scholarly journals PETER THE GREAT OF RUSSIA AND CHARLES XII OF SWEDEN IN THE 18TH CENTURY ROMANIAN TRANSLATIONS OF WESTERN EUROPEAN HISTORY BOOKS

Author(s):  
Gabriela E. Dima
2019 ◽  
pp. 134-197
Author(s):  
V.E. . Sergei

The article is dedicated to the history of the Military Historical Museum of Artillery, Engineering and Signal Corps. The author examines the main stages of the museums formation, starting with the foundation of the Arsenal, established in St. Petersburg at the orders of Peter the Great on August 29th 1703 for the safekeeping and preservation of memory, for eternal glory of unique arms and military trophies. In 1756, on the base of the Arsenals collection, the General Inspector of Artillery Count P.I. created the Memorial Hall, set up at the Arsenal, on St. Petersburgs Liteyny Avenue. By the end of the 18th century the collection included over 6,000 exhibits. In 1868 the Memorial Hall was transferred to the New Arsenal, at the Crownwork of the Petropavlovsky Fortress, and renamed the Artillery Museum (since 1903 the Artillery Historical Museum). A large part of the credit for the development and popularization of the collection must be given to the historian N.E. Brandenburg, the man rightly considered the founder of Russias military museums, who was the chief curator from 1872 to 1903. During the Civil and Great Patriotic Wars a significant part of the museums holdings were evacuated to Yaroslavl and Novosibirsk. Thanks to the undying devotion of the museums staff, it not only survived, but increased its collection. In the 1960s over 100,000 exhibits were transferred from the holdings of the Central Historical Museum of Military Engineering and the Military Signal Corps Museum. In 1991 the collection also received the entire Museum of General Field Marshal M.I. Kutuzov, transferred from the Polish town of Bolesawjec. The Military Historical Museum of Artillery, Engineering and Signal Coprs is now one of the largest museums of military history in the world. It holds an invaluable collection of artillery and ammunition, of firearms and cold steel arms, military engineering and signal technology, military banners, uniforms, a rich collection of paintings and graphic works, orders and medals, as well as extensive archives, all dedicated to the history of Russian artillery and the feats of our nations defenders.Статья посвящена истории создания ВоенноИсторического музея артиллерии, инженерных войск и войск связи. Автор рассматривает основные этапы становления музея, начиная с основания Арсенала, созданного в СанктПетербурге по приказу Петра I 29 августа 1703 года для хранения и сохранения памяти, во имя вечной славы уникального оружия и военных трофеев. В 1756 году на базе коллекции Арсенала генеральный инспектор артиллерии граф П. И. создал мемориальный зал, установленный при Арсенале, на Литейном проспекте СанктПетербурга. К концу 18 века коллекция насчитывала более 6000 экспонатов. В 1868 году Мемориальный зал был перенесен в Новый Арсенал, на венец Петропавловской крепости, и переименован в Артиллерийский музей (с 1903 года Артиллерийский Исторический музей). Большая заслуга в развитии и популяризации коллекции принадлежит историку Н.Е. Бранденбургу, человеку, по праву считавшемуся основателем российских военных музеев, который был главным хранителем с 1872 по 1903 год. В годы Гражданской и Великой Отечественной войн значительная часть фондов музея была эвакуирована в Ярославль и Новосибирск. Благодаря неусыпной преданности сотрудников музея, он не только сохранился, но и пополнил свою коллекцию. В 1960х годах более 100 000 экспонатов были переданы из фондов Центрального исторического военноинженерного музея и Музея войск связи. В 1991 году коллекцию также получил весь музей генералфельдмаршала М. И. Кутузова, переданный из польского города Болеславец. Военноисторический музей артиллерии, инженерных войск и войск связи в настоящее время является одним из крупнейших музеев военной истории в мире. Здесь хранится бесценная коллекция артиллерии и боеприпасов, огнестрельного и холодного оружия, военной техники и сигнальной техники, военных знамен, обмундирования, богатая коллекция живописных и графических работ, орденов и медалей, а также обширные архивы, посвященные истории русской артиллерии и подвигам защитников нашего народа.


2021 ◽  
Vol 20 (10) ◽  
pp. 82-91
Author(s):  
Vasilii V. Shchepkin

The first knowledge about Peter the Great seems to penetrate into Japan during the lifetime of this Russian emperor, as early as the beginning of the 18th century. However, it was only after first attempts of Siberian merchants to start trade relations with Japan’s northernmost domain of Matsumae when Japanese intellectuals began to study Russia and its history. By the end of the century, the image of Peter the Great as an outstanding ruler had formed in Japan, with his main achievement being the expansion of the country’s territory, after which European Russia suddenly shared a border with northern Japan. Katsuragawa Hoshu, a court physician and the author of one of the first descriptions of Russia, might be the first Japanese who implied Peter the Great’s activities as a model for Japan, pointing out his politics in spreading the foreign trade. Japanese intellectuals of the first half of the 19th century continued to use Peter the Great’s reforms as a possible model for Japan. Watanabe Kazan (1793–1841) in his “Note about the Situation in Foreign Countries” used the Russian emperor as evidence of a leader’s role in winning nature-based and geographical obstacles in a country’s development. Aizawa Seishisai (1782–1863) and later Sakuma Shozan (1811–1864) pointed out Peter’s leadership qualities and personal involvement in reforms. Based on the study of Peter’s activities, Aizawa managed to create the program of Japan’s reforming known as the “New thesis” (“Shinron”, 1825), while Sakuma promoted the necessity of Western learning, especially the development of navy and artillery. This allows to assume a great influence of the study of Peter the Great and Russian history in formulating the ideas of a “rich country and strong army” that became a cornerstone of national ideology in Meiji Japan.


1945 ◽  
Vol 14 (3) ◽  
pp. 188-200
Author(s):  
Mervin Monroe Deems

Augustine lived at a critical moment in western European history. On the last day of the year 406, many Vandals, Alani, Suevi crossed the Rhine and, having defeated the Franks, settled for a time in Gaul and finally reached the Pyrenees. Four years later Rome itself fell to Alaric and his Visigoths. In addition to these outward catastrophes, the church's inner life suffered from the assaults of heretic and schismatic. Arianism persisted in Gaul, Montanism and Manichaeism were rife in North Africa. Puritanic Donatism laid claim to being genuine Christianity, a claim which the doughty Bishop of Hippo could not countenance.


Author(s):  
Iuliia Igorevna Bykova

The goal of this research is the comprehensive examination of precious framing of the bestowed royal figures in Russia during the reign of Peter the Great. The author explores the circumstances of emergence of such awards in Russia and creation of precious frames of this time, possible “prototypes” of the diamond frame pattern that are similar to Western European awards, the masters who design these frames, etc. The article is based on the combination of art criticism and historical-cultural approaches. The object of this research was the award badges – royal figures of the first quarter of the XVIII century (enamel and graphic miniature portraits of Peter the Great, as well as minted medals). The research employs the written (unpublished archival documents) and visual sources (portraits of the grandees of the Petrine period with such awards; images of the royal figures on lithographs of the mid XIX century). It is established that precious frames of the bestowed royal figures of the first quarter of the XVIII century had the same pattern. Most likely, in design of the framing of award badges in Russia, the masters relied on the appearance of the royal figures brought by Peter I from England and Holland after the Great Embassy. These Western examples, in turn, had the “design” characteristic to similar royal awards of the XVII century. The article list the names of the jewelers who manufactured diamond frames of the bestowed royal figures in Russia of that time. These are the "foreigners" J. Westfahl, K. Boldan, I. Jasper. A significant part of such frames (over a hundred) was created by J. Westfahl. The design of precious frame for the royal figures of the Petrine period remained in similar awards of the Russian rulers and in XVIII – XIX centuries.


2021 ◽  
Vol 49 (1) ◽  
pp. 94-100
Author(s):  
A. P. Borodovsky

This article describes identified sections of an early 18th century ditch at Fort Umrevinsky in the Upper Ob Basin. Such protective structures mark a certain stage in the evolution of military engineering in the era of Peter the Great (1694–1725) in southwestern Siberia. The design of the earliest parts of the preserved ditches allows us to address the influence of European fortification on Early Modern Russian defensive architecture. Several factors affecting the depth and profile of early 18th century ditches at Umrevinsky are discussed. They include seasonality of specialized trenching tools and the adoption and transformation of European fortification principles by 17th and early 18th Russian military engineers. At Umrevinsky, apart from the specific profile of the ditch, specialized tools were revealed, similar to those mentioned in documents on 18th century fortification. Also, specific features of the preserved parts of the ditch mirror the utmost irregularity in adoption of de Vauban’s fortification principles of the Tsardom of Muscovy, including Siberia. Our finds at Fort Umrevinsky supplement the scarce descriptions of Siberian forts in Russian documents.


Author(s):  
Lorenzo Zanella

Morphological variation of central-western European populations of Abax parallelepipedus was studied in order to revise the microsystematics of this species. Original descriptions and systematic revisions published since the second half of the 18th century are discussed. Biometric variables and morphometric indexes were evaluated on 792 specimens sampled from several European countries. The data were statistically analysed in order to discriminate the populations significantly differentiated from the nominotypical form. Features of male genitalia are also discussed. The results attest that the morphological variation becomes more relevant among populations inhabiting alpine environments and the Italian ones show the most distinctive modifications of somatic and/or aedeagic traits. On the basis of these results, A. p. euganensis Schatzmayr, 1944 is resurrected from synonymy with A. p. inferior, whereas the following new synonymies are proposed:Abax parallelepipedus parallelepipedus (Piller & Mitterpacher, 1783) = A. p. subpunctatus (Dejean, 1828) syn. nov. = A. p. audouini (L. Dufour, 1851) syn. nov. = A. p. germanus Schauberger, 1927 syn. nov.Abax parallelepipedus inferior (Seidlitz, 1887) = A. p. alpigradus Schauberger, 1927 (sensu Schatzmayr, 1944) syn. nov.A phylogeographical scenario is hypothesized and discussed in the light of the collected data.


1971 ◽  
Vol 4 (3) ◽  
pp. 271-284
Author(s):  
Carl J. Friedrich

Ernst Nolte, Professor of History at Marburg University, challenged the attention of all students of recent European history as well as specialists on totalitarian dictatorship some years ago by a new and intersting interpretation in his Der Faschismus in seiner Epoche (1963). In it he undertook to see the Action Française group of Charles Maurras and his friends, Fascism, and National Socialism as cut from the same cloth.It was a view based upon a strong emphasis on the ideological features of these movements, rather than their conduct of politics. Like all syntheses, it encountered sharp criticism by specialists in the three national histories and cultures, with their vested interests in their particular specialties. I myself considered it a very valuable contribution, having always stressed the kinship of Italian Fascism and German National Socialism, in conduct as well as ideology—in opposition to Hannah Arendt, who inclined to an ideal-typical restriction of the notion of totalitarianism to Hitler's Germany and Stalin's Russia on the ground that “the essence of totalitarianism is total terror”; this has always seemed to me like restricting the concept of absolute monarchy to Louis XIV and Peter the Great.


2017 ◽  
Vol 67 ◽  
pp. 231-253
Author(s):  
Beatrice Teissier

AbstractThis article discusses the portrayal of Crimea, particularly Crimean Tatars and their culture, through the writings of nine men and women who travelled in the region in the late 18th century. These writers travelled in different capacities and represent a diversity of viewpoints; they include figures of the Russian academic and political establishment and western European travellers, with or without Russian affiliations. The article sets their writings in the context of the imperial Russian rhetoric of conquest associated with the annexation of Crimea in 1783 and Catherine II's tour of the area four years later. This rhetoric remains relevant today through the marked persistence of certain historic tropes in contemporary Russian attitudes towards Crimea. The article also discusses the writers’ responses to Crimea in the light of broader Enlightenment tropes in travel writing and ethnographic observation. It examines the extent to which the travellers’ accounts of Crimea were shaped by notions of ancient Greek heritage, Scythians and ‘Tartar hordes’, attitudes towards the Ottoman Empire (Crimea had previously been an Ottoman protectorate) and Islam, and 18th-century orientalism.


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