scholarly journals Producer in the culture of audiovisual production

2021 ◽  
pp. 80-86
Author(s):  
Sergii Lavreniuk
Keyword(s):  
Comparative Method ◽  
Theoretical Method ◽  
Scientific Basis ◽  
Scientific Analysis ◽  
Film Producer ◽  
History Of ◽  
Functional Features ◽  
The Subject ◽  
History Of Culture ◽  
Comprehensive Study

The purpose of the article is to determine the features of functioning and motivation of the film producer in the culture of audiovisual production and to outline scientific vectors that will serve as a comprehensive analysis of the phenomenon of production in the intercultural space. Methodology. In elaborating the topic, a theoretical method was used to typify the functional features of the producer's activity; analytical method and methods of scientific analysis, comparison, generalization, which were useful in the process of establishing the creative and production features of the film producer in the culture of the audiovisual field. For the sake of art history and culturological aspects of studying the problem, methods of systematization and analysis were used. The scientific novelty of the study is that the problem of functioning and motivation of the producer in the context of the culture of audiovisual production has become the subject of a special comprehensive study; the content of the concept of "audiovisual creativity" as a certain specific integrity and unity of interconnected elements is argued and clarified; the expediency of using the comparative method for the study and manifestation of the peculiarities of producer's creativity in the film production process is proved. Conclusions. Acquaintance with the materials of this study, enriches the vast knowledge of the specifics of the producer in the culture of audiovisual production and provides a scientific basis for their use in courses on the theory and history of culture, including filmmaking, production and directing.

scholarly journals Activity of a film producer within the cultural space of Ukraine

2021 ◽  
pp. 93-99
Author(s):  
Sergey Lavreniuk
Keyword(s):  
Comparative Method ◽  
Scientific Basis ◽  
Cultural Space ◽  
Historical Method ◽  
Cultural Aspects ◽  
Scientific Analysis ◽  
Film Producer ◽  
History Of ◽  
History Of Culture ◽  
Film Making

The purpose of the article is to identify problems in the development of production in Ukraine and outline ways to overcome them. Methodology. In elaborating the topic, the historical method was used to identify the peculiarities of the origin and development of the profession of film producer, in particular, in Ukraine; analytical method and methods of scientific analysis, comparison, generalization, which came in handy in the process of establishing the creative, production and economic and legal features of the film producer in the cultural space of Ukraine. Methods of systematization and analysis were used for art and cultural aspects of studying the problem. The scientific novelty of the study is that the problem of functioning and motivation of the producer in the context of the cultural space of Ukraine is the subject of a special comprehensive study; the content of the concept of "film producer" as certain specific integrity and unity of interconnected elements is argued and clarified; the expediency of using the comparative method for the study and manifestation of the peculiarities of production activity in the film-making process of the domestic cultural space is proved. Conclusions. Acquaintance with the materials of this study enriches the arsenal of knowledge about the specifics of the producer's activity in the culture of film production in Ukraine and forms the scientific basis for their use in courses on theory and history of culture, including cinema, production, and directing.

scholarly journals Film producer: European cultural context

2021 ◽  
Author(s):  
Sergey Lavreniuk
Keyword(s):  
Cultural Context ◽  
Mutual Influence ◽  
Comparative Method ◽  
Scientific Basis ◽  
Cultural Economic ◽  
Cultural Space ◽  
Historical Method ◽  
Film Producer ◽  
History Of ◽  
History Of Culture

The purpose of the article is to identify the specifics of the development of the producer's activity in cinema in the context of the European cultural space and to outline the vectors of mutual influence of the producer's activity in the countries of the Eurospace and Ukraine. Methodology. In elaborating the topic, the historical method was used to identify the peculiarities of the origin and development of the profession of film producer under the influence of socio-cultural, economic, political factors, in particular, in Ukraine; analytical method and methods of scientific analysis, comparison, generalization, which came in handy in the process of establishing artistic, production, organizational, managerial, financial and economic features of the film producer in the European cultural space. For the sake of art history and culturological aspects of studying the problem, methods of systematization and analysis were used. The scientific novelty of the study is that the origin of the profession of producer in cinema is considered in the context of both European and Ukrainian cultural space, and has become the subject of a special multi-vector study; the content of the concepts of "film producer", "production system" as specific unique integrity and unity of interconnected elements is argued and clarified; the expediency of using the comparative method to study and manifest the peculiarities of production in the filmmaking process of European and domestic cultural space is proved. Conclusions. Acquaintance with the materials of this study enriches the arsenal of knowledge about the origins of the film producer in the culture of film production in European countries and Ukraine and provides a scientific basis for their use in courses on theory and history of culture, including filmmaking, production and directing.

scholarly journals Art communication as culture component of production activity

2021 ◽  
Author(s):  
Sergey Lavreniuk
Keyword(s):  
Scientific Basis ◽  
Empirical Method ◽  
Film Production ◽  
Economic Activities ◽  
Historical Method ◽  
Production Activity ◽  
Film Producer ◽  
Production And Distribution ◽  
History Of ◽  
History Of Culture

The purpose of the article is to identify the specifics of art communication in the culture of production both in the process of filmmaking and in the distribution (distribution) of film products. Methodology. The method of theoretical analysis of the culture of production activity as a phenomenon of the postmodern and postmodern epoch was used in the elaboration of the topic; the comparative-historical method was used in the analysis of the evolution of the producer's activity in cinema; empirical method made it possible to address the practical component of film production and distribution as structures of socio-cultural and economic activities aimed at the needs of society; analytical method and methods of scientific analysis, generalizations have come in handy in the process of establishing the specifics of art communication in the context of creative and production aspects of the film producer. The scientific novelty of the study is that the problem of art communication of the producer in the context of his creative and production activities is the subject of a special comprehensive study; the meaning of the concept of "art-communication" as certain specific integrity and unity of interconnected elements is argued and clarified. Conclusions. Acquaintance with the materials of this study enriches the knowledge about the specifics of art communication as a component of the producer's activity in the culture of film production in the process of its evolution and is the scientific basis for their use in courses on theory and history of culture, including cinema, film production, film directing. Keywords: culture, art communication, cinema, film producer, film director, film.

Hume and the Customary Causes of Industry, Knowledge and Humanity

2018 ◽  
pp. 184-207
Author(s):  
Christopher J. Berry
Keyword(s):  
Economic Development ◽  
Social Change ◽  
Human Nature ◽  
Subject Matter ◽  
Causal Analysis ◽  
Test Case ◽  
Treatise Of Human Nature ◽  
Scientific Analysis ◽  
History Of ◽  
The Subject

Examines Hume’s account of economic development as a subset of the history of civilisation, which is presented by him as a history of customs and manners. Since Hume believes that the subject matter of ‘economics’ is amenable to scientific analysis, the focus is on his employment of causal analysis and how he elaborates an analysis of customs as causes to account for social change. This is executed chiefly via an examination Hume’s Essays, though the History of England (as a test case) and the Treatise of Human Nature for its expression of Hume’s seminal analysis of causation are also incorporated.

Luke Howard, F. R. S. (1772-1864) and his relations with Goethe

1972 ◽  
Vol 27 (1) ◽  
pp. 119-140 ◽  
Keyword(s):  
Significant Contribution ◽  
Atmospheric Electricity ◽  
Scientific Basis ◽  
Early History ◽  
General Acceptance ◽  
Modern Classification ◽  
History Of ◽  
The Subject ◽  
Rain Cloud

Luke Howard, F.R.S., is an outstanding figure in the history of meteorology (1). His published works, notably The Climate of London (1818) based on his observations, were landmarks in the early history of the subject, while his theories of the causes of rain and the influence of atmospheric electricity on precipitation have been largely confirmed by modern investigation. His most significant contribution to the science, however, was the publication, in 1803, in his ‘Essay on the Modification of Clouds’ (5), of the first classification of the cloud formations on a scientific basis which found general acceptance: his Latin terminology—cirrus, cumulus, stratus and their modifications, including nimbus, the rain-cloud—is still employed in the modern classification of cloud forms (2).

scholarly journals THE TRADITION OF ABAY, IBRAY THE KAZAKH CHILDREN'S POETRY

2020 ◽  
Vol 73 (3) ◽  
pp. 260-267
Author(s):  
Z. Rustemova ◽  
Keyword(s):  
Children’S Literature ◽  
Comprehensive Education ◽  
Spiritual World ◽  
The People ◽  
Depth Study ◽  
History Of ◽  
The Subject ◽  
History Of Culture ◽  
Children's Poetry ◽  
Aesthetic Meaning

The article devotes theespesialities of Showinq of Abay, Ibyray`s traditions in Kazakh children literature for beqinninq of ХХ century. So, author have been qivinq his opinion to problems of thematic, ideas, qarmony, structurinq and Same in verses of poets-democtrats. In the history of culture, as you know, which people have developed and developed over the centuries, has its own national Outlook, a peculiar philosophy, folklore heritage, in a word, its own spiritual world. It is proved that at different times one of the richest zhurttardyns comes to the Treasury of national spirituality of the people. In recent years, the amount of spiritual wealth has been achieved further, both in different ways and in terms of aesthetic effect. One of the most striking examples of this concept is the Kazakh written children's literature. Today it is one of the richest in Kazakh literature, the history of which has a deep, philosophical and aesthetic meaning, always rich in thought and content.The study of the subject of literature, on the basis of which comprehensive education of children should be an in-depth study and practical use of various types of folklore for children, samples of written literature.

scholarly journals Determination of the subject of history of state and law in Russian legal science in the late 1950s – early 1960s

2020 ◽  
pp. 76-87
Author(s):  
Tatiana Yashchuk
Keyword(s):  
Soviet Union ◽  
Academic Discipline ◽  
Comparative Method ◽  
Legal Science ◽  
The Soviet Union ◽  
Science Of History ◽  
History Of ◽  
The Subject ◽  
Historical Comparative

The subject of this research is analysis of the process and key approaches towards determination of the subject of history of state and law of Russia in in the late 1950s – early 1960s, considering the designation of science and academic discipline in this period as “The History of State and Law of the USSR”. The research is based on chronological, institutional, and historical-comparative methods. The chronological method allowed reconstructing representation on the subject of the science of history of state and law of the Soviet Union in historical sequence. The institutional method established the basic framework for discussion the subject of science. The historical-comparative method ensured comparison of different approaches towards understanding of the subject of science. It is determined that the initiators of determination of the subject of history of state and law were the educators of historical-legal disciplines. The author reveals and analyzes the main publications that contain records of comprehension of the subject of science. Characteristic is given to the circle of scholars dealing with the indicated problematic. The authorial approaches are discussed.  The general and peculiar comprehension of the subject of science is demonstrated. The general consists in determination of the subject based on the historical type of state and law, highlighting the significance and specificity of the Soviet state and law. The differences pertain to setting priorities in the subject of science: establishment of general patterns in evolution of state and law, or examination of particular phenomena, processes and institutions in the history of state and law. The acquires results can be applies in the history of legal science. Discourse on the subject of history of state and law that unfolded in the late 1950s – early 1960s was beneficial to the advancement of historical-legal science.

scholarly journals Art deco and avant-garde: the nature of interaction

2020 ◽  
pp. 24-31
Author(s):  
Anastasiia Dobrydneva
Keyword(s):  
Technological Progress ◽  
International Exhibition ◽  
Art Deco ◽  
Avant Garde ◽  
Mass Society ◽  
History Of ◽  
The Subject ◽  
History Of Culture ◽  
Cultural Dialogue

The subject of this research is the distinctions between two fundamental trends in art of the XX century – art deco and avant-garde, as well as determination of the nature of their interaction. The object of this research is the original texts of artisans and art monuments belonging to both fields. Special attention is given to characteristics of the specific features of art deco and avant-garde, identification of similarities and differences of the two simultaneously developing stylistic concepts. The author examines the key event for the history of interaction of these two trends, namely the International Exhibition of Modern Decorative and Industrial Arts held in Paris in 1925, and criticism that formed views on art of the era of modernism. The scientific novelty consists in examination of the two paramount trends for grasping history of culture of the XX century in the context of their interaction. Since 1966, art deco was not recognized as an in dependent style, but rather closely connected with modernism and patterned on avant-garde. The main conclusion of the conducted research consists in revelation of adaptive cultural mechanism that allowed art deco to overcome a number of problems, among which in underlines the relation to technological progress and mass society. The author highlights that both trends should be viewed in the context of cultural dialogue. First and foremost, they were united by orientation towards modernity and development of innovative language of art.

scholarly journals Nasser Khosrow and Sanai Poets of Bipolar or Multipolar? (Poetic awakening from dream to reality)

2021 ◽  
Vol 8 (SPE3) ◽  
Author(s):  
Seyedeh Nusrat Fatemi ◽  
Reza Ashrafzadeh ◽  
Mohammad Badizadeh
Keyword(s):  
Turning Point ◽  
Mental States ◽  
History Of ◽  
The Subject ◽  
History Of Culture

Different views have long been expressed about poetry, its essence and purpose. Poetry and the environment, together, are constantly changing and being influenced by each other. Poetry as a social necessity has always been a tool to promote worldly and spiritual purposes. Nasser Khosrow and Sanai, bipolar poets whose dark thoughts and ideas could not be found in the dark pole of their poetry and thought, and as a result of their inner intellectual and revolutionary awakening, marked a turning point in the history of culture and literature of this rich border. They figured out and made the poem, which they had previously employed in their worldly needs and lowly interests, as a means of spreading morality and religion, and they were epoch-making. Regardless of some of the intellectual contradictions that result from going through different mental states, their poetry has been a mirror of their society's pain and aspirations. This study, while explaining the characteristics of good and committed poetry and its mission, deals with the subject of intellectual awakening, its causes and contexts in the poetry and thought of these two poets, and examines the effect of this awakening on their intellectual orientation, whether it is possible between dark and light poles. Their thought was absolutely different, or this demarcation - in terms of their intellectual contradictions - is merely the result of views based on prejudice, absolutism and sanctification.

scholarly journals Labyrinth, Monster, Mirror. In speculo nulla est redemptio

2020 ◽  
Vol 13 (4) ◽  
pp. 63-72
Author(s):  
Rafael Herra
Keyword(s):  
The Other ◽  
Other Hand ◽  
History Of ◽  
The Subject ◽  
History Of Culture ◽  
Alter Ego

The importance of the labyrinth and the mirror in the history of culture has never ceased. This article reflects on what they agree on and what can be learned from them. The effort to determine where these myths converge brings me to the theme of the monster, which, however, is not always the same. In the article I point out the differences: the Minotaur represents power and is born alongside the labyrinth; the mirror monster, on the other hand, is inside the subject, and it is also an outer voice — an alter ego. Ethical consequences can be drawn from these observations.

Sign in / Sign up

Export Citation Format

Share Document