scholarly journals Yeni Medya Teknolojilerinin Kullanılmasının Siyasal İletişime Getirdiği Yenilikler

2021 ◽  
Vol 5 (23) ◽  
pp. 187-201
Author(s):  
Umut Yıldız
Keyword(s):  
New Media ◽  
Political Communication ◽  
Central Position ◽  
Political Activities ◽  
Knowledge Community ◽  
Political Relations ◽  
History Of ◽  
The Media ◽  
Electronic Revolution ◽  
Developmental Line

The new media, which is under the traditional media, is rapidly becoming an extremely important channel for political communication. In our digital age, which refers to the electronic revolution shaped by means of communication, before the electronic revolution, which is accepted as a leap in the developmental line of the history of civilization as synonymous with the information and knowledge community, political communication also changes like every other issue. Radio and television have risen to a central position in the political relations of people in the electronic world; In this process, channels, radio and television, which are among the 3 issues in the classification between receivers, transmitters and channels, have made the way of using and benefiting from both transmitters and receivers into a habit, in accordance with their own characteristics. In this process, which took place within the boundaries drawn by television-mediated political communication, each of the parties had to construct roles, wishes, expectations, identity, constitutionalism, reconciliation, activities according to the instrumentality of television. By internalizing the drawn framework and borders more and more every day, it has indexed all kinds of political activities that can be realized through the media in daily life to radio and television, and then to new media tools. Key Words: Technology, Political Communication, New Media.

scholarly journals Real or Virtual? Political Communication in Romania (2004-2008/9)

2015 ◽  
Vol 21 (1) ◽  
Author(s):  
Valentina Marinescu ◽  
Bianca Mitu
Keyword(s):  
New Media ◽  
Political Participation ◽  
Political Communication ◽  
Information Source ◽  
Political Life ◽  
Political Activities ◽  
Electoral Campaigns ◽  
On Line ◽  
The Media ◽  
Ancient Times

AbstractThe civic and political participation is considered to be central to the concept of democracy and it is particularly relevant in the context of contemporary democracies. The participation of citizens in civic or political activities has been a constitutive element of democracy since ancient times. Any dis-cussion of participation needs to acknowledge the space within which the citizens engage. This article will focus on the online engagement and online civic and political participation. The existing studies in literature focus on the analysis of the online election campaigns [Klotz 2005; Xenos, Foot 2005], on the study of the characteristics of the individuals who engage in on-line and off-line activities [Rice, Katz 2004; Weber 2003] or on the identification of the role of the media as a main information source for the voters [Ramie 2005]. This article aims to analyze the main features of the use of new media in political life and the relation between new media and civil society in Romania during 2004-2012. Also the article aims to provide and answer to the following questions: Which were the main characteristics of the usage of new media during the Romanian electoral campaigns 2004-2008/2009? How is the Internet used in the civic life during the non-electoral periods in Romania?

Filthy Material

2018 ◽  
Author(s):  
Chris Forster
Keyword(s):  
Twentieth Century ◽  
New Media ◽  
Twentieth Century Literature ◽  
Modernist Literature ◽  
Literary Value ◽  
Radclyffe Hall ◽  
Media Technologies ◽  
The Face ◽  
History Of ◽  
The Media

Modernist literature is inextricable from the history of obscenity. The trials of such figures as James Joyce, D. H. Lawrence, and Radclyffe Hall loom large in accounts of twentieth-century literature. Filthy Material: Modernism and the Media of Obscenity reveals the ways that debates about obscenity and literature were shaped by changes in the history of media. The emergence of film, photography, and new printing technologies shaped how “literary value” was understood, altering how obscenity was defined and which texts were considered obscene. Filthy Material rereads the history of modernist obscenity to discover the role played by technological media in debates about obscenity. The shift from the intense censorship of the early twentieth century to the effective “end of obscenity” for literature at the middle of the century was not simply a product of cultural liberalization but also of a changing media ecology. Filthy Material brings together media theory and archival research to offer a fresh account of modernist obscenity with novel readings of works of modernist literature. It sheds new light on figures at the center of modernism’s obscenity trials (such as Joyce and Lawrence), demonstrates the relevance of the discourse of obscenity to understanding figures not typically associated with obscenity debates (such as T. S. Eliot and Wyndham Lewis), and introduces new figures to our account of modernism (such as Norah James and Jack Kahane). It reveals how modernist obscenity reflected a contest over the literary in the face of new media technologies.

scholarly journals News Media Exposure and Political Communication among Libyan Elites at the Time of War

2017 ◽  
Vol 8 (1) ◽  
pp. 330-339
Author(s):  
Abdul-Karim Ziani ◽  
Mokhtar Elareshi ◽  
Khalid Al-Jaber
Keyword(s):  
New Media ◽  
Political Communication ◽  
News Media ◽  
Online Survey ◽  
Sources Of Information ◽  
Political Awareness ◽  
Highly Educated ◽  
News Sources ◽  
The Media

Abstract Many critical questions concerning the relationship between the news media and political knowledge involve the extent to which the media facilitate learning about news, war and politics. Political awareness - via the news media - affects virtually every aspect of citizens’ political attitudes and behaviours. This paper examines how Libyan elites adopt the news media to access news and information regarding the current Libyan war and politics and how they use political communication and new media to build/spread political awareness. With the expansion of private and state-owned television in Libya, concern has grown that these new TV services will survive in providing information about citizens’ interests, including the new, developing political scene. A total of 134 highly educated Libyan professionals completed an online survey, reporting their perceptions of issues covered by national TV services. This account centres on how those elites consume the media and what level of trust they have in the media and in information and what the role of the media in their country should be. The results show that most respondents, especially those who live outside the country, prefer using different Libyan news platforms. However, 50 per cent of these do not trust these channels as a source of information regarding the civil war, associated conflicts and politics in general. They have grown weary of coverage that represents the interests of those who run or own the services and consequently place little trust in the media. Spreading ‘lies as facts’ has affected the credibility of these services. Politically, these respondents wish the media to discuss solutions and act as a force for good, not for division. They also differed in the number and variety of national news sources that they reportedly used. This paper also highlights the role of social media, mobile telephony and the Internet, as well as the rapidly proliferating private and national media. These findings are also discussed in relation to the growing impact of online sources in Libyan society, social and political change and the emergence of new media platforms as new sources of information.

News, Biography, and Eighteenth-Century Celebrity

2016 ◽  
Author(s):  
Brian Cowan
Keyword(s):  
Eighteenth Century ◽  
New Media ◽  
Life Writing ◽  
History Of ◽  
The Media ◽  
News Writing ◽  
Long Eighteenth Century ◽  
Key Aspects

Celebrity was not invented in the eighteenth century, but it was transformed by the new publics, and the new media that emerged to cultivate and maintain these publics, from the mid-seventeenth until the later eighteenth centuries. Celebrity is therefore best understood as a certain kind of fame rather than a phase in the history of fame. Contemporaneity, publicity, and personality are key aspects of the kind of fame one may identify as celebrity. This chapter argues that attention to genre in the process of celebrity formation makes it possible to distinguish between regimes of fame as constituted by the media available and the ways in which public personalities were variously constructed. Two genres were particularly influential in shaping the development of the new celebrity of the long eighteenth century: news writing and life writing. The contributions of news and biography to eighteenth-century conceptions of celebrity are explored in detail.

scholarly journals Logics of the Icelandic Hybrid Media System

2019 ◽  
Vol 40 (1) ◽  
pp. 43-59
Author(s):  
Birgir Guðmundsson
Keyword(s):  
Social Media ◽  
New Media ◽  
Political Communication ◽  
Parliamentary Elections ◽  
Media System ◽  
Network Media ◽  
Social Media Platforms ◽  
The Media ◽  
Media Logic

AbstractThe increased importance of social media platforms and network media logic merging with traditional media logic are a trademark of modern hybrid systems of political communication. This article looks at this development through the media-use by politicians before the 2016 and 2017 parliamentary elections in Iceland. Aggregate results from candidate surveys on the use and perceived importance of different media forms are used to examine the role of the new platform Snapchat in relation to other media, and to highlight the dynamics of the hybrid media system in Iceland. The results show that Snapchat is exploited more by younger politicians and those already using social media platforms. However, in spite of this duality between old and new media, users of traditional platforms still use new media and vice versa. This points to the existance of a delicate operational balance between different media logics, that could change as younger politicians move more centre stage.

Broadcasting versus Narrowcasting

2014 ◽  
Author(s):  
Miriam J. Metzger
Keyword(s):  
Mass Media ◽  
Political Communication ◽  
Mass Communication ◽  
Communication Theory ◽  
Media Environment ◽  
Production Distribution ◽  
History Of ◽  
The Media ◽  
Recent Trends ◽  
Contemporary Media

This chapter explores the question of the continuing relevance of “mass media” due to recent technological changes in the media landscape. The chapter traces the history of media content production, distribution, and consumption from broadcasting to narrowcasting, and considers recent trends toward “hyperpersonalization” afforded by digital networked media. The chapter examines what these changes mean for politics and for political communication theory, and concludes by posing some questions about the future of mass media that serve as a call for research into the changing nature, circumstances, and effects of mass communication in the contemporary media environment.

Defying expectations: what leader insurgencies reveal about media and party incapacity in the time of ‘audience democracy’

2018 ◽  
Vol 167 (1) ◽  
pp. 13-26 ◽  
Author(s):  
James Walter ◽  
Zareh Ghazarian
Keyword(s):  
Political Parties ◽  
New Media ◽  
Case Studies ◽  
Political Communication ◽  
Political Class ◽  
The People ◽  
Democratic Engagement ◽  
The Media ◽  
The Impact ◽  
Rules Of The Game

Political communication and citizen engagement have been impacted by crises in both political parties and conventional media models. This article contends that the confluence of these crises has been insufficiently understood, and that this lack of understanding depends upon a third element: the dissolution of a ‘holding culture’, a sense of the ‘rules of the game’ that has constituted the ground on which parties and the media operated and generated the imaginative space for constituting community. This dissolution might be represented as resistance to a now discredited political class, once constituted by ‘old’ political and media elites, and promising a new culture – with the potential for parties to be more responsive to ‘the people’, and for a more diversified and representative media. By looking at case studies of leadership insurgency in parties and the impact of new media in creating the discursive conditions for their emergence, this article explores the realities in relation to political communication and democratic engagement.

Digital Art and Experimental Color Systems at Bell Laboratories, 1965–1984: Restoring Interdisciplinary Innovations to Media History

Leonardo ◽  
2010 ◽  
Vol 43 (1) ◽  
pp. 53-58 ◽  
Author(s):  
Carolyn L. Kane
Keyword(s):  
New Media ◽  
Media History ◽  
Digital Art ◽  
Computing Technology ◽  
Media Arts ◽  
The Public ◽  
Experimental Art ◽  
Time Period ◽  
History Of ◽  
The Media

AT&T's Bell Laboratories produced a prolific number of innovative digital art and experimental color systems between 1965 and 1984. However, due to repressive regulation, this work was hidden from the public. Almost two decades later, when Bell lifted its restrictions on creative work not related to telephone technologies, the atmosphere had changed so dramatically that despite a relaxation of regulation, cutting-edge projects were abandoned. This paper discusses the struggles encountered in interdisciplinary collaborations and the challenge to use new media computing technology to make experimental art at Bell Labs during this unique time period, now largely lost to the history of the media arts.

Hyperpartisan news: Rethinking the media for populist politics

2020 ◽  
pp. 146144482091041
Author(s):  
Maria Rae
Keyword(s):  
New Media ◽  
Digital Media ◽  
Political Communication ◽  
The United States ◽  
New Agents ◽  
The United Kingdom ◽  
Starting Point ◽  
The Media ◽  
Start Ups ◽  
Better Than

Online media sites such as Breitbart News in the United States and The Canary in the United Kingdom have come to prominence as powerful new agents. Their reach and influence in the contemporary digital media ecology have been widely highlighted, yet there has been little scholarship to situate these important new players in the field of political communication. This article argues that, first, these ‘interlopers’ known as the ‘alt-right’ and ‘alt-left’ need to be understood as embedded in the context of populist politics. Second, ‘hyperpartisan’ describes these sites better than the framework of alternative media as it mirrors populism’s ideological pillar of ‘us’ versus ‘them’. Finally, a deliberate provocation is argued to name these digital start-ups as news to create a starting point for conceptualising these disruptive new media forces.

scholarly journals One World, One Ocean, One Mission

2013 ◽  
Vol 3 (1) ◽  
Author(s):  
Tracey L. Anderson
Keyword(s):  
New Media ◽  
Film Industry ◽  
Scientific Basis ◽  
Tipping Point ◽  
Media Campaign ◽  
Future Goals ◽  
History Of ◽  
The Media ◽  
Media Types ◽  
Global Initiative

MacGillivray Freeman Films was founded over forty years ago by Greg MacGillivray and the late Jim Freeman. In 2011, the company launched “the world’s largest ocean media campaign, a 10-year global initiative called One World One Ocean” (MacGillivray Freeman Films, 2010, Our History, para. 10), an awareness and change campaign focusing on saving the world’s oceans. The mission of One World One Ocean (OWOO) is to use “the power of film, television, new media and education initiatives… to change the way people see and value the ocean — and motivate action to restore it” (OWOO, 2012, Mission, para. 4). One World One Ocean’s science advisors, including principal advisor Dr. Sylvia Earle, believe that “the ocean is at a tipping point…. our actions over the next 10 years will determine the state of the ocean for the next 10,000 years” (OWOO, 2013, Why the Ocean?, para. 3). The media types used in the organization’s campaign were chosen because MacGillivray Freeman Films wants to develop and expand on its film-industry successes. This article outlines the history of One World One Ocean and explores its mission, its history, its scientific basis, its current projects and initiatives, its successes to date, and its future goals. It explains why these media platforms were chosen to support the organization’s mission and explores the vital questions of why it is important for all of us that we save the world’s oceans and how this mammoth task can be tackled before it is too late. The purposes of this article are to inform readers about One World One Ocean and to inspire them to consider ways they can work to achieve the organization’s crucial goals.

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