scholarly journals AESTHETICS OF CHILDHOOD IN THE PROJECT OF RUSSIAN EDUCATIONAL THOUGHT

2021 ◽  
pp. 46-50
Author(s):  
L.K. Nefedova ◽  
Keyword(s):  
18Th Century ◽  
Russian Literature ◽  
Literary Work ◽  
Political Activities ◽  
Educational Thought ◽  
Russian Culture ◽  
Literature And Philosophy ◽  
Russian Philosopher ◽  
Aesthetic Consciousness ◽  
History Of

Russian philosopher A. D. Kantemir is an Enlightener, poet, and translator of Fontenelle, recognized in the history of Russian culture, who laid the foundation for Russian philosophical terminology. His literary work, translation and political activities contributed to the transformation of Russian aesthetic consciousness, since they were a stage in the development of cultural ties with Europe, in the development of Russian philosophical and literary artistic culture, in particular, in the development of the language of Russian literature and philosophy. In the poetic “Satire VII. About upbringing” in the language style of the 18th century, Kantemir presented a number of thoughts about upbringing that are quite modern and give an idea of the aesthetics of childhood in the project of Russian educational thought.

The Attraction of Literary Local Lore Material and Information from the Native Literature of Students in the Study of A.M. Gorky

2021 ◽  
pp. 137-141
Author(s):  
Zinaida Kh. Tedtoeva
Keyword(s):  
Russian Literature ◽  
Literary Work ◽  
Young Person ◽  
Native People ◽  
Culture History ◽  
Teacher Needs ◽  
Special Area ◽  
History Of ◽  
History Of Culture ◽  
The Aesthetic

The problem of perceiving fiction has aesthetic, sociological, historical and psychological aspects. In this regard, in the methodology of teaching Russian literature to the national audience, special attention is paid to the deep, faithful and subtle reproduction of the literary works of writers, the development of the reader’s talent. Fiction as a form of art is a special area of the aesthetic. In a truly fictional work, all its elements are subordinate to the expression of a certain content, expressive, figurative, therefore, the reader’s understanding of a literary work is not only aesthetic, but also evaluative in nature. There are three stages of students’ perception of the writer’s creation: 1) recreation and experience of images of the work, with the leading process of imagination; 2) understanding of the ideological content; V.G. Belinsky called this stage “true pleasure”; 3) the influence of fiction on the personality of the reader as a result of the perception of the work. Fiction affects the worldview, speech, moral behavior in society, aesthetic and artistic development, in general, the formation of a person’s personality. The teacher tries to ensure that students have the necessary knowledge, developed, recreational imagination, emotional sensitivity, a sense of the poetic word, observation, the ability to make comparisons, comparisons, generalizations, conclusions. Their perception of a work of art is a difficult process that directly depends on previous knowledge of literature, facts of the history of culture, history of society. The complexity of the spiritual world of a modern young person is due to the development of personality in the context of the rapid progress of society. All this poses a difficult task for methodological science - to diversify the means of analysis, its types and techniques, effective ways of influencing art on students. In the national audience, the main problem of studying Russian literature - the teacher needs to reveal Russian-national literary ties with specific examples, based on certain historical conditions, national specifics, use translations of the works of the Russian writer into the native language of students, literary local history material, highlight the attitude of cultural figures of the native people to the work of the Russian writer, to his personality.

scholarly journals ‘... Her Imperial Majesty Deigned to Declare Herself’: V. N. Tatishchev’s Journal-Book for 1734

2018 ◽  
pp. 882-891
Author(s):  
Mikhail A. Kiselev ◽  
Keyword(s):  
18Th Century ◽  
Personal Control ◽  
The State ◽  
Active Part ◽  
Documentary Evidence ◽  
State Archive ◽  
The Urals ◽  
Russian Culture ◽  
History Of ◽  
Important State

This is the first publication of the journal-book kept by famous Russian statesman and historian Vasily Nikitich Tatishchev from February 10 to April 2, 1734, after his appointment director of the Urals state-owned metallurgical plants. This document allows to clarify the circumstances of V. N Tatishchev's appointment to the Urals, including its date. According to the document, it was made on February 10 by oral order of the Empress. Immediately afterwards Vasily Nikitich plunged into planning his trip assisted by cabinet-ministers A. I. Osterman, A. M. Cherkassky, and president of the Commerce-Collegium P. P. Shafirov. The journal-book allows to reconstruct the flow of communication within the bureaucratic elite in 1730s. It also shows that internal documentation (minutes and registers) of the Cabinet of Ministers does not fully reflect its activities. It indicates that the Empress took a most active part and interest in Tatishchev’s appointment and his sending away; she thus sought to keep under her personal control all most important state affairs, including management of metallurgical plants. The document is of interest for studying history of Russian culture of the 18th century, as it contains some information about translator and writer K. A. Kondratovich and historian P. N. Krekshin. It intimates that Kondratovich was exiled to the Urals with Tatishchev by oral order from Anna Ioannovna. To this, there is no other documentary evidence, and therefore, Kondratovich attempted to mystify the circumstances of his exile to the Urals and to bury the fact in oblivion. The document is stored in the State Archive of the Sverdlovsk Region, Ekaterinburg.

ПУШКИНСКИЙ ДОМ РАН КАК АКАДЕМИЧЕСКИЙ ЦЕНТР ИЗУЧЕНИЯ ТЕМЫ «ПРАВОСЛАВИЕ И РУССКАЯ КУЛЬТУРА». 1991–2021

2021 ◽  
pp. 14-23
Author(s):  
Алексей Маркович Любомудров
Keyword(s):  
Academic Development ◽  
Russian Literature ◽  
Russian Culture ◽  
New Information ◽  
History Of ◽  
The Moment ◽  
Religious Aspects ◽  
Official Status

Статья посвящена тридцатилетней истории изучения религиозных аспектов русской литературы под эгидой Пушкинского Дома. Детально описаны зарождение, цели и состав участников ежегодных конференций «Православие и русская культура», позволивших сказать новое слово об историческом взаимодействии веры и светского творчества. Становление исследований проходило в обстановке противодействия сил, занимавших позиции безоценочного релятивизма и откровенного антихристианства. В работе показано, как стихийно сложившийся в Институте русской литературы центр изучения православных парадигм отечественной словесности в 2008 году получил официальный статус и за годы своего существования подготовил десятки трудов, собраний сочинений классиков, сотни публикаций. Подчеркнута объединяющая и консолидирующая роль пушкинодомцев в академической разработке данной темы. The article is devoted to the thirty-year history of studying the religious aspects of Russian literature at the basis of the Institute of Russian Literature (Pushkin House). The origin, goals and participants of the annual conferences «Orthodoxy and Russian Culture», which provided new information about the historical interaction of faith and secular creativity, are described in details. The formation of the research took place in the atmosphere of confrontation between forces whose positions were relativistic and distinctly anti-christian. The work shows how the spontaneously established Center for the study of the Orthodox paradigm of Russian literature received its own official status in 2008. By the moment the Center has prepared hundreds of publications as well as collective works of classics. The unifying and consolidating role of researchers of Pushkin House in the academic development of subject mentioned above is emphasized.

The Image of a Russian Writer in Magazine Caricatures of the Silver Age

2021 ◽  
pp. 342-356
Author(s):  
Elena S. Sonina ◽  
Keyword(s):  
Civil Society ◽  
Russian Literature ◽  
Russian Empire ◽  
Silver Age ◽  
Russian Culture ◽  
History Of ◽  
The Russian Empire ◽  
Printed Word

Due to the literary-centric nature of Russian culture and the performance of the functions of civil society by the printed word, the role of the writer in the history of Russian literature and journalism of the Russian Empire was traditionally high. Therefore, satirical graphics constantly turned to the image of the Russian writer. The study compares the methods of depicting writers in the 19th and early 20th centuries and isolates the traditions of referring to the literary past and present. Caricature in connection with new trends in literature showed writers in the role of heroes of low and elite cultures, “tramps” (bossjaki) and modernists.

scholarly journals The Story of Stenka Razin and the Persian Princess in Direct and Inverse Projections: Yevgeny Zamyatin and Anna Barkova

Literatūra ◽  
2021 ◽  
Vol 63 (2) ◽  
pp. 88-105
Author(s):  
Veronika Zuseva-Özkan
Keyword(s):  
Russian Literature ◽  
The Other ◽  
Woman Question ◽  
Russian Culture ◽  
Woman Warrior ◽  
Women's Equality ◽  
History Of ◽  
The Woman Warrior ◽  
The One ◽  
Gender Aspect

The article considers two cases of the creative reception of the legend about Stenka Razin and the Persian princess in Russian literature of the 1920s – in Yevgeny Zamyatin’s tragedy Atilla (1925–1928) and screenplay Stenka Razin (1932–1933), on the one hand, and in the play by A. Barkova Nastasya Kostyor (1923), on the other hand. The direct and inverse projections of Razin’s plot are represented: in Zamyatin’s case the roles of Razin and the princess are distributed in the traditional way, as they are typical for the long history of this plot in Russian culture – both in folklore and in literature, and in Barkova’s case these roles are reversed in the gender aspect. This peculiarity is considered as connected to Barkova’s interest toward “woman question”, the problem of female emancipation, women’s equality. The plot of Stenka Razin and the Persian princess is analyzed in the article together with another one – the plot featuring the woman warrior, since they are closely interrelated in Russian literature of the 1920s. The hypothesis is that this relationship is due to the active demolition of the old gender order during this period.

scholarly journals New school subject “Native literature (Russian)”: Contents and methodological foundations of the exemplary program

2020 ◽  
pp. 59-72
Author(s):  
Natalia V. Belyaeva ◽  
Maria A. Aristova ◽  
Zhanna N. Kritarova
Keyword(s):  
Cultural Values ◽  
Mother Tongue ◽  
Russian Literature ◽  
Literary Work ◽  
Russian Language ◽  
Cultural Tradition ◽  
School Subject ◽  
Russian Culture ◽  
The Subject ◽  
Native Literature

The article explains the purpose of creating an exemplary program of the subject “Native literature (Russian)” connected with the execution of the Federal Law on Education, supporting the main aim of the core course in literature – the development of a competent reader, as well as reinforcing the cultivating function of school literary education and preserving the Russian language, literature and culture against the background of Russian multi-ethnic and multicultural society. The following objectives of the new subject acquire particular significance: perceiving literature as one of the main cultural values of the nation (which reflects its national character, history, worldview); ensuring cultural self-identification, becoming aware of the communicative and aesthetic power of the mother tongue based on the study of outstanding literary creations of the Russian culture, the culture of one’s ethnic group, world culture. The methodological background to the exemplary program rests upon the idea of an ideological nature and educational potential of the Russian literature. In creating the didactic model in question, the authors of the program used theoretical and practical research methods, as well as the cognitive and system- and activity-based approaches. The results of the research were as follows: validation of the legal and regulatory framework of the new subject and the primary goals of its study, elaboration of the principles – which are based on the system of value codes shared by the whole nation’s cultural tradition – according to which the contents and structure of the course are selected. The article demonstrates what distinguishes “Native literature (Russian)” from the school subject “Literature”, how each of the three content branches of the program contributes to the development of subject knowledge and skills from grade to grade, why this or that recommended literary work is included in the topic-issue units, and which forms of the final subject assessment are most preferable. The exemplary program of the subject contributes to solving the issue of national and cultural identity and understanding what role the Russian literature plays in becoming aware of the national traits of the Russian culture. It also fosters the comprehension of cultural concepts that are crucial for the Russian national consciousness and the development of one’s ability to transform his/her reflections on works of native literature into personal convictions and positive values.

ON THE FIRST ARTICLE FROM THE RUSSIAN HISTORY OF MATHEMATICS

2020 ◽  
pp. 86-106
Author(s):  
Galina I. Sinkevich ◽  
◽  
Olga V. Solov'eva ◽  
Keyword(s):  
18Th Century ◽  
History Of Mathematics ◽  
Popular Science ◽  
Russian History ◽  
Russian Culture ◽  
Old Russian ◽  
Russian State ◽  
History Of ◽  
History Of Sciences ◽  
Academy Of Sciences

The article is a publication of the first Russian printed work on the Russian history of mathematics. It is dedicated to the ancient Russian numeral systems and was published anonymously in 1787 in the “New monthly works” of St. Petersburg Academy of Sciences. The author tells about the Old Russian numeral system, Russian calendar and commercial account. In the popular science editions of the 18th century Imperial St. Petersburg Academy of Sciences there were many publications on the history of sciences, arts, crafts, the history of discoveries and inventions in other countries. At the same time, there was a clear lack of publications on the history of Russian culture. Russian scientists were dissatisfied with the interpretation of Russian history presented by the historiographer of the Russian state, an academician G. F. Müller, as well as with descriptions of Russia and its history by other foreign authors. In the Catherine’s time, many articles appeared, sometimes anonymous, defending the originality and ancientry of Russian culture. To analyze the data on the authorship of the work, the popular scientific editions of Academy in the 18th century and are described, information about their authors is presented, hypotheses are expressed, and the terminology of the article and the names mentioned in it are commented.

G.R. Derzhavin’s personal library as a reflection of poet’s literary interests and artistic creativity

Neophilology ◽  
2019 ◽  
pp. 558-565
Author(s):  
Ruslan M. Zhitin ◽  
Aleksey G. Topilsky
Keyword(s):  
18Th Century ◽  
Literary Work ◽  
Quantitative Composition ◽  
Cultural Significance ◽  
Early 19Th Century ◽  
Reading Interests ◽  
Late 18Th Century ◽  
History Of ◽  
Personal Library ◽  
Instance Analysis

We study G.R. Derzhavin's personal library. The study is relevant due to the high historical and cultural significance of Gavriil Romanovich’s book collections. Reconstruction of his original collection – one of the most important areas of research of book culture of the late 18th century and, of course, the key story of the study of poet creativity sources. We analyze the thematic diversity of the preserved books, the history of the Derzhavin collection, its fate after the death of G.R. Derzhavin. Derzhavin’s library was transferred to D.V. Polenov – well-known diplomat and bibliophile of his time, and then entered the Naryshkin special library of Tambov. The study of the qualitative and quantitative composition of the transferred collections allowed to establish the safety of 293 volumes from his collection. The collection is distinguished by special brown leather bindings with flyleaf of decorative paper (presumably handmade), a lot of tray copies. Part of the journals convolutes from Derzhavin’s collection are bound in hard cardboard paper with a rectangular label-sticker of the early 19th century, reflecting the name of the journal, the year of publication and superexlibris “G. D.” (Gavriil Derzhavin). Analysis of Derzhavin's books from the library demonstrated a significant diversity of reading interests of G.R. Derzhavin. His library has preserved many rare lifetime copies of odes, letters, epigrams, messages of famous authors of the 18th century, a huge number of periodicals. The method of instance analysis of literature made it possible to identify and analyze the author’s marginalia on the poet’s books, their significance for the characteristics of the poet’s literary work.

Life and existence of estate «Mouranovo»

2015 ◽  
Vol 9 (2) ◽  
pp. 105-111
Author(s):  
Екатерина Потапова ◽  
Ekaterina Potapova
Keyword(s):  
Russian Literature ◽  
Moscow Region ◽  
Original Image ◽  
Cultural Traditions ◽  
Russian Culture ◽  
Mode Of Life ◽  
History Of

The article covers the history of a unique «nest of the gentry» of the 19"1 century, located in Moscow region. This country estate is connected to the two outstanding Russian classical poets - E. Boratynsky and F. Tyutchev. For over a hundred years Mouranovo belonged to members of four famous families, who contributed greatly to the treasury of Russian culture and particularly to Russian literature. The author dwells on the life of the Engelgardts, the Boratynskys, the Putyatas and the Tyutchevs in Mouranovo from 1816 till 1920. Special emphasis is made on the everlasting significance of keeping family and cultural traditions from generation to generation, so typical of the mode of life in patrimonies. The contents of the article offers to the reader another opportunity to appreciate the cultural stratum lost forever together with the phenomenon of the noble estates. The author also gives credit to Tyutchev´s grandson and great grandson for the restoration of the original image of the estate house in Mouranovo and quotes some comments of distinguished contemporaries on the museum founded by these two persons.

scholarly journals Ivan Turgenev’s Rome (1840)

2018 ◽  
pp. 124-142 ◽  
Author(s):  
Alexey Kara-Murza
Keyword(s):  
Russian Literature ◽  
Literary Work ◽  
The Novel ◽  
The South ◽  
Ivan Sergeevich Turgenev ◽  
Literature And Philosophy ◽  
The North ◽  
Ancient Literature

This article examines the siginifcant role that Romeplayed in the life of Ivan Sergeevich Turgenev (1818–1883). The author researches the “Roman” preferences of young Turgenev, who specialized in ancient literature and philosophy in Moscow, St. Petersburgand Berlin. Special attention is paid to the circumstances of 21-years-old Turgenev’s stay in the Eternal City in February–April 1840 and his relationship with members of Khovrins’ salon in Rome, espesially with the eldest daughter of Khovrin, Alexandra Nikolaevna, in marriage Bakhmeteva (1823–1903), whо became later a wellknown writer on religious and philosophical topics. The author substantiates the version that it was young “Sashenka” Khovrina who became the prototype of Lisa Kalitina in the novel Home of the Gentry, started in Rome at the end of 1857. The author studies the “Italian traces” in the literary work of Turgenev: in early romantic poem Steno (1834), poem Venus of Medicis (1837), novel On the Eve (1859), etc. The author notes that the “civilizational” contrasts between the “North” and the “South”, abundantly scattered in the works of young Turgenev, suggest that in his work has found a kind of continuation of the tradition of the “Russian Northernship,” deriving in Russian literature from G.R. Derzhavin, N.M. Karamzin, Prince P.A. Vyazemsky.

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