scholarly journals «THE LANGUAGE OF CLOTHES» IN THE ARTISTIC WORLD OF SEMUEL RICHARDSON’S NOVEL «PAMELA»

Author(s):  
Nataliia Kaliberda

The article contains the review of researchers’ opinions about the poetological function of a suit detail in Semuel Richardson’s «Pamela». The theme of clothes in the text attracts the researchers of academic tradition, which estimate a suit detail as a resource of deepening of characters, complication of a plot line of the novel. Feminist literary criticism turns to the wide sociocultural understanding of the problem. Leaning on the category of gender, femininity, masculinity, attracts attention of readers and critics to the new substantive aspects: complications of existence of a woman in the masculine world, where power belongs to the men, as well as the description of a model of conduct in a family, the meaning of Christian values that form the ideal of “the Angel in the House”. Its origin is connected with the emergence of “domesticity” concept in the English culture of the XVIII – XIXth centuries.

LITERA ◽  
2020 ◽  
Vol 19 (3) ◽  
pp. 414-436
Author(s):  
Robiatul Adawiyah ◽  
Muakibatul Hasanah

Seiring berkembangnya zaman, tradisi yang mengengkang kebebasan kaum perempuan mulai diperjuangkan untuk dihapuskan melalui gerakan feminisme. Penyuaraan hak-hak perempuan tidak hanya dilakukan melalui gerakan-gerakan secara nyata, namun juga dilakukan secara halus dengan memasukkan ideologi-ideologi feminsime melalui karya sastra. Penelitian ini bertujuan mendeskripsikan bentuk ketidakadilan gender dan bentuk perlawanan perempuan terhadap stigma inferioritas yang selama ini melekat pada diri perempuan. Penelitian ini menggunakan pendekatan kritik sastra feminis. Sumber data penelitian adalah novel Midah (Si Manis Bergigi Emas) karya Pramoedya Ananta Toer dan novel Di Balik Kerling Saatirah karya Ninik M. Kuntarto. Teknik yang digunakan untuk mengumpulkan data-data bentuk feminisme yang ada di dalam kedua novel tersebut adalah dengan membaca kritis dan membaca berkesinambungan. Analisis dilakukan dengan cara (1) kodifikasi data, (2) pengelompokan data, (3) interpretasi makna teks, (4) deskripsi bentuk ketidakadilan gender dan bentuk perlawanan gender, serta (5) penyimpulan hasil analsisis. Hasil penelitian sebagai berikut. Pertama, ketidakadilan gender dialami oleh dua sosok perempuan dalam dua novel berbeda, yaitu Midah dan Saatirah. Midah mendapatkan perlakuan tidak adil dari perjodohan yang dilakukan oleh orangtuanya dan dia juga mendapatkan ketidakadilan dari sosok pria yang menjadikannya budak pemuas nafsu. Saatirah mendapatkan perlakuan tidak adil dalam hubungan rumah tangganya. Kedua, bentuk perlawanan yang dilakukan oleh Midah dan Saatirah adalah dengan berusaha bangkit dari keterpurukan untuk membuktikan eksistensinya dan berusaha memperoleh kebahagian dengan cara yang mereka kehendaki tanpa ada campur tangan dari orang lain. Kata Kunci: stigma, inferioritas, marginal, feminismAGAINST THE STIGMA OF WOMEN’S INFERIORITY IN MIDAH (SI MANIS BERGIGI EMAS) A NOVEL BY PRAMOEDYA ANANTA TOER  AND DI BALIK KERLING SAATIRAH A NOVEL BY NINIK M. KUNTARTO AbstractAlong with the development of the times, struggles for traditions that curb the freedom of women began to be eliminated through the feminism movement. Voicing women's rights is not only done through real movements, but also subtly by incorporating feminine ideologies through literary works. This study aims to describe the form of gender injustice and the form of women's resistance to the inferiority stigma that has been attached to women. This study uses a feminist literary criticism approach. Sources of research data are the novel Midah (Si Manis Bergigi Emas) by Pramoedya Ananta Toer and the novel Di Balik Kerling Saatirah by Ninik M. Kuntarto. The technique used to collect data on the forms of feminism in both novels is critical reading and continuous reading. The analysis was carried out by (1) data codification, (2) data grouping, (3) interpretation of the meaning of the text, (4) descriptions of forms of gender injustice and forms of gender resistance, and (5) concluding the results of the analysis. The research results are as follows. First, gender injustice is experienced by two female figures in two different novels, namely Midah and Saatirah. Midah received unfair treatment from an arranged marriage by her parents and he also received injustice from a male figure who made her a slave to the satisfaction of lust. Saatirah received unfair treatment in her household relationship. Second, the form of resistance carried out by Midah and Saatirah is to try to rise from adversity to prove their existence and try to get happiness in the way they want without interference from others. Keywords: stigma, inferiority, marginal, feminine


2021 ◽  
Vol 10 (1) ◽  
pp. 1
Author(s):  
Tania Intan

Kelajangan dianggap sebagai hal yang tidak wajar pada perempuan dewasa. Penelitian dilakukan dengan tujuan mengungkap bagaimana perempuan lajang dan perjodohan ditampilkan di dalam novel “Jodoh Terakhir” (2016) karya Netty Vigiantini. Metode yang digunakan adalah deskriptif kualitatif dengan pendekatan sosiologi sastra dan kritik sastra feminis. Data berupa kata, frasa, dan kalimat dikumpulkan dengan teknik simak catat setelah melalui pemhacaan tertutup. Hasil penelitian menunjukkan bahwa perempuan lajang dianggap tidak wajar dan melanggar aturan, sehingga untuk mengembalikannya pada jalur normatif, perjodohan dijadikan solusi. Dalam novel, terungkap adanya resistensi dan negosiasi dari tokoh perempuan dalam menyikapi pernikahan yang dipaksakan kepadanya. Kecurigaan bahwa teks akan cenderung bersifat feminis tidak terbukti, karena wacana yang justru dikembangkan pengarang adalah kepatuhan anak perempuan pada konstruksi sosial yang ditanamkan melalui struktur keluarga.Katakunci: feminis, konstruksi sosial, lajang, perjodohan Abstract:Singleness is considered an unnatural thing for adult women. This research was conducted to reveal how single women and matchmaking are featured in Netty Vigiantini's novel Jodoh Terakhir (2016). The method used is descriptive qualitative with sociological literary approaches and feminist literary criticism. Data in the form of words, phrases, and sentences were collected using the note-taking technique after going through closed reading. The data are then classified, interpreted, and analyzed with relevant theories. The results of this study indicate that single women are considered unnatural and violate the rules, so to return them to the normative path, matchmaking is used as a solution. In the novel, it is revealed that there are resistance and negotiation from female characters in responding to the marriage that was forced on her. The suspicion that the text will tend to be feminist is not proven, because the discourse developed by the author is the obedience of girls to social constructs that are instilled through the family structure.Keywords: feminist, social construction, single, matchmaking


2018 ◽  
Author(s):  
AWEJ for Translation & Literary Studies ◽  
Najla R. Aldeeb

When Showalter (1981) coined the term gynocriticism to undermine feminist methodicide, feminist literary criticism established a clear methodological structure for application (as cited in Barry, 2009, pp. 17-20). However, as a result of technology, globalization and political changes, women suffer not only because of their gender but also because of their class, race or religion, which Crenchaw (1989) summarizes in the term “intersectionality” (p. 538). Shedding light on women’s multiple identities can help contemporary societies spot the discrimination that contemporary women suffer from; consequently, these societies can find solutions to eliminate the sources of women’s double marginalization. Race, class, ethnicity, religion and sexual orientation are intersecting loci of discriminations or privileges (McCall, 2005, p. 1771). Although this is a western paradigm, it can be applied to Saudi Arabian literature. The elements of gynocriticism and intersectionality are evident in the works of Raja Alem, a feminist writer from Mecca, Saudi Arabia and the first woman to win the International Prize for Arabic Fiction. Due to the dearth of structured feminist literary criticism in the Arab world, this paper traces the history of feminist literary criticism and applies a gynocritic-intersectional model to Raja Alem’s novel, The Dove’s Necklace (2012) in order to examine the projection of women and help close the research gap in Arabic feminist criticism. The researcher probes the biological, linguistic, psychoanalytical and cultural depiction of the female characters in the novel along with their intersectional identities. The findings show that women’s overlapping identities influence the way they experience oppression and discrimination.


2019 ◽  
Vol 3 (1) ◽  
pp. 12-31
Author(s):  
Susan Petrilli

A constant vision in Mikhail Bakhtin's works: polyphonic dialogue, this above all in the novel, but his love for theatre should not be neglected. Consequently, a central focus in Bakhtin's reflections is the polyphonic novel which he first identifies in Dostoevsky's novels. Bakhtin establishes a close relation between the novel, popular culture and carnival, evidencing the carnival component of novelistic discourse, therefore of life. Moreover, as he recounts in his 1973 conversations with Victor Duvakin, his interest in the novel overlapped with theatre, in particular the Moscow Art Theatre. In Bakhtin and Theatre, Dick McCaw relates Bakhtin's vision of art and life to theatre as visualized by Stanislavksy, Meyerhold and Grotowski, each of whom operated a “revolution” in their own original terms comparable to the so-called “Bakhtinian revolution” in philosophy of language and literary criticism. With the difficult socio-political events of the time on the background, this essay explores important aspects of the real dialogue between these three masters of the theatre and of the ideal dialogue established between the latter and Bakhtin, thereby creating a special perspective on theatre with special reference to the Bakhtinian concepts of “polyphony” and “dramatization”. Overall are evidenced, for the quality of life, the importance of such values as dialogism, otherness, participative unindifference, creativity which also emerge as characteristics that specify the artwork, whether novelistic or theatrical, thereby showing how art and life are vitally interrelated and capable of enhancing each other.


ALAYASASTRA ◽  
2019 ◽  
Vol 15 (2) ◽  
pp. 71
Author(s):  
Choerul Anam

This study aims to describe the image of women in Herry Santoso's novel: Cerita Tentang Rani in the perspective of feminist literary criticism. The method applied in the research is a qualitative one. The purpose of the qualitative method leads the writer being able to get to know the in-depth history of the research environment by applying descriptive research types. Feminist criticism theory of Rosemarie Putnam Tong and gender theory of Judith P. Butler were applied in this research. The results of this study prove that the image of the main character, Maharani, is a strong and tough woman. The images of the woman cover 1) the image of women in her relation with Allah Swt (God); 2) the image of women in her relation with herself; and 3) the image of women in her relationship with others. Keywords: female image, feminist literary criticism, Novel Cerita Tentang Rani.


Humanus ◽  
2020 ◽  
Vol 19 (1) ◽  
pp. 47
Author(s):  
Betty Mauli Rosa Bustam

This article reveals a picture of discrimination against women that occurs in a Shiite Muslims community in Lebanon. As is well known, Shi'a Muslims are second only to Sunnis in Lebanese Muslims as a whole, even though both populations are balanced. Islam itself became the second religion after Christianity in Lebanon and there are still several other religions (sects). Lebanon accommodates the growth of many religions that have a variety rules for their followers, so there is often attraction in making decisions regarding state laws and regulations, especially relating to women. Feminist Literary Criticism is used to explain all literary phenomena relating to women that aesthetically spread in the Hikayah az-Zahra novel which is the object of the research, this is due to the peculiarities of women which can only be explained using their own perspective. The results of this study will show a variety of forms of discrimination against women in Shiite circles, which are part of the daily lives of Lebanese people in situations of prolonged conflict. Shiite women, represented by the character of Zahra, cannot even expect protection from anywhere, including family members.


LINGUISTICA ◽  
2019 ◽  
Vol 8 (3) ◽  
pp. 159
Author(s):  
Mei Yana Gea ◽  
Sri Minda Murni ◽  
Syamsul Bahri

This study was aimed to analyze the woman images based on the main chracter that is consisted in the novel Terusir and to find how the woman images appeared in the novel Terusir. This research was qualitative descriptive research. The data were taken from the sentences in the novel Terusir. The data collected by documentary technique. This research deals with theory which is conducted by Sugihastuti (2000), where she said woman images is the images of woman roles in social life, divided into physic, psychology and social context. There are beautiful, cosmetic defender nd sexual pleasure in the physic images. There are great sense of belonging, patient, vicious creature, faith defender, generous, obedient and feminist in psychology images. And the last, there are naive creature, construct, angel in the house, devoted to the family, whore is broken, and widow bad in the social images.  And the woman images are described from the main character named Mariah and the other characters.Keywords : Novel, feminist literary criticism, woman images


HUMANIKA ◽  
2016 ◽  
Vol 23 (1) ◽  
pp. 1
Author(s):  
Ratna Asmarani

This paper deals with the novel entitled The Blacker the Berry written by Wallace Thurman. The focus of analysis is on the existence of Emma Lou, a young woman with very black skin. The literary research method used is the contextual method supported by Sartre’s ‘Modes of Existence’, Bergoffen’s concept on female’s body, the concept of intra-racial racism, and Faludi’s ‘Backlash’ framed in feminist literary criticism. The result shows that it is not easy for a young, black-skinned woman to live in a world still strictly applied intra-racial racism. She has to endure a bombardment of existential backlashes in the form of otherness due to the ideology adoring lighter skin. Her decision to construct her own existence emerges after she is able to accept her specific blackness.


ALAYASASTRA ◽  
2019 ◽  
Vol 15 (2) ◽  
pp. 127
Author(s):  
Dian Erika Rachmawati ◽  
Rizki Agung Ravitasari

This research is based on the development of feminism values in the community. In a patriarchal environment, women have a low position compared to men. Women are subordinated in various fields of life, such as in the fields of education, social affairs and economics. This study aims to describe the values of feminism contained in the novel “Merry Riana: Mimpi Sejuta Dollar” by Alberthiene Endah. This type of research is a qualitative descriptive study with a feminist literary criticism approach. The research method used is content analysis with data collection techniques read and record. The data source in this study is the novel “Merry Riana: Mimpi Sejuta Dollar” by Alberthiene Endah. Based on the results of the research, in the novel “Merry Riana: Mimpi Sejuta Dollar” by Alberthiene Endah there are values of feminism which include: (a) the value of feminism in education, (b) the value of feminism in the social field, and (c) the value of feminism in the economic. Keywords: values of feminism, the study of feminism, novels.


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