scholarly journals MALAYSIAN-OMANI HISTORICAL AND CULTURAL RELATIONSHIP: IN CONTEXT OF HALWA MASKAT AND BAJU MASKAT

2021 ◽  
Vol 4 (12) ◽  
pp. 17-27
Author(s):  
Rahmah Ahmad H. Osman ◽  
Md. Salleh Yaapar ◽  
Elmira Akhmatove ◽  
Fauziah Fathil ◽  
Mohamad Firdaus Mansor Majdin ◽  
...  
Keyword(s):  
Cultural Heritage ◽  
19Th Century ◽  
Arabian Gulf ◽  
Cultural Hegemony ◽  
Future Planning ◽  
Self Reflection ◽  
Islamic Period ◽  
Political Boundary ◽  
Historical References

The current re-emergence of global maritime activity has sparked initiative from various nations in re-examining their socio-political and cultural position of the region. Often this self-reflection would involve the digging of the deeper origin and preceding past of a nation from historical references and various cultural heritage materials. From this, realisation of the pattern in maintaining an empire or enterprise from the immediate ancestral society could be turned into a model or benchmark in developing the present and future planning of the nation. In the context of Islamic civilisation development along the Indo-Pacific seaboard the Omani and Malay nations are the two integral entities that had assumed their central role as seafarers, traders, rulers, and travellers in maintaining the dynamics of the region and this happened as early as the Islamic period of the 9th and 10th century CE up till 16th and 19th century when series of European colonial infiltration disrupted greatly the balance of this classical network. The Kitab at-Tarikh Silsilah Negeri Kedah, for instance, presented a vivid story of an Omani captain and his ship in the early 1700s who had met Kedahan people. The cultural heritage of the Arabian Gulf brought mainly by the Omanis could even be found there such as a fabric product known as Baju Maskat and a kind of delicacy known as Halwa Maskat which signal that the cultural hegemony of the Omanis indeed exceeded their immediate political boundary.

Fragmentation as a Challenge: Tribal and Sectrarian Identities in the Middle East

2020 ◽  
Vol 11 (1) ◽  
pp. 85-85
Author(s):  
Kleanthis Kyriakidis
Keyword(s):  
Middle East ◽  
Cultural Heritage ◽  
Significant Role ◽  
Arabian Gulf ◽  
The State ◽  
Islamic Revolution ◽  
Direct Response ◽  
Tribal Identity ◽  
Gulf States ◽  
The Ideal

In the Arabian Gulf two identities can be really considered almost as important as the national one: the tribal and the sectarian ones. Someone should expect that the reinforcement of these identities is a direct response to inequality and processes of exclusion. Furthermore, parochial tribalism is expected to arise as the protector of cultural heritage, especially in a region where the ex-pats vastly outnumber the locals. Nonetheless, both statements are far from truth. In this paper we will analyze how in the Gulf, sectarian identity came to play a significant role only after the 1979 Islamic revolution in Iran and it keeps on surviving through mainly instigations and Iranian propaganda, provocations and support. It should be noted that Sunni identity has been allegedly subjugated in other Middle East States (mainly in Syria and Iraq) but in the Gulf the sectarian challenge stems from the Shia communities, openly supported by Tehran. Strangely enough, the tribal identity does not pose that much of a challenge, since tribes are more the friend than the enemy of all Gulf States. Actually, these countries could not have survived without the loyalty and commitment of the tribes not only to the Royal families but also to the idea of the State and the ideal of the Nation – and Gulf Nations do protect their cultural heritage. Keywords: Gulf, Globalization, Fragmentation, Sectarianism, Tribalism

From Queen Anne to Queen Victoria. Readings in 18th and 19th century British literature and culture. Volume 7

2021 ◽  
Author(s):  
Grażyna Bystydzieńska ◽  
Emma Harris
Keyword(s):  
Cultural Heritage ◽  
Social History ◽  
19Th Century ◽  
British Literature ◽  
Culture Volume ◽  
Queen Victoria ◽  
19Th Century British Literature ◽  
History Of ◽  
Industrial Modernity ◽  
Literature Culture

The present, seventh, volume of the series "From Queen Anne to Queen Victoria" offers profitable re-visitations of old themes, as well as explorations of new themes and problems. The volume focuses on the literature, culture, and political and social history of Britain in a period when the structures of industrial modernity were being created, and examines Britain’s imprint on the global cultural heritage, including class, gender and race-based hierarchies that persist in varying degrees into the present.

scholarly journals A Cultural Heritage Framework for Preserving Qatari Vernacular Domestic Architecture

2020 ◽  
Vol 12 (18) ◽  
pp. 7295
Author(s):  
Asmaa AL-Mohannadi ◽  
Raffaello Furlan ◽  
Mark David Major
Keyword(s):  
Cultural Heritage ◽  
Research Study ◽  
Rapid Development ◽  
Arabian Gulf ◽  
Gender Segregation ◽  
Cultural Factors ◽  
Domestic Architecture ◽  
Spatial Form ◽  
Gulf Region ◽  
Residential Architecture

Architecture and urbanism in the Arabian Gulf region, and specifically in the State of Qatar, offer many scenes to observe the loss of urban identity and cultural heritage in the various components of the built environment, including residential architecture. Many people attribute this to rapid development in globalization and the adoption of Western standardization in planning and design practice. Conversely, in the field of architectural sociology, scholars argue that socio-cultural factors such as privacy, gender segregation, and hospitality are the important variables for determining the spatial form of Islamic residential architecture. This research study aims to investigate the degree to which the shaping of the spatial form in a sample of Qatari vernacular courtyard houses embeds socio-cultural factors based on morphological analysis of human behavior and activities in domestic space. The study utilizes space syntax analysis to explore the spatial connectivity of four Qatari vernacular courtyard houses related to domestic functions as a realization of inhabitants’ system of activities and a manifestation of culture as a way of life. The study’s findings shed light on the spatial formation of Qatari vernacular courtyard houses as a realization of socio-cultural imperatives, thus reflecting the essence of societal formation in the domestic architecture of old Qatari settlements. The insights from this research study can help to contribute to a cultural heritage-framework for the preservation of distinctive Qatari Vernacular Residential Architecture based on the analytical criteria of housing spatial form, socio-cultural factors, and the interrelation between both.

scholarly journals Dissemination Strategies for Cultural Heritage: The Case of the Tomb of Zechariah in Jerusalem, Israel

Heritage ◽  
2019 ◽  
Vol 2 (1) ◽  
pp. 306-314
Author(s):  
Monica Bercigli
Keyword(s):  
Cultural Heritage ◽  
Scientific Information ◽  
Three Dimensional ◽  
3D Models ◽  
Digital Products ◽  
Survey Techniques ◽  
Survey Technique ◽  
Three Dimensional Models ◽  
Visualization Techniques ◽  
Historical References

This paper reports the research carried out using Structure from Motion survey techniques, which were developed on the basis of previous surveys and their subsequent representation through two-dimensional (2D) and three-dimensional (3D) drawings of the tomb, comparing them with drawings and watercolors by several painters of the past. This survey technique enables the reconstruction of three-dimensional models through photographs. The aim of this work is to define a procedural process which allows accurate and reliable three-dimensional reconstructions to be performed for the acquisition of knowledge and the dissemination of cultural heritage, taking advantage of representation and visualization techniques that have been developed in the last decade and that are based on historical references. The variety of digital products which can be produced (video games, 3D models, prints, websites, and augmented reality applications) allows a different approach to the representation to be taken, thereby re-evaluating limits, aims, and expressive potential. The virtual representative systems, enriched with cultural content, scientific information, and data, enhance the participation and awareness of knowledge of the final users of the products and are able to increase the interaction between the user and the information.

scholarly journals Comprehensive approach to the restoration of historical and cultural monuments (example of the mansion of A. A. Polovtsov)

2020 ◽  
Vol 164 ◽  
pp. 05015
Author(s):  
Petr Shchedrin
Keyword(s):  
Cultural Heritage ◽  
19Th Century ◽  
Early 19Th Century ◽  
Historic Masonry ◽  
Reinforced Masonry ◽  
History Of ◽  
Restoration Work ◽  
Cultural Heritage Objects ◽  
The 19Th Century ◽  
The Mansion

The article deals with the problems of restoration design and study of cultural heritage objects that have a long history of existence and operation since the first half of the 19th century. The main aspects faced by researchers of monuments in our time are listed. The list of problems that designers face when studying such objects in St. Petersburg is given. A small dive into the technology of historical development for 250-300 years in St. Petersburg is made. The features of historic masonry and reinforced masonry structures are discussed. In particular, the problems of the state of brickwork walls of cultural heritage monuments of the early 19th century are listed. As a result, it can be stated that the technical and technological difficulties of restoration and the most problematic objects in the design were left to the current generation. We can also say that the current community of restoration designers, to a greater extent, does not take into account many factors that affect the integrity and load-bearing capacity of masonry historical walls. Using the example of a cultural heritage object - the building of the mansion of A. A. Polovtsov, the stages of design of restoration work and analysis of the result obtained and forced corrections after detailed restoration implementation in the structure during its restoration and conservation are given.

Ifriqiya and the Central Maghreb

2020 ◽  
pp. 242-266
Author(s):  
Corisande Fenwick
Keyword(s):  
20Th Century ◽  
19Th Century ◽  
North Africa ◽  
Significant Rise ◽  
Small Scale ◽  
Late 19Th Century ◽  
Islamic World ◽  
Islamic Period ◽  
Art Historians ◽  
Islamic Archaeology

North Africa played a pivotal part in the development of Islamic archaeology as a discipline through the important French excavations at the Qal’a of the Beni Hammad in Algeria in the late 19th century, one of the earliest excavations at an Islamic site by European archaeologists anywhere in the Islamic world. Despite this early promise, for most of the 20th century, the Islamic period was the preserve of art historians, with only a handful of small-scale excavations conducted at the spectacular palatial-cities, mosques, ribats, and fortresses of Algeria, Tunisia, and Libya. Since the 1990s, there has been a significant rise in the number of projects and amount of evidence available, as well as a new interest in revisiting old questions and models for the Islamic period. This chapter charts the development of Islamic archaeology and lays out the key scholarly debates in Ifriqiya and the central Maghreb, broadly understood as encompassing modern-day Tunisia, Algeria, and western coastal Libya.

Conocimiento, Lenguaje Y Gramatica En La Obra De Andrés Bello (1781–1865)

1984 ◽  
Vol 11 (1-2) ◽  
pp. 263-286
Author(s):  
Hernán Urrutia
Keyword(s):  
Cultural Heritage ◽  
19Th Century ◽  
Social Progress ◽  
Common Language ◽  
Spanish American ◽  
Scientific Objectivity ◽  
The World ◽  
The Common ◽  
The 19Th Century ◽  
Andres Bello

Summary Andrés Bello (1781–1865) is the most important Spanish grammarian of the 19th century. In his work, he attempts to apply a scientific objectivity, free from any dogmatism, to the study of language and social reality with a view to improving man and his community: Social progress, and not simply individual progress, is one of the driving ideas of his work. In linguistics, the source of his inspiration was general grammar, both synchronic and pedagogical. His work reaches its crowning in his Grammar of the Castillian Language for the use of Spanish-Americans of 1847. In his conception, it is the goal of norms and of the respect of usage that they determine to continually remind the community of speakers of a particular behaviour in order to avoid the bad consequences of a cultural and linguistic disruption. It is in the light of earlier considerations that Andrés Bello brings to bear all his concern for the preservation of the Spanish cultural heritage, in particular the common language as an instrument of communication and integration, and as the repository capitalizing on the cultural language. In this way, he appears to us, apart from his eminent position of renewer of the study of Spanish grammar, as the initiator of the immense task which consists of the development of a socio-cultural and linguistic variant within the Spanish unity. He thus contributed, in a decisive manner, to the formation of an Spanish-American man who is conscious of his tradition and his historical place in the world.

scholarly journals UNITY IN DIVERSITY OF VIETNAMESE CULTURE FROM THE ANGLE OF DAIVIET-CHAMPA CULTURAL INTEGRATION

2010 ◽  
Vol 13 (3) ◽  
pp. 21-27
Author(s):  
Luong Thi Thu Tran
Keyword(s):  
Cultural Heritage ◽  
19Th Century ◽  
Historical Development ◽  
Cultural Integration ◽  
Unity In Diversity ◽  
The 19Th Century ◽  
Vietnamese Culture

Vietnam is one of the multi-ethnic nations with a culture deeply imbued with unity in diversity. This type of unity in diversity results from a long process of historical development, becoming a precious cultural heritage in need of careful preservation. From the viewpoints of historical and cultural sciences, the paper focuses on the analysis of the unity in diversity of Vietnamese culture from the angle of Champa cultural intergration into Dai Viet culture since the 19th Century. Since then, Champa culture becomes a member living harmoniously in the big family of Vietnamese culture.

scholarly journals Losy Sakramentarza Tynieckiego podczas II wojny światowej

2019 ◽  
Vol 25 ◽  
pp. 327-340
Author(s):  
Katarzyna Sijka
Keyword(s):  
World War Ii ◽  
Cultural Heritage ◽  
19Th Century ◽  
Capital City ◽  
Nazi Germany ◽  
World War ◽  
National Library ◽  
German Culture ◽  
Illuminated Manuscript ◽  
Military Unit

The SacramentoriumTynecensis was written in circa 1060-1070, probably in Cologne. It was located in the Benedictine Abbey in Tyniec from 11th century to 19th century. In 1814 the illuminated manuscript was bought by Stanisław Kostka Zamoyski, then in 1818 he located the codex in the Zamoyski Ordynacja Library in Warsaw. It stayed there to the end of World War II. Two formations of Nazi Germany were as follows:  a military unit led by Professor of Archaeology, Peter Paulsen and a group led by art historian Kajetan Mühlman. Both were responsible for the plundering of Poland's cultural heritage. They wanted to get the Sacramentorium Tynecensis because it was connected with German culture. The employees of the Zamoyski Ordynacja Library have tried to rescue the codex, sometimes at the risk of their own lives. In 1944 during the action of rescuing library collections from the ruins of the capital city of Poland (action called ‘Pruszkowska’), the manuscript codex was exported and hidden by Stanisław Lorentz in the Cathedral in Łowicz. Thankfully that the ST returned to Warsaw in 1947 and was deposited in the National Library of Poland.

scholarly journals ISSUES OF ADAPTATION AND PRESERVATION OF NEIGHBORING ESTATES OF THE HIGHEST NOBILITY ON THE EXAMPLE OF THE KUSHELEV-BEZBORODKO MANSION

2019 ◽  
pp. 56-64
Author(s):  
E. Kozyreva
Keyword(s):  
Cultural Heritage ◽  
19Th Century ◽  
Analytical Method ◽  
Original Form ◽  
Surrounding Area ◽  
Stages Of Development ◽  
Heritage Sites ◽  
Heritage Site ◽  
The 19Th Century

The article deals with the phenomenon of neighboring estates of the highest nobility, as part of the historical city-forming aspect in the formation of St. Petersburg and its surroundings. The adaptation of cultural heritage sites for modern usage is relevant and necessary measure. Analytical method of studying allows to reveal specific characteristics of such type of sites as “neighboring estates of the highest nobility”. The main stages of construction and development of the territory of the Kushelev-Bezborodko mansion are considered as the example of the highest nobility estate. Talented outstanding architects created this object, and in the 19th century, works began on the development of its territory for a developing city. The object is assigned to the category of lost neighboring estates of the highest nobility, since the object has not been preserved in its original form. The stages of development of the territory are analyzed and a historical and cultural key plan is made. The condition of preservation of the historical environment is studied and the specific characteristics of the site and the environment are analyzed. Ways to preserve the object and the environment are proposed. It is established that in order to preserve the heritage site, it is necessary to establish requirements for the building and development of the surrounding area

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