scholarly journals The Linguistic Heritage of Industry

2020 ◽  
Vol 37 (4) ◽  
pp. 33-54
Author(s):  
Leena Kolehmainen ◽  
Anna Sivula

The goal of this article is to introduce the notion of industrial linguistic heritage into the study of industrial heritage. By combining viewpoints of cultural heritage research and language studies, the article opens new insights into the identities and cultural resources of industrial communities. The linguistic heritage of industry is investigated in the light of two case studies from selected linguistic landscapes of Varkaus, a small industrial community in eastern Finland. The case studies illuminate both multilingualism of the industrial community as industrial linguistic heritage and language as a means to verbalize and commemorate the industrial past of the community. The examination of the linguistic landscape data shows that language is an important strategic means to verbalize the past, to restore shared histories and participatory experiences, and to carry out commemorative identity work in the industrial heritage community.

2021 ◽  
Vol 2 ◽  
pp. 7-15
Author(s):  
Veronika Aschenbrierová

The territory of Slovakia is rich in places with an ironworks history, which formed important urban and economic centers in the past. The valuable urban-architectural settlements emerged due to favorable geographical conditions, availability of forest and water resources. Currently, these important historical spots find themselves in the regions suffering from lack of job opportunities and low level of life quality. The research work deals with one of the most important 19th century‘s Slovak ironworks, its urban and architectural values ​​in the setting, and regenerative activities involving development activities to preserve the constantly overlooked part of Horehronie‘s cultural heritage. This study aims to contribute to the knowledge about the ironwork complex, to present its current state and research, which has stimulated interest in the protection of so far degrading industrial heritage. The result of this work is to show potential of industrial heritage in regional development and tourism, which is an opportunity to strengthen the region identity, its competitiveness, as well as to the potential of industrial heritage in regional development and tourism, which is an opportunity to strengthen the region identity, its competitiveness, and improve the socio-economic conditions of its inhabitants.


Author(s):  
Carol Ludwig ◽  
Yi-Wen Wang

This chapter examines the selective usage of history, relics and practice to reconstruct specific versions of the past. The open-air Beamish Museum in Durham, UK and the historical theme parks in Hangzhou and Kaifeng, China are used as comparative case studies to unpack first, how ‘heritage’ is conceptualised in each context, and second, how particular versions of the past are selected, (re)invented, disseminated and consumed for contemporary purposes. Set within a theoretical framework of ‘living heritage’ and an analytical framework of the overlapping themes of authenticity, identity and national pride, tourism and education, the chapter examines the different ways in which the appropriation of cultural heritage takes place at each site. In doing so, we draw attention to the disparate interpretations of conservation practice and the idea of ‘living heritage’ in the UK and China and debate their continued relevance in the contemporary heritage discourse.


Author(s):  
Maria Economou ◽  
Laia Pujol Tost

Virtual reality applications offer various possibilities for cultural heritage interpretation, such as giving users the feeling of immersion and appealing to all their senses, making their experience lively and memorable. In order to test their effectiveness for assisting learning and successful integration in exhibitions, the authors carried out an extensive evaluation study using three case studies: the exhibition “Immaginare Roma Antica” at the Trajan Markets, Rome; the permanent displays at the Ename Museum, Belgium; and the VR displays at Hellenic Cosmos, Foundation of the Hellenic World, Athens. The chapter analyses how the applications were used, the type of learning different systems supported, how this was affected by the conditions of use, and their suitability for different groups. It also offers guidelines on evaluation methodology when studying the use of ICT in cultural settings. The study contributes to the construction of a substantial body of empirical and methodological knowledge aimed at guiding future designs and evaluations of ICT tools in exhibitions.


2015 ◽  
Vol 24 (3) ◽  
pp. 265-277 ◽  
Author(s):  
Théophane Nicolas ◽  
Ronan Gaugne ◽  
Cédric Tavernier ◽  
Quentin Petit ◽  
Valérie Gouranton ◽  
...  

The sense of touch provides a particular access to our environment, enabling a tangible relation with it. In the particular case of cultural heritage, touching the past, apart from being a universal dream, can provide essential information to analyze, understand, or restore artifacts. However, archaeological objects cannot always offer tangible access, either because they have been destroyed or are too damaged, or because they are part of a larger assembly. In other cases, it is the context of use that has become inaccessible, as it is related to an outdated activity. We propose a workflow based on a combination of computed tomography, 3D images, and 3D printing to provide concrete access to cultural heritage, and we illustrate this workflow in different contexts of inaccessibility. These technologies are already used in cultural heritage, but seldom combined, and are most often employed for exceptional artifacts. We propose to combine these technologies in case studies corresponding to relevant archaeological situations.


AMERTA ◽  
2017 ◽  
Vol 35 (2) ◽  
pp. 133
Author(s):  
Roby Ardiwidjaja

Abstract. Preservation of Underwater Cultural Heritage: Shipwreck as a Diving Attraction. Indonesia is the largest archipelago country in the world; two thirds of its territory is the sea. One of President Jokowi's missions is that the government will focus more on Indonesian maritime strategic thinking, by implementing the concept of "Global Maritime Fulcrum." The keys to make it happen are embodied in two important pillars of the five-pillar concept, namely maritime culture revitalization and marine resource management. Marine-based sustainable tourism development is to be conducted with a synergy between reinforcing maritime culture and utilizing marine resources. The problem is, on one side, is that the condition of coral reef ecosystem as a diving attraction has deteriorated due to human activities. On the other side, the underwater cultural resources have not been optimally utilized, and are often taken illegally. This research intends to present a general overview about utilization of underwater cultural heritages as diving tourism attraction, using method of literature study. Many references mention that the territorial waters of Indonesia in the past were important international vessel shipping lanes, as evidenced by the number of shipwrecked artifacts discovered by fishermen or stolen by treasure seekers. The availability of underwater cultural resources underwater such as shipwrecks and the declining quality of coral reefs can be utilized as a marine tourism attraction, particularly diving, while we also attempt to preserve marine cultural heritage. Abstrak. Indonesia adalah negara kepulauan terbesar di dunia. Dua pertiga dari wilayahnya adalah laut. Salah satu misi Presiden Jokowi, Pemerintah Indonesia akan lebih fokus pada pemikiran strategis maritim Indonesia dengan mengimplementasikan konsep Global Maritime Fulcrum (Poros Maritim Dunia). Kunci keberhasilan untuk mewujudkannya telah tertuang dalam dua pilar penting dari konsep lima pilar, yaitu membangun kembali budaya maritim dan mengelola sumber daya kelautan. Pembangunan pariwisata berkelanjutan berbasis bahari dilakukan dengan sinergi antara memperkuat budaya bahari dan pemanfaatan sumber daya kelautan. Permasalahannya di satu sisi bahwa kondisi ekosistem terumbu karang sebagai atraksi selam semakin memburuk akibat ulah manusia. Pada sisi lain sumber daya tinggalan budaya bawah air belum optimal dimanfaatkan, bahkan seringkali diambil secara ilegal. Artikel ini bertujuan untuk memberikan gambaran tentang pemanfaatan warisan budaya bawah air sebagai daya tarik wisata selam. Metode yang digunakan ialah kajian kepustakaan. Wilayah perairan Indonesia pada masa lalu merupakan jalur pelayaran kapal internasional yang penting. Hal tersebut dibuktikan dengan banyaknya artefak kapal karam ditemukan oleh nelayan atau dicuri oleh pencari harta karun. Ketersediaan sumber daya budaya tinggalan bawah air seperti kapal-kapal karam dan menurunannya kualitas terumbu karang dapat dimanfaatkan sebagai daya tarik wisata bahari khususnya selam, sekaligus upaya pelestarian warisan budaya bahari.


2020 ◽  
Vol 20 ◽  
Author(s):  
Natalie Moreno-Kamińska

Over the past 25 years, Łódź has seen an evolution in attitude towards the city’s post-industrial heritage, both material and non-material. Exemplifying these processes of loss, seeking, and retrieval is Art_Inkubator, a complex of 19th-century factories in the city’s central district of Księży Młyn that once belonged to Karol Scheibler and Ludwik Grohman. The goal of the project, carried out by a municipal cultural institution known as Fabryka Sztuki, has been to revitalize and adapt former factory buildings, including them in its incubator program dedicated to the support of activities within the creative industries sector. Another cultural heritage site known as MuseumABC is also located in this area. Fabryka Sztuki’s efforts have preserved the factory buildings as part of the city’s cultural heritage and made it possible to put their historic features to good use in the development of innovative and creative activities. After decades of neglect, the characteristic red-brick buildings have beengiven “new life” as centres of culture and business enterprise.


Author(s):  
Luis D. Rivero Moreno

PurposeIn the past years, the importance of the cultural economy has led urbanism to a new perspective. Simultaneously, the main international institutions have pointed out the need to shift the urban economy into a sustainable one, green and energy efficient. The confluence of both flows explains why the imaginaries of the urban future are related to the concept of creative cities. Hence, the new economic engine of the cities should be founded on art, creativity and culture, all of them understood as clean energies. This study aims to show the crucial role of cultural heritage as a propeller of a new kind of urban development, more flexible and democratic, based on the construction of the city as a communicational, collective and open effort. Therefore, the city is conceived as a cultural heritage platform where tangible and intangible, social and creative interactions happen. Within this context, urban narratives appear as a dynamic material drawn on the possibilities offered by the heritage received from the past as a resource to be used for re-thinking and re-shaping the future.Design/methodology/approachThe approach of this paper is based on a profound analysis of historical cities, mainly in the European context, supported by the work carried out within the H2020 ROCK project. The cities within the project are: Athens, Bologna, Cluj-Napoca, Eindhoven, Lisbon, Liverpool, Lyon, Torino, Skopje and Vilnius. A wide variety of case studies coming mainly from these cities have been considered to understand better the theoretical point of view on the role of heritage, urban development and city branding. The information about cultural heritage projects used as case studies has been collected and selected coming from the direct work made on the field and the communication open with institutions and cultural stakeholders in every city. Even more, parallel seminars on cultural heritage and city branding organized within the project have allowed the authors to gather very valuable, updated and fresh information on these issues in every particular case.FindingsThe study proves that cultural heritage has been traditionally underrated as a mechanism for developing the future of the city and its communicative strategy. Cultural heritage appears as a practical tool for constructing more cohesive urban communities based on the use of public space and shared memories as storytelling platforms. The capacity of resiliency and sustainability revealed by cultural heritage through the time is, as well, a clear reference to construct a potential sustainable city, socially, culturally and environmentally.Social implicationsCultural heritage projects are shown as a perfect way to build stronger communities. Through the engagement and participation of citizens, urban storytelling reinforces a more open, real and sustainable city able to face the challenges of contemporary life (gentrification, pollution, mobility, etc.). Like that, heritage appears as a feasible tool for including citizens coming from all ages and backgrounds in the construction of a collective narrative of the city, based on the past and looking at the foreseen.Originality/valueThis study tries to relate fields that traditionally have remained not well connected: urban development, city branding and cultural heritage. The study demonstrates that cultural heritage is crucial as an urban narrative tool and consequently, as a planning/branding mechanism. Moreover, cultural institutions and cultural projects are very relevant platforms for social interaction, inviting citizens to have a more active role in the construction of the city as a collective communicational effort based on a network of social and cultural relations. Storytelling turns up as a new key element for communicating the city from grassroots, in a sustainable, democratic and inclusive manner, far away from the traditional top-down official perspective. Crowdsourcing methods are very powerful for establishing a shared and cohesive city brand, now rooted in its cultural and social foundations and not the marketing campaign clichés. Finally, storytelling emerges as a creative resource that enhances the social, cultural and economic layout of the city, forcing urbanists to include a greener, fairer and more democratic perspective in the future of cities.


2019 ◽  
Vol 19 ◽  
pp. 77-88
Author(s):  
Ladislav Lenovský

Cultural heritage is considered to be a valuable and representative part of the culture derived from the past. Cultural potential is a set of cultural phenomena, elements and complexes used or usable for profit. It consists of five components: heritage; organizations and institutions; events and products; infrastructure; human resources. Cultural mapping is being used for its identification, where the elements of cultural potential are cultural resources. The mapping of cultural potential with an emphasis on cultural heritage is a prerequisite for the success of revitalization of the nearly extinct ethnic group of German woodcutters from the Small-Carpathian region – Huncokars.


Author(s):  
Chris Urwin ◽  
Matthew Spriggs

Most histories of Australian archaeology written in the past three decades imagine that the discipline came of age in (approximately) the year 1960. We are led to believe that systematic archaeological research, nuanced interpretations, and advocacy for the conservation of Aboriginal cultural heritage all date to the post-1960 era. Yet archaeological research in Australia has a lengthier and more complex genealogy. Here we use a series of case studies to explore the gradual development of the discipline during the twentieth century. We unpack key moments and projects during the early to mid-twentieth century and examine the extent to which the so-called professional archaeologists of the 1960s overlapped with and depended on the work of “amateur” scholars. We conclude by suggesting that the period of most rapid and significant change in archaeological thought and practice was precipitated by Aboriginal activism leading up to the 1980s. Australia’s First Peoples demanded control of research into their cultural heritage, a project that continues today. Our discipline must encourage a culture of reflexivity on its current practices by coming to terms with—rather than silencing—its history, whether good, bad, or ugly.


2020 ◽  
pp. 107-121
Author(s):  
Monika Rekowska

Cyprus and Cyrenaica, two regions strongly influenced by the Alexandrian cultural heritage, which came under the Roman rule already in the 1st century BC, are simultaneously both typical and unusual examples of acculturation understood as a mixture of Hellenistic and Roman components. This is reflected in various spheres of life, including the architecture of the houses owned by members of the urban elite which are investigated in this article. Two residential units – the House of Leukaktios at Ptolemais in Cyrenaica and the House of Orpheus at Nea Paphos in Cyprus – will be presented to discuss different attitudes towards Romanisation from the perspective of an individual as reflected by particular dwellings.


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