scholarly journals 拆迁普店街：二十世纪末中国都市小说中摧毁和复兴主题的含混 (Bulldozing Pudian Street: Destruction or Renewal? Ambiguities in Big City Novels in Late 20th Century Chinese Literature)

2007 ◽  
Vol 4 (1) ◽  
Author(s):  
Xia Li
Keyword(s):  
Twentieth Century ◽  
Chinese Literature ◽  
Control Process ◽  
Literary Genre ◽  
Late 20Th Century ◽  
Literary Representation ◽  
The Social ◽  
Eminent Scholar ◽  
Big City ◽  
Contemporary Chinese

There is little doubt that the most cogent literary representation of the experience of modernity has been realised in big city fiction and cinematographic masterpieces such as Fritz Lang's Metropolis (1926). Despite the formal and aesthetic incompatability of early twentieth century (predominantly Western) works of this literary genre and more recent ones, East and West, the underlying dialectic tension between progressive optimism and disorientation, existential up-rootedness, alienation and angst (Rilke's loss of soul) as archetypal manifestation of mega-city reality and its social structure and organisation, constitutes a generic hallmark, regardless of time and place. Significantly, the relevance of this problem is reinforced, theoretically and practically, by the eminent scholar and architect Rem Koolhaas whose reflections have China as a principal reference point of the global "out-of-control process of modernisation". This paper focuses on the literary representation of the complexity and universality of the problem and the social implications of the blurred and ambiguous vision of urban reality with particular reference to contemporary Chinese literature.

Strategies of Translating Martial Arts Fiction

Babel ◽  
2001 ◽  
Vol 47 (1) ◽  
pp. 1-9 ◽  
Author(s):  
Olivia Mok
Keyword(s):  
Martial Arts ◽  
Chinese Literature ◽  
Literary Translation ◽  
Target Language ◽  
Literary Genre ◽  
Translation Strategy ◽  
Martial Arts Fiction ◽  
Jin Yong ◽  
The One ◽  
Contemporary Chinese

The strategies of translating Fox Volant of the Snowy Mountain, a martial arts novel by Jin Yong, into English are determined mainly by the skopos of bringing Jin Yong’s work to life for a Western audience, shaped also by the translator’s ideology and the poetics dominant in the receiving culture. It follows that the functions associated with translating this literary text, a major genre in contemporary Chinese literature, would include introducing martial arts fiction as a literary genre; introducing Jin Yong as a master storyteller; and presenting genre-specific devices employed in penning a classic work. An overriding strategy adopted by the translator proved to be extensive rewriting into the target language as the translated work only materialized after serious efforts at recreative translating. The fluent translation strategy, when aptly used, is the one that effects transparency, thereby evoking authorial presence in a literary translation.

scholarly journals Between Sinology and Socialism: Collective Memory of Czech Sinologists in the 1950s

2015 ◽  
Vol 19 ◽  
pp. 116-133
Author(s):  
Ter-Hsing Cheng
Keyword(s):  
Collective Memory ◽  
Chinese Literature ◽  
The Other ◽  
The Political ◽  
International Affairs ◽  
Personal Factor ◽  
Overseas Students ◽  
The Social ◽  
The 1950S ◽  
Contemporary Chinese

This paper intends to explore the collective memory of Czech sinologists in the 1950s based on the political zone between sinology and socialism. Czech sinological development in the 1950s was grounded on the personal factor of Prusek and the socialist transformation of new China. Socialist China offers two possibilities for the development of sinology, the first for friendly relations among socialist countries, including overseas students, and the second for studies of contemporary Chinese literature. The developmental framework of Czech sinology in the 1950s, or the social framework of collective memory for the Czech sinologists should be understood in the region under the mutual penetration of sinology and socialist China. This paper, firstly, discusses the background framework of constructing the Czech sinologists in the 1950s— the link between new China and the other socialist countries, and the relation between Prusek and socialist China. Secondly, this paper will analyze Czech sinological experiences in the 1950s through Halbwachs’ theory of collective memory.Mongolian Journal of International Affairs Vol.19 2014: 116-133

The concept of “love” in the early works of Zhang Ailing (张爱玲 1920–1995)

2021 ◽  
pp. 59-67
Author(s):  
Irina A. Moshchenko ◽  
Keyword(s):  
Twentieth Century ◽  
Social Structure ◽  
Chinese Literature ◽  
Romantic Love ◽  
Well Being ◽  
Social Value ◽  
The Core ◽  
Zhang Ailing ◽  
The Social ◽  
Binary Oppositions

This article presents a study designed to analyse the concept of love in the early work of chinese writer Zhang Ailing. The research reveals conceptual binary oppositions which are formed arround the core of the concept of love that is: ai (爱), qing (情) and lian (恋). The oppositions are the following: absurdity — conciseness; frivolous / pretense — serious / sincerity; material — spiritual / sacred; isolation — openness; selfishness — generosity; cowardice — courage; overseas — traditional. This ambiguity of the concept is the key to understanding how early works of Zhang Ailing differs from the previous literature tradition, which understands love as а supreme good. The research shows the transformation of the concept of love in the early work of Zhang Ailing. The writer confronts the tradition, she tries to destroy the romantic-sentimental attitude to love that was formed in Chinese literature in the first decades of the twentieth century. Breaking with the conventional image of “love above all” (恋爱之上), Zhang Ailing begins to build up her own world of love. She starts from the denying of romantic love and attachment, and only then tries to fit love into the social structure, to turn ordinary love into a social value equal to success in work, financial well-being, etc.

Villains, Victims and Morals in Contemporary Chinese Literature

1971 ◽  
Vol 46 ◽  
pp. 331-349 ◽  
Author(s):  
Joe C. Huang
Keyword(s):  
Interpersonal Relations ◽  
Chinese Literature ◽  
Survey Method ◽  
Chinese Society ◽  
Chinese People ◽  
The Social ◽  
Revolutionary Romanticism ◽  
Social Conduct ◽  
Contemporary Chinese ◽  
Source Materials

Novels reflect social realities at given times and under given conditions. When the direct survey method cannot be applied to the study of Chinese society, novels constitute one of the available sources from which useful information concerning the structure, order and conditions of society and interpersonal relations may be inferred. However, the difficulty of reconstructing the social conduct of Chinese people from such elusive source materials is enhanced since Communist novels reflect less the realities as they are than the realities as they should be. The theory of the combination of revolutionary realism and revolutionary romanticism demands that the plots and characters must be “romanticized” to give a picture of the society corresponding to the needs of ideology. Even if this is so, the stories still have to be based on social realities for the readers to appreciate them. A somewhat modified interpretation holds that romanticization is based on the foundation of realism. It is from the discernment of this element of realism in Chinese Communist fiction that we may attempt to reconstruct the nature of Chinese society.

Late Antique Letter Collections

2016 ◽  
Keyword(s):  
Late Antiquity ◽  
Literary Genre ◽  
Late Antique ◽  
Comprehensive Overview ◽  
Literary Genres ◽  
The Social ◽  
Letter Writer ◽  
The Individual ◽  
Letter Collection ◽  
Latin Letter

This volume provides the first comprehensive overview of the extant Greek and Latin letter collections of late antiquity (ca. 300-600 C.E.). Bringing together an international team of historians, classicists, and scholars of religion, it illustrates how letter collections advertised an image of the letter writer and introduces the social and textual histories of each collection. Nearly every chapter focuses on the letter collection of a different late ancient author—from the famous (or even infamous) to the obscure—and investigates its particular issues of content, arrangement, and publication context. On the whole, the volume reveals how late antique letter collections operated as a discrete literary genre with its own conventions, transmission processes, and self-presentational agendas while offering new approaches to interpret both larger letter collections and the individual letters contained within them. Each chapter contributes to a broad argument that scholars should read letter collections as they do representatives of other late antique literary genres, as single texts made up of individual components, with larger thematic and literary characteristics that are as important as those of their component parts.

Addressing the Social Determinants of Health

2019 ◽  
Vol 101 (4) ◽  
pp. 357-395 ◽  
Author(s):  
Saty Satya-Murti ◽  
Jennifer Gutierrez
Keyword(s):  
Twentieth Century ◽  
Los Angeles ◽  
Social Determinants Of Health ◽  
Social Determinants ◽  
Social Activism ◽  
Determinants Of Health ◽  
Medical Attention ◽  
Community Center ◽  
Early Twentieth Century ◽  
The Social

The Los Angeles Plaza Community Center (PCC), an early twentieth-century Los Angeles community center and clinic, published El Mexicano, a quarterly newsletter, from 1913 to 1925. The newsletter’s reports reveal how the PCC combined walk-in medical visits with broader efforts to address the overall wellness of its attendees. Available records, some with occasional clinical details, reveal the general spectrum of illnesses treated over a twelve-year span. Placed in today’s context, the medical care given at this center was simple and minimal. The social support it provided, however, was multifaceted. The center’s caring extended beyond providing medical attention to helping with education, nutrition, employment, transportation, and moral support. Thus, the social determinants of health (SDH), a prominent concern of present-day public health, was a concept already realized and practiced by these early twentieth-century Los Angeles Plaza community leaders. Such practices, although not yet nominally identified as SDH, had their beginnings in the late nineteenth- and early twentieth-century social activism movement aiming to mitigate the social ills and inequities of emerging industrial nations. The PCC was one of the pioneers in this effort. Its concerns and successes in this area were sophisticated enough to be comparable to our current intentions and aspirations.

D?r al-?arb as the Motherland? The Muslim Tatars of (the Grand Duchy of) Lithuania and Social Contract

2017 ◽  
Vol 10 (2) ◽  
pp. 157-177
Author(s):  
Egdūnas Račius
Keyword(s):  
Twentieth Century ◽  
Social Contract ◽  
Social Consequences ◽  
Nation State ◽  
The Social ◽  
State And Society ◽  
Muslim Minority ◽  
Grand Duchy Of Lithuania ◽  
In The Beginning ◽  
Grand Duchy

Muslim presence in Lithuania, though already addressed from many angles, has not hitherto been approached from either the perspective of the social contract theories or of the compliance with Muslim jurisprudence. The author argues that through choice of non-Muslim Grand Duchy of Lithuania as their adopted Motherland, Muslim Tatars effectively entered into a unique (yet, from the point of Hanafi fiqh, arguably Islamically valid) social contract with the non-Muslim state and society. The article follows the development of this social contract since its inception in the fourteenth century all the way into the nation-state of Lithuania that emerged in the beginning of the twentieth century and continues until the present. The epitome of the social contract under investigation is the official granting in 1995 to Muslim Tatars of a status of one of the nine traditional faiths in Lithuania with all the ensuing political, legal and social consequences for both the Muslim minority and the state.

The Samarin Family and the Parish Question in the Russian Empire. 1860s–1910s

2019 ◽  
Vol 54 ◽  
pp. 235-246
Author(s):  
Alexey L. Beglov
Keyword(s):  
Twentieth Century ◽  
Russian Empire ◽  
Public Discussion ◽  
The Public ◽  
The Social ◽  
Church Life ◽  
The Russian Empire ◽  
In The Beginning ◽  
The Church ◽  
Do So

The article examines the contribution of the representatives of the Samarin family to the development of the Parish issue in the Russian Empire in the late 19th and early 20th centuries. The issue of expanding the rights of the laity in the sphere of parish self-government was one of the most debated problems of Church life in that period. The public discussion was initiated by D.F. Samarin (1827-1901). He formulated the “social concept” of the parish and parish reform, based on Slavophile views on society and the Church. In the beginning of the twentieth century his eldest son F.D. Samarin who was a member of the Special Council on the development the Orthodox parish project in 1907, and as such developed the Slavophile concept of the parish. In 1915, A.D. Samarin, who took up the position of the Chief Procurator of the Most Holy Synod, tried to make his contribution to the cause of the parish reforms, but he failed to do so due to his resignation.

Dieva īpašību atainojums latviešu tautasdziesmās teopoētikas kontekstā

2020 ◽  
pp. 390-404
Author(s):  
Eva Mārtuža
Keyword(s):  
Personal Experience ◽  
Folk Songs ◽  
Literary Genre ◽  
Divine Revelation ◽  
Specific Expression ◽  
Late 20Th Century ◽  
Intellectual Activity ◽  
Religious Texts ◽  
Cultural Phenomenon ◽  
Perceptions Of God

An innovative view to theological texts as a literary genre has been established in research of the modern religions and designated as theopoetics, because, irrespective of whether a theological text is written in the poetic genre, in the form of a story or the style of a more dense, theoretical prose, it is based on the poesis: innovative, intuitive and an imaginary composition of the authors where the central figure is God. Therefore, approximately ten thousand recorded and published folk songs, as well as other Latvian folklore texts about God, are equal to theopoetics as a genre of creative writing with its specific expression tools. Folk songs are a product of purposeful human spiritual/intellectual activity and imagination, a typical cultural phenomenon of the relevant society, which helps to study the public’s views about the perception of God. To approach adequately to analysis and interpretation of such texts, in the late 20th century, a new method of research on religious texts – theopoetics – was established. Theopoetics is a method of analysing religious texts that encourages us to look at the ancient metaphors of God from another angle. It explores the language possibilities of figuratively creating God’s patterns, unlike the previous “scientific” God’s theories as the systematic attempt of theology to find God through the living (“incarnated”) God. Theopoetics theorists accept reality as a source of divine revelation as well as personal experience and metaphor-influenced divine understanding in various religions. This method allows to establish the essence and possible interpretations of the basic metaphors used in every individual religion: 1) critically weigh up the previous explanations of God; 2) study the interaction of applied metaphors, models and concepts within religion; 3) offers the potential of transformative, revolutionary models, using the language and metaphor layer that is widely understandable and used by people in everyday life. Research of metaphors does not impose objective or general criteria for assessing understanding of God; therefore, the aim of theopoetical discourse is not to prevent competing interpretations but to multiply the number of perceptions of God, to extend the emotional feeling, and to reveal new opinions. Folk songs figuratively represent God in metaphors and comparisons, but the theopoetics method has not been applied in the previous studies of God either because it is a relatively new methodological system, or because God’s perception in the folk songs has not been the focus of researchers of contemporary religions.

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