Lived body vs. gender

2021 ◽  
pp. 56-69
Author(s):  
Michaele L. Ferguson ◽  
Andrew Valls
Keyword(s):  
2017 ◽  
Vol 2017 (2) ◽  
pp. 41-56
Author(s):  
Thomas Alkemeyer

Two forms or rather perspectives of observations appear alongside practice theories: The first perspective can be called the „theatre perspective“: practice here is observed as a regular, spatiotemporally ordered, socially structured, and therefore recognizable historical form of „practical doings and sayings“, in which participants are understood as mere carriers of practices and their bodies as the raw material for processes of formation. In the other perspective, understood as the perspective of the participants themselves, practices come into view as ongoing, conflictual, and contingent accomplishments, in which participants occur as intelligently collaborating contributors with so called „lived bodies“. These bodies are affectable, sites of experience, and media of a sensitivity that allow an embodied self to orientate itself (with)in a practice. This paper proposes a methodological mediation of both perspectives by taking into account both a sociological analysis of discipline, formation, or adjustment, and the reflexive sensing in action, which can be modeled phenomenologically. Thus, a „lived-body-in-accomplishment“ comes into view that serves the material basis of subjectivation procceses, i. e. the (self-)formation of a constitutionally conditioned (political) agency.


2017 ◽  
Vol 2017 (2) ◽  
pp. 57-76 ◽  
Author(s):  
Thomas Bedorf

The materiality of bodies is crucial for establishing theories of practice. To unfold the ‘black box’ of the performing body some theorists have implemented the difference between the lived body and the material body (Leib/Kçrper) in practice theory. This corporeal difference finds one systematic origin in phenomenology. It has come under attack for naturalising and subjectivising the lived body as a primordial category, and thus being unable to integrate to practice theory. It will be argued that critics can be refuted insofar as the corporeal difference is taken serious as a bodily experienced difference which is never to be reduced to some kind of objectivity.


Author(s):  
Drew Leder

This chapter undertakes a phenomenology of inner-body experience, starting with a focus on visceral interoception. While highly personal, such experience also reveals a level of the lived body that is pre-personal, beyond our understanding and control. In contrast to exteroception, elements of the visceral field can be inaccessible, or surface only indistinctly and intermittently to conscious awareness. Nonetheless, interoception is more than just a series of such sensations. This chapter argues for the “exterior interior”—that is, we interpret inner body experiences through models drawn from the outer world, and interoception itself is bound up with emotion, purpose, and projects. In the West, we tend to valorize the interiority of rational thought; by contrast, experience of the inner body is a kind of “inferior interior,” often overlooked or overridden, yet inside insights—gained from attending to messages from the inner body—may preserve our health and wellbeing.


Author(s):  
Sara Heinämaa

AbstractToday the phenomenological concept of the lived body figures centrally in several philosophical and special scientific debates. In these wide and widening fields, the concept is used with multiple different meanings. In order to clarify and delineate the debates, this paper provides an explication of the phenomenological-transcendental methods. It argues that these methods help us remove the most fundamental ambiguities of the concept of embodiment by distinguishing between the main constituents of the lived body and by illuminating their mutual relations.


Topoi ◽  
2021 ◽  
Author(s):  
Fredrik Svenaeus

AbstractIn this paper I explore health and illness through the lens of enactivism, which is understood and developed as a bodily-based worldly-engaged phenomenology. Various health theories – biomedical, ability-based, biopsychosocial – are introduced and scrutinized from the point of view of enactivism and phenomenology. Health is ultimately argued to consist in a central world-disclosing aspect of what is called existential feelings, experienced by way of transparency and ease in carrying out important life projects. Health, in such a phenomenologically enacted understanding, is an important and in many cases necessary part of leading a good life. Illness, on the other hand, by such a phenomenological view, consist in finding oneself at mercy of unhomelike existential feelings, such as bodily pains, nausea, extreme unmotivated tiredness, depression, chronic anxiety and delusion, which make it harder and, in some cases, impossible to flourish. In illness suffering the lived body hurts, resists, or, in other ways, alienates the activities of the ill person.


1989 ◽  
Vol 41 (3) ◽  
pp. 421
Author(s):  
Ann Daly ◽  
Sondra Horton Fraleigh
Keyword(s):  

1998 ◽  
Vol 29 (2) ◽  
pp. 231-248 ◽  
Author(s):  
Bertha Mook

AbstractIn recent years, there has been a marked increase in the use of imaginative play in child psychotherapy, yet the theoretical conceptualization of the meaning of play is lacking behind its application in practice. In search of a deeper understanding of the phenomenon of imaginative play, the author turns to Merleau-Ponty's ontology and to his phenomenology of structure, of the lived body, of perception, and of expression. In light of his work, play is an embodied mode of being in the world and a body-world phenomenon. Imaginative play in particular exemplifies the human order in that it enables the child to create and re-create his own meanings within his play world. In a therapeutic context, the evocation of play imagery and the expressive shaping and reshaping of play meanings lead to surprising insights and new discoveries relevant to the child's life-world. A central therapeutic value of imaginative play lies in its promise for facilitating change and healing. A clinical case illustration of a young boy is provided, and the meaning of his imaginative play is exemplified in light of Merleau-Ponty's thought. Some implications are drawn for the theory of play in child psychotherapy.


1999 ◽  
Vol 28 (5) ◽  
pp. 627
Author(s):  
Deborah Barrett ◽  
Simon J. Williams ◽  
Gillian Bendelow
Keyword(s):  

PARADIGMI ◽  
2012 ◽  
pp. 157-171
Author(s):  
Angelica Nuzzo

This essay discusses Merleau-Ponty's assessment of Kant's philosophy looking first at his critique of Kant's transcendental idealism in the preface to the 1945 Phenomenology of Perception, and second at his account of the duality of the concepts of nature in the 1956-57 lecture notes on Nature at the Collčge de France. In both cases, Merleau-Ponty points to the encounter with the issue of the living/lived body as the stumbling block that halts the transcendental inquiry leading to his transcendental phenomenology. Along this itinerary, countering Merleau-Ponty's reading a different interpretation of Kant is offered. The claim is made that Kant did not evade the problem of the human body but made it functional to his own transcendental inquiry. Task of this essay is to measure the distance that separates the two accounts of Kant's view of sensibility, namely, the critical account that inspires Merleau-Ponty's phenomenology of the lived body leading him beyond the alleged impasse of Kant's transcendental idealism, and what the author claims to be Kant's own transcendental view of sensibility.


2010 ◽  
Vol 1 (1) ◽  
pp. 58-65
Author(s):  
Lis Engel ◽  
Rikke Schou Jeppesen

Abstract This article is about language and lived experiences and analysis of movement of dance within Physical Education studies in Denmark with a special focus on how the language of movement and dance can be related to lived body and movement experience. The issue of the challenges and possibilities of expressing movement experience and analysis in words is discussed at the general level and exemplified in the context of a dance educational event where the movement theory of Rudolf Laban is applied. A central question arising out of this example of working with language and lived experience of movement is: What influence does language have on our way of understanding and communicating a dance experience? The article proposes that a bodily anchored lived language – through an ethic-aesthetic phenomenological approach – may supplement, expand and broaden a given professional terminology in order to articulate, communicate and unfold the experiential dimensions of dance.


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