes in the world take place, finding out what it is outside and inside, defining the natures and essences common to the denumerable multitude of individuals, by classifying the whole universe of things into the prime categories, classes, kinds and relationships.

scholarly journals Let’s dance the news! How the news media are adapting to the logic of TikTok

Journalism ◽  
2020 ◽  
pp. 146488492096909
Author(s):  
Jorge Vázquez-Herrero ◽  
María-Cruz Negreira-Rey ◽  
Xosé López-García
Keyword(s):  
Content Analysis ◽  
Social Network ◽  
News Media ◽  
Exploratory Search ◽  
Access To Information ◽  
New Approach ◽  
The World ◽  
The Media

The influence of TikTok has reached the news media, which has adapted to the logic of the platform, in a context marked by the incidental consumption of news, virality and the intermediation of technology in access to information. The popularity of this social network invites news outlets to address a young audience on a platform characterized by visual and short content and dynamics defined by algorithmic recommendations, trending hashtags and challenges. Based on an exploratory search of news media and programmes on TikTok from around the world, we selected 234 accounts and conducted a content analysis of the 19 news media and programmes identified with a verified profile and general thematic scope. The results point to a progressive incorporation of the media since 2019, with the purpose of informing, positioning their brand and adapting to the logic of TikTok in a new approach to journalism for younger generations.

scholarly journals Editorial

2005 ◽  
Vol 22 (1) ◽  
pp. i-iv
Author(s):  
Katherine Bullock
Keyword(s):  
Indian Ocean ◽  
Psychological Impact ◽  
Poverty Relief ◽  
The People ◽  
The World ◽  
The Face ◽  
The Indian Ocean ◽  
The Universe ◽  
Silver Lining ◽  
Hiv Aids

Just as the world united in grief after the tragic carnage of 9/11, so too hasthe world become one after the cataclysmic tsunami that has claimed,according to Australia’s Sydney Morning Herald (February 8, 2005),295,608 lives, and has affected 11 countries in the Indian Ocean region.The tsunami destroyed entire villages and families. Long after thehouses have been rebuilt and the people have returned to a kind of normalcyin their lives, the effects of this catastrophe will continue to be felt.Local economies and the infrastructures needed to support them will haveto be rebuilt, and there will be the continuing psychological impact on thesurvivors, who will always feel guilty for having survived and who willnever be free of the pain of losing their loved ones.No one has been unaffected by the tsunami, although some of us, bythe grace of God (swt), have not felt its devastation. As the English adagegoes, every cloud has a silver lining. And in the face of such an awesomenatural calamity, we have seen the best side of humanity, as people rush toprovide aid and assistance to the survivors.The tsunami has also allowed those working in poverty relief and aidprograms elsewhere to turn the spotlight on their efforts to avert othercalamities that are of the same magnitude but occur at a much slower pace.Among such people is Stephen Lewis, the UN Secretary-General’s SpecialEnvoy for HIV/AIDS in Africa, who pointed out during an interview on CBCradio (January 12, 2005) that more than 2 million people in Africa die eachyear of AIDS. And then there is Rabbi Michael Lerner, who reminded us inhis essay in Tikkun (January 5, 2005) of a recent UN report that 29,000 childrendie every day from avoidable diseases and malnutrition.Calamities and their accompanying suffering and struggles are tests forhumanity. They remind us that we are not in control of the universe, andthus are a lesson in humility. They remind us that life is fragile and can betaken from us at a time and in a way that we do not expect, and thus are alesson in priorities and perspective, a check against the materialism andhedonism that is overtaking our consumer capitalist lives. Who wouldreally care that they do not own the latest iPod if they knew that they wereto die tomorrow? ...

scholarly journals Most Preferred Business Banking Product of HDFC Bank in Trichy City

2011 ◽  
Vol 2 (4) ◽  
pp. 177-185
Author(s):  
Uma Rani T.
Keyword(s):  
Risk Management ◽  
Constant Factor ◽  
Asset Liability Management ◽  
Liability Management ◽  
New Concepts ◽  
The World ◽  
The Face ◽  
The Impact ◽  
Insight Into ◽  
Rapid Transformation

Change is the only constant factor in this dynamic world and banking is not an exception. The changes staring in the face of bankers relates to the fundamental way of banking-which is undergoing rapid transformation in the world of today, in response to the forces of completion productivity and efficiency of operations, reduced operating margins better asset/liability management, risk management, any time and any where banking. The major challenge faced by banks today is to protect the falling margins due to the impact of competition. Another significant impact of banks today is the technology issue. In this study the business banking products of HDFC bank, that best suits the needs of the borrower were analysed. The Customer feels that loans to be obtained require a process that is extremely complicating and time consuming. This calls for an ombudsman setup separately for the domain. The observation and findings of the study have helped to give useful recommendation to bank. The implementation of the suggestion can help to improve strategies and build competencies over that of their competitors. This study has there by helped me by giving exposure into new concepts in today’s banking scenario as the interface shifts from service to products. There has also been some insight into competency recognition.

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