scholarly journals Collocation and connotation in chapter “Scylla and Charybdis” of James Joyce’s Ulysses. An analytical study of the Romanian translation

2020 ◽  
Vol 3 (1) ◽  
pp. 152-167
Author(s):  
Andra Iulia Ursa
Keyword(s):  
James Joyce ◽  
Analytical Study ◽  
Language Translation ◽  
Literary Text ◽  
Target Language ◽  
Writing Style ◽  
Source Language ◽  
Definition Of ◽  
Target Culture ◽  
Language Text

The present article was written as part of the PhD dissertation entitled “An analysis regarding the evolution of James Joyce’s writing style in ‘Dubliners’, ‘A Portrait of the Artist as a Young Man’ and ‘Ulysses’ and the strategies of translating it into Romanian”. The research starts from the hypothesis that a perfect rendition in a different language of a literary text of this type is nothing more than a utopia. However, a translator should always intend to achieve an equilibrium between the author’s intentions, the form, the content and the target culture. In “Ulysses”, James Joyce experiments with language, abandoning the definition of sense and revolutionises the art of expressing thoughts through words. The current work will concentrate on the thorough analysis of adjectival and adverbial collocations conceptualized in the ninth chapter of “Ulysses”. Our purpose is to investigate how Mircea Ivănescu’s Romanian translation deals with collocations and especially with those that typically represent Joyce’s authorial style. Mircea Ivănescu (1931-2011) is a Romanian poet and the sole translator who accomplished the difficult task of translating the entire novel, although there had been various attempts at translating only chapters of it. It is an approved work of translation, having received both praise and critical appreciation. After more than three decades from this chapter’s translation, our research aims for a further exposition of the similarities and distinctions between the source language text and the target language translation.       

scholarly journals Differences in Perception and Diction on Two Translations Lelaki Tua dan Laut from Ernest Hemingway’s The Old Man and The Sea

2017 ◽  
Vol 28 (3) ◽  
pp. 300
Author(s):  
Lina Meilinawati Rahayu
Keyword(s):  
Ernest Hemingway ◽  
Language Translation ◽  
Literary Work ◽  
Target Language ◽  
The Novel ◽  
Source Language ◽  
Target Culture ◽  
Changing Process

Translation of literary work is never simply the business of translating the work in the source language into the target language. Translation is always culture-sensitive, as it also means translating the source culture into the target culture. This study examines two translations of the novel The Old Man and The Sea (1952) by Ernest Hemingway in the Indonesian language. Both are titled Lelaki Tua dan Laut. The earlier  was published in 1973 and was translated by Sapardi Djoko Damono, while the latter was translated by Dian Vita Ellyati and was published in 2010. These two translated versions are compared with each other in order to identify differences in perception and diction. Differences in diction further influence the reader’s perception. Close examination of the two versions discovers contrasting perception and diction. The study finds that Djoko Damono’s translation builds meaning by using Indonesian equivalents to represent the concepts presented in the novel, while Ellyati’s builds meaning through description and explanation of said concepts. Djoko Damono’s translation attempts to maintain poetic expressions through the use of rhyming words; Ellyati’s translation goes for clarity of meaning. Djoko Damono’s translation uses extensive vocabulary with specific meanings, while Ellyati’s chooses to employ words with more generic meanings. These differences indicate that translation work is never final; it is an ongoing, ever changing process.

scholarly journals Strategi Menterjemah dan Upaya Pengentasan Probelamatika Penerjemahan Arab di Kalangan Mahasiswa

Diwan ◽  
2019 ◽  
Vol 11 (1) ◽  
pp. 66-75
Author(s):  
Meliza Budiarti
Keyword(s):  
Language Translation ◽  
Arabic Language ◽  
Target Language ◽  
Original Form ◽  
Language And Culture ◽  
Source Language ◽  
Translation Strategy ◽  
Language And Literature ◽  
Language Text

If someone wants to get a good quality translation, a translator cannot add or reduce the meaning contained in the source language because it is affected by the original form of the target language. Translation is a bridge between the writer of source language text and the target language reader to make the text come naturally appropriate in the target language. This is certainly different when the results of a translation are still too related to the language and culture of the source. The translation will be wrong and rigid. A translator must master the translation strategy, namely: collocation, domestication and technicality. As well as aspects that must be understood, namely: accuracy, readability and acceptability. This can also be a reference for students in finding solutions to problems in translating difficulties, especially for the Arabic Language and Literature students.

scholarly journals Inter-Language Translation from Chinese to Indonesian: Strategies and Adjustments

2021 ◽  
pp. 39-46
Author(s):  
Clara Herlina Karjo ◽  
Yi Ying ◽  
Fu Ruomei
Keyword(s):  
Language Translation ◽  
Target Language ◽  
Source Text ◽  
Source Language ◽  
Language Text

Translation usually involves two languages, the source language, and the target language. However, there is a certain situation that compels the use of an intermediary language for translating a source language (SL) text into a target language (TL) text. For example, when the source language texts (such as texts in Chinese) are not easily available in the target language country (such as Indonesia). This paper analyzed the strategies and adjustments made by the translators in doing inter-language translation or translation through an intermediary language, from Chinese to English to Indonesian. The purpose of this research is to compare two versions of translation, the first being the Indonesian translation from English as an intermediary language (IT) and the second is the Indonesian translation directly from Chinese (DT). Research revealed that IT used loss strategy while DT used gain strategy in the form of syntactic and semantic adjustments because there are many culture-specific items of the source language text that are unknown to either English or Indonesian. The findings imply that the translators should have enough skill and knowledge to enable them to accurately communicate the message of the source text to the target text audience.

THE IMPLEMENTATION OF COGNITIVE ACADEMIC LANGUAGE LEARNING STRATEGIES (CALLS) TO HELP THE STUDENTS IN RECOGNIZING THE LEXICAL CONSTRAINTS ON THE STUDENTS TRANSLATION

JURNAL ELINK ◽  
2016 ◽  
Vol 4 (2) ◽  
Author(s):  
Diah Astuty
Keyword(s):  
Language Learning ◽  
Learning Strategies ◽  
Academic Language ◽  
Target Language ◽  
Language Learning Strategies ◽  
Source Language ◽  
Lexical Constraints ◽  
Language Text

his study aims to describe the sorts of lexical constraints that appeared on the students translation when translating some source language texts into some target language texts. The competence of linguistic fields that the students have acquired is in the fact assumed to be inadequate and it can cause the lexical constraints.Keywords: CALLS, lexical constraints,source language text,target language text

scholarly journals Optimizing Tokenization Choice for Machine Translation across Multiple Target Languages

2017 ◽  
Vol 108 (1) ◽  
pp. 257-269 ◽  
Author(s):  
Nasser Zalmout ◽  
Nizar Habash
Keyword(s):  
Machine Translation ◽  
Performance Enhancement ◽  
Statistical Machine Translation ◽  
Target Language ◽  
Source Language ◽  
Context Variable ◽  
Significant Performance ◽  
Morphologically Rich Languages ◽  
Target Languages ◽  
Language Text

AbstractTokenization is very helpful for Statistical Machine Translation (SMT), especially when translating from morphologically rich languages. Typically, a single tokenization scheme is applied to the entire source-language text and regardless of the target language. In this paper, we evaluate the hypothesis that SMT performance may benefit from different tokenization schemes for different words within the same text, and also for different target languages. We apply this approach to Arabic as a source language, with five target languages of varying morphological complexity: English, French, Spanish, Russian and Chinese. Our results show that different target languages indeed require different source-language schemes; and a context-variable tokenization scheme can outperform a context-constant scheme with a statistically significant performance enhancement of about 1.4 BLEU points.

scholarly journals A Study of Neural Machine Translation from Chinese to Urdu

2020 ◽  
Vol 2 (4) ◽  
pp. 28
Author(s):  
. Zeeshan
Keyword(s):  
Machine Translation ◽  
Chinese Language ◽  
Language Translation ◽  
Target Language ◽  
Foreign Languages ◽  
Neural Machine Translation ◽  
Source Language ◽  
Great Progress ◽  
Score Method ◽  
Translation Methods

Machine Translation (MT) is used for giving a translation from a source language to a target language. Machine translation simply translates text or speech from one language to another language, but this process is not sufficient to give the perfect translation of a text due to the requirement of identification of whole expressions and their direct counterparts. Neural Machine Translation (NMT) is one of the most standard machine translation methods, which has made great progress in the recent years especially in non-universal languages. However, local language translation software for other foreign languages is limited and needs improving. In this paper, the Chinese language is translated to the Urdu language with the help of Open Neural Machine Translation (OpenNMT) in Deep Learning. Firstly, a Chineseto Urdu language sentences datasets were established and supported with Seven million sentences. After that, these datasets were trained by using the Open Neural Machine Translation (OpenNMT) method. At the final stage, the translation was compared to the desired translation with the help of the Bleu Score Method.

scholarly journals گــام¬های عـملی یک ترجــمهء حرفه¬ای Practical Steps For Literal Translation

2021 ◽  
Vol 0 (43) ◽  
pp. 358-375
Author(s):  
Mahdi Ahmed Hussen ◽  
Keyword(s):  
Target Language ◽  
Sequential Order ◽  
Source Language ◽  
Literal Translation ◽  
Foreign Text ◽  
Language Text ◽  
Contextual Meaning ◽  
Effective Translation

پژوهش حاضر که با عنوان گام­های عملی یک ترجمهء حرفه­­­­­­­­ای يك تلاش فروتنانه به دنبال بررسی وتحلیل گام­های عملی ترجمه حرفه­ای است، كه هر مترجم برای ارائه یک ترجمه خوب و درست از زبان مبدأ به زبان مقصد باید ان را دنبال کند. پژوهش از شش مطلب تشکیل یافته است, كه مجموع آن گام­های عملی یک ترجمهء حرفه­ای به شمار می روند .از میان مهمترین نتایجی که پژوهشگر به آن رسیده: ترجمه هم مانند هر فعالیت ادبی باید طبق مرحله­هایی یا با گام­های مرتب ویکی پس از دیگری انجام شود وگرنه کار کم اهمیت خواهد بود, و گام­های عملی ترجمه حرفه­ای عبارتنداز: انتخاب کتاب،گرفتن اجازه از صاحب اثر،شروع به ترجمهء متن اثر،ترجمهء عنوان کتاب ، ویرایش وانتخاب ناشر. Abstract The present paper, practical methods of professional translation, discusses the most important methods to achieve an accurate effective translation from the source language text to the equivalent target language text. The present study suggests that practical translation like any literary activity is of six main stages that follow sequential order to achieve an accurate translation: (choosing the foreign text to be translated, the author of the text permission, the text translation, considering the title contextual meaning, reviewing the text translation, and finally finding a good publisher).

scholarly journals What, where, when, what for and how? (Reflections on Pragmatic Adaptation)

2021 ◽  
pp. 266-279
Author(s):  
Olga V. Petrova
Keyword(s):  
Relevant Information ◽  
Cross Cultural ◽  
Cultural Communication ◽  
Source Language ◽  
Cross Cultural Communication ◽  
Different Types ◽  
Definition Of ◽  
Types Of Information ◽  
The Impact ◽  
Language Text

The article discusses the problem of choosing ways and means of pragmatic adaptation in translating a text. The relevance of the topic is due to the necessity to facilitate cross-cultural communication in view of the increased intensity and diversity of forms of international contacts. The definition of pragmatic adaptation as the actions of a translator aimed at adapting the source language text to its perception by a recipient belonging to a different culture, does not answer the questions of when and how a translator can and should change the text in order to preserve the pragmatic potential of the original. The aim of the article is to analyze the problems arising in translating texts requiring pragmatic adaptation and evaluate the impact of different types of pragmatic adaptation on reproducing the pragmatic potential of the original and achieving the possible purposes of translation. In order to do it an experiment was carried out: a text was translated in four different ways with different means used for its pragmatic adaptation, and the translations were compared. The results of the experiment show that the choice of pragmatic adaptation methods and techniques is determined not by the type of text or the type of adaptation, as is usually believed, but by the specific purpose for which the text is translated. Thus, when translating a literary text, which always contains factual, conceptual, emotional, aesthetic, and cultural information, the choice between the naturalness of the text, the preservation of the author’s style, the completeness of the content and the communication of culturally relevant information means, in fact, setting different accents. The means of pragmatic adaptation used by the translator depend entirely on the prioritization of these types of information, in other words, on the purpose of translation.

scholarly journals Translating culture: Matthee’s Kringe in ’n bos as a case in point

Literator ◽  
2007 ◽  
Vol 28 (3) ◽  
pp. 1-26
Author(s):  
W. Cloete ◽  
M. Wenzel
Keyword(s):  
Cultural Identity ◽  
South African ◽  
Historical Context ◽  
Target Language ◽  
Source Text ◽  
Global Context ◽  
African Context ◽  
Definition Of ◽  
Language Text ◽  
Representation Of Time

The translation of “cultural identity” in a novel such as “Kringe in ’n bos” contributes towards the definition of a uniquely South African representation of time and space in the global context. When translation is studied as a product of its socio-historical context, the translator is faced with problems of translating ideology and cultural identity in literature. Realia constitute a particular challenge to the translator because, according to the definition, precise equivalents of these words do not exist in other languages, which could cause shifts in the target language text. This article considers the concept of translatability and concludes that, despite the problems encountered, an adequate and satisfactory German translation from the Afrikaans original should be possible. The question of translatability assumes an interesting dimension as the Afrikaans novel was translated into English by the author herself. The privileged position of author-translator granted Matthee a near-perfect understanding of the different layers of meaning and intention of the source text and eliminated the gap between the author and translator. However, one gains the impression that the German translator (Stege) resorted to transference as a strategy to avoid translation and it emerges that most instances of definite mistranslations are, indeed, attributable to Stege’s unfamiliarity with the South African context.

scholarly journals Preserving Style in Translating Metaphors of a Literary Text from English into Arabic

2020 ◽  
Vol 9 (4) ◽  
pp. 1559-1574
Author(s):  
Ibrahem Mohamad Khalefe Bani Abdo ◽  
Keyword(s):  
Literary Text ◽  
Target Language ◽  
The Novel ◽  
Text Types ◽  
Animal Farm ◽  
Target Culture ◽  
Communicative Translation

This paper investigates the stylistics issues in translating metaphors of George Orwell's Animal Farm from English into two different Arabic translations and whether the metaphors’ style is maintained or not in the target texts. The research presents concepts related to metaphor translation such as text types and semantic/ communicative translation. This study is based on Newmark’s (1988) classifications of metaphors. The data are selected randomly from the novel, then the target texts equivalents are provided to investigate the maintaining of metaphors’ style in TT (1) and TT (2) as compared to the ST. The study concludes that the translators try their best to reproduce the same image in the TT (target text) as closely as possible. Although, it is important for a metaphor to be retained in the translation, however, the study reveals that some metaphors has been translated word-by-word in both target texts (TT1 and TT2). TT (2) follows the target readers’ culture (Arabic culture) in translating some of these metaphors to some-extent more than the TT (1). Metaphors are translated in both denotative and connotative associations. TT2 has deleted some metaphors from the translation (TT2) which may cause some loss in meaning. TT1 is to some-extent successfully conveyed all metaphors which may express the translator’s fluency as a well-known author. Omissions reveal that TT2 is conventional to the target culture. Finally, the study concludes that TT1 is more restricted to the ST style; whereas, TT2 is restricted more to the target language (Arabic).

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