scholarly journals SPECIFIC OF THE DEFINITIONS OF PROTECTED VALUE FOR CULTURAL HERITAGE MONUMENTS ON THE TYPE OF «DWELLING BUILDING»

Author(s):  
A. Mihaylov

The concept of “protected value” introduced in Russian legislation is fundamental for preservation works and adaptation for modern usage of cultural heritage monuments. The relevance of the topic is explained with the fact that in order to preserve the cultural heritage monuments, it is necessary to understand all aspects of the protected value of the site because it includes its all specific characteristics. The purpose is to identify the characteristics of cultural heritage sites and to offer additional elements of protection that necessary for their preservation. The analytical method analyzes and systematizes the "protected value" of cultural heritage monuments. The paper discusses the issues associated with the determination of the subject of protection in accordance with the current legislation on the preservation of cultural heritage sites for the type of "dwelling buildings". Dwelling buildings are typical for urban (including suburban) centers. The author analyzes publications on this subject and proposes an integrated systematization of protected value, focusing on the least developed and most problematic aspects, also urban and intangible characteristics. Taking into account the specific characteristics of the dwelling building including location in the urban landscape, compositional component, visual directions and intangible characteristics of sites special preservation restrictions are proposed.

2014 ◽  
Vol 73 (4) ◽  
pp. 528-555 ◽  
Author(s):  
Heghnar Zeitlian Watenpaugh

Despite its architectural fame, the medieval city of Ani in eastern Turkey, once an Armenian capital on the Silk Road, was endangered until recently. Preserving the Medieval City of Ani: Cultural Heritage between Contest and Reconciliation traces the evolution of Ani since the late nineteenth century as an object of preservation and the subject of debate about heritage. As a primarily non-Muslim site in a modern, majority-Muslim country, Ani poses dilemmas shared by other cultural heritage sites in postconflict societies: it presents economic opportunity through tourism, but its history prompts questions about a painful recent past the state refuses to acknowledge. Analyzing the recent developments in cultural heritage management in Turkey involving international heritage organizations, especially for Christian and Armenian monuments, and highlighting the civil society debate about rediscovering long-suppressed episodes of Turkish history, Heghnar Zeitlian Watenpaugh argues that despite daunting difficulties beleaguering acknowledgment of the past, cultural heritage can provide a medium for reconciliation rather than contestation.


Author(s):  
E. Kozyreva

The article deals with the phenomenon of neighboring estates of the highest nobility, as part of the historical city-forming aspect in the formation of St. Petersburg and its surroundings. The adaptation of cultural heritage sites for modern usage is relevant and necessary measure. Analytical method of studying allows to reveal specific characteristics of such type of sites as “neighboring estates of the highest nobility”. The main stages of construction and development of the territory of the Kushelev-Bezborodko mansion are considered as the example of the highest nobility estate. Talented outstanding architects created this object, and in the 19th century, works began on the development of its territory for a developing city. The object is assigned to the category of lost neighboring estates of the highest nobility, since the object has not been preserved in its original form. The stages of development of the territory are analyzed and a historical and cultural key plan is made. The condition of preservation of the historical environment is studied and the specific characteristics of the site and the environment are analyzed. Ways to preserve the object and the environment are proposed. It is established that in order to preserve the heritage site, it is necessary to establish requirements for the building and development of the surrounding area


2019 ◽  
pp. 7-17 ◽  
Author(s):  
Natalya Pavlovna Dubrovina

The object of this research is the Palaces of Culture in Leningrad built in the 1920’s – 1930’s. Among all object the author highlights the separate newly built extant Palaces of Culture in the style of constructivism, which are the monuments of cultural heritage. The subject of this research is the questions of state protection of the indicated objects and their maintenance. The article examines the existing conservation zones and territories of the cultural heritage sites; current state of the Palaces of Culture; problems of maintenance; and questions of modern functional profile of the buildings. The author studied the literary sources, analyzed iconographic materials and existing regulatory documents in the area of preservation of architectural heritage, conducted visual observation. The goal of this research lies in determining the current state of the Palaces of Culture in Leningrad of the early XX century alongside the key issues pertinent to state protection of the objects. The results may be valuable for comprising preservation orders for architectural heritage of the XX century, as well as development of restoration and reconstruction projects of the monuments of constructivism. The author concludes on the flawed system of state preservation of the cultural heritage of the XX century, and makes recommendation with regards to its solution.


2021 ◽  
Author(s):  
Laura Damas Mollá ◽  
Arantza Aranburu ◽  
Uriarte Jesus Ángel ◽  
Ane Zabaleta ◽  
Tomás Morales ◽  
...  

<p>Construction and ornamental stones are important elements of cultural heritage and identity and shape the urban landscape of the territories (Pereira & Cárdenes Van den Eynde, 2019). These stones and their <strong>quarries</strong> are a part of <strong>geoheritage</strong> that is gaining interest in the tourism industry (Mateos <em>et al.</em>, 2011). <strong>Red Ereño</strong> is an urgonian limestone (Lower Cretaceous) with abundant rudist fossil shells, which white colours highlight on an intense red micritic matrix. This stone is exploited since Roman times in the north of the Iberian Peninsula (Basque Country, Spain). This lithology is found in many buildings, both heritage and common. Its uniqueness has contributed to its expansion worldwide and, it can be found in such emblematic places as the Colon Theatre in Buenos Aires (Argentina) or St Peter´s basilica in the Vatican (Italy) (Damas Mollá <em>et al</em>., 2021).</p><p>The main quarry related to Red Ereño is called <strong><em>Cantera Gorria </em></strong>(meaning Red Quarry) and is located inside the Urdaibai Biosphere Reserve (x: 529,659.29 m; y: 4,800,839.60 m; z: 15 m). It is included in the Geosites Inventory of the Basque Country (LIG nº 15), and is part of the historical heritage of the Biscay province. The last concessionaire of the quarry was <em>Marmolería Bilbaína </em>and it ceased its activity in 1968. At present the quarry is abandoned.  Nevertheless, on its exploitation fronts outstanding <strong>geologic features</strong> are recognised: <strong>stratigraphic</strong> (bioconstructions, facies changes), <strong>petrologic</strong> (diagenesis, mineralisations), <strong>tectonic</strong> (succession verticality, faults) or <strong>geomorphologic</strong> (karst). All of them make <em>Cantera Gorria</em> a point of reference for both <strong>research</strong> and <strong>teaching</strong> activities. Additionally, it is important to underline the richness related to the <strong>mining heritage</strong> itself. Numerous buildings from the mining activity are still preserved. Also noteworthy are the signs engraved on the rock showing the progress of exploitation in various stages, from manual to the use of helical steel wire.</p><p>In the case of Red Ereño and <em>Cantera Gorria </em>the <strong>symbiosis</strong> between <strong>geoheritage </strong>and <strong>cultural heritage</strong> is significant. This symbiosis, together with all the above mentioned characteristics of the quarry makes <em>Cantera Gorria</em> an interesting space for <strong>dissemination</strong> of geoheritage as well as for <strong>tourism</strong> (Damas Mollá, 2011).</p><p><strong>References</strong></p><ul><li>Damas Mollá, L. (2011): Las Calizas rojas de Ereño: facies, paleoambiente, mineralización y diagénesis. Patrimonio geológico-histórico de Bizkaia. PhD Thesis, University of the Basque Country.</li> <li>Damas Mollá L., Uriarte J.A., Zabaleta A., Aranburu A., García Garmilla F., Sagarna M, Bodego A., Clemente J.A., Morales T. & Antigüedad I. (2021). Red Ereño: an ornamental and construction limestone of international significance from Basque Country (northern Spain). Geoheritage 13:2. https://doi.org/10.1007/s12371-020-00529-5</li> <li>Mateos R.M, Durán, J.R & Robledo P.A. (2011). Marès Quarries on the Majorcan Coast (Spain) as Geological Heritage Sites. Geoheritage 3: 41-54. http://doi.org/10.1007/sl12371-010-0026-5</li> <li>Pereira D. & Cárdenes Van den Eynde V. (2019). Heritage Stones and Geoheritage. Geoheritage 11: 1-2. http://doi.org/10.1007/s12371-019-00350-9</li> </ul>


Author(s):  
Ilia Aleksandrovich Travin

The subject of this research is the cultural succession of decorative elements of the ethnic ornament of Sami people. In light of the migration past, the question is raised on the possibility of simultaneous assimilation and introduction into their culture of ornaments and words by the Ancient Sami population. Special attention is given to the examples of explicit concurrence of the elements. The author sets a scientific task to find the evidence of residence of the Ancient Sami people in the territory of northwest of Kostroma Region in Russia from the perspective of cultural succession. The main research method consists in the synthesis of various sciences. Archaeological research alongside the data from historical records and toponymic studies allow comparing the data in the field culture and applied art. Leaning on the analysis of literature and images, the author structures the chain of logical reasoning . The acquired data give understanding of the visual expression of the regional cultural heritage and possible assimilation of the elements of decor by the people who abandoned the territory centuries ago. The result of this research consists in providing the evidence of cultural succession, determination of timeframe and geographical area with regards to assimilation of the elements applied art of other ethnoses by the Ancient Sami population. The novelty of this work lies in comparison of decorative patterns of different generations and ethnoses, and the fact of formation of the general basic culture of Sami people. The conclusion consists in detecting the presence of decorative elements of the Mari ornament in the Sami ornament based on the analysis of various sciences. This proves the succession of cultural heritage of this region throughout multiple generations.


Author(s):  
Dmitrii A. Gogolev ◽  
Elena O. Makarova

The historical part of Tyumen is a sociocultural space that attracts residents and tourists with the presence of architectural monuments. Among them, the objects of cultural heritage of federal significance are of particular importance for the history and culture of Russia. Informational inscriptions and signs serve as a source of information about historical buildings included into the Unified State Register of Cultural Heritage Sites (historical and cultural monuments) of the peoples of the Russian Federation. This topic has not been sufficiently studied in the academic literature. The inscriptions are rarely the subject of research, and they receive little attention in regional publications on memorial data. Filling this void is the purpose of this article. The research methodology includes the general principles of objectivity and historicism. Using analysis, descriptive and comparative-historical methods, the authors evaluate the content of the inscriptions on the subject of their compliance to the historical truth. This article identifies quantitative and qualitative indicators related to inscriptions on objects of cultural heritage of federal significance in Tyumen. The quantitative characteristics include the presence, absence, inaccessibility of plates at objects, while the qualitative indicators — certain clusters of information about them. The authors propose to distinguish two groups of inscriptions depending on the date of their installation. The first group includes those that, for various indicators, do not meet the contemporary requirements. Most likely, they were placed at the facilities before the introduction of the current standards. The second group includes those established in accordance with applicable law. In the conclusion, the authors suggest correcting the texts of the inscriptions in the future, based on the contemporary legislative framework.


2020 ◽  
Vol 12 (1) ◽  
pp. 81-89 ◽  
Author(s):  
Elena N. Antipkina ◽  
Olga N. Prokaeva

Introduction. Ritual, ceremonial and festive events of the Mordovians represent a sphere of concentration and representation of spiritual-moral and value-oriented views of the people. They contain the origins of theatre and scenography as types of art. However, they cannot be considered as independent types of art in its modern meaning, as they used to exist in forms of theatricalization (pretheater) and pre-scenography. The subject of the article is the specifics of the functioning of pre-scenography in ceremonial, ritual and festive events of the Mordovians, as well as the disclosure of its main types: character type, determination of the place of action and game type. Materials and Methods. The theoretical materials are based on the research in the field of theatre and scenography. The reliability and academic validity of the research are ensured by the sociocultural approach, as well as by research methods, namely system-typological method, analytical method and interpretation method. Results and Discussion. Having studied the functioning of pre-scenography in ritual, three types of ceremonial and festive events of the Mordovians are revealed. The character type included a variety of components: metaphorical image, nature phenomena and objects, anthropomorphic and zoomorphic images, as well as objects of material culture. The next type determined the place of action which included everyday human environment, as well as production and household spaces. The game type implied conversion of performers of rituals and ceremonies into zoomorphic images, into various human (sometimes imaginary) characters through costumes, makeup and masks. Conclusion. Based on the analysis of the ritual, ceremonial and festive events of the Mordovians, a typology of pre-scenography is given, the special features of its functioning are determined.


Author(s):  
P. Rodríguez-Gonzálvez ◽  
A. L. Muñoz-Nieto ◽  
S. del Pozo ◽  
L. J. Sanchez-Aparicio ◽  
D. Gonzalez-Aguilera ◽  
...  

Temporal analyses and multi-temporal 3D reconstruction are fundamental for the preservation and maintenance of all forms of Cultural Heritage (CH) and are the basis for decisions related to interventions and promotion. Introducing the fourth dimension of time into three-dimensional geometric modelling of real data allows the creation of a multi-temporal representation of a site. In this way, scholars from various disciplines (surveyors, geologists, archaeologists, architects, philologists, etc.) are provided with a new set of tools and working methods to support the study of the evolution of heritage sites, both to develop hypotheses about the past and to model likely future developments. The capacity to “see” the dynamic evolution of CH assets across different spatial scales (e.g. building, site, city or territory) compressed in diachronic model, affords the possibility to better understand the present status of CH according to its history. However, there are numerous challenges in order to carry out 4D modelling and the requisite multi-data source integration. It is necessary to identify the specifications, needs and requirements of the CH community to understand the required levels of 4D model information. In this way, it is possible to determine the optimum material and technologies to be utilised at different CH scales, as well as the data management and visualization requirements. This manuscript aims to provide a comprehensive approach for CH time-varying representations, analysis and visualization across different working scales and environments: rural landscape, urban landscape and architectural scales. Within this aim, the different available metric data sources are systemized and evaluated in terms of their suitability.


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