scholarly journals Between truth and memory: images in Lithuanian historical documentaries in post-communist transformation period

2015 ◽  
Vol 7 (2) ◽  
pp. 85-101
Author(s):  
Rūta Šermukšnytė
Keyword(s):  
Critical Thinking ◽  
National Identity ◽  
Collective Memory ◽  
National Narrative ◽  
The Past ◽  
Historical Images ◽  
Historical Films ◽  
The Relationship ◽  
Made In ◽  
Transformation Period

The goal of this paper is to reveal how and why the circulation of the same historical images takes place; whose values and, simultaneously, memory are conveyed through these images; what is the relationship between the audiovisual representation of the past and collective memory? The article states that manifestations of the visual stereotypes of Lithuania history in post-communist transformation period (1988–2004) are mainly based on certain cinematic tendencies. Historical films that are considered to be an adaptation of the national narrative cinematography have been predominant since 1988. This kind of narration is characterized by validation of history as a national value, formation of national identity and its stabilization rather than diversification and correction of the collective memory or the development of critical thinking. The current documentary material that is based on the understanding of history as a myth of the nation’s history is not aimed at creating a new visual and verbal narration about the realities of the past, but rather at recognizing what has been said and made in the previous works.

scholarly journals Museum Collections as a Reflection of Cultural Landscape: the Interpretation of Collective Memory

2018 ◽  
Vol 3 (4) ◽  
pp. 170 ◽  
Author(s):  
Oskar Habjanič ◽  
Verena Perko
Keyword(s):  
Collective Memory ◽  
Cultural Landscape ◽  
Local Community ◽  
Political Identity ◽  
Vulnerable Groups ◽  
Museum Collections ◽  
The Past ◽  
Social Tasks ◽  
The Relationship ◽  
Private Collections

The article deals with the relationship between the local community, museum collections, collective memory and the cultural landscape. The ICOM Code of Museum Ethics defines a museum collection as a cultural and natural heritage of the communities from which they have been derived. The collections, especially in regional museums, are inextricably linked to the community. The cultural landscape can be read also as a bridge between the society and natural environment. The cultural landscape is vitally connected with a national, regional, local, ethnic, religious or political identity. Furthermore, the cultural landscape is a reflection of the community's activities. Therefore, private collections are the foundation of the collective memory and empower museums for important social tasks. They offer an opportunity for multilayered interpretation of the past and give a possibility for museums to work on the inclusion of vulnerable groups. The collections could be a mediator and unique tool for recovering of the “broken” memory. In this way certain tragic past events, ignored or only bigotedly mentioned by history, can be re-evaluated.

Law and the Politics of the Past: Legal Protection of Cultural Heritage in Greece

2010 ◽  
Vol 17 (3) ◽  
pp. 547-568 ◽  
Author(s):  
Daphne Voudouri
Keyword(s):  
National Identity ◽  
Cultural Heritage ◽  
Legal Protection ◽  
Cultural Nationalism ◽  
Legal Framework ◽  
International Experience ◽  
The Past ◽  
Source Countries ◽  
The Relationship ◽  
Of Greece

AbstractThis article examines the main lines of Greek legislation on antiquities and on cultural heritage in general, in the course of its history, with an emphasis on the innovations and continuity of the current Law 3028 of 2002. It attempts to place the Greek case in the context of the relevant international experience and the broader debate about ownership of the past. It throws light on the relationship between the legal framework of antiquities and the formation and fostering of national identity in Greece, and on their close connection with the state, while at the same time criticizing the view that opposes a “cultural internationalist” approach to heritage to the “cultural nationalism” of Greece and other source countries.

scholarly journals Insight and psychosis: the next 30 years

2019 ◽  
Vol 217 (3) ◽  
pp. 521-523 ◽  
Author(s):  
Anthony S. David
Keyword(s):  
Conceptual Development ◽  
State Of The Art ◽  
Involuntary Treatment ◽  
The Past ◽  
Current State ◽  
Decision Making Capacity ◽  
Cognitive Neurosciences ◽  
Clinical Associations ◽  
The Relationship ◽  
Made In

Academic interest in the concept of insight in psychosis has increased markedly over the past 30 years, prompting this selective appraisal of the current state of the art. Considerable progress has been made in terms of measurement and confirming a number of clinical associations. More recently, the relationship between insight and involuntary treatment has been scrutinised more closely alongside the link between decision-making capacity and insight. Advances in the clinical and cognitive neurosciences have influenced conceptual development, particularly the field of ‘metacognition’. New therapies, including those that are psychologically and neurophysiologically based, are being tested as ways to enhance insight.

Collective Memory

Sociology ◽  
2019 ◽  
Author(s):  
Christina Simko
Keyword(s):  
Collective Memory ◽  
The United States ◽  
Emile Durkheim ◽  
State Legitimacy ◽  
The Past ◽  
National Memory ◽  
The Social ◽  
Political Borders ◽  
Monuments And Memorials ◽  
The Relationship

Collective memory encompasses both the shared frameworks that shape and filter ostensibly “individual” or “personal” memories and representations of the past sui generis, including official texts, commemorative ceremonies, and physical symbols such as monuments and memorials. Sociological work on collective memory traces its origins to Émile Durkheim and his student, Maurice Halbwachs. In the United States, the contemporary sociology of memory coalesced in the 1980s and 1990s, after Barry Schwartz brought renewed attention to Durkheim’s focus on commemoration as well as Halbwachs’s interest in how the past is reconstructed in the present, in the service of present needs, interests, and desires. Though this line of research initially emphasized heroic pasts—particularly national commemorations that bolstered state legitimacy with reference to triumphant episodes—scholars quickly began to address the ways that collectivities grapple with “difficult pasts,” or episodes that evoke shame, regret, and/or dissensus, and that threaten to “spoil” national identity. What is the relationship between memory and forgetting, and related concepts such as silence and denial? Can the increasingly pervasive language of “trauma” help us understand the current preoccupation with difficult pasts in both scholarly literature and public culture? More recently, scholars have critiqued the field’s overwhelming focus on national memory from two angles. First, studies of micro-level memories have revived Halbwachs’s initial interest in the social frameworks that structure (seemingly) individual memories. Second, globalization facilitates connectedness and identification beyond and/or outside of national frames of reference, and thus scholars have pointed to the emergence of “cosmopolitan” memories that create community and solidarity beyond and outside formal political borders.

scholarly journals Finding a signal hidden among noise: how can predators overcome camouflage strategies?

2020 ◽  
Vol 375 (1802) ◽  
pp. 20190478 ◽  
Author(s):  
James A. M. Galloway ◽  
Samuel D. Green ◽  
Martin Stevens ◽  
Laura A. Kelley
Keyword(s):  
Visual Processing ◽  
Signal Detection Theory ◽  
Experimental Tests ◽  
The Past ◽  
Substantial Progress ◽  
Recognition Systems ◽  
The Relationship ◽  
Evolving Models ◽  
Made In ◽  
Detection And Recognition

Substantial progress has been made in the past 15 years regarding how prey use a variety of visual camouflage types to exploit both predator visual processing and cognition, including background matching, disruptive coloration, countershading and masquerade. By contrast, much less attention has been paid to how predators might overcome these defences. Such strategies include the evolution of more acute senses, the co-opting of other senses not targeted by camouflage, changes in cognition such as forming search images, and using behaviours that change the relationship between the cryptic individual and the environment or disturb prey and cause movement. Here, we evaluate the methods through which visual camouflage prevents detection and recognition, and discuss if and how predators might evolve, develop or learn counter-adaptations to overcome these. This article is part of the theme issue ‘Signal detection theory in recognition systems: from evolving models to experimental tests'.

When a historical analogy fails: Current political events and collective memory contestation in the news

2017 ◽  
Vol 12 (2) ◽  
pp. 130-145 ◽  
Author(s):  
Francis LF Lee ◽  
Joseph Man Chan ◽  
Dennis KK Leung
Keyword(s):  
Collective Memory ◽  
Memory Studies ◽  
State Violence ◽  
Historical Events ◽  
The Past ◽  
Political Events ◽  
Historical Analogy ◽  
The Relationship

Collective memory studies have emphasized how people can utilize important historical events as analogies to make sense of current happenings. This article argues that the invocation of historical analogies may, under certain circumstances, become an occasion for people to negotiate and contest the significance of the historical events. Focusing on Hong Kong’s Umbrella Movement in 2014, this article analyzes how references to the 1989 Tiananmen Incident emerged in the news as a dominant historical analogy when the movement began, foregrounding the possibility of state violence. But when state violence did not materialize, the authorities, young protesters, and radical activists started to contest the relevance of Tiananmen. The analogy was largely abandoned by the movement’s end. The analysis illustrates the recursive character of the relationship between past and present events: after the past is invoked to aid interpretations of the present, present developments may urge people to reevaluate the past.

scholarly journals Social Marking in Memory Entrepreneurship: The Battle Over Zapata’s Legacy

2016 ◽  
Vol 12 (2) ◽  
pp. 100-123
Author(s):  
Tyler S. Schafer ◽  
David R. Dickens
Keyword(s):  
Collective Memory ◽  
Indigenous Rights ◽  
The Past ◽  
Zapatista Movement ◽  
Mexican Government ◽  
The Creation ◽  
Collective Representations ◽  
Shed Light ◽  
Social Marking ◽  
Made In

Disputes over historical representations often revolve around competing narratives about the past, but the processes through which these narratives are constructed are often neglected. In this paper, we extend the concept of collective memory using Brekhus’ notion of social marking to investigate the creation and maintenance of collective representations of the Mexican revolutionary Emiliano Zapata. We analyze the claims made in speeches and communiqués produced by two opposing groups—the Mexican government and the Zapatista movement—in a decades-long dispute over land and indigenous rights. Moreover, we argue that processes of social marking can further explain the selective nature of collective memory, that is, how certain parts of the past are remem­bered and emphasized while others are de-emphasized and forgotten. Also, in our analysis of social marking, we identify a naturalization process that is utilized by actors in mnemonic battles to recast their constructed representations of the past as natural, pure, and true. We close with a discussion of how understanding the naturalization process as outlined here can shed light on current political and historical disputes.

scholarly journals Between Individual Memory and Social Memory. What Do People in Poland Remember About 1989?

2020 ◽  
Vol 3 (1) ◽  
pp. 1
Author(s):  
Aneta Ostaszewska
Keyword(s):  
Eastern Europe ◽  
Collective Memory ◽  
Central And Eastern Europe ◽  
Social Memory ◽  
Political Transformation ◽  
The Past ◽  
Individual Memory ◽  
Collapse Of Communism ◽  
The Individual ◽  
The Relationship

30 years have passed since the events of 1989 that led to the collapse of communism in Central and Eastern Europe. In the paper the themes of social memory of political transformation in Poland in 1989 are discussed. The content of online statements collected from popular Polish news portals are analysed. When asking the question what events and experiences do Poles bring back when they think of 1989, I am interested in the relationship between the individual (biographical) memory and collective memory – the socially reconstructed knowledge of the past.

Collective Memory and Journalism

2019 ◽  
Author(s):  
Tanja Bosch
Keyword(s):  
New Media ◽  
Collective Memory ◽  
Visual Memory ◽  
Memory Studies ◽  
The Past ◽  
Memory Work ◽  
Interdisciplinary Field ◽  
Cultural Sites ◽  
The Relationship ◽  
Journalistic Practice

The relationship between the practice and field of journalism and the interdisciplinary field of memory studies is complex and multifaceted. There is a strong link between collective memory production and journalistic practice, based on the proposition that journalists produce first drafts of history by using the past in their reportage. Moreover, the practice of journalism is a key agent of memory work because it serves as one of society’s main mechanisms for recording and remembering, and in doing so helps shape collective memory. Journalism can be seen as a memory text, with journalists constructing news within cultural-interpretive frames according to the cultural environment. Journalism also plays a key role in the production of visual memory and new media, including social media. Journalism is thus a key agent of memory work, providing a space for commentary on institutional and cultural sites of memory construction.

Historical Film

2016 ◽  
Author(s):  
John Trafton
Keyword(s):  
National Identity ◽  
Film Studies ◽  
Historical Memory ◽  
Interesting Case ◽  
Theoretical Frameworks ◽  
The Past ◽  
Historical Film ◽  
Historical Films ◽  
Successive Generations ◽  
Hayden White

From the advent of cinema to the present day, history has been brought to life on screen in many striking ways that have advanced motion picture technology and forged new relationships between viewers and the historical past. Historical films offer a privileged site for scholars of cinema, media, history, and many other disciplines to interrogate a nation’s relationship with the past. How cinema engages with the past, whether recent or distant, provides interesting case studies for how successive generations renegotiate cultural memory and understandings of how the past shapes the present. Historical films can bring into relief hidden or competing histories that either challenge or compliment prevailing narratives and authoritative accounts of the past, asking the viewer to consider the present as being shaped by multiple histories, rather than by one history. Historical films also suggest new ways of understanding the past, and, as a consequence, they also present new ways of understanding the present. Lastly, historical films can perform thought experiments about the past, deliberately departing from the historical print record in order to pose a different set of questions about a nation’s relationship with history. As such, historical films have garnered a tremendous level of scholarly interest, covering a broad range of research foci and subjects that are very useful in expanding discourses on national identity and historical memory. This article seeks to provide academics with ample resources and theoretical frameworks for conducting research on historical films or incorporating aspects of historical film studies into other disciplines. Starting with a general overview and scholarly approaches to historical films, the seminal works of Hayden White, Robert Rosenstone, and Vivian Sobchack are considered alongside newer approaches and scholarly journals, offering the scholar with an array of methodologies for bridging film studies to other fields. The article then examines in greater detail texts and studies concerned with a variety of questions and subissues pertaining to historical film studies—first with how film engages with memory (historical, cultural, personal, and national), then how historical films either interrogate or compound notions of national identity, and then how these ideas are explored in a variety of national and regional contexts. Next, the article turns toward the issues that stem from the scholarly approaches: how historical films can be used as a teaching tool, issues of genre and subgenre taxonomy, and how films themselves act as moments in history. Lastly, the article considers notions of authorship in historical cinema. Since many historical films are helmed by world-renowned filmmakers, the article ends with a section that explores repeated directorial engagements with history as a strong component of auteur cinema.

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