Structuralism

Author(s):  
Michael Lundell ◽  
Vincent P. Pecora

Structuralism, generally described, is a twentieth-century intellectual movement associated with linguistic studies in Europe, despite its vast applicability and many adherents. An initial aim of structural linguistics was to investigate – in greater detail than previously – the way language functions as a network of signification. Structuralism’s goal also typically derives from the question of whether universal truth can be revealed in this network in ways that define the constitution of thought. Structuralism focused on the whole of language, the ‘structure’ of the totality, over its individual parts or their historical development. The principles of Structuralism and its later transformations found widespread application outside of linguistics, particularly in anthropology, sociology, literary studies, semiotics, film, musicology, psychology, and philosophy.

Author(s):  
Barsotti Vittoria ◽  
Carozza Paolo G ◽  
Cartabia Marta ◽  
Simoncini Andrea

One of the remarkable facts of constitutional judicial review in Italy is the way in which it was grafted onto a tradition of law that had been very inhospitable to any such practice prior to the mid-twentieth century. The development of this unprecedented institution and the factors that contributed to its success not only assist the reader to understand the subsequent contours and character of the Constitutional Court but also provide a number of very useful insights and lessons for other jurisdictions seeking to establish or consolidate new and fragile systems of constitutional adjudication. This chapter traces that history and identifies those features.


2019 ◽  
Vol 7 (6) ◽  
pp. 118-122
Author(s):  
Sarzhan Takirov ◽  
Zhansaya Zharylgapov ◽  
Zhanar Rustemova ◽  
Bibi Syzdykova ◽  
Zhanaidar Zhumageldin

Purpose: The article deals with the urgent problems of Kazakh literary criticism of the forties of the twentieth century. Tracked artistic processes of a specified period and impact on artistic nature of the writers of the totalitarian system Methodology: Investigations which only started in Kazakh literary studies, under the ground of contradicting with Marxism-Leninism outlook, were considered wrong, and remarkable poets and writers, scientists and literary scholars were subjected to repression, besides national criticism and literary studies turned into a familiar ideological bludgeon. Due to this reason, criticism, and literary studies, even being guided by Marxism-Leninism methodology, was forced to deal with serious issues which time presented with them; denying the way they had paved, they had to work with investigations in a new direction. It is important to note that national literary studies, particularly literary criticism, overcoming hardships of ideological grip, which brought huge grief of burden in 1937-38, in 1940 stepped ahead on the way of formation and improvement. Result: The authors of the article examine genre originality of literary criticism. However, we consider in detail such types as a challenging article, a polemic article, literary review and others. Applications: This research can be used for the universities, teachers, and students. Novelty/Originality: In this research, the model of Totalitarian and Kazakh literary criticism is presented in a comprehensive and complete manner.


2016 ◽  
Vol 9 (1) ◽  
pp. 32-54 ◽  
Author(s):  
Jesse Tumblin

This article examines the way a group of colonies on the far reaches of British power – Australia, New Zealand, Canada, and India, dealt with the imperatives of their own security in the early twentieth century. Each of these evolved into Dominion status and then to sovereign statehood (India lastly and most thoroughly) over the first half of the twentieth century, and their sovereignties evolved amidst a number of related and often countervailing problems of self-defence and cooperative security strategy within the British Empire. The article examines how security – the abstracted political goods of military force – worked alongside race in the greater Pacific to build colonial sovereignties before the First World War. Its first section examines the internal-domestic dimension of sovereignty and its need to secure territory through the issue of imperial naval subsidies. A number of colonies paid subsidies to Britain to support the Royal Navy and thus to contribute in financial terms to their strategic defense. These subsidies provoked increasing opposition after the turn of the twentieth century, and the article exlpores why colonial actors of various types thought financial subsidies threatened their sovereignties in important ways. The second section of the article examines the external-diplomatic dimension of sovereignty by looking at the way colonial actors responded to the Anglo-Japanese Alliance. I argue that colonial actors deployed security as a logic that allowed them to pursue their own bids for sovereignty and autonomy, leverage racial discourses that shaped state-building projects, and ultimately to attempt to nudge the focus of the British Empire's grand strategy away from Europe and into Asia.


2010 ◽  
Vol 5 (2) ◽  
pp. 267-290 ◽  
Author(s):  
Susan Currell

Showing how ‘modernist cosmopolitanism’ coexisted with an anti-cosmopolitan municipal control this essay looks at the way utopian ideals about breeding better humans entered into new town and city planning in the early twentieth century. An experiment in eugenic garden city planning which took place in Strasbourg, France, in the 1920s provided a model for modern planning that was keenly observed by the international eugenics movement as well as city planners. The comparative approach taken in this essay shows that while core beliefs about degeneration and the importance of eugenics to improve the national ‘body’ were often transnational and cosmopolitan, attempts to implement eugenic beliefs on a practical level were shaped by national and regional circumstances that were on many levels anti-cosmopolitan. As a way of assuaging the tensions between the local and the global, as well as the traditional with the modern, this unique and now forgotten experiment in eugenic city planning aimed to show that both preservation and progress could succeed at the same time.


Author(s):  
Lital Levy

A Palestinian-Israeli poet declares a new state whose language, “Homelandic,” is a combination of Arabic and Hebrew. A Jewish-Israeli author imagines a “language plague” that infects young Hebrew speakers with old world accents, and sends the narrator in search of his Arabic heritage. This book brings together such startling visions to offer the first in-depth study of the relationship between Hebrew and Arabic in the literature and culture of Israel/Palestine. More than that, the book presents a captivating portrait of the literary imagination's power to transgress political boundaries and transform ideas about language and belonging. Blending history and literature, the book traces the interwoven life of Arabic and Hebrew in Israel/Palestine from the turn of the twentieth century to the present, exposing the two languages' intimate entanglements in contemporary works of prose, poetry, film, and visual art by both Palestinian and Jewish citizens of Israel. In a context where intense political and social pressures work to identify Jews with Hebrew and Palestinians with Arabic, the book finds writers who have boldly crossed over this divide to create literature in the language of their “other,” as well as writers who bring the two languages into dialogue to rewrite them from within. Exploring such acts of poetic trespass, the book introduces new readings of canonical and lesser-known authors, including Emile Habiby, Hayyim Nahman Bialik, Anton Shammas, Saul Tchernichowsky, Samir Naqqash, Ronit Matalon, Salman Masalha, A. B. Yehoshua, and Almog Behar. By revealing uncommon visions of what it means to write in Arabic and Hebrew, the book will change the way we understand literature and culture in the shadow of the Israeli–Palestinian conflict.


Author(s):  
Risto Hilpinen

Medieval philosophers presented Gettier-type objections to the commonly accepted view of knowledge as firmly held true belief, and formulated additional conditions that meet the objections or analyzed knowledge in a way that is immune to the Gettier-type objections. The proposed conditions can be divided into two kinds: backward-looking conditions and forward-looking conditions. The former concern an inquirer’s current belief system and the way the inquirer acquired her beliefs, the latter refer to what the inquirer may come to learn in the future and how she can respond to objections. Some conditions of knowledge proposed in late nineteenth- and twentieth-century epistemology can be regarded as variants of the conditions put forward by medieval authors.


Author(s):  
George Pattison

This chapter sets out the rationale for adopting a phenomenological approach to the devout life literature. Distinguishing the present approach from versions of the phenomenology of religion dominant in mid-twentieth-century approaches to religion, an alternative model is found in Heidegger’s early lectures on Paul. These illustrate that alongside its striving to achieve a maximally pure intuition of its subject matter, phenomenology will also be necessarily interpretative and existential. Although phenomenology is limited to what shows itself and therefore cannot pass judgement on the existence of God, it can deal with God insofar as God appears within the activity and passivity of human existence. From Hegel onward, it has also shown itself open to seeing the self as twofold and thus more than a simple subjective agent, opening the way to an understanding of the self as essentially spiritual.


Author(s):  
Kitty Hauser

In mid-twentieth-century Britain, an archaeological vision of the British landscape reassured and enchanted a number of writers, artists, photographers, and film-makers. From John Piper, Eric Ravilious and Shell guide books, to photographs of bomb damage, aerial archaeology, and The Wizard of Oz, Kitty Hauser delves into these evocative interpretations and looks at how they affected the way the landscape was seen.


Target ◽  
2000 ◽  
Vol 12 (1) ◽  
pp. 31-62 ◽  
Author(s):  
Alexandra Assis Rosa

Abstract Focussing on the pragmatic dimension of literary dialogue in narrative fiction, this paper analyses: (a) the negotiation of power carried out by characters and the way it is relayed in the text as signalled by forms of address; and (b) the negotiation performed by the translator in order to reproduce a power relation when dealing with the cultural and social environments of the source- and the target-language texts. By analysing one hundred years of Robinson Crusoe translated into European Portuguese (189– to 1992) the paper will attempt to reveal a possible historical development of translational norms and the way in which the historical, cultural and social environments may have influenced them.


2021 ◽  
Vol 5 (3) ◽  
pp. 100-111
Author(s):  
Nasiba Norova ◽  

Introduction. The article discusses the poetic innovations, formal and stylistic peculiarities in the work of the talented poet Usmon Kuchkor. The poet's “muqarnas” are analyzed. The second half of the twentieth century and the period of independence have a special significance with Uzbek poetry, its charm, new tones and visual features. Methodological and formal research, the renewal of artistic thinking, the human heart and spiritual experiences, the vivid depiction of emotions form the basis of this poetry. In this, the importance of artistic thinking in particular is immeasurable. As the literary critic N. Rakhmonov noted: "The multifaceted and multilayered phenomenon - the concept of artistic thinking is a specific product of philosophical, ethical and political views, manifested in the way of thinking of the artist" [7,4]. Methods.


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