scholarly journals Enhancing Politicians’ Persuasiveness: Some Remarks on the Importance of Rhetorical Figures of Repetition in Political Discourse

2021 ◽  
Vol 1 ◽  
pp. 69-83
Author(s):  
Elżbieta Pieniążek-Niemczuk ◽  

The modern political class, which has been established on democratic principles both in Europe and America, is keen to use rhetoric and tools it provides. Any attempt to define the influence of these tools principally refers to the essence of rhetoric which is persuasion. Persuasion, on the other hand, is core to political discourse which, according to Teun van Dijk (1997, p. 14) is contextual, therefore must be recognized by its functions and/or goals. The functions of the discourse are often expressed in rhetorical devices and therefore play an important role in achieving political goals. The pieces of information presented in this article depict rhetorical devices as useful in increasing persuasiveness. Attention is paid to figures of repetition which constitute a universal category of rhetorical devices and thus need to be examined in a greater detail, especially in a discourse whose users focus their efforts on constructing effective persuasion.

Author(s):  
Nilay Yavuz ◽  
Naci Karkın ◽  
İsmet Parlak ◽  
Özlem Özdeşim Subay

Along with the growing use of twitter as a tool of political interaction, recently, there has also been an attention in the academia to understand and explain how and why politicians use twitter, and what its impact on the political outcomes are. On the other hand, there has been little analysis about the content of the tweets that politicians from different parties posted during major political events. Accordingly, this study aims to investigate the discourse strategies that the top-level politicians of the party in power and of the main opposition party in Turkey used in their tweets during Gezi Park events in the summer of 2013. Findings from a hand-coded content analysis based on Van Dijk's framework (2006) indicate that while the most frequently used strategy was actor descriptions and categorization for both parties' politicians, burden strategy and lexicalization / metaphor strategy were used significantly more by the main opposition party politicians compared to the politicians of the party in power.


Politics ◽  
2020 ◽  
pp. 026339572093377
Author(s):  
James Martin

What insights and advantages do rhetorical approaches offer over other methods of exploring social and political discourse? This article aims to clarify the contribution of rhetorical analysis by exploring its distinctive, hermeneutic attention to public speech. Public speaking is, accordingly, viewed as a practice of assembling meaningful interpretations in specific situations. Central here is a temporal dimension. Analysing rhetoric involves grasping discourse, on the one hand, as concretely situated in response to proximate constraints and, on the other hand, as a medium to move beyond the situation towards a future. Following John Caputo’s reading of Derrida, I argue that, examined rhetorically, public speech enacts a ‘negotiation’ of past and future, intertwining conditional – and hence partially calculable – positions with an ‘unconditional promise’ to prepare for what comes. Although compatible with other approaches, rhetorical analysis is uniquely attuned to this intrinsically ethical and political quality of discursive action.


Author(s):  
GerShun Avilez

This chapter tracks how artists investigate the discourse of reproduction not simply to explore dual meanings, but rather to consider how the politicized concept of reproduction functions as a contested means for conveying gender identity. In her painted quilt sequence The Slave Rape Series, Faith Ringgold uses reproduction to establish a visual interrogation of Black gender identity and to probe the implications of the commitment to reproductive paradigms. Her paintings of the pregnant body create the opportunity to recast the images circulating in political discourse, which favor restrictive conceptions of gender expression, especially in regard to femininity. On the other hand, Toni Morrison's novel Paradise (1997) moves the questioning of reproduction to the realm of narrative and enhances the exploration of masculinity. Meanwhile, Spike Lee's feature film She Hate Me (2004) evokes nationalist strategies by offering an exploration of reproduction as a viable mechanism for resolving social anxieties about gender identity and for rearticulating Black social agency.


Urban History ◽  
2001 ◽  
Vol 28 (1) ◽  
pp. 84-105 ◽  
Author(s):  
Arturo Almandoz

This article focuses on the disparity between two urban reports of the Gómez regime (1908–35). Relying on the theoretical platform provided by European positivism, there is, on the one hand, the erudite ideologists' justification of the material achievements of the dictatorship. On the other hand, there is the critique present in the literary characters of the works written by the young political class, where the parochialism of Caracas served as an excuse to attack the social abuses and cultural obscurity of one of Latin America's longest dictatorships.


2018 ◽  
Vol 26 (2) ◽  
pp. 96-122 ◽  
Author(s):  
Annie Olaloku-Teriba

AbstractIn the coming months and years, the left faces a historic juncture. On the one hand, racist violence is on the rise across the West, and the political class seems intent on mobilising both overt and subtle racism. On the other hand, strategies of anti-racist organising, which have developed on both sides of the Atlantic, have reached a theoretical impasse. I argue that now, more than ever, a serious project of historical and intellectual retrieval is necessary. This article interrogates the theoretical limitations of ‘anti-blackness’ as an analysis of racialised oppression. Through the thought of Frantz Fanon and Steve Biko, among others, I argue that theories of ‘anti-blackness’, specifically those rooted in Afro-pessimism, are predicated on a theoretical shift away from relational social theory to identitarian essentialism which obscures, rather than illuminates, the processes of racialisation which undergird racial oppression.


2016 ◽  
Vol 12 (11) ◽  
pp. 129
Author(s):  
María L. Christiansen

The approach to narcotraffic violence is open to endless explanations, depending on the viewer's perspective. This article introduces a set of ecological metaphors, whose main advantage is to catch sight of the complexities inherent in the link between the narco-world and the legal culture. In clear opposition to the official story and media about this illicit activity, this paper presents arguments that call into question the presentation style that is common in political discourse and massive journalism. By appealing to notions like "narco-habitat", "relational ecosystem", and "narcoecology", the possibility of understanding the phenomenon of drug trafficking without adopting a position will be explored. On the other hand, it is intended to show that the typical way of conceptualizing this phenomenon (narco-violence) suffers from epistemological biases that close creative interpretations and refreshed meanings. For that reason, the kind of linear, individual, essentialist, condemnatory and criminalist points of view (instituted and naturalized in Mexican public opinion) will berejected.


2012 ◽  
Vol 47 (1) ◽  
pp. 108-133
Author(s):  
Franziska Humphreys-Schottmann

AbstractValéry’s dream of the creation of a poésie pure is determined by a fundamental tension between two contradictory aspirations. On the one hand, he inherits French rationalism when he tries to develop a poetical praxis based on a logical-mathematical calculus, in which anything vague and unclear should disappear. On the other hand, this strictly formalized language revolves around the notion of moi pur and therefore subscribes to a hypertrophied subjectivism. The paradoxical logic of personal pronouns described by Émile Benveniste is at the origin of Valéry’s project: The moi pur is both, the personal pronoun that identifies the concrete speaker and the structural function of the universal invariant. Ineluctably affected by this pronominal shifting, the reader is, above all, at stake in the poéésie pure. In an attempt to unfold the aporetical constructions resulting from this paradox, this textual analysis focuses on some of the main rhetorical figures of Valpoéry’s work. A close reading of Narcisse parle reveals the specific moments of permanent self-variation by which the popoésie pure constantly subverts itself. Poeisis resists any kind of rigid formalism, any subjugation of its rhetorical potential and any attempt to escape the ever-sliding sense of the metaphor. We can thus affirm that the aporias revealed by the popoésie pure evidence hence the conditions of poetical representation itself.


2010 ◽  
Vol 51 (1-2) ◽  
pp. 193-199
Author(s):  
Katalin Komlós

Haydn’s Betrachtung des Todes , a late little masterpiece by the composer, represents the simultaneity of the old and the new. The text is the second verse of Gellert’s fourteen-verse poem ‘Wie sicher lebt der Mensch, der Staub!’, No. 50 in the volume Geistliche Oden und Lieder , 1757. In the short catalogue at the end of the volume Gellert names the hymn ‘Herr Jesu Christ, meines Lebens Licht’, as the appropriate melody for the poem. Haydn’s vocal trio with basso continuo is perhaps the most extraordinary setting in the series of the Mehrstimmige Gesänge (Hob. XXVb:3). Its harmonies and key changes uncannily foreshadow the language of Schubert and Mendelssohn. The musical representation of the poetic lines, on the other hand, is full of rhetorical devices. Most startling is the presence of figured bass, as an anachronistic code for the keyboard accompaniment. Co-existence of Baroque and Romantic, or ‘First Viennese Modernism’ (James Webster): the roots of the composer’s professional education preserved in a highly innovative setting of an old Protestant poem, in the very last years of the eighteenth century.


1985 ◽  
Vol 12 (3) ◽  
pp. 373-387
Author(s):  
José Miguel Hernández Terrés

Summary The aim of the present article is to clarify certain aspects pertaining to the interpretation of the grammatical theory of Francisco Sánchez de las Brozas. In particular, an attempt is made to explain the occurrence in his syntactic theory of certain elements of classical rhetoric: those referring to what is known as figured syntax. In the Minerva, the presence of constructional figures (ellipsis, zeugma, pleonasm, syllepsis and hyperbaton) signifies a drastic and rational reduction in respect to what was commonly to be found in the grammatical tradition de las Brozas inherited. The reduction is justified given his predominantly syntactic conception of grammar, one which leads him to consider only grammatical alterations of a propositional nature, viewed as deviations which must be explained by grammar. On the other hand, the very inclusion of such rhetorical figures in the sphere of grammar is justified for de las Brozas because, it is claimed, they are normal speech phenomena, not just confined to the art of rhetoric.


wisdom ◽  
2018 ◽  
Vol 11 (2) ◽  
pp. 5-11
Author(s):  
Ana Bazac

The power relations – at the time of Erasmus and Mandeville, and also in present – make the critique of the status quo to be very difficult. An answer to this situation was and is the complex of the double speech and tacit political suppositions. The paper suggests some similarities between the texts of the above-mentioned thinkers and, on the other hand, the present mainstream political jargon, by emphasising rather the differences: it is noteworthy that Mandeville and Erasmus had a strong, while indirect through their humoristic use of the double speech, critique of the state of things described by them. The conclusions developed here concern the tacit suppositions in the political discourse and how the two items are perennial within the modern culture.


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