scholarly journals MELAWAN STIGMA INFERIORITAS PEREMPUAN: KAJIAN NOVEL MIDAH (SI MANIS BERGIGI EMAS) KARYA PRAMOEDYA ANANTA TOER DAN NOVEL DI BALIK KERLING SAATIRAH KARYA NINIK M. KUNTARTO

LITERA ◽  
2020 ◽  
Vol 19 (3) ◽  
pp. 414-436
Author(s):  
Robiatul Adawiyah ◽  
Muakibatul Hasanah
Keyword(s):  
Literary Criticism ◽  
Research Data ◽  
The Novel ◽  
Arranged Marriage ◽  
Unfair Treatment ◽  
Feminist Literary Criticism ◽  
Pramoedya Ananta Toer ◽  
Female Figures ◽  
Data Grouping ◽  
The Times

Seiring berkembangnya zaman, tradisi yang mengengkang kebebasan kaum perempuan mulai diperjuangkan untuk dihapuskan melalui gerakan feminisme. Penyuaraan hak-hak perempuan tidak hanya dilakukan melalui gerakan-gerakan secara nyata, namun juga dilakukan secara halus dengan memasukkan ideologi-ideologi feminsime melalui karya sastra. Penelitian ini bertujuan mendeskripsikan bentuk ketidakadilan gender dan bentuk perlawanan perempuan terhadap stigma inferioritas yang selama ini melekat pada diri perempuan. Penelitian ini menggunakan pendekatan kritik sastra feminis. Sumber data penelitian adalah novel Midah (Si Manis Bergigi Emas) karya Pramoedya Ananta Toer dan novel Di Balik Kerling Saatirah karya Ninik M. Kuntarto. Teknik yang digunakan untuk mengumpulkan data-data bentuk feminisme yang ada di dalam kedua novel tersebut adalah dengan membaca kritis dan membaca berkesinambungan. Analisis dilakukan dengan cara (1) kodifikasi data, (2) pengelompokan data, (3) interpretasi makna teks, (4) deskripsi bentuk ketidakadilan gender dan bentuk perlawanan gender, serta (5) penyimpulan hasil analsisis. Hasil penelitian sebagai berikut. Pertama, ketidakadilan gender dialami oleh dua sosok perempuan dalam dua novel berbeda, yaitu Midah dan Saatirah. Midah mendapatkan perlakuan tidak adil dari perjodohan yang dilakukan oleh orangtuanya dan dia juga mendapatkan ketidakadilan dari sosok pria yang menjadikannya budak pemuas nafsu. Saatirah mendapatkan perlakuan tidak adil dalam hubungan rumah tangganya. Kedua, bentuk perlawanan yang dilakukan oleh Midah dan Saatirah adalah dengan berusaha bangkit dari keterpurukan untuk membuktikan eksistensinya dan berusaha memperoleh kebahagian dengan cara yang mereka kehendaki tanpa ada campur tangan dari orang lain. Kata Kunci: stigma, inferioritas, marginal, feminismAGAINST THE STIGMA OF WOMEN’S INFERIORITY IN MIDAH (SI MANIS BERGIGI EMAS) A NOVEL BY PRAMOEDYA ANANTA TOER  AND DI BALIK KERLING SAATIRAH A NOVEL BY NINIK M. KUNTARTO AbstractAlong with the development of the times, struggles for traditions that curb the freedom of women began to be eliminated through the feminism movement. Voicing women's rights is not only done through real movements, but also subtly by incorporating feminine ideologies through literary works. This study aims to describe the form of gender injustice and the form of women's resistance to the inferiority stigma that has been attached to women. This study uses a feminist literary criticism approach. Sources of research data are the novel Midah (Si Manis Bergigi Emas) by Pramoedya Ananta Toer and the novel Di Balik Kerling Saatirah by Ninik M. Kuntarto. The technique used to collect data on the forms of feminism in both novels is critical reading and continuous reading. The analysis was carried out by (1) data codification, (2) data grouping, (3) interpretation of the meaning of the text, (4) descriptions of forms of gender injustice and forms of gender resistance, and (5) concluding the results of the analysis. The research results are as follows. First, gender injustice is experienced by two female figures in two different novels, namely Midah and Saatirah. Midah received unfair treatment from an arranged marriage by her parents and he also received injustice from a male figure who made her a slave to the satisfaction of lust. Saatirah received unfair treatment in her household relationship. Second, the form of resistance carried out by Midah and Saatirah is to try to rise from adversity to prove their existence and try to get happiness in the way they want without interference from others. Keywords: stigma, inferiority, marginal, feminine

scholarly journals Study of Feminism and Women's Existence in the Novel Bumi Manusia by Pramoedya Ananta Toer

2021 ◽  
Vol 2 (4) ◽  
pp. 150-160
Author(s):  
Yanuar Bagas Arwansyah ◽  
Nanda Saputra
Keyword(s):  
Character Education ◽  
Literary Criticism ◽  
Violence Against Women ◽  
The Novel ◽  
Female Characters ◽  
Socialist Feminism ◽  
Feminist Literary Criticism ◽  
Pramoedya Ananta Toer ◽  
Qualitative Descriptive ◽  
Women Violence

Women are so close to idioms such as adversity, oppression, even to the "concept" that is already accepted by most people, that they are "objects" not "subjects" for men. Gender inequality is manifested in various forms of injustice that occur at various levels of society. This study aims to analyze the personality of the female characters, the gender injustice experienced by the female characters, and the value of character education contained in the novel Bumi Manusia by Pramoedya Ananta Toer. This study uses a qualitative descriptive technique. The object of this research is the meaning of the existence of women in the novel Bumi Manusia by Pramoedya Ananta Toer, a review of feminist literary criticism. The data in the research are in the form of dialogues, paragraphs, and narrations contained in the novel Bumi Manusia by Pramoedya Ananta Toer. Based on the results of the analysis and discussion, the data shows that the author describes several female characters who experience gender bias treatment, namely Nyai Ontosoroh, Annelies, Maiko, Min Hwa, and Sie-sie. The novel Bumi Manusia tends to use socialist feminism. Gender injustice experienced by female characters is the marginalization of women, subordination of women, stereotypes of women, violence against women, and double workload against women.

scholarly journals Subaltern dalam Novel Arok Dedes Karya Pramoedya Ananta Toer: Kajian Poskolonial Gayatri Spivak

2020 ◽  
Vol 13 (1) ◽  
pp. 120
Author(s):  
Arisni Kholifatu ◽  
Tengsoe Tjahjono
Keyword(s):  
Qualitative Research ◽  
Descriptive Analysis ◽  
Research Data ◽  
Qualitative Approach ◽  
Data Sources ◽  
The Novel ◽  
Analysis Techniques ◽  
Analysis Technique ◽  
Pramoedya Ananta Toer ◽  
Gayatri Spivak

ABSTRAK Tujuan penelitian ini mendeskripsikan pengaruh tahta tertinggi dan perlawanan kaum subaltern pada novel Arok Dedes karya Pramoedya Ananta Toer dengan menggunakan teori postkolonialisme Gayatri Spivak. Penelitian ini merupakan jenis penelitian deskriptif kualitatif. Pendekatan dalam penelitian ini  mengunakan pendekatan kualitatif karena dalam penelitian ini menggunakan sumber data novel Arok Dedes  yang berkisah tentang kudeta di Tanah Jawa. Data penelitian ini adalah kata, kalimat, paragraf, yang terdapat dalam novel Arok Dedes karya Pramoedya Ananta Toer dengan menggunakan teori poskolonial Ggayatri Spivak. Teknik pengumpulan data dalam penelitian ini menggunakan metode dokumentasi atau pustaka. Teknik analisis data penelitian ini menggunakan teknik analisia deskriptif. Hasil dari penelitian adalah pengaruh tahta tertinggi dan perlawanan kaum subaltern pada novel Arok Dedes karya Pramoedya Ananta Toer.Kata kunci: Subaltern, poskolonial, pengaruh tahta, perlawananABSTRACTThe purpose of this study is to describe the influence of the highest throne and the resistance of the subalterns on the novel Arok Dedes by Pramoedya Ananta Toer by using the postcolonialism theory of Gayatri Spivak. This research is a descriptive qualitative research. The approach in this study using a qualitative approach because in this study used Arok Dedes story novel as data sources  which is about a coup in Java. This research data is words, sentences, paragraphs, contained in Arok Dedes novel by Pramoedya Anan ta Toer by using postcolonial Ggayatri Spivak theory. Data collection techniques in this study used the method of documentation or literature . The data analysis technique of this study used descriptive analysis techniques. The results of the study are the influence of the highest throne and the resistance of the subalterns on the novel Arok Dedes by Pramoedya Ananta Toer. Keywords: Subaltern, postcolonial, influence of throne, resistance

scholarly journals Perempuan dan Pelacuran dalam Kumpulan Cerpen Genduk Dukuh Seti Karangan Rohana Handaningrum Sebuah Kajian Feminis Radikal

2018 ◽  
Vol 13 (4) ◽  
pp. 658
Author(s):  
Laura Andri Retno Martini
Keyword(s):  
Short Stories ◽  
Literary Criticism ◽  
Research Data ◽  
Radical Feminism ◽  
General View ◽  
Men And Women ◽  
Women's Power ◽  
Feminist Literary Criticism ◽  
Condition Of Women ◽  
People’S Perceptions

Prostitution or prostitution is a phenomenon in people's lives and is considered a "social problem". The general view states that the emergence of prostitution is based on a sense of women's helplessness in aspects of life when compared to men. This perception is not only found in social reality. The condition of women as objects also appears in literary works, as a reflection of people's perceptions. Therefore, it takes a study in the perspective of feminism, especially radical feminists to explore the issue of prostitution that occurs in women. The feminist literary criticism approach was carried out in this study with the type of qualitative research. Data was taken from the collection of Genduk Dukuh Seti short stories written by Rohana Handaningrum. The study was conducted aimed at describing the elements of radical feminism found in texts. The results of this study indicate that there are elements of radical feminism in the cepen group. The power relations of men and women are shown in the doctrine of marriage and the traditional ties that bound women. Whereas the removal of virginity and prostitution is a form of women's power over their bodies.

scholarly journals INTELLECTUALS IN THE FACE OF HISTORIC TURMOIL: “THE REVENGE OF THE PRINTER” BY STANISLAV ROSOVETSKYJ AS ACADEMIC FICTION

2019 ◽  
Vol 3 (93) ◽  
pp. 3-15
Author(s):  
О.В. Блашків
Keyword(s):  
Twentieth Century ◽  
Literary Criticism ◽  
Main Theme ◽  
The Novel ◽  
Literary Biography ◽  
Academic Novel ◽  
The Face ◽  
The Times ◽  
Renaissance Man ◽  
Academic Fiction

Since mid-twentieth century the academic novel has been treated in English literary criticism as a separate literary genre centered on the life of professors. Often the action takes place on and outside of campus, revealing the professors’ private concerns. Satire is a characteristic feature of academic novels, which usually drives the action. In these novels university appears as a “microcosm of society at large.” Even though the academic novel is an emerging genre in Ukrainian literature, there are texts which fall into this category. In the article the author analyzes “The Revenge of the Printer” by Stanislav Rosovetskyj as academic fiction. The novel has two plot lines, one of which is set in late 1580s in the times of Ivan Fedorov, another is set in the summer of 1991. The plot lines are joined by the setting, which is St. Onuphrius Monastery in Lviv, which in the twentieth century was turned into the museum of book-printing. The novel has the following features of the academic fiction: the main setting and the object of satire is theIvanFedorovMuseum, a cloistered institution like the university campus; the protagonist Shalva Bukviani is an academic and a professor of history facing the choice to leave the institution or to conform to the changing ideology. Collectively, these characteristics allow to define the main theme as the role of individual in the times of historical turmoil. Special attention is paid to the image of Fedorov, whose life in the novel is portrayed as a literary biography, based on research of contemporary Ukrainian historians alternative to the Soviet narrative. Due to the image of Fedorov as “Renaissance man” in the novel, the image of contemporary scholar appears as Sick Soul (M. Andryczyk), “a small Soviet man” unable to engage in protection of cultural heritage in the time of sociopolitical change.

scholarly journals Perempuan Lajang dan Perjodohan dalam Novel "Jodoh Terakhir" Karya Netty Virgiantini

2021 ◽  
Vol 10 (1) ◽  
pp. 1
Author(s):  
Tania Intan
Keyword(s):  
Social Construction ◽  
Literary Criticism ◽  
Single Women ◽  
Adult Women ◽  
The Novel ◽  
Note Taking ◽  
Female Characters ◽  
Social Constructs ◽  
Feminist Literary Criticism ◽  
The Family

Kelajangan dianggap sebagai hal yang tidak wajar pada perempuan dewasa. Penelitian dilakukan dengan tujuan mengungkap bagaimana perempuan lajang dan perjodohan ditampilkan di dalam novel “Jodoh Terakhir” (2016) karya Netty Vigiantini. Metode yang digunakan adalah deskriptif kualitatif dengan pendekatan sosiologi sastra dan kritik sastra feminis. Data berupa kata, frasa, dan kalimat dikumpulkan dengan teknik simak catat setelah melalui pemhacaan tertutup. Hasil penelitian menunjukkan bahwa perempuan lajang dianggap tidak wajar dan melanggar aturan, sehingga untuk mengembalikannya pada jalur normatif, perjodohan dijadikan solusi. Dalam novel, terungkap adanya resistensi dan negosiasi dari tokoh perempuan dalam menyikapi pernikahan yang dipaksakan kepadanya. Kecurigaan bahwa teks akan cenderung bersifat feminis tidak terbukti, karena wacana yang justru dikembangkan pengarang adalah kepatuhan anak perempuan pada konstruksi sosial yang ditanamkan melalui struktur keluarga.Katakunci: feminis, konstruksi sosial, lajang, perjodohan Abstract:Singleness is considered an unnatural thing for adult women. This research was conducted to reveal how single women and matchmaking are featured in Netty Vigiantini's novel Jodoh Terakhir (2016). The method used is descriptive qualitative with sociological literary approaches and feminist literary criticism. Data in the form of words, phrases, and sentences were collected using the note-taking technique after going through closed reading. The data are then classified, interpreted, and analyzed with relevant theories. The results of this study indicate that single women are considered unnatural and violate the rules, so to return them to the normative path, matchmaking is used as a solution. In the novel, it is revealed that there are resistance and negotiation from female characters in responding to the marriage that was forced on her. The suspicion that the text will tend to be feminist is not proven, because the discourse developed by the author is the obedience of girls to social constructs that are instilled through the family structure.Keywords: feminist, social construction, single, matchmaking

scholarly journals A Gynocritic-intersectional Reading of Raja Alem’s The Dove’s Necklace

2018 ◽  
Author(s):  
AWEJ for Translation & Literary Studies ◽  
Najla R. Aldeeb
Keyword(s):  
Literary Criticism ◽  
Arab World ◽  
Feminist Criticism ◽  
Multiple Identities ◽  
The Novel ◽  
Female Characters ◽  
Feminist Literary Criticism ◽  
History Of ◽  
Research Gap ◽  
Arabic Fiction

When Showalter (1981) coined the term gynocriticism to undermine feminist methodicide, feminist literary criticism established a clear methodological structure for application (as cited in Barry, 2009, pp. 17-20). However, as a result of technology, globalization and political changes, women suffer not only because of their gender but also because of their class, race or religion, which Crenchaw (1989) summarizes in the term “intersectionality” (p. 538). Shedding light on women’s multiple identities can help contemporary societies spot the discrimination that contemporary women suffer from; consequently, these societies can find solutions to eliminate the sources of women’s double marginalization. Race, class, ethnicity, religion and sexual orientation are intersecting loci of discriminations or privileges (McCall, 2005, p. 1771). Although this is a western paradigm, it can be applied to Saudi Arabian literature. The elements of gynocriticism and intersectionality are evident in the works of Raja Alem, a feminist writer from Mecca, Saudi Arabia and the first woman to win the International Prize for Arabic Fiction. Due to the dearth of structured feminist literary criticism in the Arab world, this paper traces the history of feminist literary criticism and applies a gynocritic-intersectional model to Raja Alem’s novel, The Dove’s Necklace (2012) in order to examine the projection of women and help close the research gap in Arabic feminist criticism. The researcher probes the biological, linguistic, psychoanalytical and cultural depiction of the female characters in the novel along with their intersectional identities. The findings show that women’s overlapping identities influence the way they experience oppression and discrimination.

scholarly journals CITRA PEREMPUAN DALAM NOVEL CERITA TENTANG RANI KARYA HERRY SANTOSO; TINJAUAN KRITIK SASTRA FEMINIS* (The Image of Women in the Novel Entitled Cerita Tentang Rani by Herry Santosa: A Feminist Literary Criticism)

ALAYASASTRA ◽  
2019 ◽  
Vol 15 (2) ◽  
pp. 71
Author(s):  
Choerul Anam
Keyword(s):  
Literary Criticism ◽  
Qualitative Method ◽  
Feminist Criticism ◽  
The Novel ◽  
Main Character ◽  
Descriptive Research ◽  
Feminist Literary Criticism ◽  
History Of ◽  
And Gender ◽  
Research Types

This study aims to describe the image of women in Herry Santoso's novel: Cerita Tentang Rani in the perspective of feminist literary criticism. The method applied in the research is a qualitative one. The purpose of the qualitative method leads the writer being able to get to know the in-depth history of the research environment by applying descriptive research types. Feminist criticism theory of Rosemarie Putnam Tong and gender theory of Judith P. Butler were applied in this research. The results of this study prove that the image of the main character, Maharani, is a strong and tough woman. The images of the woman cover 1) the image of women in her relation with Allah Swt (God); 2) the image of women in her relation with herself; and 3) the image of women in her relationship with others. Keywords: female image, feminist literary criticism, Novel Cerita Tentang Rani.

scholarly journals Lebanon Shiite Woman in the Middle of Discrimination Feminist Literary Criticism Analysis of the Novel Hikayah Az-Zahra

Humanus ◽  
2020 ◽  
Vol 19 (1) ◽  
pp. 47
Author(s):  
Betty Mauli Rosa Bustam
Keyword(s):  
Literary Criticism ◽  
Family Members ◽  
The Novel ◽  
Daily Lives ◽  
State Laws ◽  
Feminist Literary Criticism ◽  
Laws And Regulations

This article reveals a picture of discrimination against women that occurs in a Shiite Muslims community in Lebanon. As is well known, Shi'a Muslims are second only to Sunnis in Lebanese Muslims as a whole, even though both populations are balanced. Islam itself became the second religion after Christianity in Lebanon and there are still several other religions (sects). Lebanon accommodates the growth of many religions that have a variety rules for their followers, so there is often attraction in making decisions regarding state laws and regulations, especially relating to women. Feminist Literary Criticism is used to explain all literary phenomena relating to women that aesthetically spread in the Hikayah az-Zahra novel which is the object of the research, this is due to the peculiarities of women which can only be explained using their own perspective. The results of this study will show a variety of forms of discrimination against women in Shiite circles, which are part of the daily lives of Lebanese people in situations of prolonged conflict. Shiite women, represented by the character of Zahra, cannot even expect protection from anywhere, including family members.

WOMAN IMAGES IN THE NOVEL TERUSIR BY BUYA HAMKA (A FEMINIST LITERARY CRITICISM)

LINGUISTICA ◽  
2019 ◽  
Vol 8 (3) ◽  
pp. 159
Author(s):  
Mei Yana Gea ◽  
Sri Minda Murni ◽  
Syamsul Bahri
Keyword(s):  
Literary Criticism ◽  
Social Life ◽  
Sexual Pleasure ◽  
The Novel ◽  
Descriptive Research ◽  
Feminist Literary Criticism ◽  
The Social ◽  
The Family ◽  
Qualitative Descriptive ◽  
Great Sense

This study was aimed to analyze the woman images based on the main chracter that is consisted in the novel Terusir and to find how the woman images appeared in the novel Terusir. This research was qualitative descriptive research. The data were taken from the sentences in the novel Terusir. The data collected by documentary technique. This research deals with theory which is conducted by Sugihastuti (2000), where she said woman images is the images of woman roles in social life, divided into physic, psychology and social context. There are beautiful, cosmetic defender nd sexual pleasure in the physic images. There are great sense of belonging, patient, vicious creature, faith defender, generous, obedient and feminist in psychology images. And the last, there are naive creature, construct, angel in the house, devoted to the family, whore is broken, and widow bad in the social images.  And the woman images are described from the main character named Mariah and the other characters.Keywords : Novel, feminist literary criticism, woman images

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