scholarly journals DESIGN VISUALISASI LOGO SEBAGAI IDENTITY PROGRAMS DI DIVISI RAHARJA ENRICHMENT CENTRE

CCIT Journal ◽  
2014 ◽  
Vol 8 (1) ◽  
pp. 1-17
Author(s):  
Anita B Wandanaya ◽  
Dewi Immaniar ◽  
Maryana Astuti
Keyword(s):  
Higher Education ◽  
Visual Media ◽  
Public Institution ◽  
Enrichment Programs ◽  
The Public ◽  
Adobe Illustrator ◽  
Adobe Photoshop ◽  
The Media ◽  
Design Objects ◽  
The One

One of the important things in a visual media institution is a public institution of the logo identity. Identity logo itself has a meaning as an identity that represents the image of an institution. Division Raharja Enrichment Centre was commissioned to complete the implementation of Tri Dharma on Higher Education Prog which concentrates on research and service to society. Enrichment programs Prog Centre issued has not had a logo identity. Without the identity logo to the program have not been able to realize the identity of ownership to the public. For that, it takes a logo identity for each of the programs Raharja Enrichment Centre which can be interesting and can be implemented as the identity of the visual. The one of methode in this study used Design Analys Method with  applications supporting Adobe Illustrator CS5 applications such as processor design objects vector image, while Adobe Photoshop CS5 application used to process bitmap images and Design Concept Plan contains the media. With the logo identity of each of these programs, the public will be easily understood by looking at a consistent look and is easily recognizable because it has special characteristics in each of its programs. From the design of the logo identity is expected for subsequent years may give a different look and appeal in introducing programs of the Raharja Enrichment Centre.

Promosi Dan Informasi Media Audio Visual Berbentuk Video Profile Pada SMK PGRI 11 Ciledug Kota Tangerang

CICES ◽  
2017 ◽  
Vol 3 (1) ◽  
pp. 35-47
Author(s):  
Faisal Rudiansyah Hamzah ◽  
Panji Wira Soma ◽  
Indri Rahmawati
Keyword(s):  
Information Technology ◽  
Print Media ◽  
Visual Media ◽  
Message Delivery ◽  
The Public ◽  
Existing Problems ◽  
The Media ◽  
The Right

With the development of information technology in particular in the field of multimedia in such rapid and the longer forms of media information more diverse so that more education institutions boast. Media information and promotion is currently used by SMK PGRI 11 Ciledug Tangerang. The purpose of this research audio visual media into the media information and proper promotion, by controlling hearing and vision in the form of audio visual in order to convey messages can be understood by the public at large. Existing problems, namely the medium used by the SMK PGRI 11 Ciledug Tangerang still use print media such as banners, posters and pamplet are considered less effective and efficient to use while simultaneously promoting the institutions with the best possible audio visual media so that it is selected into a medium of information and promotion of the right, by controlling hearing and vision in the form of audio visual. Because therein lies the message delivery process or how to visualize. At the same time listening and showing the contents of the message to the recipient with information through media menunjangnya, so the design of video media profile that displays the entire scope, advantages and facilities belonging to SMK PGRI 11 Ciledug Tangerang, can be a solution in solving problems in media promotion and information. With this study the author makes with the title "promotion and INFORMATION AUDIO VISUAL MEDIA SHAPED VIDEO PROFILE on SMK PGRI 11 APPLICATIONS TANGERANG CITY ".

FOTOGRAFI SEBAGAI MEDIA POLITIK DI INDONESIA

2021 ◽  
Vol 1 (1) ◽  
pp. 67
Author(s):  
Mohammad Solihin
Keyword(s):  
Political Communication ◽  
Visual Communication ◽  
Presidential Elections ◽  
Visual Media ◽  
Communication To The Public ◽  
Literature Study ◽  
The Public ◽  
Message Effects ◽  
Self Image ◽  
The Media

ABSTRACTPhotography is one of the media used to introduce the character or self-image of politicians during regional head elections, or presidential elections. Among them are by displaying photos of faces or campaign activities for APK (Campaign Props) billboards, namely billboards or billboards installed on protocol roads that can be seen by the public, pamphlets, mass media, and etc. Visual media in the form of photos has a very big influence on public opinion. Photography has a visual power that is able to construct the authenticity of factual events. The purpose of this study is to find out how the process of making photography a political visual communication medium in Indonesia. The method used is descriptive qualitative with an approach through the literature study method. The results of this study can be concluded that the process of making photography a political medium of visual communication to the public is carried out in several ways, namely by recruiting special photographers themselves, designing them, and distributing them. The effect of the message generated from a photography with a good appearance is the effect of knowledge and effect of information.Keywords:  Photography, Political Media, Visual Communication, Message Effects, Political Communication.  ABSTRAKFotografi merupakan salah satu media yang digunakan untuk mengenalkan karakter atau citra diri politisi saat pemilihan kepala daerah, ataupun pemilihan presiden. Diantaranya dengan memajang foto-foto wajah atau kegiatan kampanye untuk baliho APK (Alat Peraga Kampanye) yakni papan reklame atau billboard yang dipasang di jalan-jalan protokol yang bisa dilihat oleh masyarakat luas, pamflet, media massa, dan sebagainya. Media visual berupa foto sangat besar pengaruhnya mempengaruhi opini publik. Fotografi memiliki kekuatan visual yang mampu mengkonstruksi keotentikan peristiwa faktual. Tujuan dari penelitian ini untuk mengetahui bagaimana proses menjadikan fotografi sebagai media komunikasi visual politik di Indonesia. Metode yang digunakan deskriptif kualitatif dengan pendekatan melalui metode studi literatur. Hasil dari penelitian ini dapat disimpulkan bahwa proses menjadikan fotografi sebagai media politik komunikasi visual kepada masyarakat dilakukan dengan beberapa cara, yakni dengan merekrut khusus fotografer sendiri, mendesainnya, dan menyebarkannya. Efek pesan yang ditimbulkan dari sebuah fotografi dengan tampilan yang baik adalah efek pengetahuan dan efek informasi.Kata Kunci: Fotografi, Media Politik, Komunikasi Visual, Efek Pesan, Komunikasi Politik.

scholarly journals Invisible Roots of Knowledge Production and their Role in Resistance to the Marketisation of Education

2020 ◽  
Vol 9 (1) ◽  
pp. 118-140
Author(s):  
Heather McKnight
Keyword(s):  
Higher Education ◽  
Knowledge Production ◽  
Trade Unions ◽  
Economic Status ◽  
Public Institution ◽  
Recent Book ◽  
Pension Scheme ◽  
The Public ◽  
The Commons ◽  
The University

Recent, highly visible, struggles in Higher Education in the UK, such as the pensions strike, have aimed to recast such protests as part of a bigger struggle to maintain the public university. Viewing the shared pension scheme as one of the last defining features of a public institution. However, Federici in her recent book Re-enchanting the World: Feminism and the Politics of the Commons warns us if we wish to change the university in line with the public construction of a ‘knowledge commons’ that there is a need to question “the material conditions of the production of the university, its history and its relation to the surrounding communities” (Federici, 2019) and not just the academics within it. There is a need to consider how debate on knowledge production is insulated from the invisible work that sustains academic life including cleaners, cafeteria workers and groundkeepers, as well as to consider the potential colonisation of land institutions are built upon (Federici, 2019). Narratives of resistance to marketisation in Higher Education, while well meaning, still create disproportionate invisibility on the grounds of gender, race and socio-economic status, ignoring the material and intellectual value of such contributions. This paper considers how Federici’s approach to the politics of the commons discredit, deconstruct and potentially transform approaches to resistance to marketisation in education. It argues that struggles against marketisation, or for academic freedom, should be seen in the broader scope of access to education for all, and a continuum of co-dependant knowledge production. It will consider how different structures of privilege and oppression structure what is represented, resisted and fought for within and by the institution. Issues that are seen as marginal or controversial can be avoided in increasingly legislated upon, and therefore risk averse, students’ unions and trade unions. Which in turn reproduces a student and staff body that similarly continue to propagate such damaging structures both within and out with the institution. A rethinking around who the knowledge producers are, can help us restructure the university as a commons that resists the violence of capitalist logic, rather than one that upholds it. Thus problematising and reconstructing how we view the idea of a future university commons, in a way that recognises intersectional oppression and a misuse of certain bodies as a commons in and off themselves.

On Not Believing What You Read

2018 ◽  
Author(s):  
Jonathan Rose
Keyword(s):  
Higher Education ◽  
High School ◽  
College Admissions ◽  
Reading Strategy ◽  
The Sun ◽  
Gallup Poll ◽  
The Public ◽  
University Life ◽  
The Media ◽  
The University

Every student should, before graduating, see the 2006 teen-comedy movie Accepted. It’s a broad satire built around some high-school misfits whom no college admissions officer in his right mind would accept, not even in this economy. So they commandeer an abandoned mental asylum and construct their own college based on Marxism (Groucho), and they do to higher education what A Night at the Opera did to Il Trovatore. To a flabbergasted visitor, the teenage president of the college recommends the school newspaper, The Rag. “There’s a great op-ed piece in there about not believing everything you read,” he explains. Like all absurdist comedy, Accepted poses that subversive question, “Who’s absurd here?” It stands upside-down all the pretenses of university life, including its most fundamental pretense, that if we spend years here reading, we will get closer to the truth. Is there, though, any necessary relation between reality and what we find on the printed page? It’s a question that has become particularly acute today, when it seems that every man is his own deconstructionist. When Paul Ricoeur coined the phrase “hermeneutic of suspicion,” he was only recommending this reading strategy to literary theorists, but his students took it quite seriously and in 1968 turned the University of Nanterre into, well, something like the campus in Accepted. And today that skepticism is thoroughly mainstream. According to the Gallup Poll, only 32 percent of Americans in 2016 have confidence in the media, down from a high of 72 percent in 1976, post-Woodward and Bernstein. Among millennials (18-to-29-year-olds), just 11 percent trust the media. In Britain, back in 1975, only about a third of tabloid readers and just 3 percent of readers of “quality” broadsheets felt that their paper “often gets its facts wrong.” But by 2012 no British daily was trusted by a majority of the public “to report fairly and accurately.” In something of a contradiction, the Sun enjoyed both the largest circulation and the lowest level of trust (just 9 percent).

From asymmetric dependency to discursive disengagement: How social movements and the media/public talked past each other

2020 ◽  
pp. 016344372097231
Author(s):  
Hao Cao
Keyword(s):  
Chinese American ◽  
Research Focus ◽  
The Public ◽  
The Media ◽  
Filter Bubble ◽  
Dependency Model ◽  
American Police ◽  
The One ◽  
Chinese American Immigrants

Social movement-media/public interaction has been largely examined from the lens of “asymmetric dependency” in which both movements’ representation and self-understanding are mainly shaped by their media and public opinion environment. The introduction of digital technologies, however, has diversified this discursive environment and seemed to reverse the uneven dynamics. Using a case study of a protest campaign organized by Chinese American immigrants, this study demonstrates a new pattern of movement-media/public dynamics that goes beyond the “asymmetric dependency” model or its obverse. In the aftermath of a Chinese American police officer who shot a black man to death, Chinese immigrants stood with him and deliberated on WeChat, a China-based digital platform engineered like a “walled garden.” The technolinguistic enclosure of the platform facilitated the development of a separate interpretative universe in the WeChatsphere vis-à-vis the one in the mediasphere. Later, even when immigrant protesters confronted the public in the Twittersphere, they continued talking past each other. By unpacking the decoupling processes between movements and the media/public, this study shifts the research focus from understanding their interaction to examining their disengagement, as well as the “filter bubble” effects that contribute to contemporary fragmentation and polarization in political and civic engagements.

Mass Communication and Policy Gatekeeping

2017 ◽  
Author(s):  
Richard T. Craig
Keyword(s):  
Cultural Values ◽  
Mass Communication ◽  
Public Discourse ◽  
Media Audiences ◽  
The Public ◽  
Content Selection ◽  
Private Citizens ◽  
The Media ◽  
The One ◽  
Flow Of Information

Who filters through information and determines what information is shared with media audiences? Who filters through information and determines what information will not be shared with media audiences? Ultimately, who controls the flow of information in the media? At times commentary pertaining to media content references media as an omnipotent individual entity selecting the content transmitted to the public, reminiscent of a Wizard of Oz manner of the all-powerful being behind the curtain. Overlooked in this perception is the reality that in mass media, there are various individuals in positions of power making decisions about the information accessed by audiences of various forms of media. These individuals are considered gatekeepers: wherein the media functions as a gate permitting some matters to be publicized and included into the public discourse while restricting other matters from making it to the public conscience. Media gatekeepers (i.e., journalists, editors) possess the power to control the gate by determining the content delivered to audiences, opening and closing the gate of information. Gatekeepers wield power over those on the other side of the gate, those seeking to be informed (audiences), as well as those seeking to inform (politics, activists, academics, etc.). The earliest intellectual explanation of gatekeeping is traced to Kurt Lewin, describing gatekeeping as a means to analyze real-world problems and observing the effects of cultural values and subjective attitudes on those problems like the distribution of food in Lewins’s seminal study, and later modified by David Manning White to examine the dissemination of information via media. In an ideal situation, the gatekeepers would be taking on the challenge of weighing the evidence of importance in social problems when selecting among the options of content and information to exhibit. Yet, decisions concerning content selection are not void of subjective viewpoints and encompass values, beliefs, and ideals of gatekeepers. The subjective attitudes of gatekeepers influence their perspective of what qualifies as newsworthy information. Hence, those in the position to determine the content transmitted through media exercise the power to shape social reality for media audiences. In the evolution of media gatekeeping theory three models have resulted from the scholarship: (1) examination of the one-way flow of information passing through a series of gates before reaching audiences, (2) the process of newsroom personnel interacting with people outside of the newsroom, and (3) the direct communication of private citizens and public officials. In traditional media and newer forms of social media, gatekeeping examination revolves around analysis of these media organizations’ news routines and narratives. Gatekeeping analysis observes human behavior and motives in order to make conceptualizations about the social world.

Psychopathy and the Media

2017 ◽  
Author(s):  
David W. Jones
Keyword(s):  
Personality Disorder ◽  
Antisocial Personality Disorder ◽  
Antisocial Personality ◽  
The Public ◽  
Moral Insanity ◽  
The Media ◽  
Rational Understanding ◽  
The One ◽  
Medical Treatises ◽  
The 19Th Century

The term “psychopath” has come in popular use to be understood as a description of an individual who seems to have a clear and rational understanding of the world around them; they are not deluded or suffering from hallucinations and yet they seem to be able to act with great cruelty or with recklessness towards the safety of others and themselves. The medical and legal professions have been struggling for over 200 hundred years to reach agreement on whether there might be appropriate psychiatric diagnoses that might helpfully describe such individuals. Various terms such as moral insanity, monomania, psychopathy, and antisocial personality disorder have been used. The term “psychopath” is the one that has become most firmly fixed in the public imagination. The violence and harm that people with these kinds of problems might do can raise a great deal of public anxiety. This anxiety has often played out and been amplified in various forms of the media. This article traces some of the ways that various forms of popular media have been of crucial importance to shaping our understanding of “psychopathy” and the related diagnoses of moral insanity, monomania, and antisocial personality disorder. From the medical treatises and press reporting of notorious trails, and the explorations of dangerous forms of consciousness in the 19th century, to the way that the mass media, including films, have presented such problems, they have often had a key influence on the legal and medical formulations.

Neue Gemeinwohlherausforderungen - Konsequenzen für Wettbewerbsrecht und Regulierung

2020 ◽  
Keyword(s):  
Public Good ◽  
The Public ◽  
Internet Age ◽  
Fourth Symposium ◽  
Regulatory Law ◽  
Fourth Volume ◽  
The Media ◽  
New Challenges ◽  
The One ◽  
The University

On 11 and 12 September 2018, the fourth symposium of the “Wissenschaftliche Vereinigung für das gesamte Regulierungsrecht” [“Scientific Association for the Entirety of Regulatory Law”] took place at the University of Regensburg. The topic was: “New challenges for the public good – consequences for competition law and regulation”. The basic idea of the conference concept was, on the one hand, to consider which new challenges for the public good exist in the classical network economies of the telecommunications, energy and railway regulations, and on the other hand, to focus on adjacent sectors – such as the media and communications industries – and finally go beyond the sectors considered so far. The conference was divided into the following thematic blocks: “basic papers”, “classic sectors in transition”, “new sectors in the internet age” and “new challenges beyond the sectors”. The fourth volume of the series contains the lectures given at the symposium. With contributions by Markus Ludwigs, Heike Schweitzer, Thomas Fetzer, Charlotte Kreuter-Kirchhof, Karten Otte, Karl-Eberhard Hain, Ralf Müller-Terpitz, Rupprecht Podszun, Thosten Kingreen, Julia Barth, Anna Kellner, Fabian Toros and Florian Sackmann

The discursive representation of Islam and Muslims in the British tabloid press

2020 ◽  
Author(s):  
Noureddine Miladi
Keyword(s):  
Critical Discourse Analysis ◽  
Critical Discourse ◽  
Islamic State ◽  
Negative Stereotypes ◽  
The Public ◽  
The Media ◽  
Political Speeches ◽  
The One ◽  
Tabloid Press ◽  
And Diffusion

This article employs Critical Discourse Analysis (CDA) on a sample from British tabloid newspapers to unearth the representation of Islam and Muslims. It attempts to unpack the evolving discursive language and its impact on the reinvention and diffusion of negative stereotypes such as the ‘terrorism’ frame. With a specific focus the study considers the media’s systematic distortion of Islamic conceptions/religious terminologies such as ‘Islamist’, ‘Fatwa’, ‘Sharia’, ‘Jihad’, ‘Hijab’ and ‘Islamic State’, which are founded on what Edward Said calls the ‘ideology of difference’. Findings from this study show that such conceptions have not only lost their original significance as established in the mainstream Islamic literature, but have become on the one hand associated with the War on Terror and its ramifications and on the other have become exclusively signifying specific pejorative connotations. Fear and threat have become the meanings and frames firmly embedded in these Islamic terminologies. In the minds of the public this association is now taken for granted due to the prevailing values being recurrently circulated through the media, political speeches, ‘thinktanks’ literature and policy-making documents.

scholarly journals Perancangan Media Video Profile Berbentuk Promosi Dan Informasi Di SMK Yuppentek 4 Ciledug Tangerang

CICES ◽  
2016 ◽  
Vol 2 (1) ◽  
pp. 1-11
Author(s):  
Wahyu Hidayat ◽  
Suhendra Suhendra ◽  
Ade Maulana
Keyword(s):  
Electronic Media ◽  
Visual Media ◽  
Prospective Students ◽  
Development Education ◽  
The Public ◽  
Existing Problems ◽  
The Media ◽  
Audio Video ◽  
Role Of Information

Development of science and information makes a variety of activities and life sehari–hari of the information gained from the media, both print and electronic media. The role of information technology and multimedia are also not to miss, a variety of information offered by the form of multimedia that can create interactive and informative presentation by combining text, audio, video, animation and graphics used for competitive advantage Development education grew rapidly, causing a growing number of facilities and advantages that should be promoted to compete, especially at SMK Yuppentek 4 Ciledug Tangerang. The purpose of this research is to design-based audio visual media in order to be an effective appeal, especially in the delivery of information and promotions regarding things – things that are related to the overall CMS Yuppentek 4 Ciledug Tangerang. SMK Yuppentek 4 Ciledug Tangerang is located in Tangerang. Existing problems, namely the medium used by the SMK SMK Yuppentek 4 Ciledug Tangerang was a print media, in general the community more receptive of information via media interactive and communicative, so CMS Yuppentek 4 Ciledug Tangerang requires video media profile as a media of supporting information and promotion on the show to prospective students and students of SMK Yuppentek 4 Ciledug Tangerang, or as a media information to the public , so the design of video media profile that displays the entire scope, advantages and facilities belonging to SMK Yuppentek 4 Ciledug Tangerang, can be a solution in solving problems in media promotion and information. With this author makes research with the title “"THE DESIGN OF VIDEO MEDIA PROFILE INFORMATION ON PROMOTIONS AND SHAPED SMK YUPPENTEK 4 CILEDUG TANGERANG".

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