scholarly journals Who tells the story in “The Devils”?

Author(s):  
Nikolai Murzin
Keyword(s):  

Against all numerous complexities and riddles that Dostoevsky’s “The Devils” contain, a great storm of searing passions, insane ideas and wild behavior its characters reprise, the figure of Storyteller often seems lost, pale, quite insignificant. He is merely a mask of the Author, a weaver of narration, a devoted chronicler of what happened. Or is he really? We somehow rarely realize that it’s his eyes we look through and see what is considered to be the “final truth” of the novel, the meaning and motivation behind its heroes’ actions, let alone the deepest secrets of their minds and souls. How come a character all like themselves has all the keys, where’s the source of his all-knowing, and is it only a matter of pure art, a writer’s convention that we must easily accept and pay so much attention? Maybe ignoring this strangeness means we really underestimate the troubling greatness of “The Devils”, its many layers and ruinous conflict that lies at the core of all its confusion.

2013 ◽  
Vol 3 (2) ◽  
pp. 161-183
Author(s):  
Mary L. Mullen

This article considers the politics and aesthetics of the colonial Bildungsroman by reading George Moore's often-overlooked novel A Drama in Muslin (1886). It argues that the colonial Bildungsroman does not simply register difference from the metropolitan novel of development or express tension between the core and periphery, as Jed Esty suggests, but rather can imagine a heterogeneous historical time that does not find its end in the nation-state. A Drama in Muslin combines naturalist and realist modes, and moves between Ireland and England to construct a form of untimely development that emphasises political processes (dissent, negotiation) rather than political forms (the state, the nation). Ultimately, the messy, discordant history represented in the novel shows the political potential of anachronism as it celebrates the untimeliness of everyday life.


2020 ◽  
Vol 50 (1) ◽  
pp. 66-82
Author(s):  
Rasmus Vangshardt

AbstractTom Kristensen’s travel book En Kavaler i Spanien (1926) was the result of a stay at the Danish explorer Knud Rasmussen’s house, where Kristensen not only met his physical and psychological superior, he also began his artistic development and personal breakdown towards the novel Hærværk (1930). The article argues that with a departure from this context, En Kavaler i Spanien can be read as an original and complex subgenre of the sentimental novel and it suggests that the work might best be categorized as ‘hard sentimentalism’. This subgenre of the travel novel can be identified in the intertwinement of the core thematic of the book — eroticism, medieval Spain and identity loss — with style and form. The paradoxical generic notion of ‘hard sentimentalism’ is used to connect medieval Spain with the erotic, but in an increasingly dangerous way, which threatens the traveler’s identity by increasing homosexual attraction and opening an abyss of degeneration and distorted emptiness behind the flirt.


Author(s):  
Paul Marty ◽  
Jacopo Romoli

AbstractMaximize Presupposition! (MP), as originally proposed in Heim (Semantik: Ein internationales Handbuch der zeitgenössischen Forschung, pp. 487–535, 1991) and developed in subsequent works, offers an account of the otherwise mysterious unassertability of a variety of sentences. At the core of MP is the idea that speakers are urged to use a sentence ψ over a sentence ϕ if ψ contributes the same new information as ϕ, yet carries a stronger presupposition. While MP has been refined in many ways throughout the years, most (if not all) of its formulations have retained this characterisation of the MP-competition. Recently, however, the empirical adequacy of this characterisation has been questioned in light of certain newly discovered cases that are infelicitous, despite meeting MP-competition conditions. This has led some researchers to broaden the scope of MP, extending it to competition between sentences which are not contextually equivalent (Spector and Sudo in Linguistics and Philosophy 40(5):473–517, 2017) and whose presuppositions are not satisfied in the context (Anvari in Proceedings of Semantics and Linguistic Theory 28, pp. 711–726, 2018; Manuscript, IJN-ENS, 2019). In this paper, we present a body of evidence showing that these formulations of MP are sometimes too liberal, sometimes too restrictive: they overgenerate infelicity for a variety of felicitous cases while leaving the infelicity of minimally different cases unaccounted for. We propose an alternative, implicature-based approach stemming from Magri (PhD dissertation, MIT, 2009), Meyer (PhD dissertation, MIT, 2013), and Marty (PhD dissertation, MIT, 2017), which reintroduces contextual equivalence and presupposition satisfaction in some form through the notion of relevance. This approach is shown to account for the classical and most of the novel cases. Yet some of the latter remain problematic for this approach as well. We end the paper with a systematic comparison of the different approaches to MP and MP-like phenomena, covering both the classical and the novel cases. All in all, the issue of how to properly restrict the competition for MP-like phenomena remains an important challenge for all accounts in the literature.


2021 ◽  
Author(s):  
Melanie Conroy

Literary geography is one of the core aspects of the study of the novel, both in its realist and post-realist incarnations. Literary geography is not just about connecting place-names to locations on the map; literary geographers also explore how spaces interact in fictional worlds and the imaginary of physical space as seen through the lens of characters' perceptions. The tools of literary cartography and geographical analysis can be particularly useful in seeing how places relate to one another and how characters are associated with specific places. This Element explores the literary geographies of Balzac and Proust as exemplary of realist and post-realist traditions of place-making in novelistic spaces. The central concern of this Element is how literary cartography, or the mapping of place-names, can contribute to our understanding of place-making in the novel.


Molecules ◽  
2019 ◽  
Vol 24 (9) ◽  
pp. 1772 ◽  
Author(s):  
Maria de los Angeles Cortes ◽  
Raquel de la Campa ◽  
Maria Luisa Valenzuela ◽  
Carlos Díaz ◽  
Gabino A. Carriedo ◽  
...  

During the last number of years a variety of crystallization-driven self-assembly (CDSA) processes based on semicrystalline block copolymers have been developed to prepare a number of different nanomorphologies in solution (micelles). We herein present a convenient synthetic methodology combining: (i) The anionic polymerization of 2-vinylpyridine initiated by organolithium functionalized phosphane initiators; (ii) the cationic polymerization of iminophosphoranes initiated by –PR2Cl2; and (iii) a macromolecular nucleophilic substitution step, to prepare the novel block copolymers poly(bistrifluoroethoxy phosphazene)-b-poly(2-vinylpyridine) (PTFEP-b-P2VP), having semicrystalline PTFEP core forming blocks. The self-assembly of these materials in mixtures of THF (tetrahydrofuran) and 2-propanol (selective solvent to P2VP), lead to a variety of cylindrical micelles of different lengths depending on the amount of 2-propanol added. We demonstrated that the crystallization of the PTFEP at the core of the micelles is the main factor controlling the self-assembly processes. The presence of pyridinyl moieties at the corona of the micelles was exploited to stabilize gold nanoparticles (AuNPs).


2006 ◽  
Vol 1 (10) ◽  
pp. 1934578X0600101
Author(s):  
Alexander K. L. Yuen ◽  
Craig A. Hutton

This review covers the synthesis of various cyclic peptide natural products possessing highly functionalized tryptophan residues, focusing on the examples of diazonamide A, the TMC-95 compounds, the celogentin/moroidin family and the complestatin/chloropeptin system. Recent efforts toward the preparation of these modified-tryptophan-containing peptides will be outlined, focusing primarily on the novel methods for the assembly of the highly functionalized indole/tryptophan moieties at the core of these structures.


2020 ◽  
Vol 2 (3) ◽  
Author(s):  
Andrew Jones ◽  
Fred Rumsey

The novel hybrid Hypericum undulatum Schousb. ex. Willd. x H. perforatum L. is described from Cardiganshire (v.c.46) and given the name H. x cereticae R.A. Jones, F.J. Rumsey & N. Robson.  Despite reduced fertility it shows indications of ongoing introgression and signs of recent dispersal up to 5 km from the core site. The hybrid has arisen recently at the northern extremes of the rarer (H. undulatum) parental species’ range, although at neither site are the parents currently sympatric and in the outlying population both are absent, supporting the belief that here it has not arisen de novo but has colonised through unknown agencies.


2021 ◽  
Vol 11 (10) ◽  
pp. 1197-1202
Author(s):  
Mohammed Abdullah Abduldaim Hizabr Alhusami

The aim of this paper is to investigate the issue of intertextuality in the novel Alfirdaws Alyabab (The Waste Paradise) by the female Saudi novelist and short story writer Laila al-Juhani. Intertextuality is a rhetoric and literary technique defined as a textual reference deliberate or subtle to some other texts with a view of drawing more significance to the core text; and hence it is employed by an author to communicate and discuss ideas in a critical style. The narrative structure of Alfirdaws Alyabab (The Waste Paradise) showcases references of religious, literary, historical, and folkloric intertextuality. In analyzing these references, the study follows the intertextual approach. In her novel The Waste Paradise, Laila al-Juhani portrays the suffering of Saudi women who are less tormented by social marginalization than by an inner conflict between openness to Western culture and conformity to cultural heritage. Intertextuality relates to words, texts, or discourses among each other. Moreover, the intertextual relations are subject to reader’s response to the text. The relation of one text with other texts or contexts never reduces the prestige of writing. Therefore, this study, does not diminish the status of the writer or the text; rather, it is in itself a kind of literary creativity. Finally, this paper aims to introduce Saudi writers in general and the female writers in particular to the world literature.


EDULANGUE ◽  
2019 ◽  
Vol 2 (1) ◽  
pp. 63-85
Author(s):  
Jimmi ◽  
Titin Suprihatin

Nowadays in globalization era, being able to communicate in a foreign language is of paramount importance due to its role in seeking for jobs, scholarship, etc. Translation is one of English for Specific Purpose, because is challenging and interesting job to be mastered. Because translation is not an easy work, it needs a serious attention and concentration. It can be said that the core of translation is a transfer a message without any left words missing especially the meaning. The translator shall be careful in replacing the meaning from Source Language to Target Language. In translation, some problems appear like usage of collocation in novel Twilight New Moon. The author mostly uses collocation in the novel.. The translator also translate the novel not only by method word by word, but also the translator uses modulation method and context of sentence. The use of collocation in novel makes reader easy to understand meaning of novel, get the point of message of novel


2019 ◽  
Author(s):  
Assia Mohdeb ◽  
Sofiane Mammeri

Identity, in one of its understanding, signifies a set of characteristics that make up a person’s ethical faithfulness to, identification with, and pride of one’s origin, tradition, and culture. Remaining true to one’s identity and being faithful to the core values of one’s culture is a complicated matter when it comes to a black living in white society like America, where color and racial identity are rudimentary prerequisites in self-definition and naming. Philip Roth’s novel entitled The Human Stain (2000) shows how some black figures undress their black identity to wear the prestigious white one to go onward with life as full selves, to have access to all the privileges the whites enjoy, and, above all, to live without the specter of race and the decisiveness of epidermal signs. The novel calls into question and revision such essentialist notions as other, class,andrace by describing the crises the subject or self undergoes in the light of racial prejudices, center-periphery relations, and class stereotypes. The present paper, then, addresses the act of self-abdication the protagonist, Silk Coleman, carries out to overstep the feeling of otherness and to dodge racial discrimination. The paper looks into the notions of selfhood and Otherness by negotiating the definition of the self and the distortion it undergoes in its encounter with the Other . The study aims at revealing, primarily, the effects of Black racial-passing, a common phenomenon in American society of the first half of the twentieth century, on familial relationships and cultural heritage. It also reveals the weight of gender and class discrimination in the individual’s identity formation and well-being.


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