Modelling Attitudes of Dialogue Participants - Reasoning and Communicative Space

2018 ◽  
Author(s):  
Mare Koit
Keyword(s):  
Communicative Space

Yu.F. Samarin’s Model of the National State: Between Archaic and Modern

2019 ◽  
Vol 54 ◽  
pp. 149-155
Author(s):  
Alexey B. Panchenko
Keyword(s):  
Rural Community ◽  
Fundamental Difference ◽  
The State ◽  
Basic Unit ◽  
National State ◽  
Basic Model ◽  
The Face ◽  
Identical Position ◽  
Ethnocultural Community ◽  
Communicative Space

Yu. F. Samarin’s works are traditionally viewed through the prism of his affiliation with Slavophilism. His view of the state is opposed to the idea of the complex empire based on unequal interaction of the central power with the elite of national districts. At the same time it was important for Samarin to see the nation not as an ethnocultural community, but as classless community of equal citizens, who were in identical position in the face of the emperor. Samarin’s attitude to religion and nationality had pragmatic character and were understood as means for the creation of the uniform communicative space inside the state. This position for the most part conformed with the framework of the national state basic model, however there still existed one fundamental difference. Samarin considered not an individual, but the rural community that owned the land, to be the basic unit of the national state. As the result the model of national state was viewed as the synthesis of modernistic (classlessness, pragmatism, equality) and archaic (communality) features.

On Waxen Wings: Challenges to the Public Sphere in the Network Age

2016 ◽  
Vol 3 (1) ◽  
Author(s):  
Mike Francoeur
Keyword(s):  
Public Sphere ◽  
Public Discourse ◽  
The Internet ◽  
The Public ◽  
Digital Space ◽  
Multiple Viewpoints ◽  
Internet Users ◽  
Economic Production ◽  
The Public Sphere ◽  
Communicative Space

There is a tendency, particularly among Western pundits and technologists, to examine the Internet in almost universally positive terms; this is most evident in any discussion of the medium’s capacity for democratization. While the Internet has produced many great things for society in terms of cultural and economic production, some consideration must be given to the implications that such a revolutionary medium holds for the public sphere. By creating a communicative space that essentially grants everyone his or her own microphone, the Internet is fragmenting public discourse due to the proliferation of opinions and messages and the removal of traditional gatekeepers of information. More significantly, because of the structural qualities of the Internet, users no longer have to expose themselves to opinions and viewpoints that fall outside their own preconceived notions. This limits the robustness of the public sphere by limiting the healthy debate that can only occur when exposed to multiple viewpoints. Ultimately, the Internet is not going anywhere, so it is important to equip the public with the tools and knowledge to be able to navigate the digital space. 

FLASH MOB AS A MODERN FORM OF SOCIAL AND POLITICAL PARTICIPATION: ANALYSIS OF TECHNOLOGICAL, MOTIVATIONAL AND IDENTIFICATION FACTORS

2020 ◽  
Vol 15 (5) ◽  
pp. 124-143
Author(s):  
D.I. KAMINCHENKO ◽  
Keyword(s):  
Social Media ◽  
Citizen Participation ◽  
Information Society ◽  
Political Activity ◽  
Political Processes ◽  
Political Events ◽  
Empirical Level ◽  
Mass Participation ◽  
Communicative Space ◽  
Modern Form

Modern digital technologies contribute to the emergence of new forms of social and political activity. One of these forms of participation is flash mob. Flash mobs are able to activate society for mass participation in various political events, which indicates the relevance and necessity of studying flash mobs as a modern form of citizen participation in social and political processes. The purpose of this study is to conduct a comprehensive analysis of the flash mob from the standpoint of the intersection of several factors: technological, identification and motivational. The research methodology at the theoretical level is made up of the theory of the information society and the concept of “network identity”, on the empirical level - the method of sociological survey with the subsequent compilation of contingency tables. As a result of the study, it is established how widespread the practice of participation of active users of social media in various flash mobs is. Based on the data on the most significant opportunities for using social media, an interim conclusion is made about the existing motivational attitudes of the participants in flash mobs. Through the use of several determinants of network identity, a number of its properties are identified and considered, which are manifested in the communicative space of social media. It is established that the factor of participation / non-participation in the flash mob is not decisive in the manifestation of the properties of network identity.

Name of Russian Podcasts: Semantics and Pragmatics

2021 ◽  
pp. 89-92
Author(s):  
Violetta Gaputina
Keyword(s):  
Social Network ◽  
Language Game ◽  
The Internet ◽  
Internet Site ◽  
Modern Media ◽  
The Social ◽  
Semantics And Pragmatics ◽  
Communicative Space

This article addresses the issues of organizing the communicative space of modern media. The main focus is on considering the names of podcasts - audio blogs on the Internet - in terms of the various language techniques used in them. The material for the study was podcasts operating on the platforms of the Internet site YouTube and the social network Vkontakte in Russia. 9 groups of podcast titles were identified by the type of reception underlying each name. It has been established that the corpus of titles in the podcasting industry is characterized by a wide variety. Among them, original names predominate, built on the basis of a language game, precedent texts, borrowings from other languages, stylistically marked words or implicit meaning, metaphorical, symbolic, ironic component embedded in them, which work on the implementation of a contact-establishing strategy for subsequent communication between mediators and the audience listeners.

Communicative space of german-language social media

2021 ◽  
Vol 19 (1) ◽  
pp. 7-16
Author(s):  
Olena Bezzubova
Keyword(s):  
Social Media ◽  
German Language ◽  
Communicative Space

Introduction: occupying and colonising

2017 ◽  
Author(s):  
Gavin Brown ◽  
Fabian Frenzel ◽  
Patrick McCurdy ◽  
Anna Feigenbaum
Keyword(s):  
Public Space ◽  
Spatial Politics ◽  
Clear Cut ◽  
Urban Protest ◽  
Economic Elites ◽  
Communicative Space

The book’s second section - ‘Occupying and Colonizing’ - addresses a different set of spatial politics posed by protest camps. The authors are concerned here with the politics of occupying (public) space for protest and the tensions that can arise from this. Urban protest camps, in particular, frequently seek to occupy public space in order to draw attention to the policies of political and economic elites. The authors question how certain ‘publics’ are brought into being by protest camps, whilst the existence of others might be elided or erased. This section addresses the constitutive power of protest camps as a political and communicative space. Here, the spatial character of a protest camp as its own sphere of life and communication creates a disposition between the two, something that leads to various relationships from clear cut antagonism between ‘the camp’ and ‘the outside’ to more heterotopic overlaps, as well as more blurred boundaries in communication and action.

scholarly journals "Yes, the Evil Queen is Latina!": Racial dynamics of online femslash fandoms

2017 ◽  
Vol 24 ◽  
Author(s):  
Rukmini Pande ◽  
Swati Moitra
Keyword(s):  
Racial Identity ◽  
Blind Spot ◽  
Race And Racism ◽  
Multiple Loci ◽  
Online Spaces ◽  
Cultural Texts ◽  
Queer Spaces ◽  
Relationship Of ◽  
The Relationship ◽  
Communicative Space

Online media or participatory fandom has long been theorized as a unique creative and communicative space for women. Further, scholarly work has highlighted the possibility of it functioning as a space that is conducive to the articulation of queerness—both through transformative work and participant identity. However, this theorization has failed to account for the differential operations of these spaces when they are forced to deal with issues of race and racism. This essay argues that this is a significant blind spot as fannish spaces cannot but negotiate with the multiple loci of privilege and intersectional concerns that underpin their functioning. It therefore proposes a significant intervention in the study of the same, drawing our attention to the historically queer and oft-sidelined fannish spaces of femslash fandoms. This analysis seeks to locate the ways in which such queer spaces grapple with critiques of misogyny and homophobia in popular cultural texts and online spaces, as well as the problematics of race and racial identity within such spaces, focusing on the queer fan community built around the relationship of Regina Mills and Emma Swan, eponymously known as Swan Queen, in the television show Once Upon a Time (2011–).

scholarly journals PSYCHOLOGICAL ANALYSIS OF METHODS OF DESIGNING AND ORGANIZING SPACE OF PLAY CREATIVITY OF TEENS

2019 ◽  
Keyword(s):  
Role Playing ◽  
Social Transformations ◽  
Psychological Analysis ◽  
The Creation ◽  
Role Playing Game ◽  
Communicative Space

In the article the problem of game creativity of teenagers and the relation to this creativity of the adults working with teenagers as one of the most important socio-cultural and psychology and pedagogical factors of socialization is considered. Methodologies of school of dialogue of cultures and situational role-playing game as focused on the support of the teenage game creativity and questions connected with that role which is played by the adult in the design and the organization of effective communicative space for the creation of amateur role-playing game by teenagers in the conditions of modern social transformations are analyzed.

scholarly journals Digital Competencies and Technologies of New Sincerity in the Web 4.0 Era

2021 ◽  
Vol 26 (2) ◽  
pp. 276-285
Author(s):  
Anton N. Fortunatov ◽  
Natalia G. Voskresenskaya
Keyword(s):  
Young People ◽  
Social Protection ◽  
Digital Communication ◽  
New Era ◽  
The Social ◽  
Underlying Causes ◽  
The Subject ◽  
Digital Competencies ◽  
Communicative Space ◽  
Virtual Subject

The problem of social aggression of young people that are immersed in digital communication has become the subject of this study. The authors did not confine to the state of the depressing condition of the ethical sphere in digital communication. They wanted to find out the underlying causes of the social antagonism and the conflict. One of the most important reasons for social destruction is the lack of clear space-time coordinates for a virtual subject. It leads to the use of the passive personality by the technologies themselves. A man turns into material for algorithms, and his psychophysics becomes a continuation of impersonal technology. This situation characterizes the formation of a new era of Web 4.0, which the authors call counter communication. Interactivity is a thing of the past. Technologies of new sincerity come to its place. Outrageousness, detabooing, use of eroticism are forms of communicative use of a virtual subject who, in the modern communicative space, is in a state of unrelenting tension, which only changes its mode in connection with all new reasons for exaltation. The study of the psyche of young people completely immersed in the virtual world has become a confirmation that virtual ethics is moving further and further from the traditional ethical principles. Their social skills, as well as social protection, were the lowest among the various groups of young people. Communication for them ultimately turns into a persistent search for entertainment, into a striving for a hedonistically comfortable environment, into denial of socially significant topics and problems.

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