scholarly journals Mulk Raj Anand’s Untouchable and the Philosophy of Aesthetic Realism

ICONI ◽  
2020 ◽  
pp. 46-55
Author(s):  
Arnold Perey ◽  

This universal ethical question needs to be discussed honestly and deeply by everyone, regardless of culture, for social justice and personal kindness to prevail: “What does a person deserve by being alive?” Asked by Eli Siegel, founder of the philosophy Aesthetic Realism, this question provides us with an indispensable means for opposing the contempt that is the fundamental cause of injustice. Contempt Mr. Siegel defi ned as “the disposition in every person to think we will be for ourselves by making less of the outside world.” And its pervasive effects cannot be underestimated. Every person has a fi ght between the desire for contempt and the desire to respect people and the world. Contempt is very ordinary, it is present in everyday life. For instance when one person doesn't listen to another; or when we see someone in the street and think, “I wouldn’t be caught dead wearing shoes like that.” But when it predominates on a national scale, the results of making less are disastrous. In the caste system of India, contempt is institutionalized, as this article explains. It is related to caste-like institutions world-wide, including racism in my own country, the United States; and to the global horrors of economic injustice. The novel Untouchable, by Mulk Raj Anand, illustrates, from beginning to end, the hurtful manifestation of contempt in the caste system. The time period of the novel is the 1930s, but its truth continues today; and Anand shows in a young man named Bakha the pain of the Untouchable: unjustly despised and unjustly impoverished. The author of this article learned through his study of Aesthetic Realism that making himself “superior” by disparaging other people, including women and people of other ethnicities, made him despise himself and hurt every relationship he wanted to have. And this is representative of what contempt does to persons having it, everywhere. He changed, as he studied in Aesthetic Realism classes what a person deserves from me and how to have good will, the one opposition to contempt. He learned good will is not fl imsy or weak, it has a scientifi c basis and defi nition: it is “the desire to have something else stronger and more beautiful, for this desire makes oneself stronger and more beautiful.” People need, and want, good will in place of endemic contempt in Europe, Asia, America. There is a powerful, international desire in people today for a just world. Aesthetic Realism is the education that meets that desire and can make for a world that is fair to all people. That is why it is urgently necessary for persons to study its principles.

2019 ◽  
Vol 14 (2) ◽  
Author(s):  
Bojan Žikić ◽  
Danijel Sinani ◽  
Miloš Milenković

One of the most famous enterprises within the British search for the so-called Northwest Passage in the nineteenth century, the Franklin expedition, was described in the novel "Terror" (2007) by American writer Dan Simmons, as well as in the TV series based on the book (2018) of the same name. What the expedition became known for was its disappearance in the Arctic wastelands despite – for its time – the most modern technological equipment, as well as the fact that its command staff consisted of experienced researchers. Simmons' presentation of the circumstances that led to the collapse of the expedition was based, to a certain extent, on the scientific knowledge about it, collected from the first searches for the expedition to this day, but also on the cultural idea that was formed first in Great Britain, and then in Canada and the United States, during that time period. As the essence of cultural communication produced by the novel and the series, we see the inability of civilization as a source of fear – or horror – before the socially ontologically uncertain position that people are brought into, when they are displaced outside their original sociocultural context and find themselves in conditions in which norms of that context can be contrary to the measures that are taken for the sake of physical survival. This given fear is of cultural origin: its root is in a situationally generated idea that it is possible that the reality is different from the one which is being defined by the social order and cultural norms, namely the rules, that make our world known and subject to human control, are not fully applicable. The boundaries of this fear are permeable for those things which a person is not able to face successfully on the basis of his/her innate abilities and cultural development.


Author(s):  
Amita Nijhawan

InPride and Prejudice, author Jane Austen shows us nineteenth-century British class hierarchy. On one level, this hierarchy is established through wealth and means, but on another, it is through differences between characters created by breeding and manners. In the book, conversations and habits are signs of these differences, and therefore, signs of worth. InBride and Prejudice: A Bollywood Musical, using the basic narrative of the novel, director Gurinder Chadha gives us a colorful picture of global-political economics. Differences between countries like India, Britain, and the United States are established through signs of wealth and consumerism, but also through dance and body movements. A Bollywood staple of song-and-dance is deployed here as a marker of difference between India and others, and between an old India with stifling economic practices and a new one that welcomes its tourists, investors, and bridegrooms with open arms and legs. While on the one hand, Chadha seems to consciously point out the problems of global economic inequality and imperialism, in other ways, she seems complicit in the plot to attract India's others to get a little taste of India, by using female bodies to construct a modern, seductive picture of the country.


2019 ◽  
pp. 466-474
Author(s):  
Olha Kovalenko

In this article was considered genre specifics and motives of the novel “Bieguni” (“Flights”) by polish writer Olga Tokarczuk. On the example of the novel was determined the main genre specifics of postmodern novel-travelogue, where was raised the main issues of present days – life and death, physical and spiritual, workaday and philosophical. “Bieguni” is the novel about modern people, which looking for their goal, situated in a constantly movement just not to come to the Antichrist`s hands. The airports and hotels aren`t only a shelter, it`s a real home, what underline motive of travel in the novel. Representing home in a different ways, the writer consider the human body as a shelter for two components – spiritual and material. The body that was created by God is physical “home” for self-awareness. Herewith the writer doesn`t reject physiological theory of body beginning and consider it as a product of completing, finishing and the signification of human`s death. Address to Biblical, religious, mythological, bibliographic and oniric motives again and again underline anti-utopy world with his own canons and decrees, what doesn`t submit to logical, grounded explanation, but have philosophical elucidation. “Bieguni” it`s a binding of stories, feelings and laws. The main characters of the composition are different aged, nationality and different time period people, but united by just one important thing – searching of sense of life, that is different for everyone of them. Variety of characters, story of everyone`s life, text`s fragmentation give to the reader experience of personal meeting with every literature character. The hidden drama, that attendanted in everyone of them create the aureole of mystique, mysteriousness and feeling of temporarily proximity, that`s the main feeling of traveler. The leitmotif of the novel unite fragments into the one full picture, where we can see the main thesis of the novel: “Movement is a life, life is a travel”, because at the travel we can see a human`s wish to find the salvation out of routine problems, social duties and conditionalities. Characteristic for the novel using of philosophical and Biblical motives and also application to the history and author`s experience are non-textual survey of art of Olga Tokarczuk and her own morally-pscychological skills.


Author(s):  
Sumer Sharma ◽  
Namita Goyal

What will be the further impact of the novel coronavirus (COVID-19) in India? To answer this question, we need an accurate analysis of the rate of death and recovery. At the same time, since the future does not usually repeat itself in the same way as in the past, so there is no certainty. The COVID-19 epidemic after spreading its roots to 206 countries around the world, has started again with more deadly waves than previous. Though vaccines are available now but still no one knows for how much time period certain vaccine can provide antibodies. So, the battle is still going on. Disease and death not only threaten people but also their economic impact. Even though if one got recovered from disease but post covid symptoms are the one which are haunting even more. Based on the official data model, diagnostic techniques are used to create a predictable but decisive prediction model for the spread of COVID-19 in India. The second wave of COVID-19 hit in the states of India during March and has since spread again to all other provinces with a great havoc and the situation is getting worse in countries with high global migration.


2017 ◽  
Author(s):  
AWEJ for Translation & Literary Studies ◽  
Aisha Obaid Al-Harbi

The aim of this paper is to present a new critical perspective of interpreting and understanding Dangarembga’s Nervous Conditions utilizing Africana womanist theory as a viable and practical method of analysis. The study illuminates certain features of Africana Womanism reflected in Nervous Conditions to explore the deep meaning of the African woman experience. Though it is created by an African American intellectual, Hudson-Weems, Africana Womanism transcends the borders of the United States to absorb the needs and aspirations of women from Africa. Reading the novel from the perspective of Africana womanism challenges the view of categorizing Dangarembga as a feminist and her novel in the mainstream of feminist literature on the one hand, and helps to gain more comprehensive understanding of the novel on the other; hence, lies the importance and novelty of the study. To execute this goal, the researcher highlights the most salient attributes of Africana womanism which the female characters in Nervous Conditions fictionally exhibit as: self-namer, self-definer, authentic, complete, and genuine in sisterhood, family centered, male compatible, mothering and nurturing. Utilizing the approach of Africana womanism, all marginalized women should cooperate in creating their own paradigm which stems from their own social reality and reflects their cultural autonomy and integrity.


2011 ◽  
Vol 15 (2) ◽  
Author(s):  
Peter P. Smith

The United States is in a bind. On the one hand, we need millions of additional citizens with at least one year of successful post-secondary experience to adapt to the knowledge economy. Both the Gates and Lumina Foundations, and our President, have championed this goal in different ways. On the other hand, we have a post-secondary system that is trapped between rising costs and stagnant effectiveness, seemingly unable to respond effectively to this challenge. This paper analyzes several aspects of this problem, describes changes in the society that create the basis for solutions, and offers several examples from Kaplan University of emerging practice that suggests what good practice might look like in a world where quality-assured mass higher education is the norm.


2020 ◽  
pp. 182-197
Author(s):  
Agnieszka Goral

The aim of the article is to analyse the elements of folk poetics in the novel Pleasant things. Utopia by T. Bołdak-Janowska. The category of folklore is understood in a rather narrow way, and at the same time it is most often used in critical and literary works as meaning a set of cultural features (customs and rituals, beliefs and rituals, symbols, beliefs and stereotypes) whose carrier is the rural folk. The analysis covers such elements of the work as place, plot, heroes, folk system of values, folk rituals, customs, and symbols. The description is conducted based on the analysis of source material as well as selected works in the field of literary text analysis and ethnolinguistics. The analysis shows that folk poetics was creatively associated with the elements of fairy tales and fantasy in the studied work, and its role consists of – on the one hand – presenting the folk world represented and – on the other – presenting a message about the meaning of human existence.


Author(s):  
Navid Asadizanjani ◽  
Sachin Gattigowda ◽  
Mark Tehranipoor ◽  
Domenic Forte ◽  
Nathan Dunn

Abstract Counterfeiting is an increasing concern for businesses and governments as greater numbers of counterfeit integrated circuits (IC) infiltrate the global market. There is an ongoing effort in experimental and national labs inside the United States to detect and prevent such counterfeits in the most efficient time period. However, there is still a missing piece to automatically detect and properly keep record of detected counterfeit ICs. Here, we introduce a web application database that allows users to share previous examples of counterfeits through an online database and to obtain statistics regarding the prevalence of known defects. We also investigate automated techniques based on image processing and machine learning to detect different physical defects and to determine whether or not an IC is counterfeit.


Screen Bodies ◽  
2020 ◽  
Vol 5 (2) ◽  
pp. 22-37
Author(s):  
David Yagüe González

The behaviors and actions that an individual carries out in their daily life and how they are translated by their society overdetermine the gender one might have—or not—according to social norms. However, do the postulates enounced by feminist and queer Western thinkers still maintain their validity when the context changes? Can the performances of gender carry out their validity when the landscape is other than the one in Europe or the United States? And how can the context of drag complicate these matters? These are the questions that this article will try to answer by analyzing the 2015 movie Viva by Irish director Paddy Breathnach.


2000 ◽  
Vol 17 (2) ◽  
pp. 1-28
Author(s):  
Sherman A. Jackson

Native born African-American Muslims and the Immigrant Muslimcommunity foxms two important groups within the American Muslimcommunity. Whereas the sociopolitical reality is objectively the samefor both groups, their subjective responses are quite different. Both arevulnerable to a “double Consciousness,” i.e., an independently subjectiveconsciousness, as well as seeing oneself through the eyes of theother, thus reducing one’s self-image to an object of other’s contempt.Between the confines of culture, politics, and law on the one hand andthe “Islam as a way of life” on the other, Muslims must express theircultural genius and consciously discover linkages within the diverseMuslim community to avoid the threat of double consciousness.


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