scholarly journals USING DIGITAL MONTAGE TO BUILD A FREE CHARACTER

2021 ◽  
Vol 03 (06) ◽  
pp. 177-188
Author(s):  
Anwar Abed SHATI
Keyword(s):  
Research Problem ◽  
Theoretical Framework ◽  
Methodological Framework ◽  
Sample Analysis ◽  
Fictional Character ◽  
Digital Technique ◽  
Virtual Character ◽  
Special Effects ◽  
Cinematic Space ◽  
Definition Of

Montage is one of the basic elements in cinematographic work, as it is a second production process for the work in terms of composition, habit of formulation, interconnection between shots and scenes, and also added the element of sound, special effects and color correction ... etc., due to the characteristic of this digital technique in manipulating all the elements of the image in a creative way in all Elements of work, such as decoration, accessories, adding fictional scenes ... etc., and converting them to the computer, and then acting on them through the montage completely, but this is in the field of image and sound, but there are fictional films that need to make characters who are compatible with nature, and possess capabilities Superhero and has the ability to transform into virtual bodies within the artistic work, and insert them into the cinematic space, in order to perform the functions with the rest of the elements of the cinematic medium as well as the elements of the dramatic construction, so all of the above of this the researcher raises the following question: (How is digital montage employed? In building a fictional character)? The research came as follows: Methodological framework: It includes the research problem, its importance and objectives, as well as the limits of research and the definition of terminology. The theoretical framework: It was divided into two topics as follows: The first topic: the concept of digital montage, the second topic: the fictional character: After that, the researcher reached the indicators of the theoretical framework. Research procedures: It included the research method, the research community, the research sample, the research tool, the analysis unit, and the sample analysis, which was the film (X MEN) according to the indicators that the researcher came out with from the theoretical framework. After analyzing the sample, the researcher came to a number of findings and conclusions, including: 1. The digital montage, through its advanced software, possesses the ability to create a fictional virtual character and activate its potential in the cinematic movie. 2. Digital montage can be employed after dispensing with many traditional techniques at the level of photography or montage, as well as building space and time.

scholarly journals AESTHETIC AND DRAMATIC EMPLOYMENT IN THE NARRATIVE OF DECORATION IN THE TURKISH SERIES (THE SULTAN’S HAREM SERIES AS A MODEL)

2021 ◽  
Vol 03 (07) ◽  
pp. 61-71
Author(s):  
Ibrahim Khalaf JASSIM
Keyword(s):  
Research Methodology ◽  
Research Problem ◽  
Theoretical Framework ◽  
Research Community ◽  
Expert Committee ◽  
Methodological Framework ◽  
Sample Analysis ◽  
Unit Of Analysis ◽  
The Third ◽  
The Aesthetic

The topic of employing decoration in the narrative of the Turkish series was chosen due to the great importance it carries in the dramatic construction and because of the aesthetic, dramatic and narrative tool it represents in dramas, so the researcher specified the following research title (aesthetic and dramatic employment in the narrative of decoration in the Turkish series). Four chapters came as follows: (Methodological framework) and included the research problem, its importance, the objectives of the research, the limits of the research, and the chapter concluded by specifying the terms. (Theoretical framework): It was divided into three topics as follows: The first topic: decoration in cinema and television, the second topic: the aesthetic and dramatic employment of decoration, the third topic: the use of decoration in the narrative of the Turkish series: The researcher came up with a set of indicators that he adopted as tools for sample analysis After taking the opinion of the expert committee. (Research procedures): It includes the research methodology and research tools, the unit of analysis, the research community and the research sample, the validity of the tool, the analysis steps and finally the sample analysis, which was an episode of the Turkish series Valley of the Wolves. (Results and Conclusions): The results and conclusions of the research include: 1. The decorator in the Turkish series has the ability to list important information and broadcast it to the recipient about the character, which contributes to fully conveying the idea. 2. Decoration occupies a great importance in television series, given that most of the scenes are interior, so reliance on decorations is to fill the space of the shot.

scholarly journals Employ digital editing (non-consecutive) in enriching the filming of expression

2017 ◽  
Vol 223 (1) ◽  
pp. 217-242
Author(s):  
Dr. Najeeb Asleawa Haidoo
Keyword(s):  
Digital Technology ◽  
Research Problem ◽  
Research Process ◽  
Theoretical Framework ◽  
Research Community ◽  
Methodological Framework ◽  
Lord Of The Rings ◽  
The Third ◽  
Peter Jackson

Find boils down to is marked by (employing digital editing (non-consecutive) in enriching Filma expression), and the reflection of the digital montage to the enrichment of the movie film. And distributes research on five chapters, the first chapter dealt with the methodological framework of the research, which included the research problem and is as follows: What is the function of digital editing (non-consecutive) in enriching Filma expression? . And the importance of research.The objectives of the research. The second chapter, a theoretical framework and previous studies. And distributes the theoretical framework of the three sections, the first section contains digital technology. As well as film and digital technologies. The second topic dealt with digital editing devices (non-consecutive). And the third on the role of technology in some directorial processors. In the third chapter, which has been allocated to research procedures, which included the research methodology and the research community. The film is appointed:The Lord of the Rings Part III :The Return of the King. Directed by Peter Jackson, the production in 2003. Then the fourth quarter, Neshat sample analysis.The fifth chapter Vahtoy on the results, as well as the conclusions reached by the researcher. It must Research of this type that contains the sources supports the scientific research process.

scholarly journals The Aesthetic Approaches to Dialectical Development in the Functions of Contemporary Theater Director ) Macbeth Play Directed by Salah al-Qasab a Model (

Al-academy ◽  
2019 ◽  
Keyword(s):  
Research Problem ◽  
Theoretical Framework ◽  
Two Dimensions ◽  
Historical Overview ◽  
Methodological Framework ◽  
Contemporary Theatre ◽  
Contemporary Theater ◽  
The Aesthetic ◽  
Aesthetic Awareness ◽  
Research Studies

The current research studies the aesthetic framework for the dialectical development of the functions of the contemporary theater director in an aesthetic approach to the mechanisms of functional overlap between the dramaturgy and direction functions, and scenography and direction, the detection of the controversial structure of that overlap, and what can be summed up in the following question: (what are the aesthetic approaches of the dialectical development in the function of the contemporary theatre director?). The research is determined by a pivotal aim which is (knowing the aesthetic nature of the dialectical development in the functions of the contemporary theater director). The researcher addressed his research in three frameworks: the methodological framework in which the researcher identified the research problem, importance, goal, and limits, then the theoretical framework, which consists of two dimensions: the first dealt with a historical overview of the origins and methods of direction , and the second dimension dealt with the theme of direction dialectics: dialectic of the dramaturgy director, and the scenography director , ending with a set of theoretical indicators. The procedural framework included the researcher's procedures of dropping the indicators, which he concluded from his theoretical framework, on his research sample which he identified as a model for the study. The research concluded with a number of conclusions, the most important of which are:1- The data of contemporary dramaturgy formed an advanced function for the contemporary director, and a directing task to manage the aesthetic awareness according to the direction vision.2- The data of contemporary scenography practice formed one of the advanced functions of the contemporary director, and a directing task through the design of sensory cognitive plans of the scene.

Feminist Interpretations of Action and the Public in Hannah Arendt’s Theory

2020 ◽  
Vol 65 (Special Issue) ◽  
pp. 87-103
Author(s):  
Noémi Bíró
Keyword(s):  
Human Activity ◽  
Political Thought ◽  
Hannah Arendt ◽  
Political Action ◽  
Theoretical Framework ◽  
Public Realm ◽  
The Public ◽  
The Social ◽  
Social Feminism ◽  
Definition Of

"Feminist Interpretations of Action and the Public in Hannah Arendt’s Theory. Arendt’s typology of human activity and her arguments on the precondition of politics allow for a variety in interpretations for contemporary political thought. The feminist reception of Arendt’s work ranges from critical to conciliatory readings that attempt to find the points in which Arendt’s theory might inspire a feminist political project. In this paper I explore the ways in which feminist thought has responded to Arendt’s definition of action, freedom and politics, and whether her theoretical framework can be useful in a feminist rethinking of politics, power and the public realm. Keywords: Hannah Arendt, political action, the Public, the Social, feminism "

The specifics of mergers and acquisitions of innovative and technological companies

2020 ◽  
Vol 26 (5) ◽  
pp. 1186-1204
Author(s):  
A.V. Fedorov ◽  
Zh.S. Peredera
Keyword(s):  
Digital Technology ◽  
Comprehensive Analysis ◽  
Methodological Framework ◽  
Comparison Study ◽  
Technology Sector ◽  
Theoretical Perspectives ◽  
Innovation And Technology ◽  
Set Up ◽  
Definition Of ◽  
Traditional Approaches

Subject. The article reviews distinctions of M&A deals in innovation and technology. Objectives. We determine the specifics of innovative and technological companies and its impact on the synergy, process, finance, valuation of M&A deals. Methods. The article employs methods of generalization, comprehensive analysis, systematization, specification, comparison, study into trends and the structure. Graphics and tables are used to display the findings. Results. We conducted the content analysis of the term Mergers & Acquisitions, thus finding the divergence of foreign and the Russian approaches. We provide our own definition of the concept and analyzed the dynamics of the overall M&A market and the innovation and technological sector. The article describes operational distinctions of innovative and technological companies and compares them with conventional sectors. The article determined the specifics of synergy, process, finance, valuation of M&A deals in innovation and technology. Conclusions and Relevance. The innovation and technology sector saw M&A deals become more frequent for the recent five years. What distinguishes them is the number of startups and infant businesses, large M&A deals in order to develop their ecosystems, involve digital technology companies. Traditional approaches should be adapted for structuring M&A deals, their arrangement, financing and valuation of target companies. The findings can lay the groundwork for further studies into the specifics of the innovation and technology sector, M&A deals, and set up the methodological framework for the valuation of innovative and technological companies. The findings can also immediately support parties of M&A deals from theoretical perspectives.

Diagramming discursive intentionality—A cognitive-pragmatic model of intentional verbs

2020 ◽  
Vol 13 (2) ◽  
Author(s):  
Joschka Briese
Keyword(s):  
Practical Reasoning ◽  
Theoretical Framework ◽  
Theory Of Language ◽  
Definition Of

AbstractThis article presents a sign- and usage-based model of intentionality following the works of Robert B. Brandom and T. L. Short. The concept of discursive intentionality is established within Brandom’s theory of language explains discursive and practical reasoning as well as attributive and ascriptive practices. Discursive intentionality is distinguished from other intentionalities of conceptual proximity. Because Brandom’s concept of signs is underdetermined in his works, it will be complemented with T. L. Short’s theory of intentional signs. This dual theoretical framework leads to an innovative analysis of verbs which locates discursive intentionality at the semantic/pragmatic interface. After giving a definition of discursive intentionality, it will be diagrammed by breaking it down into different components (relata, relations, and predicates). Finally, it is tested regarding the plausibility of the diagrammatics of discursive intentionality, using the intentional verb “to promise” to differentiate between the ascription of intentionality and intention.

السعادة في العمل ودورها في تعزيز الثقة التنظيمية بحث استطلاعي لآراء العاملين في جامعة الفلوجة.

2021 ◽  
Vol 1 (1) ◽  
Author(s):  
ياسر خلف
Keyword(s):  
Negative Impact ◽  
Research Problem ◽  
Theoretical Framework ◽  
Positive Influence ◽  
Positive Change ◽  
Research Topic ◽  
Senior Management ◽  
University Employees ◽  
The University ◽  
The Relationship

The study aimed to clarify the role that happiness plays in the workplace represented by (positive influence, negative impact, and achievement) in enhancing organizational confidence among university employees represented in (confidence in senior management, trust in supervisors, trust in co-workers) as the research problem raised many questions It dealt with the nature of the relationship between the research variables and in light of these questions, two main hypotheses were formulated that reflect the correlation and influence relationships between the research variables, and in light of them, the hypothesis plan for the study was developed that reflects this. The data were analyzed and hypotheses were tested, as the research reached a set of conclusions, the most important of which is that there is a relationship between happiness in the workplace and organizational confidence. The research also recommended several recommendations, the most important of which is the necessity of continuing interest of the University of Fallujah to bring about positive change by understanding workers for work and the duties assigned to them. Completing the theoretical framework vocabulary on foreign sources, references, and literature related to the research topic,

Diversity, Equity, and Inclusion (DEI) Statements in the U. S. Creative Sector: Progress, or More Bullshit?

2021 ◽  
Vol 5 (2) ◽  
pp. 33-46
Author(s):  
Antonio C. Cuyler
Keyword(s):  
Content Analysis ◽  
Research Question ◽  
Theoretical Framework ◽  
Status Quo ◽  
Arts Organizations ◽  
The Public ◽  
Cultural Organizations ◽  
The Status ◽  
Definition Of ◽  
Equity And Inclusion

This article represents a snapshot and analysis of U. S. service arts organizations’ DEI statements and activities in 2018. At that time, many primarily White-serving U. S. cultural organizations responded defensively to accusations of elitism and a harmful rigged funding system that maintained the status quo by awarding most cultural funding to these organizations while undermining the health and vitality of cultural organizations by and for historically oppressed communities (Sidford, 2011). Furthermore, Helicon Collaborative (2017) found that even with a host of cultural equity, “diversity” projects (Tseng 2016), and public-facing DEI statements, little had changed within six years. Therefore, this study uses directed and summative content analysis to investigate the research question “what do cultural equity and diversity statements communicate about cultural organizations’ positions on DEI?” This study also uses Frankfurt’s (2005) essay On Bullshit and Laing’s (2016) two-prong definition of accountability as a theoretical framework to examine if and how cultural organizations hold themselves accountable for achieving DEI in the creative sector. Lastly, readers should keep in mind that the public murder of Geor-ge Floyd in 2020 has hastened all of the service arts organizations’ access, diversity, equity, and inclusion (ADEI) work examined in this study.

scholarly journals CAN WE SPEAK ENGLISH? REFLECTIONS ON THE UNSPOKEN EFL IN BRAZIL

2017 ◽  
Vol 56 (1) ◽  
pp. 213-233
Author(s):  
Simone Tiemi Hashiguti
Keyword(s):  
Foreign Language ◽  
Theoretical Framework ◽  
Methodological Framework ◽  
Discussion Forums ◽  
Language Policies ◽  
Oral Production ◽  
History Of ◽  
Conditions Of Possibility ◽  
Brazilian Students

ABSTRACT This essay explores the issue of oral production in English as a foreign language in Brazil. It reports the difficulty some students find to speak the language to matters of authority and legitimacy constituted in a particular history of language policies. Interest in the theme emerged because many Brazilian students who know English state they cannot speak the language and avoid pronouncing it and engaging in conversations. A discursive methodological framework forms the basis for the analysis of postings collected from discussion forums on different websites. First, I can´t speak English works as the reference statement that makes it possible to verify a discursive regularity in operation in Brazil. Second, a postcolonial theoretical framework supports the discussion on the conditions of possibility to speak English as a foreign language in a former Portuguese colony. The author argues that the ghost of the native, idealized speaker prevents students from recognizing the English they know as legitimate, and to speak it, and points out that dignity is a possible discourse to help deconstruct the colonial, silenced positioning that exists regarding the oral production in this foreign language.

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