Narrative Founder Identity: Weaving the Past Life Stories Together to Make Sense of Self

2020 ◽  
Vol 2020 (1) ◽  
pp. 15187
Author(s):  
Eunki Ro
Keyword(s):  
Life Stories ◽  
Sense Of Self ◽  
The Past ◽  
Past Life

Musical life stories coherence through musicking in the prison setting

2022 ◽  
pp. 174165902110591
Author(s):  
Kjetil Hjørnevik ◽  
Leif Waage ◽  
Anita Lill Hansen
Keyword(s):  
Personal Development ◽  
Life Stories ◽  
Sense Of Self ◽  
Identity Work ◽  
Ethnographic Study ◽  
Processes Of Change ◽  
Prison Inmates ◽  
Musical Life ◽  
Prison Life ◽  
The Past

Despite the strong relationships evidenced between music and identity little research exists into the significance of music in prisoners’ shifting sense of identity. This article explores musicking as part of the ongoing identity work of prisoners in light of theory on musical performance, narrative and desistance and discusses implications for penal practice and research. Through the presentation of an ethnographic study of music therapy in a low security Norwegian prison we show how participation in music activities afforded congruence between the past, the present and the projected future for participants by way of their unfolding musical life stories. Complementing existing conceptualisations of music as an agent for change, our study suggests that musicking afforded the maintenance of a coherent sense of self for participating prison inmates, whilst offering opportunities for noncoercive personal development. We argue that research into musicking in prison offers fruitful ways of tracing how the complexities inherent in processes of change are enacted in everyday prison life, and that it can advance our knowledge of relationships between culture, penal practice and desistance.

scholarly journals Taking Lead for Sustainability: Environmental Managers as Institutional Entrepreneurs

2021 ◽  
Vol 13 (7) ◽  
pp. 4022
Author(s):  
Pernilla Gluch ◽  
Stina Månsson
Keyword(s):  
Sustainable Development ◽  
Life Stories ◽  
Phenomenological Study ◽  
Organizational Structures ◽  
Critical Events ◽  
Institutional Entrepreneurship ◽  
Institutional Practices ◽  
Institutional Entrepreneurs ◽  
The Past

Over the past two decades, sustainability professionals have entered the architecture, engineering, and construction (AEC) industry. However, little attention has been given to the actual professionalization processes of these and the leadership conducted by them when shaping the pace and direction for sustainable development. With the aim to explore how the role of sustainability professionals develops, critical events affecting everyday sustainability work practices were identified. Based on a phenomenological study with focus on eight experienced environmental managers’ life stories, and by applying the theoretical lens of institutional entrepreneurship, the study displays a professionalization process in six episodes. Different critical events both enabled and disabled environmental managers’ opportunity to engage in institutional entrepreneurship. The findings indicate how agency is closely interrelated to temporary discourses in society; they either serve to support change and create new institutional practices towards enhanced sustainability or disrupt change when agency to act is temporarily “lost”. To manage a continually changing environment, environmental managers adopt different strategies depending on the situated context and time, such as finding ambassadors and interorganizational allies, mobilizing resources, creating organizational structures, and repositioning themselves.

scholarly journals PROJECT: SCREENPLAY GOING HOME

K ta Kita ◽  
2017 ◽  
Vol 5 (1) ◽  
pp. 90-94
Author(s):  
Katarina Septi ◽  
Ribut Basuki
Keyword(s):  
Creative Work ◽  
Diverse Group ◽  
Final Project ◽  
The Past ◽  
Past Life ◽  
History Of ◽  
Present Life

This paper explained the process and the result of my final project which is a screenplay entitled Going Home. The screenplay is about Dahlia, a thirteen-year-old girl who was born and grew up in Australia. Then, she has to return to Jakarta, Indonesia and continue her education in Indonesia. She has an assignment about history of Indonesia. She needs to write one of heroic history of Indonesia with her own words and write her reflection about it. Once, she goes to Surabaya for a holiday and stays at Majapahit Hotel Surabaya. In the hotel, she experiences the past life about several historical moments by going back and forth to a past life and present life. After experiencing it, she can feel and understand the spirit of the Indonesian revolutionary heroes. She respects Indonesia heroes more. Also, she can encourage her friends to love Indonesia better and to blend in diverse group of ethnics as strong and one Indonesian who support to improve Indonesia. I would like to show that young generations are now lack the spirit to build their country. They forget to become one; One Land, One Nation, One Language. This creative work focuses on how history of Indonesia can help young generations to gain the spirit of Indonesian revolutionary heroes to love and improve Indonesia. To put this issue into a form of entertainment, I decided to make a screenplay which type of genre is adventure fantasy. 

scholarly journals CAGAR BUDAYA SANG PENUTUR MASA SILAM CULTURAL HERITAGE THE TELLER OF THE PAST

Kebudayaan ◽  
2019 ◽  
Vol 14 (1) ◽  
pp. 27-42
Author(s):  
I Made Sutaba
Keyword(s):  
Cultural Heritage ◽  
Past History ◽  
Literature Study ◽  
The Past ◽  
Past Life ◽  
History Of ◽  
Research Goal ◽  
The Many ◽  
Religious Aspects ◽  
Typology Analysis

Archaeological researches in Indonesia have discovered a number of various historical and archaeological artifacts that belong to cultural heritage. As historical evidences, this cultural heritage is an important source of the plural information and messages of the past life of our society. It is remarkable that this cultural heritage has some problems for example problem of typology, function, meanings, and the other for the society. Studying the problems, it is interesting to do research on its function as a teller of the past history that contained various aspects of the life of our society that not yet studied until today. By learning the problems, this research goal is to find the answer of the problems. To reach this goal, we do this research gradually by collecting data through literature study and field observation along with interviews. The next step is analysis carried out through methods of typology analysis, contextual, functional analysis, ethno archaeological and ethno historical approach. Finally the result showed that the function of our cultural heritage is as teller of the many-sided aspects of the past history of our artifacts such as technological aspects, social, and religious aspects but it is impossible to get full completed information due to some reasons. Keywords: archaeological and historical artifacts, cultural heritages, teller of the past.  AbstrakPenyelidikan arkeologi di Indonesia sudah berhasil menemukan artefak sejarah dan arkeologi yang beraneka ragam, yang tergolong sebagai warisan budaya. Sebagai bukti-bukti sejarah, warisan budaya ini adalah sumber informasi dan pesan-pesan kehidupan masyarakat masa lalu yang bersifat pluralistik. Menarik perhatian, bahwa warisan budaya ini mempunyai permasalahan yaitu, permasalahan tipologi, fungsi dan makna dalam kehidupan masyarakat. Mempelajari masalah ini, sangat menarik untuk melakukan penelitian mengenai fungsinya sebagai penutur sejarah masa silam, yang mengandung aneka ragam, aspek kehidupan masyarakat, yang belum dikaji sampai sekarang. Dengan mencermati permasalahan ini, maka tujuan penelitian ini, adalah untuk meneliti permasalahan tadi. Untuk mencapai tujuan ini, penulis melakukan penelitian secara bertahap melalui pengumpulan data dengan metode kajian pustaka dan observasi lapangan yang disertai dengan wawancara. Langkah selanjutnya, adalah melakukan analisis dengan analisis tipologi, kontekstual, analisis fungsional, pendekatan etnoarkeologi dan etnohistori. Hasil penelitian ini menunjukkan bahwa cagar budaya itu berfungsi sebagai penutur kehidupan masa silam yang mengandung aspek yang bersfiat jamak, adalah aspek teknologi, sosial dan religi, tetapi tidak mungkin untuk mendapat informasi yang lengkap karena berbagai faktor.Kata kunci: peninggalan sejarah dan purbakala, warisan budaya, penutur masa silam.

scholarly journals Dynamically remembered present: Virtual memory as a basis for the stories we live

2013 ◽  
Vol 69 (1) ◽  
Author(s):  
Cornelius W. Du Toit
Keyword(s):  
Literary History ◽  
Life Stories ◽  
Human Life ◽  
Living Organism ◽  
Virtual Memory ◽  
Historical Research ◽  
Human Consciousness ◽  
The Past ◽  
The Universe

In this article memory was viewed as a crucial key to the discovery of reality. It is the basis of historical research at all levels, hence it is not confined to a function of human consciousness (brain operations): its physical vestiges are discernible in the universe, in fossils, in the DNA of species. Memory inscribes information in various ways. On a human level it is not recalled computer-wise: imagination, emotion and tacit motives play a role in how we remember. The article investigated the way in which memory underlies the operation of every cell in any living organism. Against this background the role of memory in humans and its decisive influence on every level of human life are examined. Gerald Edelman’s work in this regard was considered. Marcel Proust’s focus on memory is an underlying thread running through his novels, unrivalled in literary history. Some prominent examples were analysed in this article. In light of the foregoing the role of memory in religious experience was then discussed. The virtuality of memory is encapsulated in the statement that we remember the present whilst reliving the past. Memory characterised by virtuality is basic to our autobiographic narratives. The nature of memory determines our life stories, hence our perception of the human self as dynamically variable and open to the future.

The “gloomy past” of St. Petersburg workers in the symbolic space of Leningrad in the 1920s

2020 ◽  
Vol 2020 (12-2) ◽  
pp. 85-93
Author(s):  
Svetlana Ulyanova ◽  
Ilya Sidorchuk
Keyword(s):  
Everyday Life ◽  
Daily Life ◽  
Binary Opposition ◽  
Symbolic Space ◽  
The Past ◽  
Negative Memory ◽  
Past Life ◽  
History Of

The article examines the experience of Soviet propaganda to the history of everyday life by creation a negative memory of the past life of pre-revolutionary St. Petersburg workers. Having studied the scientific and agitation discourse, the authors came to the conclusion that the pictures of the daily life of workers during the tsarist period were an integral part of the formation of the binary opposition “then” - “now”, which implied the maximum discrediting of the pre-revolutionary past in the eyes of the population.

Vying voices of the pandemic

2021 ◽  
Vol 15 (1) ◽  
pp. 114-118
Author(s):  
Caroline Adewole
Keyword(s):  
Great Britain ◽  
Traumatic Event ◽  
Sense Of Self ◽  
Self Awareness ◽  
Interpersonal Dynamics ◽  
Self Reflection ◽  
The Past ◽  
Socially Constructed ◽  
Event Tracking ◽  
Human Psyche

This article documents and explores the painful impact of a gruesome racial attack during the first lockdown in the wake of the Covid-19 pandemic. It occurred less than a fortnight before the brutal murder of George Floyd in America. It is a reflection on the issue of racism and the marginalisation of less dominant groups in and outside the borders of Great Britain. It is the recognition and exploration in myself of an internalised colony of voices emerging as a response to the traumatic event. Tracking the intra-psychic and interpersonal dynamics involved in the racism and the subsequent attempt at an anti-racist answer leads to self-reflection on my part and the confrontation of my own bias. Eventually, I can feel my underlying vulnerability and the resulting shift. The sense of self-awareness and agency evolves into the mobilisation of an extensive mentalizing process. The article attempts to capture the subtle, insidious nature of othering and the fear behind the defences we use to keep this in place; the centrality of our capacity to courageously embrace our vulnerability as crucial to our ability to embrace and treat with dignity people who are different from us. The article touches on hopefulness that one day this socially constructed monster, racism, would be a thing of the past, not just on paper but in the human psyche also.

Semantics of the initiation plot in short stories by Yu. Felzen

2021 ◽  
pp. 119-131
Author(s):  
I. I. Nazarenko ◽  
Keyword(s):  
Short Stories ◽  
Severe Illness ◽  
Creative Work ◽  
The Past ◽  
Self Sufficiency ◽  
Past Life ◽  
Initial Transformation

The paper examines the plot of initiation in the stories of the young émigré writer Yu. Felzen as a continuation of the story of the hero of his novel trilogy. In the short stories of the late 1930s, the initiation of the hero-emigrant that was reduced in the novels is found to be associated with a situation of death, provoking his personal and literary development. The plot of the story “The changes” allows correlating it with the archetypal plot of initiation: the hero, having survived a severe illness, surgery, and the departure of his beloved, seems to be moving towards gaining new consciousness, towards writing. However, considering the stories following “The changes” allows revealing the reduction of the hero’s initial transformation. The plot of the story “The repetition of the past” shows how “changes” turn out to be a “repetition” of past life situations for the hero, and he evades the existential existence. The stories “The composition” and “The figuration” confirm the conclusion about the failed initiation of the hero. The work of Russian emigrants as extras on the set of the film “The figuration” is the author’s metaphor for the fate of the Russian emigration. The author’s concept of “the repetition of the past” is the repetition of life situations in reality without being able to change anything and follow the geniuses in creative work. According to Felzen, an emigrant is doomed to adapt and repeat in the inauthentic existence of life the situations that happened to him in another culture and at a different age “The composition.” Emigration does not replace a person with another one. Neither does it form his self-sufficiency.

Legacy

2019 ◽  
pp. 169-190
Author(s):  
Rachel Chrastil
Keyword(s):  
Life Stories ◽  
Future Generations ◽  
Family Tree ◽  
New Paradigm ◽  
Human Flourishing ◽  
The Past ◽  
The Family ◽  
The Future ◽  
Necessary Connections

What happens to our stuff when we die? How might we reimagine the family tree? Childlessness raises, among others, questions about legacy, inheritance, our relationship with future generations, our ability to shape the future, and the narratives we tell about the past and the future. The author examines several life stories to help readers begin to envision childlessness within a new paradigm of meaning. This chapter encourages readers to consider new metaphors for how they think about childlessness. It ends with considerations about the deep and necessary connections between the childless and the childful within the quest for human flourishing.

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