scholarly journals Aether, fields & energy dynamics in living bodies - Part I

2021 ◽  
Vol 2 (5) ◽  
pp. 14-25
Author(s):  
K. E. Thorp ◽  
◽  
James A. Thorp ◽  

At the turn of the 20th century medicine and physics seemed to be heading in two opposing if not mutually exclusive directions: medical science had asserted the primacy of the cell and had set out to integrate known chemical principles into cellular functioning; physics, on the other hand, had broken through the barriers of classical Newtonian mechanical laws and established the energetic basis of all physical substance. Something was bound to give.

Author(s):  
Laura Hengehold

Most studies of Simone de Beauvoir situate her with respect to Hegel and the tradition of 20th-century phenomenology begun by Husserl, Heidegger, and Merleau-Ponty. This book analyzes The Second Sex in light of the concepts of becoming, problematization, and the Other found in Gilles Deleuze. Reading Beauvoir through a Deleuzian lens allows more emphasis to be placed on Beauvoir's early interest in Bergson and Leibniz, and on the individuation of consciousness, a puzzle of continuing interest to both phenomenologists and Deleuzians. By engaging with the philosophical issues in her novels and student diaries, this book rethinks Beauvoir’s focus on recognition in The Second Sex in terms of women’s struggle to individuate themselves despite sexist forms of representation. It shows how specific forms of women’s “lived experience” can be understood as the result of habits conforming to and resisting this sexist “sense.” Later feminists put forward important criticisms regarding Beauvoir’s claims not to be a philosopher, as well as the value of sexual difference and the supposedly Eurocentric universalism of her thought. Deleuzians, on the other hand, might well object to her ideas about recognition. This book attempts to address those criticisms, while challenging the historicist assumptions behind many efforts to establish Beauvoir’s significance as a philosopher and feminist thinker. As a result, readers can establish a productive relationship between Beauvoir’s “problems” and those of women around the world who read her work under very different circumstances.


Author(s):  
Anne Knudsen

Anne Knudsen: The Century of Zoophilia Taking as her point of departure the protests against a dying child having his last wish fulfilled because his wish was to kill a bear, the author argues that animals have achieved a higher moral status than that of humans during the 20th century. The status of animals (and of “nature”) is seen as a consequence of their muteness which on the one hånd makes it impossible for animals to lie, and which on the other hånd allows humans to imagine what animals would say, if they spoke. The development toward zoophilia is explained as a a logical consequence of the cultural naturalisation of humans, and the author draws the conclusion that we may end up entirely without animals as a category. This hypothetical situation will lead to juridical as well as philosophical complications.


2017 ◽  
Vol 13 (1) ◽  
pp. 9-24
Author(s):  
Akmal Hawi

The 19th century to the 20th century is a moment in which Muslims enter a new gate, the gate of renewal. This phase is often referred to as the century of modernism, a century where people are confronted with the fact that the West is far ahead of them. This situation made various responses emerging, various Islamic groups responded in different ways based on their Islamic nature. Some respond with accommodative stance and recognize that the people are indeed doomed and must follow the West in order to rise from the downturn. Others respond by rejecting anything coming from the West because they think it is outside of Islam. These circles believe Islam is the best and the people must return to the foundations of revelation, this circle is often called the revivalists. One of the figures who is an important figure in Islamic reform, Jamaluddin Al-Afghani, a reformer who has its own uniqueness, uniqueness, and mystery. Departing from the division of Islamic features above, Afghani occupies a unique position in responding to Western domination of Islam. On the one hand, Afghani is very moderate by accommodating ideas coming from the West, this is done to improve the decline of the ummah. On the other hand, however, Afghani appeared so loudly when it came to the question of nationality or on matters relating to Islam. As a result, Afghani traces his legs on two different sides, he is a modernist but also a fundamentalist. 


2017 ◽  
Vol 56 (1-4) ◽  
Author(s):  
Anikó Polgár

This study is dealing with two Hungarian translations of Euripides’ Medea. The translation made by Grácia Kerényi was produced in the second half of the 20th century, whereas the version by Zsuzsa Rakovszky was published at the beginning of the 21st. The difference between the translations regarding their textual strategies, the professional background of the translators and the final goal of the works is abysmal. Grácia Kerényi was an expert of ancient literatures, her translation was published in the official and renowned collection of Euripides’ work, Zsuzsa Rakovszky on the other hand translates predominantly from English, and her version was inspired by the request of the theatre. The study contains three parts: in the first the author analyses Kerényi’s Medea in the context of the philological reconstruction, in the second, the author examines the same text modified and revised by Fruzsina Magyar, who was the dramatic advisor of the theatre performance in Szolnok, and the third part reflects on the problems of validity, poetical force and immediacy in the translation of Zsuzsa Rakovszky.


2019 ◽  
Vol 64 ◽  
pp. 03001
Author(s):  
Claire Pelgrims

In this paper, I study the sensory-motor effects of Brussels commercial galleries’ ambiance in the latter half of the 20th century. The analysis of two case studies (“Deux Portes” networked galleries and Agora Gallery) reveals the different logics of slow mobility acceleration and immobilisation at stake in the emerging modernist grammar of slow mobility. This grammar-in arrangement with the grammar of fast automobility − structures and stabilises the design of spaces for slowness next to the roadscape in spatial segregation of transport modes. There are accelerating and decelerating sensory dispositifs that define galleries both as punctual destination spaces that capture passers-by and as alternative paths for pedestrians: logics of multifunctionality, fast mobility accessibility and setting of an ambiance on the one hand, and logics of securement, spatial and qualitative continuities, on the other hand. Accelerating and decelerating dispositifs and logics facilitate movement to better keep the consumer captive. Then, I discuss the possible contribution of iconographic archives in research about past ambiances. They effectively acknowledge sensory- motor effects of ambiance but do not constitute an autonomous corpus to grasp sensitivity and reshape past ambiances.


2008 ◽  
Vol 44 (1) ◽  
pp. 87-128 ◽  
Author(s):  
CAROLE PARADIS ◽  
DARLENE LACHARITÉ

A key debate in loanword adaptation is whether the process is primarily phonetic or phonological. Is it possible that researchers on each side are viewing equally plausible, but different, scenarios? Perhaps, in some language situations, adaptation is carried out mainly by those without access to L2 phonology and is, perforce, perceptually driven. In other situations, adaptation may be done by bilinguals who actively draw upon their knowledge of L2 phonology in adapting loanwords. The phonetic strategy would most likely be favored in situations where the vast majority of the population did not know the L2, thus having no possible access to the L2 phonological system. The phonological strategy, on the other hand, is most likely to be favored in situations where there is a high proportion of speakers who are bilingual in the L1 and L2. This possibility is tested by comparing the adaptations of English loanwords in 19th- and early 20th-century Quebec French, when bilinguals were few, to those of contemporary Quebec French, in which the rate of bilingualism is far higher. The results show that even when the proportion of bilinguals in a society is relatively small, they determine how loanwords are pronounced in the borrowing language. Bilinguals adapt loanwords on the basis of phonology, not of faulty perception of foreign sounds and structures. However, in a society where bilinguals are few, there is a slight increase in non-phonological influences in loanword adaptation. We address the small role played by non-phonological factors, including phonetic approximation, orthography, and analogy (true or false), showing that false analogy, in particular, may give the impression that phonetic approximation is more widespread in a loanword corpus than is actually the case.


Ekonomika ◽  
2020 ◽  
Vol 66 (4) ◽  
pp. 95-103
Author(s):  
Dušan Jerotijević ◽  
Živanka Bogavac-Miladinović ◽  
Ljubiša Stamatović

After gaining independence at the Berlin Congress, Serbia became the center around which all the surrounding Serbs gathered, seeking final liberation and unification. The great difficulty for a small Serbia was the Austro-Hungarian Empire, which in every way was trying to influence the Serbian internal and foreign policy. In doing so, she succeeded to a large extent during the reign of King Milan, even after his abdication, until the beginning of the XX century. The change in the throne after the May uprising led to the emancipation of Serbia from the influence of the Austro-Hungarian Empire and the influence of other powers, in particular France and Russia. On the other hand, Serbia is increasingly independent in foreign policy and tries to connect with other Balkan states as if it economically strengthens to carry out a national unification mission. That is why the Austro-Hungarian conflict with Serbia on the economic plane, the Customs War, was inevitable. At the same time, this conflict has shown the strength and weaknesses of both countries. Serbia's victory in the Customs War showed her great economic rise, and Austro-Hungary became its fatal enemy.


2015 ◽  
Vol 34 ◽  
pp. 157-167
Author(s):  
Michał Głuszkowski

Preserved dialectal features and the Polish influence in old believers' dialect on the example of a representative of the older generation in the Augustów regionPolish Old Believers constitute a bilingual ethno-cultural minority.Their bilingualism has developed especially in the 20th century, and since then it has been modified under the influence of Polish language. On the one hand, there are Polish borrowings, insertions and loan-translations in Russian Old Believers’ dialect. On the other hand, the Old Believers have preserved many dialectal features from their region of origin – Pskov region in north-Western Russia. The author attempts to reveal, how many and which Pskov language features are still present in the Old Believers’ dialect. The analysis is basing on an idiolect of a representative of the old generation of the community of our interest.  Сохраненные диалектные черты и польское влияние в русском говоре представителя старшего поколения старообрядцев августовского регионаПольские старообрядцы составляют этнокультурное меньшинство. Их билингвизм стал развиваться начиная с ХХ столетия, и с тех пор их русский диалект подвергался особосильномувлиянию польского языка. С одной стороны, в старообрядческом говоре наблюдаются польские заимствования, вставки и кальки. С другой стороны, старообрядцы сохранили многие диалектные средневеликорусские черты. Данная статья является попыткой выяснить, какие черты диалектов из окрестностей Великих Лук, Пскова и Новгорода до сих пор существуют в говоре старообрядцев. Анализ опирается на идиолект представителя старшего поколения исследуемой общины.


2001 ◽  
Vol 37 (1) ◽  
pp. 103-112
Author(s):  
Niall O'Loughlin

The large-scale romantic concerto has been reevaluated by many composers of the 20th century. These have included Stravinsky, Honegger and Frank Martin, who have all tended to compose on a much smaller scale. One such work is Ivo Petrić's Trois images, a violin concerto dating from 1972-73. It displays an ambiguous approach to form, the relationships between the soloist and orchestra, the use of musical motives and the idea of the concerto. On the one hand, it has links with tradition in that it uses the title and three-movement structure of the concerto, the traditional relationships of dialogue, solo and accompaniment, development of motives and virtuoso techniques. On the other hand, it breaks with tradition by disguising the contrasts and separation of the individual movements, and transforming traditional concerto techniques for use in the freely coordinated idiom that the composer was using at the time. It proves to be an excellent example of how concerto techniques can be combined with the techniques of the avant-garde.


2006 ◽  
Vol 28 (2) ◽  
pp. 33-35 ◽  
Author(s):  
Richard Reece

In the early part of the 20th Century, the nature of nucleic acid and what its role was within the cell were a bit of a mystery. DNA itself was first isolated as far back as 1869 by the Swiss chemist Johann Friedrich Miescher. He separated nuclei from the cytoplasm of cells and then isolated an acidic substance from these nuclei that he called nuclein1. Chemical tests by Miescher showed that nuclein contained large amounts of phosphorus and no sulphur, characteristics that differentiated it from proteins1. The first step in determining the structure of nucleic acid (either DNA or RNA) would be to identify its precise composition. RNA was considered a more approachable target for composition analysis because the simple treatment of RNA with hydroxide rapidly and completely hydrolyses the molecule to its individual component nucleotides. DNA, on the other hand, is resistant to such treatment.


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