scholarly journals Methodological Basis Of Creation, Organization And Decoration Of Platter's Artistic Composition In Applied Art

2021 ◽  
Vol 03 (04) ◽  
pp. 298-310
Author(s):  
Rasulov Murad Absamatovich ◽  
◽  
Abdurashidkhonova Muslimahon Bahodirhon ◽  
Keyword(s):  
Methodological Basis ◽  
Applied Art ◽  
Ancient Times ◽  
Representations Of Nature ◽  
Applied Arts

The article contains all the patterns that have been used since ancient times in Applied Arts, although they are conditional representations of nature and reality, they have their own rules, and these rules are derived in a stylized way from nature itself. The article provides information on the artistic processing of the bowl, which is typical of the art of woodcarving.

scholarly journals SCIENTIFIC RESTORATION OF WORKS OF DECORATIVE AND APPLIED ART IN THE SYSTEM OF HIGHER ART EDUCATION

2021 ◽  
pp. 92-106
Author(s):  
Natalia Revenok
Keyword(s):  
Art Education ◽  
Organic Materials ◽  
Fine Arts ◽  
Important Place ◽  
Stage Of Development ◽  
Works Of Art ◽  
Applied Art ◽  
And Storage ◽  
Cultural Monuments ◽  
Applied Arts

Abstract. The article is devoted to the issues of scientific restoration of works of decorative and applied art in the system of art education at the National Academy of Fine Arts and Architecture. The processes of formation and improvement of the experience of the artist-restorer for the preservation of historical and cultural monuments are defined. The importance of solving the cultural and professional development of the future artist-restorer in the field of restoration of works of decorative and applied art is emphasized. The topic studied by the author raises a number of issues of the methodology of studying works of decorative and applied arts in the research work of future artists-restorers. The purpose of the study is to develop and substantiate basic theoretical know­ledge in the field of research, restoration, conservation and storage of works of decorative and applied arts from metal, ceramics and organic materials. Training of restoration specialists is carried out in various educational and scientific institutions of Ukraine. At the present stage of development of scientific restoration, this industry needs innovative approaches and updating of old methods. Thus, at the National Academy of Fine Arts and Architecture you can get a specialty artist-restorer of monumental painting, artist-restorer of sculptures and decorative arts from metal, ceramics, organic materials (fabrics, leather and bone). Restoration occupies the most important place in museum work and combines a set of knowledge and skills that provide storage of works of art made of metal, ceramics and organic materials. Disciplines on the restoration of sculpture and works of decorative and applied art are part of the training of specialists in the specialty «Restoration of works of art» within the acquisition of practical skills in research, restoration, conservation and storage. Training of future artists-restorers in the system of higher professional education taking into account modern requirements of conservation and restoration is based on such principles as scientific, connection of theory with practice should be carried out on authentic monuments — museum exhibits that promotes formation of professional competences, acquisition of professional experience, responsible attitude to historical and cultural monuments. The obtained results deepen the idea of research methods, restoration and conservation of works of decorative and applied arts from metal, ceramics and organic materials. Theoretical provisions are important at the problem-theoretical level, because the training of restorers requires a strong scientific and methodological base.

scholarly journals Reflection Of Folklore In Applied Art Of Uzbekistan (From The Beginning Of The XX Century To The 90s)

2021 ◽  
Vol 03 (02) ◽  
pp. 166-171
Author(s):  
Ibrokhim Rakhimovich Abdurakhmonov ◽  
Keyword(s):  
Applied Art ◽  
Symbolic Image ◽  
Applied Arts

The article scientifically generalizes the issues of reflection of folklore motives in the types of applied arts of Uzbekistan in the XX century. The most general considerations regarding the nature of the symbolic image of animals, birds, poultries, insects and underground creatures in the decor of household items are presented.

scholarly journals To the Iconography of the Saint Warrior Horseman in the Byzantine Sphragistics of the 12th – 13th Centuries. Saint Demetrios of Thessalonika

2020 ◽  
pp. 111-120
Author(s):  
Valeriy Stepanenko
Keyword(s):  
Comparative Analysis ◽  
Research Methods ◽  
Integrated Approach ◽  
The Other ◽  
Museum Collection ◽  
Front Side ◽  
13Th Century ◽  
Methodological Basis ◽  
Applied Art ◽  
Hands On

Introduction. The images of holy warriors were extremely popular in the art of Byzantium and the countries of the Byzantine cultural circle of the 11th – 14th centuries. They are known for numerous images in iconography, monumental painting, applied art. They are numerous in sphragistics. The image of a warrior horseman best known for the early 13th century monuments is the rarest and most recent formation. Introducing new sigilographic monuments into the scientific circulation and determining the time of appearance of this iconographic type on their basis are among the main goals of the proposed research. Methods. The methodological basis of the study is an interdisciplinary integrated approach that involves using methods of the comparative analysis of sfragistics, numismatic and other categories of monuments. Analysis. Two seals are kept in the State Hermitage Museum collection. Both sides of the first seal (M-12374) have the depiction of Saint Demetrios of Thessaloniki as a horseman triumphant. On the left, under the cloak, there is the inscription ΟΔΗ. that, apparently, can be revealed as Ὁ (ἅγιος) Δη(μήτριος). On the other side of the seal there is a full-length image of Saint Stephanos with a censer and pyxis in his hands. On the front side of the second seal (M-3751) there is the same image of Saint Demetrios of Thessaloniki with a similar inscription. On the reverse side of the seal there is the inscription “Defender, look at me, your slave Christopher”. Results. The images of Saint Demetrios of Thessaloniki on both seals are almost identical, which implies the existence of a common prototype, most likely an honored icon. We can assume that it was in Thessaloniki in the Basilica of Saint Demetrios. Probably, the image of the warrior triumphant is the latest version of the iconography of saint warrior and it is known for the few monuments of the late 11th – 12th centuries. As a result, both seals can be dated to the same time.

scholarly journals Methodological Basis of the Ornamental Study in the Process of Professional Training of Art Teachers

2019 ◽  
pp. 115-127
Author(s):  
Tetiana Nosachenko
Keyword(s):  
Professional Training ◽  
Fine Arts ◽  
Effective Means ◽  
Art Teachers ◽  
Aesthetic Education ◽  
Applied Art ◽  
Creative Abilities ◽  
Ornamental Art ◽  
Symbolic Content ◽  
Applied Arts

The article reveals the content and significance of decorative and applied arts in the system of art-pedagogical education, reveals the methodical aspects of studying the ornament, as a means of forming the professional skill of future fine arts teachers.The decorative-applied art is characterized in the article by the unity of the artistic structure, the presence of various activities and acts as an effective means of aesthetic education of the students’ personalities, the formation of their artistic taste. The author of the article defines that involving students in various types of artistic and applied arts, based on a folk art, is one of the main conditions for a full-fledged aesthetic education and the development of their artistic and creative abilities.It is also noted in the study that one of the main «tools» for creating an image of decorative arts is an ornament. The article shows the urgency and necessity of improving the technique of studying the ornament in the process of professional training of students of the artistic profile. The ornament is considered by the researcher as a means of the development of students’ professional skills, spatial thinking, formation of author’s style and creative personality.The author of the article believes that, studying the symbolic content of the ornaments, students become acquainted with their simplest archaic motifs, those are: a line, a circle, a cross, a rhombus, a square, a point, that is essential for forming an understanding of the integrity of an artistic work, aims to form a sense of the compositional laws of shaping and decorating and develop on this basis their artistic and creative abilities. Moreover, the researcher notes that the sense of rhythm, the harmony of color, the balance of form and color, which students receive during the study of ornament, allow them to creatively realize themselves in various types of paintings and decorative compositions, raise the level of artistic and creative abilities in general.The author of the article gives the conclusion that an assimilation of techniques of the image of the ornament in various techniques, studying the types of ornamental art, laws and rules of ornamentation contribute to raising the level of artistic and creative abilities of students provided the introduction of modern scientifically sound teaching methods.

scholarly journals ДЕКОРАТИВНЕ МИСТЕЦТВО І ЕКО-ДИЗАЙН: ФІЛОСОФСЬКО-ОСВІТНІ ОСНОВИ РОЗВИТКУ І СУЧАСНІ ВИКЛИКИ

2021 ◽  
pp. 185-194
Author(s):  
Р. Т. Шмагало
Keyword(s):  
Cultural Values ◽  
Design Education ◽  
Practical Significance ◽  
Art And Design ◽  
Cultural Challenges ◽  
Applied Art ◽  
Methodological Principles ◽  
Basic Ideas ◽  
Time Continuum ◽  
Applied Arts

Purpose. Identification and analysis of philosophical, educational and aesthetic foundations of the development of decorative and applied arts and design in the context of new socio-cultural challenges. Methodology. It is based on a systematic approach that synthesizes the methodological principles of related sciences: art history, philosophy, aesthetics, pedagogy with universal for these sciences methods of historical, typological and comparative analysis. Results. Basic philosophical and aesthetic origins of the phenomenon of decorative and applied art in the context of art and related design education, as well as the bank of basic ideas and principles of its progress in the time continuum are determined. There also have been traces social and cultural values acquired over the centuries, relevant for different historical periods and modern challenges, facing the art and education sphere. Scientific novelty. Determining of the philosophical and aesthetic principles of the functioning of decorative and applied arts in line with art and design education, its timeless universal social and cultural values. Practical significance. The research will contribute to the formation of a deep, philosophical and aesthetic level of worldview perception of the phenomenon of decorative and applied arts, art and design education, the development of guidelines for the implementation and design of new creative ideas in art, education and eco design

scholarly journals Trends in Contemporary Decorative and Applied Art (Based on the Materials of the Ural Triennial of Decorative Arts)

2020 ◽  
Author(s):  
Galina Khramtsova ◽  
Elizaveta Manerova
Keyword(s):  
Contemporary Art ◽  
Fine Arts ◽  
Decorative Arts ◽  
Arts And Crafts ◽  
New Materials ◽  
Decorative Art ◽  
Applied Art ◽  
The Future ◽  
Applied Arts

This article discusses the processes that are taking place in contemporary decorative art. We are using materials and experience of the All-Russian open exhibition II Ural Triennial of Decorative Art, which brings together both domestic artists and masters from the neighbouring countries. Analysing different sections of the triennial (textile, glass, stonecutting), we explore various artistic trends and their potential to, eventually, become established schools of decorative and applied arts. Increasing acceptance from the professional art institutions is also recommended and required, since in Russia decorative art is still excluded from the list of “fine arts”. The example of the Ural Triennial shows that contemporary decorative artists are engaged in active experimentation, combining traditional and new materials and techniques. The result is a promising glimpse into the future of decorative and applied arts. Keywords: contemporary art, arts and crafts, Ural Triennial

scholarly journals Feuchère Designs in the Rijksmuseum

2018 ◽  
Vol 66 (1) ◽  
pp. 24-43
Author(s):  
Esther Van der Hoorn
Keyword(s):  
Present Article ◽  
Design Process ◽  
Applied Art ◽  
Late Eighteenth ◽  
Applied Arts

The Rijksmuseum recently acquired various works on paper relating to the Feuchère family of bronze founders, who had a workshop in Paris during the late eighteenth and first half of the nineteenth centuries. Amongst these materials is an edition of Léon Feuchère’s publication L’Art Industriel: recueil de dispositions et de décorations intérieures, comprenant des modèles pour toutes les industries d’ameublement et de luxe … It concealed a hundred preliminary drawings for the volume’s plates, with designs for an array of objects of applied art in various neostyles. The present article compares the publication and the inserted drawings. The latter are also compared to other drawings related to the Feuchère family that the Rijksmuseum acquired. In the process, it becomes clear that underlying Léon Feuchère’s design process was the aspiration to conceive of object and ornament in harmony. The article suggests that this aspiration was related to concerns surrounding the industrialization and commercialization of the production of applied arts.

Typologization of security regulation

2020 ◽  
pp. 20-27
Author(s):  
Denis Tikhomirov
Keyword(s):  
Social Relations ◽  
Scientific Literature ◽  
Legal Regulation ◽  
Procedural Understanding ◽  
Limited Ability ◽  
Methodological Basis ◽  
Wide Range ◽  
The Subject ◽  
Definition Of ◽  
Legal Understanding

The purpose of the article is to typologize terminological definitions of security, to find out the general, to identify the originality of their interpretations depending on the subject of legal regulation. The methodological basis of the study is the methods that made it possible to obtain valid conclusions, in particular, the method of comparison, through which it became possible to correlate different interpretations of the term "security"; method of hermeneutics, which allowed to elaborate texts of normative legal acts of Ukraine, method of typologization, which made it possible to create typologization groups of variants of understanding of the term "security". Scientific novelty. The article analyzes the understanding of the term "security" in various regulatory acts in force in Ukraine. Typological groups were understood to understand the term "security". Conclusions. The analysis of the legal material makes it possible to confirm that the issues of security are within the scope of both legislative regulation and various specialized by-laws. However, today there is no single conception on how to interpret security terminology. This is due both to the wide range of social relations that are the subject of legal regulation and to the relativity of the notion of security itself and the lack of coherence of views on its definition in legal acts and in the scientific literature. The multiplicity of definitions is explained by combinations of material and procedural understanding, static - dynamic, and conditioned by the peculiarities of a particular branch of legal regulation, limited ability to use methods of one or another branch, the inter-branch nature of some variations of security, etc. Separation, common and different in the definition of "security" can be used to further standardize, in fact, the regulatory legal understanding of security to more effectively implement the legal regulation of the security direction.

History of thyroid surgery

2020 ◽  
Vol 99 (11) ◽  
Keyword(s):  
Surgical Technique ◽  
20Th Century ◽  
Thyroid Surgery ◽  
History Of ◽  
Ancient Times

The authors present an outline of the development of thyroid surgery from the ancient times to the beginning of the 20th century, when the definitive surgical technique have been developed and the physiologic and pathopfysiologic consequences of thyroid resections have been described. The key representatives, as well as the contribution of the most influential czech surgeons are mentioned.

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