NOVEL GADIS PANTAI KARYA PRAMOEDYA ANANTA TOER: ANALISIS HEGEMONI *) (A Novel Gadis Pantai by Pramoedya Ananta Toer: an Hegemony Analysis)

ALAYASASTRA ◽  
2017 ◽  
Vol 13 (1) ◽  
pp. 13
Author(s):  
Moh Muzakka

A literary work used by author in offering some ideologies to the readers. Through this literary work, especially the conflict between characters, an author can influence reader’s view and ideology. This article tends to explore ideology contention of the novel Gadis Pantai by Pramoedya Ananta Toer used Gramsci hegemony analysis. The result of this analysis is novel Gadis Pantai offers three ideologies: feudalism, coast cultural primitive, and socialist realism. In this novel, the two contrast cultures viewed as a quiet enough culture so that the ideal culture is socialist realism. Keywords: ideology, coast, gentry, hegemony, socialist realism.

2019 ◽  
Vol 14 (1) ◽  
pp. 86
Author(s):  
Moh Muzakka

Literary work is a means for authors to offer various ideologies to their readers. Through literature, the author can influence the views of life and or ideology of the reader. From the inter-group conflict that was built into the structure of literary works, the author can fight for the ideology he adheres to. This short article intends to uncover the ideological struggle in Pramoedya Ananta Toer's novel Midah Simanis Bergigi Emas using the analysis of Gramsci's hegemony. The analysis shows that the Midah Simanis Bergigi Emas novel offers three ideologies namely the ideology of feudalism (which controls), the primitive ideology of coastal culture (which is mastered), and the ideology of socialist realism (which is championed). Because in the novel the two contrasting cultures are seen as bad culture, the culture of socialist realism is the most ideal.


2020 ◽  
Vol 4 (2) ◽  
pp. 264-277
Author(s):  
Achmad Suherman ◽  
Agus Sulaeman

The background of this study begins from people who rarely use monoligual language (one language). But in daily life, there are still many people who use two languages (bilingualism). People who use local languages and Indonesian language for example. The purpose of this study is to describe bilingualism in novels as a sociolinguistic study that examines language in assessment with the user community. This research is used to provide information to readers about the bilingualism in Gadis Pantai (The Girl from the Coast) by Pramoedya Ananta Toer. This study uses qualitative research with content analysis methods. The data source used in this study is primary data in the form of novel as the main data source. Secondary data of this study are reference books that support the study conducted by researchers. This research is useful for studying bilingualism in Gadis Pantai by Pramoedya Ananta. From the results of the study and discussion it can be concluded that Gadis Pantai by Pramoedya Ananta Toer contains 25 sentences in bilingualism. Bilingualism that is found is between Javanese language and Indonesian language but indonesian dominated. Bilingualism is not only found directly in the communication of the language community but also can be found in literary works. This type of literary work can be in the form of a novel. Bilingualism in novels is found in conversations between characters in the novel.


Author(s):  
Lirim Sulko

Yuri Lotman affirms that the concept of the text is not absolute, but makes sense in a relationship with a historical, cultural and psychological structure that accompanies it. He considers every text "... determined by those socio-historical, national and psycho-anthropological reasons, which form the artistic models of life” [1] So in a totalitarian regime, in other words dehumanized, the novel of socialist realism not only avoids the modern literary tendency, but manages to show dehumanization even in its formal-narrative aspect. Thus, in the conditions when the totalitarian regime aims at installing a 'new man', the novel of socialist realism also through censorship aims its promotion ('the new man’). In the formal-narrative aspect, the novel of Socialist realism emphasizes the authoritative mode of confession, in the sense of full submission of the character (meaning the reader, who is identified with the character throughout the reading process) to the total information within the literary work owned by the author in cooperation with the narrator, but at the same time proclaims as 'heretic' the narrative ways that liberated the character from the submission without glory of the pair author-narrator. As such, it (the novel of socialist realism) is / becomes thus a direct expression of dehumanization.   [1]Y. Lotman,"The Text and extra-textual artistic structures", quoted by F. Dado in "Uninterpretate Literature", Bota Shqiptare, Tiranë, 2010, f. 126.


ATAVISME ◽  
2013 ◽  
Vol 16 (1) ◽  
pp. 119-128
Author(s):  
Trisna Kumala Satya Dewi

Arok Dedes karya Pramoedya Ananta Toer (1999) merupakan sebuah potret dinamika sastra sebagai akibat transformasinya dari karya terdahulu, yaitu Pararaton karya sastra Jawa Kuna yang termashur. Novel Arok Dedes, dalam hal relevansinya dengan konteks sejarah pun, merupakan suatu gejala sastra yang dinamis sebab dinamika sastra tidak terlepas dari sejarah. Dalam novel Arok Dedes, lewat kepiawaian dan proses kreatifnya, Pramoedya Ananta Toer berusaha mengungkapkan kembali peristiwa pada abad ke-13 sebagai sebuah sindiran untuk peristiwa masa kini, khususnya pada abad 20-an. Arok Dedes mengisahkan perebutan kekuasaan pertama dalam sejarah bangsa Indonesia, yang konon merupakan pengulangan peristiwa masa lalu. Pramoedya Ananta Toer sebagai pengarang Arok Dedes cukup berhasil dalam mengangkat ’mitos’ Dedes dan mengungkapkannya dalam wacana globalisasi. Peran Dedes cukup menonjol dalam percaturan politik, kekuasaan, dan negara sebab Dedeslah penyusun strategi pemindahan kekuasaan dari suaminya (Tunggul Ametung) ke tangan Arok. Mitos tentang Ken Dedes yang memiliki kharisma ’kebesaran’ atau ’prabawa’ (kewibawaan) yang digali oleh Pramoedya Ananta Toer dari Pararaton ini menjadikan Arok Dedes sebagai karya sastra modern yang patut disimak, khususnya dalam wacana globalisasi sekarang ini. Dedes, sebagai sosok perempuan, berkaitan dengan kekuasaan, politik, dan kenegaraan. Abstract: Pramoedya Ananta Toer’s Arok Dedes (1999) is a portrait of literary dynamics as the result of its transformation from the previous work, namely Pararatonan outstanding literary work of old Java. The novel of Arok Dedes, in its relevance with historical context, means a dynamic literary phenomenon because the literary dynamics cannot be separated from history. In the novel Arok Dedes, through his creative sophistication and process, Pramoedya Ananta Tour attempted to retell the 13th century of the event as a satire on present events, especially in the 20th century. Arok Dedes narrated the struggle for the first power in Indonesian history, which is a repetition of preceding events. Pramoedya Ananta Tour, as the author of Arok Dedes, was successful enough in presenting Dedes’ myth and expressing it in globalization discourses. The role of Dedes was noteworthy in the political domain, power, and state because Dedes was the mastermind of power transfer from her husband (Tunggul Ametung) to Arok. The myth of Ken Dedes having prestige or wisdom dug by Pramoedya Ananta Tour from Pararaton makes Arok Dedes a significant modern literary work, particularly in the current globalization discourses. Dedes, as woman figure, was related to power, politics, and state. Key Words: transformation, discourse, globalization


2018 ◽  
Vol 3 (2) ◽  
Author(s):  
Mochamad Aviandy

Literary works in the era of the Soviet Union is a literary work that belongs to the socialist realism stream. This stream was used by the Soviet government to help propagate communism-socialism throughout its territory, as well as in the world. However, Chingiz Aitmatov's novel, Jamilia, does not use the stream. This novel addresses the life in a Kyrgyz society in the era of the Soviet Union. The novel was published in 1958, at the peak of Russification by the Soviet government to all its territory. However, Aitmatov managed to portray the identity of the Kyrgyz people, part of the Soviet Union, with all its peculiarities. This novel illustrates the identity of the Kyrgyz people confronted with the identity of the Soviet Union - Russia through the characters in the story


2011 ◽  
pp. 32-38
Author(s):  
Agata Sadkowska-Fidala

Sixtine by Remy de Gourmont marks the refusal of nature and tangible reality and the choice of imagination to the detriment of reality. Its principal character, Hubert d’Entragues is a faithful disciple of idealism of symbolism. Since he chooses to think rather that to live, it is not surprising that the plot of the novel is almost nonexistent. The plot develops around of d’Entragues’ desire to win the beautiful Sixtine, which is in itself condemned to failure since he is doing nothing to reach her and refuses to take any effort. The woman, who could have served as the principal impulse of the plot, is practically inexistent in this story (though it is a passionate story) and is replaced by the ideal woman: the story is doubled by the second story, e.g. a novel written by the character which is a transposition of his “cerebral” relation with Sixtine and a realisation of presence of the latter. Art replaces life and life does not exist in itself. It is shaped by thought. But the chosen absence of any facts of life is fruitful: it gives birth to a novel. It is a story of a prisoner in love with the statute of the Virgin which he sees while taking a daily walk. In this novel the carnal accomplishment is not necessary in order for a true and sincere passion to develop and the satisfaction of desire may destroy the dream and the ideal.


2014 ◽  
Vol 43 (2) ◽  
Author(s):  
Helen de Hoop ◽  
Lotte Hogeweg

AbstractFor this study we investigated all occurrences of Dutch second person pronoun subjects in a literary novel, and determined their interpretation. We found two patterns that can both be argued to be functionally related to the de-velopment of the story. First, we found a decrease in the generic use of second person, a decrease which we believe goes hand in hand with an increased distancing of oneself as a reader from the narrator/main character. Second, we found an increase in the use of the descriptive second person. The increased descriptive use of second person pronouns towards the end of the novel is very useful for the reader, because the information provided by the first person narrator himself becomes less and less reliable. Thus, the reader depends more strongly on information provided by other characters and what these characters tell the narrator about himself.


2021 ◽  
Vol 1 (1) ◽  
pp. 8-13
Author(s):  
Patricia Wulandari

A good literary work can provide information about various kinds of community life,including life related to religiosity. Literary works are closely related to religisiutas,because of that, various works appearing showing the religiosity of society, one ofwhich is the Javanese. Modern Indonesian literary works that illustrate this are thecollection of short stories from Umi Kalsum by Djamil Suherman, the lyrical prosePengakuan Pariyem by Linus Suryadi AG, and the novel Ronggeng Dukuh Paruk byAhmad Tohari. Each of these works represents the diversity of Javanese society. Thecollection of short stories from Umi Kalsum shows the religious side of the communitycalled the santri who are so obedient in carrying out their worship. The lyrical proseof Pariyem's confession provides information on how a babu is so resigned to seeinglife, but in her soul holds the wisdom of Kejawen. Meanwhile, Ronggeng Dukuh Parukdescribes the Javanese people who worship the spirits of their ancestors. Even thoughthey have different religions, they basically want harmony. Javanese people who livein santri enjoy harmony when they live with strong Islamic values. The Javanesepeople of the Gunung Kidul area live in harmony if they are always nrimo and see lifeas it is according to its Javanese nature. The Dukuh Paruk community attainsharmony that originates from the worship of the spirit of Ki Secamenggala.


2021 ◽  
Vol 02 (09) ◽  
pp. 8-14
Author(s):  
Aziza Komilovna Akhmedova ◽  

The article analyzes the results of the research on the representation of the aesthetic ideal through the image of the ideal hero in two national literatures. For research purposes, attention was paid to highlighting the category of the ideal hero as an expression of the author's aesthetic views. In Sinclair Lewis’s “Arrowsmith” and Pirimkul Kodirov's “The Three Roots”, the protagonists artistically reflect the authors' views on truth, virtue, and beauty. In these novels, professional ethics is described as a high noble value. The scientific novelty of the research work includes the following: in the evolution of western and eastern poetic thought, in the context of the novel genre, the skill, common and distinctive aspects of the creation of an ideal hero were revealed by synthesis of effective methods in world science with literary criteria in the history of eastern and western literary studies, in the example of Sinclair Lewis and Pirimkul Kodirov.


2021 ◽  
Vol 8 (2) ◽  
Author(s):  
Alia Afiyati ◽  
Divya Widyastuti ◽  
Yoga Pratama

In a literary work, two characters can be narrated as the attention center that contains the cultural identity from certain generation. Meanwhile, a symbol actually can cause an interaction within characters. This research discusses about cultural identity and symbolic interactionism reflected in a novel. There is a novel entitled “Recipe for a Perfect Wife” by Karma Brown that tells about two female characters that are represented as a housewife from different generation. This research uses descriptive qualitative as the research methodology and content  analysis as the method in analyzing the object of the research, a novel entitled “Recipe for a Perfect Wife”. This research also uses the intrinsic approach to analyze the characterization, plot, and setting. This research reveals two kinds of a housewife. They are a housewife and working woman, and a full-housewife. This research finds five cultural identities in the past and present time that is related with a housewife reflected by two female characters in the novel by using cultural identity theory by Stuart Hall. This research also reveals the symbol and memory even three concepts of symbolic interactionism that is mind, self, and society based on symbolic interactionism theory by George Herbert Mead.


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