Evaluation of the aesthetic qualities and adaptability of introduced ornamental apple trees from the genetic collection of the Orenburg Branch of the Federal Horticultural Research Center for Breeding, Agrotechnology and Nursery

2021 ◽  
Vol 67 ◽  
pp. 78-88
Author(s):  
E. M. Feschenko
Keyword(s):  
Abiotic Factors ◽  
Average Diameter ◽  
Research Center ◽  
Apple Trees ◽  
Vegetative Organs ◽  
Royal Horticultural Society ◽  
Red Color ◽  
Ornamental Crops ◽  
The Rich ◽  
The Aesthetic

The study of ornamental and adaptive qualities of Malus Mill. from the genetic collection of ornamental crops of the Orenburg branch of the Research Center of Horticulture was carried out to assess the gene pool of introduced wild apple tree species and forms and identify suitable for the urban landscaping and the breeding process. Such characteristics as habitus, abundance of flowering, color and number of flowers in the inflorescence, color of vegetative organs, flowers and fruits during the season were taken into account; resistance to major diseases and adverse abiotic factors was evaluated. Additionally, the color of buds and flowers was characterized on the basis of the RHS (Royal Horticultural Society Color Chart). As a result of a preliminary survey on the complex of ornamental qualities and the level of adaptability, 5 most promising species were identified, which received the best ratings on the ornamental scale. Malus sikkimensis (Wenz.) Koehne ex C. K. Schneid. (31 points) was characterized by an attractive habit, the presence of flowers with a diameter of up to 40 mm and subsequently fruits that acquire a yellow-red color. Malus sargentii Rehder (29 points) was notable for its compact rounded crown, a large number of flowers with a diameter of 30 mm, followed by the formation of fruits with a dark red color. Malus floribunda Siebold ex Van Houtte (28 points) was distinguished by a large number of fragrant flowers in an umbrella-shaped inflorescence (5 — 7 pcs) with an average diameter of 30 mm, as well as attractive red-yellow fruits. Malus sieboldii (Regel) Rehder, M. toringo Siebold (28 points) was interesting primarily by the presence of 5 -7 flowers of 20 — 30 mm in the inflorescence and decorative fruits, the color of which varies from yellow to red. Malus niedzwetzkyana Dieck (28 points) attracted attention to the rich purple color of all organs due to the presence of a large number of anthocyanins, it was also worth noting the presence of a pleasant aroma during flowering and large flowers with an average diameter of 40 mm. The selected ornamental types of apple trees are favorable for use in landscaping of various scales, they are recommended for breeding work as initial parent forms.

Modernism and Non-Translation

2019 ◽  
Keyword(s):  
Case Studies ◽  
James Joyce ◽  
Ezra Pound ◽  
Modernist Literature ◽  
Cultural Implications ◽  
The Rich ◽  
The Aesthetic ◽  
Reading Key ◽  
Modernist Fiction ◽  
Selection Of

Modernism and Non-Translation proposes a new way of reading key modernist texts, including the work of canonical figures such as T. S. Eliot, James Joyce, and Ezra Pound. The topic of this book is the incorporation of untranslated fragments from various languages within modernist writing. It explores non-translation in modernist fiction, poetry, and other forms, with a principally European focus. The intention is to begin to answer a question that demands collective expertise: what are the aesthetic and cultural implications of non-translation for modernist literature? How did non-translation shape the poetics, and cultural politics, of some of the most important writers of this period? Twelve essays by leading scholars of modernism explore American, British, and Irish texts, alongside major French and German writers, and the wider modernist recovery of Classical languages. They explore non-translation from the dual perspectives of both ‘insider’ and ‘outsider’, unsettling that false opposition, and articulating in the process their individuality of expression and experience. The range explored indicates something of the reach and vitality of the matter of translation—and specifically non-translation—across a selection of poetry, fiction, and non-fictional prose, while focusing on mainly canonical voices. Offering a series of case studies, the volume aims to encourage further exploration of connections across languages and among writers. Together, the collection seeks to provoke and extend debate on the aesthetic, cultural, political, and conceptual dimensions of non-translation as an important yet hitherto neglected facet of modernism, helping to redefine our understanding of that movement. It demonstrates the rich possibilities of reading modernism through instances of non-translation.

A comparative Study of Chinese Traditional Folk Paper-cut Art Desigh and Modern Graphic Design Based on Visual Communication

2021 ◽  
Vol 7 (5) ◽  
pp. 1028-1035
Author(s):  
Jiaxia Cheng
Keyword(s):  
Graphic Design ◽  
Visual Communication ◽  
Folk Art ◽  
Visual Communication Design ◽  
Design Concepts ◽  
Chinese Nation ◽  
The Rich ◽  
The Times ◽  
The Aesthetic ◽  
National Style

Paper-cut, as a traditional folk art, has become a treasure of Chinese folk art in its long history of development. Paper-cut gives people artistic enjoyment visually with its unique creative techniques, full composition and vivid and interesting patterns. Methods: Traditional folk paper-cut art records the folk customs of the Chinese nation and embodies the temperament and national style of the Chinese nation. Its unique way of thinking and expression provide unique creative ideas and rich visual art resources for modern graphic design. Chinese folk paper-cut is an organic combination of decoration and practicality. Results: It can not only show the rich and colorful folk life, but also meet the aesthetic needs of a variety of situations. How to combine rich traditional culture and art with graphic design concepts and the spirit of the times to design works with national style, so as to better integrate folk paper-cut art with graphic design, is the pursuit of graphic designers. Conclusion: Based on visual communication design, this paper discusses the comparison and integration between traditional Chinese folk paper-cut art design and modern graphic design.

Introduction

2019 ◽  
pp. 1-22
Author(s):  
Jennifer H. Oliver
Keyword(s):  
Sixteenth Century ◽  
Critical Study ◽  
Political Symbolism ◽  
French Culture ◽  
Potential Failure ◽  
The Rich ◽  
The Aesthetic ◽  
Previous Scholarship ◽  
Literary Reception

In the early 1520s, a ship of remarkable proportion was built in Le Havre, commissioned by François I in response, in part, to the size, success, and renown of Henry VIII’s Mary Rose. The story of the Grande Françoise, reported locally as the largest vessel ever witnessed, demonstrates the rich cultural and political symbolism (intentional or otherwise) of the ship in the sixteenth century, and the significance of its potential failure, destruction, and recuperation. This Introduction moves from the example of the Grande Françoise, including its swiftly traceable literary reception, to survey the classical, biblical, and medieval traditions that inform the writing of shipwreck in the sixteenth century, before turning to previous critical study of shipwreck, with particular focus on Hans Blumenberg’s essay Shipwreck with Spectator. The Direful Spectacle is in some senses a response to Blumenberg, offering a ‘close-up’ on French culture of the sixteenth century, and a challenge to his separation of the aesthetic from the moral or ethical in shipwreck texts. Situating this new study in relation to previous scholarship, the Introduction then proceeds to set out its distinctive themes and arguments, before concluding with an outline of the structure and summaries of the contents and argument of each chapter.

Widersprüchliche Optionen: Stationen der Künste 1913

2013 ◽  
Vol 38 (1) ◽  
Author(s):  
Christoph Asendorf
Keyword(s):  
Avant Garde ◽  
The Rich ◽  
The Aesthetic

AbstractApart from their rather coincidental origin year, 1913, there is no apparent connection between a monument like the “Völkerschlachtdenkmal” in Leipzig (“Monument to the Battle of the Nations”) and the aesthetic manifestations of the avant-garde. These artistic expressions oscillate between opposite poles: weakness and desire for stability, refinement and primitivism, immanence and transcendence. It might be assumed that precisely these contradictory impulses lie at the heart of the rich and widely influential artistic outcome of this pre-war year.

scholarly journals Constitutive Expression of Aechmea fasciata SPL14 (AfSPL14) Accelerates Flowering and Changes the Plant Architecture in Arabidopsis

2018 ◽  
Vol 19 (7) ◽  
pp. 2085 ◽  
Author(s):  
Ming Lei ◽  
Zhi-ying Li ◽  
Jia-bin Wang ◽  
Yun-liu Fu ◽  
Meng-fei Ao ◽  
...  
Keyword(s):  
Plant Architecture ◽  
Ornamental Plants ◽  
Constitutive Expression ◽  
Aesthetic Value ◽  
Vegetative Organs ◽  
Squamosa Promoter Binding Protein ◽  
Aechmea Fasciata ◽  
Ethephon Treatment ◽  
The Aesthetic

Variations in flowering time and plant architecture have a crucial impact on crop biomass and yield, as well as the aesthetic value of ornamental plants. Aechmea fasciata, a member of the Bromeliaceae family, is a bromeliad variety that is commonly cultivated worldwide. Here, we report the characterization of AfSPL14, a squamosa promoter binding protein-like gene in A. fasciata. AfSPL14 was predominantly expressed in the young vegetative organs of adult plants. The expression of AfSPL14 could be upregulated within 1 h by exogenous ethephon treatment. The constitutive expression of AfSPL14 in Arabidopsis thaliana caused early flowering and variations in plant architecture, including smaller rosette leaves and thicker and increased numbers of main inflorescences. Our findings suggest that AfSPL14 may help facilitate the molecular breeding of A. fasciata, other ornamental and edible bromeliads (e.g., pineapple), and even cereal crops.

Thinking Pedagogy for Places of the Relational Now

2020 ◽  
Author(s):  
Valerie Triggs
Keyword(s):  
Mass Communication ◽  
Teaching And Learning ◽  
Aesthetic Experience ◽  
Driving Experience ◽  
Art Activism ◽  
Artist Educator ◽  
The Rich ◽  
Changing Times ◽  
The Aesthetic ◽  
Moving Bodies

The work of American artist, educator, and researcher Elizabeth Ellsworth is profoundly influential in many fields of study, including social policy, architecture, feminism, mass communication, media, education, and art activism. In education, Ellsworth’s insights and ideas about knowledge and pedagogy challenge the view of student education in terms of mental activity and processes of growth promoted by modern psychology. She problematizes knowledge and learning by connecting them to moving bodies, offering radical insights regarding how human embodiment affects activities of teaching and learning and how places of learning implicate bodies in pedagogy. Ellsworth claims knowledge to be always in the making and pedagogy as a force that is already at play in the world, driving experience and sustaining the human prospect. Ellsworth challenges art education by actively questioning knowledge and reality as already made, arguing instead that both are multiple, and can and must be challenged so that society can respond and engage with discursive and material spaces of classroom and daily life practices that changing times, spaces, and bodies engender. Drawing from a wide variety of disciplines, including contemporary art and media design, Ellsworth urges education to orient to the pragmatics of aesthetic experience and the rich indeterminacy of time in moving bodies and demonstrates the potentialities in responding to the anomalies of teaching even while allowing them to be undecidable. In calling for pedagogic efforts that liberate matter from constraint, her work has inspired many varieties of new materialisms currently coming to the fore in curriculum studies. Ellsworth emphasizes the practice of thinking that pedagogy offers, which engages the aesthetic to neutralize binary thinking. She argues that even in attempts to act against oppressions, easy polemics oppose victims to perpetrators; unity is based on sameness; and an “us-ness” versus “them-ness.” Methods appear unproblematic in their use of rationalistic tools, and there are incapacities or refusals to acknowledge one’s own implication in the information and practice that assume exemption from becoming oppressive to others. Instead, Ellsworth advocates thinking in which dynamic and relational unities move through each other, always emerging as something un-predetermined. Her work carries a clearly articulated sociopolitical agenda for design of pedagogic circumstances whose anomalous and “impossible” natures are the actual places in which difference has the flexibility to differ, and students of difference can thrive.

EFFECT OF VIRUS INFECTION ON THE PERFORMANCE OF McINTOSH APPLE TREES ON SELECTED SEEDLING AND CLONAL ROOTSTOCKS

1984 ◽  
Vol 64 (2) ◽  
pp. 361-368 ◽  
Author(s):  
J. WARNER ◽  
H. B. HEENEY ◽  
S. J. LEUTY ◽  
C. L. POTTER
Keyword(s):  
Virus Infection ◽  
Tree Size ◽  
Apple Cultivar ◽  
Apple Trees ◽  
Virus Inoculation ◽  
Cross Sectional ◽  
Yield Efficiency ◽  
Red Color ◽  
Chlorotic Leaf ◽  
Stem Pitting

A field experiment conducted over 12 yr showed virus inoculation with Spy decline, chlorotic leaf spot, stem pitting, rubbery wood and apple stem grooving viruses generally reduced tree size and yield of two strains of the McIntosh apple cultivar. Virus-inoculated trees flowered and fruited slightly ahead of uninoculated trees. Trees on Ottawa Hybrid (OH)-1, OH-5, Ottawa (0)-5, 0-7, 0-11 and Malus robusta Rehd. 5 rootstocks were the most sensitive to virus infection, while trees on OH-3, OH-4, OH-6 and O-3 were relatively tolerant to virus infection. Virus infection did not reduce yield efficiency (kilograms of fruit per unit of trunk cross sectional area). Fruit from trees inoculated with virus was generally smaller in size but had more red color than fruit from uninoculated trees.Key words: Malus domestica, Ottawa rootstocks, yield, tree size, fruit quality, virus sensitivity

scholarly journals Genetic diversity and biochemical value of Brassica L. cabbage plants

2018 ◽  
pp. 50-61 ◽  
Author(s):  
A. M. Аrtemieva ◽  
A. Е. Solovieva
Keyword(s):  
Biochemical Composition ◽  
Raw Materials ◽  
Abiotic Factors ◽  
Biologically Active ◽  
High Yield ◽  
High Productivity ◽  
State Register ◽  
Abiotic Stressors ◽  
New Varieties ◽  
Ornamental Crops

Cruciferae (Brassicaceae) is one of the most important metasperms. Kale Brassica includes economically important vegetable, forage, oil-bearing, ornamental crops and it is widespread in the world. This is explained by variety of food organs, high yield, environmental plasticity, different ways of food use and valuable biochemical composition. One of the most important ways to improve the efficiency of vegetables is seen as increasing the number of cultivated vegetables and their varietal diversity. The authors speak about necessity to breed new varieties and hybrids of cabbage crops, not represented in the state register, as well as missing types of varieties in order to expand the range of vegetables. The paper points out that cultivation in the Asian part of Russia requires the varieties and hybrids of all cabbage crops that combine high productivity and complex resistance to biotic and abiotic stressors, eco-friendly, high-quality, with a different period of vegetation, including for horticultural use. The authors focus on increasing the nutritional value of vegetables and higher number of biologically active matters for making functional products. It is important and necessary to search within each cabbage for forms that combine productivity, resistance to biotic and abiotic factors when being grown in different environmental and geographical areas with a valuable biochemical composition. This allows to use efficiently cultivated and recommended for cultivation in the Asian part of Russia types and forms of Brassica L. vegetables. It is necessary for dietetic nutrition and raw materials in medical industry. All varieties of cabbage plants are supposed to be significant and reliable basis for improving population health and life expectancy taking into account existing environmental problems in the regions of Asian Russia.

scholarly journals Narrative Control or Aesthetic Ideal: Cognitive Narrative Reading of Milan Kundera’s Life Is Elsewhere

2020 ◽  
Author(s):  
Sara Mechraoui
Keyword(s):  
Life Story ◽  
Psychological Treatment ◽  
The Novel ◽  
Cognitive Poetics ◽  
Aesthetic Value ◽  
The Rich ◽  
Narrative Control ◽  
The Aesthetic ◽  
Narrative Techniques ◽  
Aesthetic Ideal

This study, which is inspired by Cognitive Poetics, aims to test the feasibility of its basic methods on the analysis of Milan Kundera’s novel Life Is Elsewhere (1973). Kundera’s style seems at first plain, but greater importance was given to his philosophical and psychological treatment of subjects than the narratological world that he creates. He brilliantly mixes many narrative techniques to expose his existential and aesthetic ideals. The aesthetic value of the novel studied under the cognitive stylistic approach in this study sought answers to the following question. How can Life Is Elsewhere (1973) be read from a cognitive linguistic perspective? The findings confirmed the relevance of the cognitive poetic approach to the narrow reading of Milan Kundera’s works. Life Is Elsewhere (1973) is a merit of narrative control in that the author allows the reader to live the life story of a young poet, to appreciate his ups and downs, at the same time, read his philosophical ideas about life and his artistic control of the novel. Though a cognitively inspired approach might seem odd at the thematic level, for a purely hermeneutic researcher, the level at which both author and reader would exchange meaning from the text is catered for in the rich textual world of the novel. The latter sustains the universality of the works and confirms the suitability of the cognitive poetic framework to any piece of literature.

scholarly journals Exploring and preserving old apple cultivars of the Carpathian basin

2005 ◽  
Vol 11 (3) ◽  
Author(s):  
M. Tóth
Keyword(s):  
National Park ◽  
Fruit Production ◽  
Carpathian Basin ◽  
Karst Area ◽  
Sources Of Resistance ◽  
Apple Trees ◽  
Carpathian Mountains ◽  
Landscape Value ◽  
Apple Cultivars ◽  
The Aesthetic

In a few scattered orchards of the Carpathian basin one can still find our most common historical apple cultivars and certain traces of traditional cultivation. We consider it an important part of the Department's breeding work to explore old apple cultivars which can be used as parent partners and sources of resistance, to identify them pomologically as well as to examine the production and marketing value of old cultivars recommended for cultivation in ecological production and in gardens. This paper documents the results of expedition and collecting work carried out in three regions of the Carpathian basin (foot of the Carpathian Mountains, Transylvania, Aggtelek karst area), and also the saving of old Hungarian apple cultivars preserved until present in the English National Fruit Collection. A total of more than 100 old apple cultivars and variations, as well as 13 valuable genotypes were collected during our explorations in the above mentioned four areas. A further aim of our work is to contribute to the protection of still savable archaic fruit production relict= areas and to the preservation of cultivars in the certain regions, and also to promote the recognition of the aesthetic landscape value of old apple trees and endemic orchards of old cultivars. Our good co-operating partners in this work are Aggtelek National Park, Farmer Club of Visk and the consultation centre of Hungarian horticulturist training beyond the border in Nyárádszereda.

Sign in / Sign up

Export Citation Format

Share Document