scholarly journals Charles-Edouard Jeanneret miembro de l´OEUVRE

2015 ◽  
Author(s):  
Inmaculada Jiménez Caballero
Keyword(s):  
Education Program ◽  
Le Corbusier ◽  
The Other ◽  
Added Value ◽  
First Line ◽  
Subsequent Work ◽  
Other Hand ◽  
Palabras Clave ◽  
French Speaking ◽  
Artistic Quality

Resumen: Esta investigacióvn presenta la influencia en Charles-Edouard Jeanneret de su maestro Charles L´Eplattenier a través de dos instituciones: l´École d´Art de La Chaux-de-Fonds donde ambas figuras se encontraron y la asociación de la Suiza francófona l´OEUVRE, en la que los dos coincidieron también un breve espacio de tiempo en la misma época. La actividad en ambas instituciones representa la doble vertiente de un único proyecto para reformar los procesos artísticos ligados a los oficios artesanales; el propósito era incorporar al producto industrial producido en serie el valor añadido de su calidad artística, siguiendo el ejemplo de la Werkbund alemana. Para tal fin era necesario llevar a cabo una profunda reforma en el programa de enseñanza de dibujo en l´École d´Art, y desarrollar a la vez, una serie de acciones que permitieran visualizar los logros alcanzados. Su estrategia estaba apoyada en dos pilares: formación y propaganda. La presente investigación detalla de que manera Jeanneret participó en este proyecto a través de su intervención tanto en l´École d´Art y las nuevas estructuras para renovar la enseñanza del dibujo, como en la asociación l¨OEUVRE y sus distintos proyectos, A través de estas iniciativas encontramos el origen de algunos temas a los que Le Corbusier dedicará su atención; identificamos personajes que jugarán un papel importante en distintos momentos de su vida o proyectos y artículos que anunciarán propuestas teóricas y prácticas de sus trabajos posteriores. Abstract: This research presents the influence in Charles-Edouard Jeanneret of his master Charles L'Eplattenier in the context of two institutions. On one hand ´École d´Art de La Chaux-de-Fonds, where both figures met and where they established a first line of common work; and on the other hand, the association from the french-speaking Switzerland called l'Oeuvre, in which both briefly met. The activity in both institutions had the same goal and was in reality a single project: the reform of artistic processes bounded to the craft trades to provide the mass-produced industrial goods with the added value of artistic quality, following the example of the Deutscher Werkbund. In order to do this, it was necessary to carry out a profound reform of the drawing education program of l´Ecole d´Art and develop a series of propaganda actions allowing to visualize its achievements. Thus, the strategy was based on two pillars: education and propaganda. This research details how Jeanneret contributed to this project through his involvement in both, l´École d´Art’s renovation of drawing education and the Association l'Oeuvre’s various projects. Through them we discover the origin of some of the subjects that Le Corbusier will devote its attention to, characters that will play an important role in different moments of his life, or projects and articles that announce theoretical proposals or practices of his subsequent work.  Palabras clave: Cours Supérieur; Nouvelle Section; Ateliers d´Art Réunis; L´OEUVRE. Keywords: Cours Supérieur; Nouvelle Section; Ateliers d´Art Réunis; L´OEUVRE. DOI: http://dx.doi.org/10.4995/LC2015.2015.634

scholarly journals « L’espace indicible »: conceptions et textualités

2015 ◽  
Author(s):  
Mickaël Labbé
Keyword(s):  
Le Corbusier ◽  
Central Place ◽  
Spiritual Experience ◽  
The Other ◽  
Architectural Theory ◽  
Mots Clés ◽  
The Past ◽  
Other Hand ◽  
The One ◽  
Experiential Quality

Résumé: La notion d’« espace indicible » occupe sans conteste une position centrale dans la théorie architecturale de Le Corbusier après 1945. Loin d’être un simple mot-valise ou un signifiant vide de sens, le concept d’espace indicible vise à penser le sommet de l’expérience esthétique et spirituelle dont est passible l’architecture, cela tant pour rendre compte de l’émotion plastique ressentie face aux chefs-d’œuvre du passé que pour décrire la qualité de l’expérience que l’architecte cherche à produire par ses propres œuvres. Ainsi, dans l’œuvre de Le Corbusier, l’expression « l’espace indicible » désigne non seulement un concept, mais également un ensemble textuel dans lequel la notion est thématisée et au travers duquel elle se constitue progressivement. L’objectif de cet article est double : d’une part, proposer une description des déterminations principales du contenu donné par Le Corbusier à la notion d’« espace indicible » ; d’autre part, à partir de l’examen des archives, faire le point sur les textes dans lesquels ce concept se formule. Abstract: The concept of “ineffable space” unquestionably occupies a central place in Le Corbusier's architectural theory after 1945. Far from being a portmanteau or a signifier devoid of meaning, the concept of ineffable space is aimed at conceiving the height of aesthetic and spiritual experience rendered possible by architecture. This is as much to realise plastic emotion felt in front of masterpiece from the past as to describe the experiential quality that the architect seeks to produce in his/her own work. Thus, in Le Corbusier’s oeuvre, the expression “ineffable space” not only denotes a concept but also a textual whole in which the concept is thematised and through which it is progressively constituted. The aim of this article is two-fold. On the one hand, I propose a description of the principle determinants of the content that Le Corbusier assigns to the concept of “ineffable space”, and on the other hand, analysing the archives, I wish to take stock of the texts in which this concept is formulated.  Mots-clés: Le Corbusier; espace indicible; théorie architecturale. Keywords: Le Corbusier; ineffable space; architectural theory. DOI: http://dx.doi.org/10.4995/LC2015.2015.470

scholarly journals El poder subversivo de la fábula en sus diversas manifestaciones diacrónicas

2015 ◽  
pp. 153
Author(s):  
Gordana Matic
Keyword(s):  
Key Words ◽  
19Th Century ◽  
The Other ◽  
Critical Aspect ◽  
Other Hand ◽  
Palabras Clave ◽  
Moral Aspect ◽  
Definition Of ◽  
Historical Periods ◽  
Selection Of

<div class="WordSection1"><p><strong>Resumen</strong></p><p>La fábula ha tenido desde siempre una función retórica e ilustrativa que se ha manifestado a lo largo de la historia de modo dual: mostraba para enseñar, lo que muchas veces implicaba el componente moralizador, o para criticar. Mientras se empeñaba en conseguir una de las dos intencionalidades, o las dos simultáneamente, ha podido ser revestida de un tono humorístico, burlón, irónico o sarcástico. Partiendo de las observaciones sobre el género de Fedro, Rodríguez Adrados o Mireya Camurati, en este trabajo nos proponemos analizar una selección de fábulas clásicas, medievales, dieciochescas y decimonónicas, para demostrar que el aspecto crítico e incluso subversivo del género se mantiene abiertamente activo aun en las épocas en las que se potencia su intención didáctico-moralizante.</p><p>Palabras clave: fábula, definiciones del género, estudio diacrónico, aspecto crítico, aspecto didáctico-moralizante</p><p> </p><p><strong>Abstract</strong></p><p>The fable has always had a rhetoric and illustrative function that manifested itself during its long history in two different ways: on one hand, it represented an example in order to teach, which usually implied the moral component, or on the other hand, to criticize. While it strived to achieve one of these intentions, or sometimes both simultaneously, it could have been written in a humorous, mocking, ironic or sarcastic tone. In this paper, we analyze a selection of classical and medieval, 18th and 19th century fables written in Spanish, with definitions proposed by Phaedrus, Rodríguez Adrados and Mireya Camurati as starting points, in order to show that the critical aspect of this genre was openly maintained and taken benefit of even in the historical periods when its didactic and moralizing intention was preferred and strongly emphasized.</p></div><p>Key words: fable, definition of genre, diachronic approach, critical aspect, didactic and moral aspect</p><p> </p>

Het Gebruik Van Connectieven Door Franstalige Leerders Van Het Nederlands

2004 ◽  
Vol 71 ◽  
pp. 81-92 ◽  
Author(s):  
Julien Perrez
Keyword(s):  
The Other ◽  
Future Research ◽  
Other Hand ◽  
French Speaking ◽  
The One

This article examines first tendencies towards connective usage by French-speaking learners of Dutch. Two sorts of discursive markers were analyzed, viz., attitude and relational markers. The results show two main tendencies. On the one hand, the learners seem to overuse attitude markers. This has been explained by stating that it could be a sign of the difficulty they experienced in organizing texts, establishing coherence and introducing their opinion. This inclination has also been observed for the learner use of the causal connective dus ('so, therefore'). On the other hand, the investigation of the learner usage of backward causal connectives suggests that beginners use a reduced set of frequent connectives, while more experienced learners make use of a more varied set of connectives. The tendencies observed and hypotheses advanced will have to be quantitatively and qualitatively elaborated further in future research as well as expanded to other kinds of connectives.

scholarly journals Ontology, Ontologies and the “I” of FAIR

2020 ◽  
Vol 2 (1-2) ◽  
pp. 181-191 ◽  
Author(s):  
Giancarlo Guizzardi
Keyword(s):  
Value Of Information ◽  
Direct Consequence ◽  
Semantic Interoperability ◽  
The Other ◽  
Added Value ◽  
Computational Tools ◽  
Other Hand ◽  
Guiding Principles

According to the FAIR guiding principles, one of the central attributes for maximizing the added value of information artifacts is interoperability. In this paper, I discuss the importance, and propose a characterization of the notion of Semantic Interoperability. Moreover, I show that a direct consequence of this view is that Semantic Interoperability cannot be achieved without the support of, on one hand, (i) ontologies, as meaning contracts capturing the conceptualizations represented in information artifacts and, on the other hand, of (ii) Ontology, as a discipline proposing formal meth- ods and theories for clarifying these conceptualizations and articulating their representations. In particular, I discuss the fundamental role of formal ontological theories (in the latter sense) to properly ground the construction of representation languages, as well as methodological and computational tools for supporting the engineering of ontologies (in the former sense) in the context of FAIR.

scholarly journals The Usage of Consulting Services Among Romanian SMES between 2011-2015

2016 ◽  
Vol 8 (1) ◽  
pp. 29-34
Author(s):  
Daniel Urîtu ◽  
Ștefan-Florin Corcodel
Keyword(s):  
The Other ◽  
Added Value ◽  
European Level ◽  
Upward Trend ◽  
Limited Access ◽  
External Consultants ◽  
Consulting Services ◽  
Management Knowledge ◽  
Other Hand

Abstract The gap in competitiveness between Romanian SMEs and European firms is generated by limited access to economic, legal, technological and management knowledge. This gap can be recovered by using the services of external consultants which can bring added value to the company. The consulting services market has had an upward trend in last years at European level, but in Romania there is still some reluctance to these services and even distrust regarding the companies that offer them. Based on these facts, this paper aims to highlight the proportion and the characteristics of Romanian entrepreneurs that use external consultants and the evolution of the usage of external consulting services, taking into account the last five years. The results obtained in the current research reveal an irregular evolution of rate of SMEs that use external consulting services. One can see that, in the period of analysis, there was been a descendant trend of entrepreneurs that resort to consultancy between 2011 and 2014. On the other hand, the percentage of entrepreneurs that use external consultants has had a significant comeback in 2015, when 10,49% of enterprises have resorted to this type of services.

scholarly journals OPTIMIZACIÓN DE LA SOLDADURA EN CONSTRUCCIÓN NAVAL EN EL PERÚ

2017 ◽  
Vol 21 (2) ◽  
pp. 21
Author(s):  
Hugo Eliseo Gamarra Chinchay ◽  
Anwar Julio Yarin Achachagua ◽  
Yasser Hipólito Yarin Achachagua ◽  
Mierwen Palacios Aranda
Keyword(s):  
Statistical Data ◽  
The Other ◽  
Basic Knowledge ◽  
Other Hand ◽  
Palabras Clave ◽  
Deposited Metal ◽  
Selection Of

El presente trabajo estudia la productividad de la soldadura en construcción naval, partiendo de un análisis de la producción en nuestro medio pasando a presentar algunas técnicas o alternativas para incrementar la productividad de la soldadura en construcción naval. Comenzaremos describiendo algunos conocimientos básicos de soldadura, productividad y el como determinar la productividad de soldadura en la construcción naval, además del porque del análisis de la productividad de la soldadura en nuestro medio. Asimismo se exponen algunos factores que van a influir en la producción de la soldadura, como son el rendimiento por fusión, la selección de los materiales, el tipo de acero, el tipo de procedimiento, etc. Por otro lado, se presentan los datos estadísticos tomados en la zona de trabajo que servirán para medir la productividad de la soldadura en función de los kilogramos de metal depositado y el rendimiento por fusión de varios tipos de electrodos. Finalmente, se presenta la propuesta para incrementar la productividad de la soldadura en nuestro medio en base a los problemas observados y los cálculos realizados, presentando además dos procedimientos de soldadura que pueden ser aplicados en nuestro medio, y un método que facilitará la solución de los problemas que son detectados en el astillero. Palabras clave.-Construcción naval, Procedimientos, Astilleros. ABSTRACTThe present work studies the productivity of the weld in naval construction, starting off of an analysis of the production in our means happening to present some techniques or alternatives to increase the productivity of the weld in naval construction. We will begin describing some basic knowledge of weld, productivity and like determining the productivity of weld in the naval construction, in addition to because of the analysis of the productivity of the weld in our means. Also some factors are exposed that are going to influence in the production of the weld, as they are the yield by fusion, the selection of the materials, the type of steel, the type of procedure, etc. On the other hand, the statistical data taken in the zone from work appear that will serve to measure the productivity of the weld based on the kilograms of deposited metal and the yield by fusion of several types of electrodes. Finally, the proposal appears to increase the productivity of the weld in our means on the basis of the observed problems and the made calculations, presenting in addition two welding procedures that can be applied in our means, and a method that will facilitate the solution of the problems that are detected in the shipyard. Keywords.- Shipbuilding, Procedures, Ahipyards.

scholarly journals 2012: Ideas Mayas Acerca De La Renovación Cí­clica Del Universo

Xihmai ◽  
2013 ◽  
Vol 5 (9) ◽  
Author(s):  
Manuel Alberto Morales Damián
Keyword(s):  
Key Words ◽  
The Other ◽  
Western Thought ◽  
Global Crisis ◽  
Other Hand ◽  
Palabras Clave ◽  
The World ◽  
The One ◽  
The Universe

2012:  IDEAS  MAYAS  ACERCA  DE  LA  RENOVACIÓN CíCLICA DEL UNIVERSO. 2012:                MAYA‟S    CIVILIZATION     IDEAS   ABOUT    THE CYCLIC RENEWAL OF THE UNIVERSE.       Resumen El pensamiento maya con respecto a la astronomí­a y el calendario poseen una gran originalidad y corresponden a una forma de entender la realidad completamente  diferente  a  la  del  pensamiento  occidental.  Los  mayas conciben que el tiempo está sujeto a recurrencias cí­clicas (dí­a-noche, año solar, perí­odos de 52 años), cada una de las cuales supone la destrucción y renovación del cosmos. Por otra parte, las supuestas profecí­as mayas acerca de un evento astronómico el próximo 21 de diciembre de 2012, en realidad no son acordes a la cosmovisión maya prehispánica, coinciden sin embargo con temores milenaristas propios del pensamiento occidental que se agudizan en una época de crisis global.   Palabras Clave: Mayas, religión, astronomí­a, profecí­as del 2012.   Abstract Mayan  thought  in  respect  to  astronomy  and  the  calendar  have  a  great originality and correspond to a way of understanding a complete different reality to the one of the western thought. Mayan people conceive that time is subject to cycle recurrences (day-night, solar year, and periods of 52 years), each one supposes destruction and renovation of cosmos. On the other hand, the supposed Mayan prophecies about an astronomical event next December 21st  2012, do not in fact agree with the view of the world of the pre Hispanic Mayans, however they coincide with millennial fear proper of the western thought that worsen in this times of global crisis.   Key words: Mayans, religion, astronomy, 2012 prophecies.      

scholarly journals Vernacular Serbia Traced by Jeanneret, Yugoslav Modern Figured à la Corbusier

2015 ◽  
Author(s):  
Ljiljana Blagojevic
Keyword(s):  
Twentieth Century ◽  
Comparative Analysis ◽  
Le Corbusier ◽  
Lessons Learned ◽  
The Other ◽  
Primary Sources ◽  
Palabras Clave ◽  
The One ◽  
Siglo Xx ◽  
Material Evidence

Abstract: The paper examines correlations of architectural culture in Serbia with modern ideas of the twentieth century that were engendered through engagement with concepts originated by Le Corbusier. Based on analysis of primary sources, the paper examines the dichotomy vernacular – modern as a critical point of this correlation. For instance, what was the significance of vernacular or folklore heritage, that Charles-Édouard Jeanneret traced in Serbia in 1911, and how did its value became part of the foundational discourse of the modern movement? What kind of relation to Le Corbusier’s doctrines were forged by modern architects in Serbia of the interwar years, and which lessons learned in his Parisian atelier by collaborators from the late 1930s had been transmitted far and wide in socialist Yugoslavia’s urban planning? This paper focuses on comparative analysis of direct material evidence of sources on the one side and interpretations on the other, with the aim to show more clearly a two-way working of sources, reception and selective transmission through architectural thinking and design process. In sum, the argumentation will aim to elucidate the processes of acknowledgment, emulation, idealization, analytical probing, dogmatization, critique and annihilation of Le Corbusier’s ideas in the long march of modernism’s emancipation and decline in Serbia over the course of the twentieth century. Resumen: El artículo examina las correlaciones de la cultura arquitectónica en Serbia con ideas modernas del siglo XX que se generaron a través de los conceptos originados por Le Corbusier. Basado en el análisis de fuentes primarias, el artículo examina la dicotomía vernácula - moderna como un punto crítico de esta correlación. Por ejemplo, ¿cuál fue la importancia del patrimonio vernáculo o folclore, que Charles-Édouard Jeanneret trazó en Serbia en 1911, y cómo se convirtió su valor en una parte del discurso fundamental del movimiento moderno? ¿Qué tipo de relación con las doctrinas de Le Corbusier se forjaron por los arquitectos modernos en Serbia de los años de entreguerras, y qué lecciones aprendidas en su taller parisino por los colaboradores de la década de 1930 habían sido transmitidas en la planificación urbana de Yugoslavia socialista? Por un lado, este documento se centra en el análisis comparativo de pruebas materiales directas de fuentes, y por el otro lado de la interpretación, con el objetivo de mostrar más claramente dos maneras de trabajo de las fuentes, la recepción y transmisión selectiva a través del pensamiento arquitectónico y proceso de diseño. En síntesis, la argumentación tratará de dilucidar los procesos de reconocimiento, la emulación, la idealización, la investigación analítica, dogmatización, la crítica y la aniquilación de las ideas de Le Corbusier en la larga marcha de la emancipación de la modernidad y el declive de la misma en Serbia en el transcurso del siglo XX.  Keywords: Le Corbusier; Serbia; vernacular; purism; socialist modernism; New Belgrade. Palabras clave: Le Corbusier; Serbia; vernácula; purismo; modernismo socialista; Nuevo Belgrado. DOI: http://dx.doi.org/10.4995/LC2015.2015.565

scholarly journals De incertidumbre no se muere. Un desafío no resuelto sobre verdad y conocimiento = Uncertainty does not kill. An open challenge about truth and knowledge

2019 ◽  
pp. 8
Author(s):  
Elena Marchese ◽  
Jorge Baquerizo
Keyword(s):  
Procedural Knowledge ◽  
The Other ◽  
Philosophical Reflection ◽  
Absolute Certainty ◽  
Other Hand ◽  
Palabras Clave ◽  
The One

Resumen: La idea de certeza absoluta, típica del primer realismo alético, ha encontrado en la ley un hábitat ideal en el que se ha enraizado profundamente. La insostenibilidad epistemológica de esta noción, y el daño que ha causado a la reflexión jurídica, han sido denunciados de manera clara: tanto por Luigi Ferrajoli, como por la dogmática iusfilosófica que ha seguido sus ideas (los llamados «teóricos del hecho»). En este trabajo intento, por una parte, analizar la labor de estos teóricos, aportando elementos de reflexión sobre el tema de la verdad y del conocimiento judicial; por otra parte, también intento mostrar que la «rehabilitación» del realismo alético, en el ámbito jurídico, subsiste todavía como un problema abierto y lleno de interés para la reflexión filosófica. Palabras clave: verdad, conocimiento procesal, teóricos del hecho, Ferrajoli, realismo y antirealismo alético.Abstract: The idea of absolute certainty -typical of the first alethic realism- found an ideal habitat in Law and it rooted deeply into it. The epistemological unsustainability of this notion and the harms it caused to the legal debate were denounced clearly by Luigi Ferrajoli and the following scholars (i.e. the «fact-theorists»). This paper is aimed, on the one hand, at assessing the work of these jurists and provide food for thought on the topics of truth and procedural knowledge; on the other hand, it tries to show that the problem of the «rehabilitation» of alethic realism in the legal field still remains open and full of interest for the philosophical reflection. Keywords: truth, judicial knowledge, fact-theorists, Ferrajoli, alethic realism and anti-realism. 

scholarly journals REGIMES DE INTERAÇÃO EM UMA NARRATIVA DA REPERCUSSÃO: O Boticário, os “Casais”, Malafaia e “eu”.

2018 ◽  
Vol 4 (2) ◽  
pp. 847
Author(s):  
José Maria Mendes Pereira Junior ◽  
Rogério Covaleski
Keyword(s):  
Participatory Culture ◽  
The Other ◽  
Dynamic Relationship ◽  
Other Hand ◽  
Palabras Clave ◽  
Constituent Element ◽  
Valentine's Day ◽  
The One

As narrativas da repercussão surgem, de um lado, das tentativas de programação e manipulação das empresas e de sua publicidade, assim como, do outro lado, das lógicas de ajustamento e acidente que se encontram nas narrativas dos consumidores. Um continuum entre os regimes de interação (LANDOWSKI, 2014), materializados neste artigo pela publicidade de O Boticário para o Dia dos Namorados (2015) e a repercussão posterior a sua veiculação, que permite refletir sobre a dinâmica relação entre as marcas e seus consumidores no contexto de cultura participativa (JENKINS, 2008), em que os atos funcionais da publicidade (adesão e compra) misturam-se com as apropriações que o “receptor” faz das mensagens publicitárias, usando-as como mais um elemento constituinte de seu tecido social.   PALAVRAS-CHAVE: Publicidade; Narrativas; Regimes de Interação; Cultura Participativa; Repercussão.     ABSTRACT The narratives of the repercussion arise, on the one hand, from the attempts of programming and manipulation of the companies and their publicity, as well as, on the other hand, the logics of adjustment and accident found in the narratives of the consumers. A continuum between the interaction regimes (LANDOWSKI, 2014), embodied in this article by O Boticário's advertising for Valentine's Day (2015) and the subsequent repercussion of its advertising, which allows us to reflect on the dynamic relationship between brands and their consumers In the context of participatory culture (JENKINS, 2008), where the functional acts of advertising (adhesion and purchase) blend with the appropriations that the "receiver" makes of advertising messages, using them as another constituent element of their fabric social.   KEYWORDS: Advertising; Narratives; Interaction Regimes; Participatory Culture; Repercussion.     RESUMEN Las narrativas de la repercusión surgen, por un lado, de los intentos de programación y manipulación de las empresas y de su publicidad, así como, del otro lado, de las lógicas de ajuste y accidente que se encuentran en las narrativas de los consumidores. Un continuum entre los regímenes de interacción (LANDOWSKI, 2014), materializados en este artículo por la publicidad de O Boticário para el Día de San Valentín (2015) y la repercusión posterior a su difusión, que permite reflexionar sobre la dinámica relación entre las marcas y sus consumidores en el contexto de cultura participativa (JENKINS, 2008), en que los actos funcionales de la publicidad (adhesión y compra) se mezclan con las apropiaciones que el “receptor” hace de los mensajes publicitarios, usándolos como más un elemento constituyente de su tejido social.   PALABRAS CLAVE: Publicidad; Narrativas; Regímenes de Interacción; Cultura Participativa; Repercusión.

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