scholarly journals Golding’s Narrowed Attempts at Defining Human Nature in Lord of the Flies

Author(s):  
Rabia Khan ◽  
Sajjad Ahmad ◽  
Ali Ammar

This paper is an attempt to prove the assumption that William Golding is a failure who claims to have written his novel Lord of the Flies on the idea of human nature. He considers that he wrote about human nature in general, but he is a Western and has those ideas of being superior to other people. He takes all his characters from among the English boys. Not a single character who is shown as civilized belongs to a marginalized race. This act of Golding reveals his ethnocentric attitude. He does not bother to include a female character in this novel. All his characters are male. It shows his androcentric nature. Though he tries to put the evil like every man whenever he wants to show the brutality or savagery of a human, in the form of his chosen English boys, he portrays them as the hunters of Africa or paints them with mud. In doing so, he is affiliating savagery with the blacks and Indians. Thus, he propagates the same stereotypical concept of “Orients” as uncivilized and savages. Golding relies solely on the biological factors of human nature. He ignores to consider any social problem for the conflict of the two groups of boys. These social factors may include political system, religion, or Marxism. This research work has proved that Golding’s self-critique of human nature in the novel is a failure on his part.


2020 ◽  
Vol 11 (2) ◽  
pp. 125-136
Author(s):  
Mariwan Hasan ◽  
Diman Sharif

This paper reconsiders William Golding’s Lord of the Flies. Allegorical writings can illustrate ethical, social or psychological and moral issues using the manipulation of images that have stipulated meanings other than their meanings as imitations of the actual world. Allegory has been used widely throughout history in all forms of art, and comprehensible for the reader, conveys hidden meanings through symbolic figures. Lord of the Flies had been written in relation to historical circumstances of the twentieth-century and to the personal experience of William Golding. Also, it has provided a critical analysis of the novel that treated the prominent perspective and elements in it. The novel is a parallel of life in the late twentieth century, while it looks like society a stage of enhancement in technology whereas, human morality is not completely mature yet. “Lord of the Flies is an allegorical microcosm of the world. The destruction of World War II because of the dictators who initiated this war has a profound impact on William Golding himself”. In the beginning, the paper gives an introduction to Golding’s point of view on humanity with the title of how to draw attention to me through allegory and fable, two forms of imaginative literature that encouraged the reader and listener to look for hidden meanings. Then it deals with William Golding’s Lord of the Flies from the cultural approaches of that time, who is one of the most prominent literary men of postmodernism that was famous for utilizing symbolism within the novel; “he used different kinds of symbols, characters, objects, animals, colors and setting to convey his message about his main theme”, in the last section we analyzed the postmodern features in Lord of the Flies and how they are used to depict Golding’s view. The way Golding uses allegory strengthens the symbolism of his novel. Finally, it tackles the educational value through his experiences in teaching along with critical analysis of Golding’s technique.



Author(s):  
Adnan Al-Zamili

The present study argues that William Golding’s Lord of the Flies can be read as a manifest for the natural degeneration of human beings, and that human beings are violent and competent by nature. In doing so, the present article, firstly, draws upon the Hobbesian philosophy of human nature and how it is in conflict with the related ideas of Rousseau. The article, then, analyzes certain elements of the novel so as to show the Hobbesian ideas behind the novel where there is a society of children and the upcoming relations of power and individual desires. The article afterwards argues that human nature, against what the author declares in the Hot Gates (1965) as the degenerated human nature, is not naturally degenerating, but through society this savagery of human being takes place. Ideas of Rousseau are then used thereupon for backing this very argument. Golding’s novel launces attack on Rousseau’s ideas that society is the agent of corruption in beings.



2020 ◽  
Vol 16 (2) ◽  
pp. 200
Author(s):  
Aisyiyah Hanif Muallim

The aims of the study were to reveal the cause of personality development on children’s characters and to elaborate the exertion in eradicating poverty reflects from the novel Lord of the Flies. This study employed descriptive qualitative study with psychoanalytical approach initiated by Sigmund Freud focused on literature as the reflection of real life. The primary data in this study were collected from the novel “Lord of the Flies” by William Golding (1954). The secondary data were taken from the library, internet, and journals, theses, and articles. The research result indicates that the personalities of the children are developed based on the anxiety and defense mechanism as part of psychoanalysis. Other finding is about the reflection of poverty eradication shows in the story. The children’s efforts in getting rescued and hunting could be the reflection of escape from poverty.



Suzanne Collins’ novel The Hunger Games suggests a new logic of victory and set a distinguished focus on the unique personality of her heroin which brings to the mind the permanent correlation between all moral values. The Hunger Games World seems to be much more like one big bowl as it links the past, present, and the future. An Intertextual reference is interwoven in the present research as it brings Golding’s Lord of the Flies to the surface, and it highlights certain similarities between the two texts. In which Ralph, Piggy and Simon in Golding’s Lord of the Flies are the incarnations of stable moral values and hope of surviving ethics and rules in a chaotic and turmoil world. The events in Collins’ book prove that a character is refined and enriched by the challenges he/she overcomes through his/her lifetime. It presents a picture of contemporary life which is characterized by a condensed intellectual and spiritual crisis. The word "Hunger" in the novel is metaphorical; it denotes the uncontrollable need for political freedom, a healthy social system and equal opportunities in life. In the world of Panem's District 12, bread means hope.it represents a survival from hunger. The elites of Panem use hope as a method of control. Katniss embodies the hope of a better world, a liberated Panem. The personal hope to survive becomes a collective hope for the possibility of the existence of a better world. She discredits the present democracy, the present population and those in power right now. It points out the limits of the contemporary political system, tyrannical power, dictatorship and extreme brutality based on supreme authority.



Keruen ◽  
2020 ◽  
Vol 67 (2) ◽  
Author(s):  
A.N. Zhumataeva ◽  

In this article presents a scientific analysis of the novel «Moonlight darkness» written by T. Sauketaev about the December 1986 revolution. The author comprehensively examines in the novel the interaction of historical reality and the artistic solution, the question of human destiny. Also analyzed are the symbolic value of landscape sketching, the poetics of the author’s image in the writer's discourse. The article reflects the psychological state and internal character of the people who reflected the political system in the author's story. As well as political and social factors, such as resistance to national interests during the Soviet period, the problems described in the plot are based on a hard idea. We discuss the review of the image of the writer, the plot and the vision of the author.



Lexicon ◽  
2020 ◽  
Vol 6 (2) ◽  
Author(s):  
Jamiah Solehati ◽  
Bernadus Hidayat

This research investigates the significance of the conch shell in the novel Lord of the Flies written by William Golding. The focus of this research is to examine the meaning of the conch shell as one of the most important symbols and to observe the dynamic of the main characters in relation to power. The research applies textual formalism approach to uncover the meaning of the symbol. Furthermore, this research is also supported with sociological approach to relate the literary work with the reality of the social condition during that era and to get a better understanding of the characterization of the main characters in the novel. The main data used in this research is the novel Lord of the Flies. To support this analysis, additional data is taken from various sources such as books and academic journals. The result of this analysis shows that conch is symbol of democratic power and order. Furthermore, the conch leads us to understand that we must have rules and authority to maintain a safe environment. Without them, utter chaos is inevitable.



Author(s):  
Émile Zola

Did possessing and killing amount to the same thing deep within the dark recesses of the human beast? La Bete humaine (1890), is one of Zola’s most violent and explicit works. On one level a tale of murder, passion and possession, it is also a compassionate study of individuals derailed by atavistic forces beyond their control. Zola considered this his ‘most finely worked’ novel, and in it he powerfully evokes life at the end of the Second Empire in France, where society seemed to be hurtling into the future like the new locomotives and railways it was building. While expressing the hope that human nature evolves through education and gradually frees itself of the burden of inherited evil, he is constantly reminding us that under the veneer of technological progress there remains, always, the beast within. This new translation captures Zola's fast-paced yet deliberately dispassionate style, while the introduction and detailed notes place the novel in its social, historical, and literary context.



Horizons ◽  
1993 ◽  
Vol 20 (1) ◽  
pp. 44-66
Author(s):  
D. M. Yeager

AbstractWilliam Golding, in The Spire, invites us to ask how we may know the will of God, and suggests that what we take to be the will of God is often simply the projection onto history of the disguised image of our private and self-absorbed desires. Though contemporary critics tend to interpret the novel as a sympathetic exploration of moral ambiguity rather than as a compelling condemnation of Jocelin's mortifying and death-dealing sin, the novel turns on the contrast between the drive toward dominion and the capacity for assent. The final salvific discovery, given form in Jocelin's mind by the experience of the apple tree and the kingfisher, is the overthrow of the will, its panicked drowning, in terrified apprehension of implacable glory and squandered gifts.



2011 ◽  
Vol 403-408 ◽  
pp. 4880-4887
Author(s):  
Sassan Azadi

This research work was devoted to present a novel adaptive controller which uses two negative stable feedbacks with a positive unstable positive feedback. The positive feedback causes the plant to do the break, therefore reaching the desired trajectory with tiny overshoots. However, the two other negative feedback gains controls the plant in two other sides of positive feedback, making the system to be stable, and controlling the steady-state, and transient responses. This controller was performed for PUMA-560 trajectory planning, and a comparison was made with a fuzzy controller. The fuzzy controller parameters were obtained according to the PSO technique. The simulation results shows that the novel adaptive controller, having just three parameters, can perform well, and can be a good substitute for many other controllers for complex systems such as robotic path planning.



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