BUDAYA KONSUMSI KAUM SANTRI DI TENGAH RUANG KOTA

ALQALAM ◽  
2013 ◽  
Vol 30 (1) ◽  
pp. 23
Author(s):  
M. Alie Humaedi
Keyword(s):  
Key Words ◽  
Urban Space ◽  
Urban Spaces ◽  
Main Question ◽  
The Relationship ◽  
The City

The making image of cultural pradices of santri in the City of Kudus is very unique; it is a mixture of the modern consumtive culture and traditional productive culture. The accommodative form of both cultures has influenced the. symbols of traditional city, considered as the saint city, which has many religious meanings. Mall Kudus means not only as the centre of consumptive economy, but also as the cultural centre that tries to meet traditional and modern elements in their covers. Santri, then, becotnes a groupf of people who enjoy best this condition. This article tries to answer the main question about the position of Mall Kudus in the process of the formation of comsumtive culutre of Santri. After collecting data by using interoiews, observation, and documentation, and analyzing by using qualitative explanatory method, this research shows the relationship between the maagement of urban space and the formation of cousumtive culture of santri. This conclusion is based on the aspect of the management of urban spaces, especially the building of Mall, which exspressively creates the consumtive culture of the santri; even the traditional santri. Key Words: Consumptive Culture, City Symbol, Mal Kudus, Santri

scholarly journals CASE STUDY ON HOLISTIC ASSESSMENT OF THE RELATIONSHIP BETWEEN CITY AND SQUARE

2020 ◽  
Vol 44 (2) ◽  
pp. 152-165
Author(s):  
Duygu Turgut Turgut
Keyword(s):  
Urban Space ◽  
Public Transportation ◽  
Transportation Network ◽  
Urban Spaces ◽  
Motor Vehicles ◽  
Trafalgar Square ◽  
Transportation Routes ◽  
The Relationship ◽  
The City

While the squares have been in the network of relations with the political, social and religious structure of the society since the early days of history, today, they have been associated with the cars, speed and technology in the process formed with the modernization movement. In some squares, there are tramways, public transportation routes and stops, and there are also motor vehicles. The squares have turned into places where there is a continuous flow with fast traffic except for waiting at the bus stops and railway station. With this change, our needs also changed, and with the introduction of motor vehicles in our lives, the squares remained as neglected urban spaces in an effort to create a transportation network. The use of the squares belongs to the period in which people have habit of being together, but now squares use belongs to a period in which we are not together even if we are side by side. Within the scope of this study, nowadays, approaches and practices for the squares that is an urban space in the world have been investigated. According to the results of sections, the criteria for evaluating the completeness of the city-square relationship in today’s conditions are set out in a table. The selected from the Trafalgar Square, Bryant Park and Taksim Square samples consecutively examined in the context of these criteria.

Theatre and Urban Space: the Case of Birmingham Rep

2000 ◽  
Vol 16 (2) ◽  
pp. 137-147
Author(s):  
Claire Cochrane
Keyword(s):  
Twentieth Century ◽  
Urban Space ◽  
Industrial Revolution ◽  
Urban Spaces ◽  
Urban Setting ◽  
Civic Consciousness ◽  
The Past ◽  
The Relationship ◽  
The City ◽  
Over Time

In NTQ61, Deborah Saivetz described the attempts over the past decade of the Italian director Pino DiBuduo to create ‘invisible cities’ – performances intended to restore the relationship between urban spaces and their inhabitants, through exploring the actual and spiritual histories of both. Earlier in the present issue, Baz Kershaw suggests some broader analogies between the theatre and its macrocosmic environment. Here, Claire Cochrane, who teaches at University College, Worcester, narrows the focus to a particular British city and the role over time of a specific theatre in relation to its urban setting. Her subject is the history and development of the Birmingham Repertory Theatre in relation to the city – of which its founder, Barry Jackson, was a lifelong resident – as an outcome of the city's growth in the wake of the Industrial Revolution, which made it distinctive in terms of its manufactures, the workers and entrepreneurs who produced them, and a civic consciousness that was disputed yet also shared. She traces, too, the transition between old and new theatre buildings and spaces which continued to reflect shifting class and cultural relationships as the city, its politicians, and its planners adapted to the second half of the twentieth century.

THE FREEDOM OF THE AESTHETIC: MONTSERRAT ROIG’S USE OF THE CITY IN RAMONA, ADÉU

2007 ◽  
Vol 21 (1) ◽  
pp. 87-99
Author(s):  
Caragh Wells
Keyword(s):  
Literary Criticism ◽  
Urban Space ◽  
Critical Analysis ◽  
Urban Spaces ◽  
Female Characters ◽  
The Social ◽  
Catalan Literature ◽  
The Aesthetic ◽  
The City

This article suggests that over recent decades Catalan literary criticism has paid too little attention to the aesthetic attributes of Catalan literature and emphasised the social, political and cultural at the expense of discussions of narrative poetics. Through an analysis of Montserrat Roig’s metaphorical use of the city in her first novel Ramona, adéu, I put forward the view that the aesthetic features of Catalan literature need to be re-claimed. This article provides a critical analysis of the aesthetic importance of Roig’s representation of the city in her first novel and argues that she uses Barcelona as a critical tool through which to explore questions of both female emancipation and aesthetic freedom. Following a detailed discussion of Roig’s descriptions of how her female characters interact with particular urban spaces, I examine how Roig makes subtle shifts in her semantic register during these narrative accounts when her prose moves into the realm of the poetic. I conclude that this technique enables us to read her accounts of urban space as metaphors for aesthetic freedom and are inextricably linked to her wider concerns on the importance of liberating Catalan literature from the discourse of political nationalism.

Gender relations within the so-called Islamic State in Iraq and the Levant (ISIS)

2021 ◽  
Vol 27 ◽  
pp. 234-263
Author(s):  
ASMAA RASHEED ◽  
Keyword(s):  
Key Words ◽  
International Organizations ◽  
Gender Relations ◽  
Private Sphere ◽  
The Internet ◽  
Islamic State ◽  
Male Domination ◽  
Extremist Group ◽  
The Relationship ◽  
The City

In June 2014, fighters belonging to an extremist group calling itself (ISIS) and nicknamed (ISIS) invaded the city of Mosul, the second largest Iraqi governorate, and announced the establishment of the Islamic Islamic Caliphate, which lasted until 2017. ISIS's control spread values related to the isolation of women and a hierarchical vision of the relationship between the sexes that works to reinforce and consecrate male domination and places women in a lower position. Several mechanisms have been adopted with the aim of returning women to the private sphere and keeping them at home, including the imposition of legal dress and preventing women from going out except with a mahram, and the rule of hisbah and penalties. The current study aims to provide an understanding of the laws and ideology governing gender relations within societies that ISIS has controlled for more than two years. It addresses three main issues, including the harassment of women, the attempt to control their bodies, and the monitoring and punishment mechanisms that were practiced on women. And the roles of women in societies dominated by the organization, and the issue of marriage. The study relied on testimonies and interviews conducted with a number of women who lived through ISIS rule in Mosul, Salah al-Din and Fallujah. In addition to reports issued by international organizations and documents published on the Internet and news circulated, which gave the information obtained more reliability. Key words: Iraq, ISIS, women, isolation, punishment, roles, marriage

scholarly journals Produção do espaço urbano pelos homens ordinários: antropologia de dois micro-espaços na cidade de Salvador

ILUMINURAS ◽  
2014 ◽  
Vol 15 (36) ◽  
Author(s):  
Urpi Montoya Uriarte
Keyword(s):  
Urban Space ◽  
Theoretical Background ◽  
Ethnographic Study ◽  
Urban Spaces ◽  
Recent Theory ◽  
Use Value ◽  
Henri Lefebvre ◽  
Production Of Space ◽  
Differential Spaces ◽  
The City

Este trabalho se insere no que se chama hoje de antropologia da cidade, que se preocupa com a forma como os citadinos – em sua condição alternada de usuários, moradores, transeuntes ou consumidores – fazem a cidade (Agier, 2011). Nossa compreensão de cidade está marcada pela recente teoria do espaço no interior da Geografia (Massey, 2012) e nossa compreensão da produção do espaço se baseia na teoria de Henri Lefebvre, especialmente em seu La production de l´espace (1974). Com esta bagagem teórica, propomos uma antropologia dos espaços urbanos preocupada com a forma como os espaços na cidade são produzidos por pessoas comuns ou homens ordinários. Os dados empíricos analisados provêm de uma etnografia de dois micro-espaços na cidade de Salvador. As leituras teóricas destes micro-espaços nos levam a afirmar a atualidade e força dos espaços diferenciais que emergem no espaço abstrato, a significação política dos espaços apropriados e a vigência do valor de uso e as relações costumeiras na cidade contemporânea.Palavras-chave: Espaços urbanos. Produção do espaço. Espaços diferenciais. Apropriação de espaços. Valor de uso.Production of urban space by ordinary men: anthropology of two micro-spaces in the city of SalvadorAbstractThis work is part of what is today called anthropology of the city, that is concerned with how the townspeople – in their alternating condition of users, residents, bystanders or consumers – make the city (Agier, 2011). Our understanding of the city is marked by the recent theory of space inside the geography (Massey, 2012) and our understanding of the production of space is based on the theory of Henri Lefebvre, especially in its The production of the space (1974). With this theoretical background, we propose an anthropology of urban spaces concerned with how the spaces in the city are made by ordinary people or ordinary men . The data analyzed come from an ethnographic study of two micro-spaces in the city of Salvador. The theoretical interpretations of these micro-spaces lead us to affirm the relevance and strength of differential spaces that emerge in the abstract space, the political significance of the appropriate spaces and the duration of use value and customary relations in the contemporary city.Keywords: Urban spaces. Production of space. Differential spaces. Appropriation of spaces. Use value.  

scholarly journals »Reclaiming« the City: A Collective Endeavor

Dimensions ◽  
2021 ◽  
Vol 2 (1) ◽  
pp. 183-202
Author(s):  
Sergiy Ilchenko
Keyword(s):  
Urban Space ◽  
Local Community ◽  
Public Spaces ◽  
Urban Spaces ◽  
Collective Actions ◽  
Way Of Life ◽  
Urban Renaissance ◽  
The Impact ◽  
The City ◽  
Being Moved

Abstract This contribution elaborates upon the appropriation of urban space in spatiotemporal and procedural interventions in the example of the city of Kharkiv, as well as the impact of urban space on the process of how various groups rediscover and use various parts of the city. Being moved during collective actions - in the sense of feeling urged to move along - goes beyond routine practices by influencing the city and its perception. It seems that these general processions, celebrations, and festive activities of the residents are their contributions to the process of »urban renaissance« - the rebirth of interest in the urban way of life. Since public spaces reflect the historical inheritance of local communities, joint transformative actions such as, »appropriation «, »production«, and »governance« of urban spaces are considered. This article advocates for the practice of domestication of urban space by the local community, as well as the need for the existence of »urban lagoons« - free (unregulated) areas of the city used as resources for urban development and interaction of citizens.

scholarly journals Porto Alegre: a perdida cidade una (Fragmentos de modernidade e exclusão social no Sul do Brasil)

2004 ◽  
Vol 30 (2) ◽  
Author(s):  
Cláudio Pereira Elmir
Keyword(s):  
Key Words ◽  
Social Exclusion ◽  
Urban Space ◽  
Rio Grande ◽  
Rio Grande Do Sul ◽  
Porto Alegre ◽  
Social Segregation ◽  
De Se ◽  
Brazilian History ◽  
The City

O texto compreende uma discussão sobre o processo de modernização na cidade de Porto Alegre em vários momentos de sua história, articulando as transformações e modificações havidas no espaço urbano com uma paralela segregação social operada e/ou desejada na cidade. São recolhidos vários exemplos para demonstrar a vontade de se construir uma “cidade una”, na qual não se admite o convívio com os indesejados sociais. A combinação modernização/exclusão social, tantas vezes já abordada em diversos estudos da historiografia brasileira, encontra neste artigo mais um exercício de aproximação, a partir do qual pode-se vislumbrar momentos distintos – sem traçar uma linha de continuidade – desta operação específica da modernidade. Abstract The text discusses the process of modernization in the city of Porto Alegre during various moments of its history, debating both transformations and modifications in the city’s urban space along with a social segregation that was either going on or being wished for at that time. Many exemples are given so as to demonstrate the desire to build a “united city” in which those who were socially unwished were not allowed. The combination of modernization with social exclusion, so often discussed in many other studies of Brazilian history, is shown in this article as another approach to the issue of modernization with its distinct moments. Palavras-chave: Rio Grande do Sul. Séculos XIX e XX. Identidade. Key words: Rio Grande do Sul. XIX & XX centuries. Identity.

scholarly journals Exploring Successful Small Urban Spaces’ Criteria with Emphasis on Cultural Context

2021 ◽  
Vol 15 (4) ◽  
pp. 475-482
Author(s):  
Parvin Partovi ◽  
Kebria Sedaghat Rostami ◽  
Amir Shakibamanesh
Keyword(s):  
Conceptual Model ◽  
Public Space ◽  
Urban Space ◽  
Cultural Context ◽  
Public Spaces ◽  
Urban Spaces ◽  
Cultural Issues ◽  
Human Needs ◽  
Short Time ◽  
The City

In the crowded cities of the present age, public spaces can provide a quiet area away from the hustle and bustle of the city that citizens can interact with by incorporating utility features and meeting human needs and Relax there. Small urban spaces are among the most important and effective urban spaces to achieve this goal. Because these spaces due to their small size and lower costs (compared to larger spaces) for construction can be created in large numbers and distributed throughout the city. In this way, citizens will be able to reach a public urban space on foot in a short time. If these spaces are well designed, they can encourage people to stay in and interact with each other. It is not difficult to identify and experience high-quality successful places, but identifying the reasons for their success is difficult and even more difficult, understanding if similar spaces in other places can be considered successful. This question is important because public space with deep social content is considered a cultural product. Public space is the product of the historical and socio-cultural forces of society. Therefore, one of the most important issues that should be considered in the study of public spaces and the reasons for their success is the cultural context. In Iranian cities that have been influenced by the values and principles of Islam,recognizing Islamic principles and their role in shaping public spaces can lead us to desirable results. The purpose of this article is to develop a conceptual model of successful small urban spaces with an emphasis on cultural issues, especially in Iranian-Islamic cities. In this regard, the effective criteria for the success of urban spaces in general and small urban spaces in particular in the two categories of Western countries and Iranian Islamic cities were examined and then, taking into account the criteria derived from cultural theorists, the conceptual model of research with 38 subcriteria is provided.

scholarly journals Street Cries and the urban ritornelle

2012 ◽  
Vol 2 (1) ◽  
pp. 61-80
Author(s):  
Jacob Kreutzfeldt
Keyword(s):  
Urban Space ◽  
Urban Environments ◽  
Sound Studies ◽  
Urban Spaces ◽  
Felix Guattari ◽  
Northern European ◽  
The Social ◽  
Environmental Relations ◽  
The City ◽  
Fertile Area

Street cries, though rarely heard in Northern European cities today, testify to ways in which audible practices shape and structure urban spaces. Paradigmatic for what Gilles Deleuze and Felix Guattari call ‘the refrain’, the ritualised and stylised practice of street cries may point at the dynamics of space-making, through which the social and territorial construction of urban space is performed. The article draws on historical material, documenting and describing street cries, particularly in Copenhagen in the years 1929 to 1935. Most notably, the composer Vang Holmboe and the architect Steen Eiler Rasmussen have investigated Danish street cries as a musical and a spatial phenomenon, respectably. Such studies – from their individual perspectives – can be said to explore the aesthetics of urban environments, since street calls are developed and heard specifically in the context of the city. Investigating the different methods employed in the two studies and presenting Deleuze and Guattari’s theory of the refrain as a framework for further studies in the field, this article seeks to outline a fertile area of study for sound studies: the investigation of everyday refrains and the environmental relations they express and perform. Today changed sensibilities and technologies have rendered street crying obsolete in Northern Europe, but new urban ritornells may have taken their place.

scholarly journals Building a timeline, developing a narrative: visualising fringe belt formation alongside street network development

2017 ◽  
Author(s):  
Ilaria Geddes ◽  
Nadia Charalambous
Keyword(s):  
Urban Space ◽  
Urban Morphology ◽  
Composite Methods ◽  
The Social ◽  
Cyclical Process ◽  
Diachronic Analysis ◽  
Generative Mechanisms ◽  
The Relationship ◽  
The City ◽  
Related Paper

This project was developed as an attempt to assess the relationship between different morphogenetic processes, in particular, those of fringe belt formation as described by M.R.G. Conzen (1960) and Whitehand (2001), and of centrality and compactness as described by Hillier (1999; 2002). Different approaches’ focus on different elements of the city has made it difficult to establish exactly how these processes interact or whether they are simply different facets of development reflecting wider socio-economic factors. To address this issue, a visual, chronological timeline of Limassol’s development was constructed along with a narrative of the socio-economic context of its development.  The complexity of cities, however, makes static visualisations across time difficult to read and assess alongside textual narratives. We therefore took the step of developing an animation of land use and configurational analyses of Limassol, in order bring to life the diachronic analysis of the city and shed light on its generative mechanisms. The video presented here shows that the relationship between the processes mentioned above is much stronger and more complex than previously thought. The related paper explores in more detail the links between fringe belt formation as a cyclical process of peripheral development and centrality as a recurring process of minimisation of gains in distance. The project’s outcomes clearly show that composite methods of visualisations are an analytical opportunity still little exploited within urban morphology. References Conzen, M.R.G., 1960. Alnwick, Northumberland: A Study in Town-Plan Analysis, London: Institute of British Geographers. Hillier, B., 2002. A Theory of the City as Object: or how spatial laws mediate the social construction of urban space. Urban Des Int, 7(3–4), pp.153–179. Hillier, B., 1999. Centrality as a process: accounting for attraction inequalities in deformed grids. Urban Des Int, 4(3–4), pp.107–127. Whitehand, J.W.R., 2001. British urban morphology: the Conzenian tradition. Urban Morphology, 5(2), pp.103–109.

Sign in / Sign up

Export Citation Format

Share Document