scholarly journals TRANSFORMASI GARAP GENDING CUCUR BAWUK KE DALAM MUSIK CAMPURSARI KELOMPOK BALISA

2020 ◽  
Vol 19 (2) ◽  
pp. 117-129
Author(s):  
Heri Prasetyo ◽  
Muhammad Nur Salim
Keyword(s):  
Creative Process ◽  
Qualitative Methodology ◽  
Transformation Process ◽  
Musical Form ◽  
Music Production ◽  
Related Data

The transformation of garap music into campursari music of the Balisa group in Sragen was motivated by the phenomenon of garap transfer from traditional musical karawitan into campursari musical form. This garap transition is a creative way for Balisa members to work on garap gending, one of which is Gendhing Cucur Bawuk into campursari music. The creative process that occurs in the elements of working on music is manifested in the stages in transforming the processing of gending. The transformation process of gending is influenced by several supporting factors. To answer this problem, the author uses the concept of garap and is supported by thoughts about transformation. This research uses a qualitative methodology, by conducting observations, interviews and literature studies so that information or related data are obtained. The purpose of this study was to determine the process of transformation of music production that occurred in the Balisa Campursari group. The results showed that the transformation of music production in the Campursaari Balisa group went through several stages such as instrument adjustment, laras adjustment, and style adjustment. The factors that support this transformation process are determined by the “penggarap”, garap determinant and garap consideration.Keywords: transformation, campursari music, garap gending.

scholarly journals KARYA MUSIK YOUTH KELOMPOK MUSIK SOLOENSIS (Kajian Proses Penciptaan Dan Makna Teks Lagu)

2019 ◽  
Vol 11 (2) ◽  
Author(s):  
Bekti Setyo Utomo
Keyword(s):  
Creative Process ◽  
Musical Composition ◽  
Musical Form ◽  
Major Scale

ABSTRACT This paper focuses on the creative process of the song entitled Youth, and also the meaning of the lyrics. The lyrics and the structure of the music presented is a contradiction between the lyrics and the musical form. The song Youth created by the Soloensis music group used the major scales. Then, the character of their musical composition is cheerful and uses instruments that are not normally played in their works. The song Youth is a song with a message about the anxiety of the creator's youth. In the end, the content of the message is transformed into a song with a contrasting musical composition. This music constructs an atmosphere of anxiety and sadness using the diatonic major scale which is usually cheerful. Kata kunci : musik youth, soloensis, makna teks lagu

Co-Creation and social transformation: a tough issue for research

2020 ◽  
pp. 189-206
Author(s):  
Jim Segers
Keyword(s):  
Decision Making ◽  
Civil Society ◽  
Creative Process ◽  
Social Transformation ◽  
Direct Action ◽  
Transformation Process ◽  
Research Institutions ◽  
Research Methodologies ◽  
The Right

This chapter looks at social transformation through the lens of ‘tough issues’. The perspective makes the vast challenges communities are faced with more practical, which in turns allows for progress in the right direction through small wins. Many citizen and community organisations with a background in environmental, peace and third world movements have roots in direct action. Over recent decades, they have been moving from opposing developments to proposing alternatives. We use the words of de Certeau (1984) to describe it as a shift from ‘résistance’ to ‘bricolage’. This shift has brought them closer to more institutionalised partners like government, business, civil society and research institutions. While this rapprochement has proven beneficial to each party involved – research methodologies such as Co-Creation prove that notions like horizontal decision-making, anti-authoritarianism and self-organisation are no longer the preoccupation of informal actors solely – the different stakeholders have not become interchangeable. The chapter argues for the role of a third actor in a social transformation process. This actor is not a stakeholder itself, but through a creative process (“prototyping” in the case of City Mine(d), arts creation in others) becomes tactically linked to the important stakeholders.

scholarly journals Digital Transformation of the Government: A Case Study in Indonesia

2021 ◽  
Vol 37 (2) ◽  
pp. 272-288
Author(s):  
Sitti Aminah ◽  
◽  
Herie Saksono ◽  
Keyword(s):  
Qualitative Methodology ◽  
Industrial Revolution ◽  
Descriptive Analysis ◽  
Group Discussion ◽  
Secondary Data ◽  
Transformation Process ◽  
Digital Transformation ◽  
Digital Government ◽  
Ict Infrastructure ◽  
The Government

The world’s Industrial Revolution 4.0 and Society 5.0 are massively utilising the Internet of Things, Big Data, Artificial Intelligence and Robotic technology to solve various challenges and social problems. The challenge for the government now is to fully utilise these technologies to improve public services and government administrations. This study focuses on the transformation process of an e-government to become a digital government. The study aims to analyse the current development of e-government in Indonesia and the barriers to implement it as well as to propose how to transform from being an e-government to becoming a digital government. It uses a qualitative approach supported by secondary data. Focus Group Discussion was held in May 2019 to identify e-government barriers factors. The secondary data, meanwhile, was collected through e-government surveys published by the United Nations and E-government Evaluation issued by Indonesia’s Ministry of Empowerment Apparatus and Bureaucracy Reform. Data obtained was analysed using descriptive analysis techniques. Study shows that the development of Indonesia’s e-government is slow and lags behind other ASEAN countries. The E-government index in government institutions is not on target. There is a gap between the e-government indexes and central institutions and gaps between the Provincial and Regency / City Governments. The barriers factors of e-government are: (1) Regulations are not sufficient enough to encourage and guide e-government (2) Lack of data integration; (3) Gaps in the availability of ICT infrastructure between regions; (4) Limited ICT competence and, (5) Bureaucratic culture and leadership. Keywords: Indonesia, e-government, digital transformation, barrier factor, qualitative methodology.

scholarly journals Transformación digital. El caso de la creación de una oficina virtual en una Institución de Educación Superior

2021 ◽  
Vol 3 (5) ◽  
pp. 3014-3028
Author(s):  
Edgar René Vázquez González ◽  
Cecilia Ramos Estrada
Keyword(s):  
Qualitative Methodology ◽  
Industrial Revolution ◽  
Education Institution ◽  
Transformation Process ◽  
Digital Transformation ◽  
Transformation Model ◽  
Educación Superior ◽  
Educacion Superior ◽  
Public Service Organizations ◽  
The Impact

El presente trabajo tiene como objetivo describir el proceso de transformación digital en una oficina de servicios en una Institución de Educación Superior Pública en México, para ello se realizó un análisis de la revisión de la literatura relacionada con los conceptos: transformación digital y servicios públicos. A partir de los resultados del análisis de la literatura se identificaron las dimensiones que posibilitan la transformación digital en organizaciones del sector público. Posteriormente, en el caso de estudio se describen los principales servicios que migraron a formatos digitales y que dio origen a una ventanilla virtual de servicios de la institución, el modelo bajo el cual se desarrolló, el impacto generado en los usuarios. El trabajo utilizó una metodología cualitativa que permitió identificar las dimensiones que componen un modelo de transformación digital en instituciones del sector público y cuya viabilidad deberá ser corroborada a través de estudios con mayor profundidad y rigor metodológico.   The present work aims to describe the digital transformation process in a service office in a Public Higher Education Institution in Mexico, for which an analysis of the literature review related to the topics of the fourth industrial revolution, digital transformation and public services. From the result of the analysis of the literature, the dimensions that enable digital transformation in public service organizations were identified. Later, in the case study, the main services that migrated to digital formats and that gave rise to the institution's virtual service window, the model under which it was developed, the impact generated on users are reported. The work was developed under a qualitative methodology that allowed identifying the dimensions that make up a digital transformation model in public sector institutions and whose viability should be corroborated through studies with greater depth and methodological rigor.

scholarly journals LINKING 3D BUILDING MODELS, MAPS AND ENERGY-RELATED DATA IN A WEB-BASED VISUALIZATION SYSTEM

2018 ◽  
Vol IV-4/W7 ◽  
pp. 129-134
Author(s):  
R. Sihombing ◽  
V. Coors
Keyword(s):  
Measurement Data ◽  
Transformation Process ◽  
Environmental Data ◽  
Geospatial Data ◽  
Easy Access ◽  
Web Browser ◽  
Existing Building ◽  
Visualization System ◽  
Related Data ◽  
2D And 3D

<p><strong>Abstract.</strong> In a transformation process to become a climate-neutral city campus, universities have to deal with the sustainable concept. Since “human factor” plays a significant role in the transformation process, providing easy access to environmental data to influence building occupants’ behavior is essential. By utilizing energy-related data without spatial attribute and existing building geospatial data, data visualization in a web browser can be established for both 2D and 3D platforms. Our implementation presents a visualization of indoor sensor measurement data, where the same geospatial data can be used for both 2D and 3D visualizations even though the 3D platform needs an adjustment. Our approach results in a monitoring tool prototype based on visualization of indoor sensors measurement data, which can be accessed easily in a web browser by all building occupants.</p>

scholarly journals Evolution of musical means in piano "symphonies" by S.Yarunsky

2021 ◽  
pp. 167-172
Author(s):  
Veronika Kamenska
Keyword(s):  
Creative Process ◽  
Complex Analysis ◽  
Musical Form ◽  
Musical Expression ◽  
New Type ◽  
First Time

The purpose of the article is to investigate in the piano work of the Ukrainian composer S.Yarunsky in his four symphonies for piano, a new type of figurative content and innovative means of musical expression. Methodology. The method of complex analysis is applied: the figurative content and musical form of four “symphonies” for piano are analyzed and their stylistic features are revealed. The scientific novelty lies in the fact that for the first time in Ukrainian musicology, the Four Symphonies for Piano by S.Yarunsky have been analyzed in detail and conclusions have been drawn based on this analysis. Conclusions. Four “symphonies” for piano by S.Yarunsky in Ukrainian music of the 1990s were indeed a new and important word. At that time, the composer formed his position regarding this genre: the use of the term “symphony” is associated with the author's desire to expand the timbre palette of the instrument, to orchestral multi-timbre thinking. S.Yarunsky is constantly looking for new themes and subjects, including those related to the era of pre-Christian Russia. The artist significantly expands the scope of the maticism to create specific images, looking for new means of musical expression and compositional schemes. A little time has passed since the appearance of S.Yarunsky's “symphonies”, but they managed to enter the creative process of modern Ukrainian music and performing practice.

scholarly journals Actor Imaging as Constituent Creative Transformation Process

2018 ◽  
pp. 52-59 ◽  
Author(s):  
Olena Khlystun
Keyword(s):  
Creative Process ◽  
Creative Thinking ◽  
Transformation Process ◽  
Previous Experience ◽  
Stage Model ◽  
Creative Activity ◽  
Emotional Connection ◽  
Creative Transformation ◽  
The Future ◽  
Creative Experience

The article states that the actor’s mastering of the role is structurally divided into several stages, at each of which there is a certain accumulation of knowledge about the character of the play. The main theories of the structure of the creative process are illuminated in the theories of the three-act by P. Engelmayer, the three-stage model of A. Poincaré, and the four-stage model of creative thinking by G. Wallace, E. Getchinson. The imagination and creative activity of a person depend on the diversity of his previous experience, represented by the material from which the constructions of the presentation are created. It is noted that the most important feature of the imagination is its striving for embodiment. The actor designs the future physical embodiment of the character’s stage image. It is concluded that the imagination is constructed from the thoughts and visions of a person, simultaneously or alternately covering his mind. The actor profession is dominated by the emotional connection between the activity of the imagination and the act of reincarnation. The peculiarity of the actor’s imagination is the creative experience of the actor, and not his personal one. Imagination works in the preparatory analytical stage of the role as the accumulation of former emotional traces. In the process of implementing the role, these traces come to life, which leads to the act of reincarnation in the role.

scholarly journals HIP HOP “BERASA” JAWA (PROSES PENCIPTAAN MUSIK HIP-HOP KM 7 YOGYAKARTA)

2019 ◽  
Vol 12 (1) ◽  
pp. 44-53
Author(s):  
Chandra Okta Abrianto
Keyword(s):  
Qualitative Research ◽  
Research Methods ◽  
Creative Process ◽  
Hip Hop ◽  
Traditional Music ◽  
Musical Structure ◽  
Musical Form ◽  
The West ◽  
Artistic Career ◽  
Textual Research

Boedi Pramono’s creativity as the creator of the Hip Hop KM 7 group is by combining Javanese traditional music with hip hop music. This paper reviews from the beginning of Boedi Pramono’s artistic career until the formation of Hip Hop KM 7. The problems that arise are (1) Revealing and explaining the formation and structure of Hip Hop KM 7’s music, (2) Explaining the creative process of Hip Hop KM 7’s music. To answer such problems, this research employs qualitative research methods by studying empiricism, trying to be able to express objectively which is more oriented towards the field of textual research, with the addition of Bambang Sunarto’s concept of the creative process in art. The creative process of art is the process of finding the constructive elements of art in regards with (1) the artist’s belief in creating the artwork, (2) the vocabulary and the artistic model, (3) the artistic concepts and (4) the artistic models, which are then used as means to create the artwork, thus answering the question. This article reveals that: firstly, the musical form presented by Hip Hop KM 7 is a digital-based music enriched with gamelan idioms and in general Javanese traditional music. Here, the musical structure is divided into two musical impressions, namely the West and the Traditional music. Secondly, Boedi Pramono with his musical creativity formed Hip Hop KM 7 from a thickly artistic environment and later included the traditional element and further the traditional dance to the hip hop music.Keywords: Hip-hop Jawa, Hip-hop Km 7, Hip hop Yogyakarta.

scholarly journals Searching for the right form: A self-taught village player recalling performance live

Muzikologija ◽  
2008 ◽  
pp. 203-223
Author(s):  
Jelena Jovanovic
Keyword(s):  
Creative Process ◽  
Cognitive Interview ◽  
Long Term Memory ◽  
Musical Form ◽  
Term Memory ◽  
Successful Attempt ◽  
Long Time ◽  
The Right ◽  
Musical Memory

Repertoire of the excellent self-taught traditional dvojnice-player, Miladin Arsenijevic, from the vicinity of Topola (central Serbia) consists of lyrical songs of a newer rural repertoire. During a 'cognitive interview', in his attempt to recall and reconstruct old-time traveler's (putnicko) playing through performance, a 'real music situation', he has gradually condensed the developed form of the homophonic shepherd's song into the fragmentary form of heterophonic traveler's playing. In this paper the accent is on the player's search and creative process in his attempt to derive the right musical form of a piece, using his long-term memory, since he has not heard or played the piece for quite a long time. It is also a successful attempt to bring musical data from passive to active musical memory, and a transit from one collective semantic musical code to another. The motoric component plays an important role as well. The analysis of musical change shows that musical memory is a distributive system, and data is organized in groups. Musical parameters change: rhythm and tone are changed first, while other parameters seem to depend mostly on the shape of the melodic model; they gradually change while this element finds its right form.

scholarly journals Spatiality as creativity in the music of Kaija Saariaho: A reflection with a focus on 'Lichtbogen'

2021 ◽  
pp. 155-173
Author(s):  
Herck van
Keyword(s):  
Creative Process ◽  
Spectral Approach ◽  
Musical Form ◽  
Spectral Music ◽  
Time And Space ◽  
Virtual Spaces ◽  
Graphic Analysis ◽  
Score Analysis ◽  
Listening Experience ◽  
Architecture And Music

In this article Saariaho's music - with a focus on Lichtbogenis explored from the perspective of spatiality. First, Saariaho's connection with Finland is discussed and in particular how Finnish space and time have influenced her music.Together with space, there is the relation between time and light. In fact, the creative process by Saariaho is strongly influenced by visual experiences. The title of Lichtbogen refers to the Nordic lights, and therefore it is an interesting example. In her article on similarities between architecture and music, Saariaho defines with great clarity her music: "Capturing time and giving it form." In this phrase she connects the aspect of time and space with musical form. Understanding how Saariaho'sconception of musical form brings the concept of a multidimensional network to the discussion. Saariaho developed this concept for Verblendungen, and the same principle has been used for an analysis of Lichtbogen. This analysis is not a score analysis, instead, it is based on the listening experience of several recordings. As Saariaho is concerned with the perception of her music, a listening-based graphic analysis is proposed based on listening. It captures an illuminating perspective on the form of Lichtbogen. Given the importance of timbre in Saariaho's music, and the way how timbre and form are connected, the question of her relation with spectral music is unavoidable. Saariaho lived in Paris during the '80s, when early spectralism made important developments. And her music is indeed deeply influenced by the spectral approach in many ways. However, there are differences, especially regarding her attitude towards musical form. Finally the discussion about space is taken to the perspective of electronics and how they contribute to the expression of space. In Lichtbogen, the amplification is used to make those sounds on the threshold of audibility audible, and the reverb is used to create virtual spaces. The concept of space is integrated in the composition itself. In conclusion, the concept of space is central to Saariaho's creativity. This connection is approached in this article from various perspectives.It illustrates how important the space is, in connection with time and light, in Saariaho'scompositional work.

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