The Chinese Cinematic Remake as Transnational Appeal: Zhang Yimou’s A Woman, a Gun and a Noodle Shop

2017 ◽  
Author(s):  
Kenneth Chan
Keyword(s):  
Original Film ◽  
Global Market ◽  
Chinese Version ◽  
Chinese Cinema ◽  
The Past ◽  
American Films ◽  
Close Analysis ◽  
Transnational Film ◽  
Do So ◽  
The Way

The past two decades have witnessed the resurgence of Chinese cinemas on the global stage. As Chinese directors confront the notion of remaking American films, they do so with the assurance that there is a potential global market for their product, which in turn might foster a more creative reimagining of a Chinese version that can stand on its own artistic merits as transnational Chinese cinema. This chapter undertakes a close analysis of A Woman, a Gun and a Noodle Shop (Zhang Yimou 2009) as a transnational film remake to demonstrate how the film confidently reinvents the Coen Brothers’ original film, Blood Simple (1984) as an original in its own right. The analysis demonstrates the way in which the remake is infused with Zhang Yimou’s brand of cinematic pragmatism and the way in which the cooption of a transgressive politics of gender and postcoloniality becomes a route toward transnational appeal.

scholarly journals Corpus Methodologies in Literary Translation Studies: An Analysis of Speech Verbs in Four Spanish Translations of Hard Times

2017 ◽  
Vol 62 (1) ◽  
pp. 94-113 ◽  
Author(s):  
Pablo Ruano
Keyword(s):  
Translation Studies ◽  
Basic Function ◽  
Literary Translation ◽  
Original Novel ◽  
Direct Speech ◽  
Parallel Corpus ◽  
Close Analysis ◽  
Hard Times ◽  
Do So ◽  
The Way

In this article, speech verbs in Dickens’sHard Times(1854) and their translation into Spanish are analyzed. Apart from their basic function of introducing speech, these verbs can also contribute to characterization. The regular occurrence of a particular speech verb to report the direct speech of a particular character helps to create a fictional personality. Given the important role they may play, the rendering of such verbs in four Spanish versions of this novel is assessed. To do so, a corpus-based methodology has been employed. A concordancing software was used to retrieve speech verbs from the original novel, allowing their close analysis in context. Then, using an aligned parallel corpus containing the four versions, a comparison was carried out to see how they have been rendered. Evidence is provided that none of the four translations entirely preserves the characterizing value of the verbs, which may affect the way readers form impressions of characters in their minds. The use of this corpus metholodogy is thus seen to contribute to the field of literary translation studies.

scholarly journals Reconciliation: The South African Truth and Reconciliation Commission’s contribution to dealing with the past, reconciling and building the nation

2006 ◽  
Vol 40 (4) ◽  
Author(s):  
S. Barry
Keyword(s):  
Human Rights ◽  
South African ◽  
Human Rights Violations ◽  
National Unity ◽  
The Rule Of Law ◽  
Truth And Reconciliation ◽  
The Past ◽  
Political Expediency ◽  
Do So ◽  
The Way

International experience has shown that addressing past human rights violations is a necessary step in the process of reconciliation and nation building. How was post-apartheid, democratic South Africa to deal with its past human rights violations? Would it go the way of retribution in order to settle the scores of the past? Would it go the way of blanket amnesty in the name of political expediency and ignore the fate of its victims?   The Promotion of National Unity and Reconciliation, Act 34 of 1995, which established the TRC envisaged that national unity and reconciliation could be promoted by determining the extent, and the fate and whereabouts of the victims, of such human rights violations; giving opportunity for story-telling; recommending reparations and measures to prevent future violations; and by providing a full report. In order to do so the Commission had the power to grant amnesty to those making such disclosures.  This article, while not uncritical of the Commission, is generally positive about its contribution both in attempting to deal with the past, and in building a democratic, human rights and restorative justice culture based on the rule of law. It examines the definitions of reconciliation that emerged during the Commission in the light of a Christian definition where reconciliation is seen to be between God, others and self, and involves integration with the human community. This integration involves taking responsibility for the past, confession and repentance, forgiving and being forgiven, making restitution where possible, ongoing transformation in the present and hope for the future.

Between East and West

Experiment ◽  
2017 ◽  
Vol 23 (1) ◽  
pp. 66-79
Author(s):  
Maria Taroutina
Keyword(s):  
Visual Culture ◽  
Present Article ◽  
Turn Of The Century ◽  
Russian Art ◽  
Avant Garde ◽  
The Past ◽  
Close Analysis ◽  
East And West ◽  
The Way

Abstract Taking cue from Dmitry Sarabyanov’s seminal publications on the Stil Modern and turn-of-the-century Russian visual culture, the present article resituates Mikhail Vrubel’s œuvre “between East and West” by demonstrating that the artist moved beyond the narrowly circumscribed nationalist agenda typically attributed to the work he produced at the Abramtsevo and Talashkino artistic colonies. In addition to indigenous sources, Vrubel also assimilated a number of external artistic influences such as Jugendstil, medieval Gothic and Renaissance ceramics, Japanese and Chinese porcelain, and Egyptian and Assyrian art. Through a close analysis of Vrubel’s orientalist paintings, as well as his cycle of folkloric works such as Mikula Selyaninovich and the Volga (1896), I demonstrate that his aesthetic program crossed multiple boundaries: geographical, temporal, material, and institutional. Through a complex renegotiation of the global and the local, the past and the present, and the traditional and contemporary, Vrubel arrived at a strikingly modernist visual syntax, which paved the way for an entire generation of avant-garde artists such as Mikhail Larionov, Natalia Goncharova, Kazimir Malevich, Aleksandr Rodchenko, Liubov Popova, Vladimir Tatlin, and Naum Gabo, among others. Using Vrubel as a case study, this article thus proposes to rethink the opposing binary categories of avant-gardism and revivalism, historicism and innovation, Orientalism and Occidentalism, regionalism and cosmopolitanism, as they have been applied to the trajectory of modern Russian art—a set of ostensibly fixed dichotomies that Dmitry Sarabyanov had repeatedly and successfully challenged in his own work.

The Diet Prada effect: ‘Call-out culture’ in the contemporary fashionscape

2019 ◽  
Vol 6 (1) ◽  
pp. 97-113 ◽  
Author(s):  
Vanessa Gerrie
Keyword(s):  
Social Media ◽  
Fashion Industry ◽  
The Past ◽  
Cultural Phenomenon ◽  
Fashion Products ◽  
Close Analysis ◽  
Fashion Designers ◽  
Age Independent ◽  
Do So

Fashion criticism has found a new democratic platform in this technetronic age that has been impacted by the emergence of online ‘call-out culture’, a cultural phenomenon born of this digital age. Independent voices are finding traction within the famously hermetic fashion industry who are holding fashion designers, marketers, editors and all those gatekeepers in between, accountable not only for copycat fashion products but also for racist and bigoted appropriations that appear in campaigns and editorials. In examining ‘call-out culture’ in the fashion industry this article will extrapolate on how and why these cultural phenomena have gained traction in relation to the contemporary fashion industry and what this means for the future of the industry. I do so through the wider contextualization of looking at ideas of authenticity and transparency, effects of social media, and the role of cultural criticism in fashion. The methodology utilized in this article is in the form of the close analysis of two case studies, the independent fashion critic sites Diet Prada and The Fashion Law, which have both gained traction in the past two years for their unbiased and unrelenting agenda to call out fashion’s indiscretions.

Workplace Relationships and Social Networks

2018 ◽  
Vol 11 (3) ◽  
pp. 510-516
Author(s):  
Clare L. Barratt ◽  
Claire E. Smith
Keyword(s):  
Social Networks ◽  
Complex Networks ◽  
Social Exchange ◽  
Global Market ◽  
Scientific Understanding ◽  
Workplace Relationships ◽  
Contract Workers ◽  
The Past ◽  
Networked Society ◽  
The Way

As described in Chernyak-Hai and Rabenu's (2018) focal article, the workplace has changed tremendously over the past few decades. These changes, undoubtedly, have affected how individuals interact and build relationships in the workplace. We live in a “networked society,” where the advances in technology and subsequent spread of communication and information have reorganized the way individuals are connected to one another (Castells, 2004; Wellman, 1999). In other words, we exist in complex networks, where underlying interconnections and interdependencies are the keys to scientific understanding. In their focal article, Chernyak-Hai and Rabenu highlight the need to adapt social exchange theories and research to incorporate the change in workplace relationships resulting from advances in technology and changes in the global market and workforce (e.g., freelancers, contract workers).

After the Archive

2018 ◽  
pp. 606-626
Author(s):  
Peter McMurray
Keyword(s):  
Oral Tradition ◽  
Family Members ◽  
Former Yugoslavia ◽  
Oral Poetry ◽  
The Past ◽  
Audio Recordings ◽  
New Research ◽  
Do So ◽  
The Way

The afterlife of an archive determines what that archive was in the first place. In other words, the way an archive preserves, processes, analyzes, and circulates its holdings—or fails to do so—plays a central role in constituting not just the what of the archive (its ontology) but also its when (the temporalities it contains and allows). In the 1930s, Milman Parry, a scholar of Homeric epic, traveled to the former Yugoslavia to collect oral poetry from the area, hoping to use this contemporary tradition to think about the feasibility of epic song—and specifically the Iliad and Odyssey—as an oral tradition more broadly. Parry’s student, Albert Lord, published their findings on the topic, creating a massive rethinking of poetry and literature more generally. But the archive they created through their audio recordings in Yugoslavia, recorded on aluminum discs, wire spools, and reel-to-reel tape, served for decades as a kind of necessary proof of their findings, but not an archive that allowed for significant new research. In the past decade, however, a number of family members of the singers who had recorded for Parry have begun to contact the archive seeking information about recordings in the archive. This contact has led not only to meaningful encounters between these families and the archive but also to small but significant expansions in the archive’s holdings through a kind of genealogical ethnography of the archive itself and its multiple, simultaneous (and often divergent) histories.

scholarly journals A Hauntological Reading of Daphne du Maurier’s “Rebecca”

2021 ◽  
Vol 7 (1) ◽  
pp. 21-36
Author(s):  
Nil Korkut-Nayki
Keyword(s):  
Theoretical Approach ◽  
Jacques Derrida ◽  
Literary Analysis ◽  
The Novel ◽  
The Past ◽  
Traditional Approaches ◽  
Transgenerational Haunting ◽  
Do So ◽  
The Way

This essay focuses on the way the main characters in Daphne du Maurier’s novel Rebecca (1938) cope with the haunting influence of the past and attempts to read their struggle through the theoretical approach developed by Jacques Derrida in his Specters of Marx (1993). This approach, termed “hauntology” by Derrida himself, revolves around the notion of the “specter” haunting the present and emphasizes the need to find new ways of responding to it, especially because of the existing ontological failure to do so. The essay complements this reading with the earlier comparable theory of the “phantom” and “transgenerational haunting” developed by psychoanalysts Nicolas Abraham and Maria Torok. A “hauntological” reading of Rebecca through these tools yields results that are significantly different from traditional approaches. Suggesting that the main characters in Rebecca are complete failures in dealing with the specter in a Derridean sense, the essay argues that the novel expects from the discerning reader a more insightful approach and a better potential to understand the specter. It is suggested further that a proper acknowledgement of the specter in Rebecca reaches beyond this particular novel, having subtle but significant implications concerning not only literary analysis but also social and cultural prejudices.

Memory in Early Modern Europe, 1500-1800

2017 ◽  
Author(s):  
Judith Pollmann
Keyword(s):  
Early Modern ◽  
Memory Studies ◽  
Early Modern Europe ◽  
Primary Research ◽  
The Past ◽  
Social Reference ◽  
Modern Europe ◽  
Memory Practices ◽  
Do So ◽  
The Way

This book is an introduction into the way in which Europeans on the Continent and in the British Isles practised memory in the three centuries between 1500 and 1800. In early modern Europe the past served as a main frame of moral, political, legal, religious, and social reference for people of all walks of life. Because it mattered so much, it was also hotly contested, and subject to constant reinvention. Building on both existing studies and new primary research, the first aim of this book is to account for the omnipresence, importance, and changing uses of the past among early modern Europeans. Its second aim is to situate early modern memory more clearly in the memory studies field, and to show how relevant a better knowledge of early modern memory is to students and scholars who study memory practices in modern societies. Many scholars have argued that the age of revolutions at the end of the eighteenth century completely transformed the way in which Europeans experienced the past and came to think about the future. This book demonstrates that while some memory practices had indeed profoundly changed by 1800, this was not because of revolutionary rupture. Changes were gradual and did not put an end to traditional ways of thinking about the past; rather, old and new ways came to exist side by side, and, to a surprising extent, continue to do so to our own day.

Remembering the Past in Nineteenth-Century Scotland

2014 ◽  
Author(s):  
James J. Coleman
Keyword(s):  
Nineteenth Century ◽  
National Identity ◽  
19Th Century ◽  
21St Century ◽  
Collective Memories ◽  
The Past ◽  
Prevailing View ◽  
The Way

At a time when the Union between Scotland and England is once again under the spotlight, Remembering the Past in Nineteenth-Century Scotland examines the way in which Scotland’s national heroes were once remembered as champions of both Scottish and British patriotism. Whereas 19th-century Scotland is popularly depicted as a mire of sentimental Jacobitism and kow-towing unionism, this book shows how Scotland’s national heroes were once the embodiment of a consistent, expressive and robust view of Scottish nationality. Whether celebrating the legacy of William Wallace and Robert Bruce, the reformer John Knox, the Covenanters, 19th-century Scots rooted their national heroes in a Presbyterian and unionist view of Scotland’s past. Examined through the prism of commemoration, this book uncovers collective memories of Scotland’s past entirely opposed to 21st-century assumptions of medieval proto-nationalism and Calvinist misery. Detailed studies of 19th-century commemoration of Scotland’s national heroes Uncovers an all but forgotten interpretation of these ‘great Scots’ Shines a new light on the mindset of nineteenth-century Scottish national identity as being comfortably Scottish and British Overturns the prevailing view of Victorian Scottishness as parochial, sentimental tartanry

Profilometry. Using Corneo-scleral topography for scleral lens fitting

The Eye ◽  
2019 ◽  
Vol 21 (128) ◽  
pp. 19-22
Author(s):  
Gregory DeNaeyer
Keyword(s):  
Ocular Surface ◽  
World Wide ◽  
Contact Lenses ◽  
The Past ◽  
The World ◽  
The Future ◽  
The Way

The world-wide use of scleral contact lenses has dramatically increased over the past 10 year and has changed the way that we manage patients with corneal irregularity. Successfully fitting them can be challenging especially for eyes that have significant asymmetries of the cornea or sclera. The future of scleral lens fitting is utilizing corneo-scleral topography to accurately measure the anterior ocular surface and then using software to design lenses that identically match the scleral surface and evenly vault the cornea. This process allows the practitioner to efficiently fit a customized scleral lens that successfully provides the patient with comfortable wear and improved vision.

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