The Historical and Cultural Context of Fort St. Joseph

Author(s):  
José António Brandão ◽  
Michael S. Nassaney

This brief overview of the cultural and historical context of Fort St. Joseph explores how Natives and newcomers created a vibrant social and economic life on the frontier of the French empire. The Fort was an important trading post and a key cog in the French network of trading and military posts. Interactions between French speakers and Native peoples at the Fort initiated a process of ethnogenesis, even as both Native peoples and French settlers sought to maintain key elements of their particular culture.

2019 ◽  
Vol 66 ◽  
pp. 327-334
Author(s):  
Inga V. Zheltikova ◽  
Elena I. Khokhlova

The article considers the dependence of the images of future on the socio-cultural context of their formation. Comparison of the images of the future found in A.I. Solzhenitsyn’s works of various years reveals his generally pessimistic attitude to the future in the situation of social stability and moderate optimism in times of society destabilization. At the same time, the author's images of the future both in the seventies and the nineties of the last century demonstrate the mismatch of social expectations and reality that was generally typical for the images of the future. According to the authors of the present article, Solzhenitsyn’s ideas that the revival of spirituality could serve as the basis for the development of economy, that the influence of the Church on the process of socio-economic development would grow, and that the political situation strongly depends on the personal qualities of the leader, are unjustified. Nevertheless, such ideas are still present in many images of the future of Russia, including contemporary ones.


2012 ◽  
Vol 23 (3) ◽  
pp. 300-326 ◽  
Author(s):  
Joanna Ostapkowicz ◽  
Lee Newsom

AbstractA unique cotton Taíno reliquary—the only extant example currently known—provides an unprecedented window onto the complex mortuary and ritual ceremonies of the pre-Hispanic Caribbean. This study explores its cultural context as recorded by the early Spanish and French chroniclers and missionaries who were witness to the use and beliefs surrounding these objects in both the Greater and Lesser Antilles. It provides the first AMS radiocarbon date for the reliquary, placing it within a firmer historical context. It also examines the woven sculpture in some detail, providing a review of the manufacture process and a detailed study of the components—cotton, animal hair, lianas, gourd, resins and shell—that went into its creation. From the wrapping of important cemís (representations of spirits) in cotton, to the binding of the skeletal remains of venerated ancestors within elaborate weavings, cotton had an intrinsic value as a material that wrapped and bound the ancestors to the living and the living to each other.


2002 ◽  
Vol 3 (2) ◽  
pp. 205-227 ◽  
Author(s):  
Gabriella Del Lungo Camiciotti

This paper presents a case study of the fifty earliest English wills in the Court of Probate, London, with a view to contributing towards highlighting the historical development of this legal genre. By analysing these documents from a pragmatic perspective and setting them in a diachronic framework, I show how the realisation of the act of bequeathing is highly dependent on the socio-cultural context of production and use. Late medieval wills are utterly different from Anglo-Saxon ones in that they are the product of a relatively literate culture in which drafters followed the format of Latin testaments; in this sense late medieval wills are similar to modern ones because they conform to the model of autonomous, formal text. However, they do not fulfil all the felicity conditions necessary to achieve their full constitutive potential as the authority validating these documents remains rooted in religious practices rather than in legal enforcement. This paper offers evidence in favour of the view that a proper pragmatic analysis of medieval documents can only be achieved by taking the historical context into account.


2016 ◽  
Vol 30 (2) ◽  
pp. 33-35
Author(s):  
Amy Christine Beegle

Following an overview of the organization of the new National Core Arts Standards, this column provides a listing of the new standards that include terminology related to world music: “world music,” “culture,” “cultural,” “context,” and “authentic.” The term world music is absent from the standards charts, but cultural context is included throughout the standards, particularly for older grade levels. The most applicable anchor standard to the study of world music is No. 11: “Relate artistic ideas and works with societal, cultural and historical context to deepen understanding.”


2020 ◽  
Vol 7 (1) ◽  
pp. 42
Author(s):  
Dimas Wihardyanto ◽  
Sudaryono Sudaryono

Arsitektur merupakan salah satu produk budaya hasil pemikiran manusia yang mampu menggambarkan secara komprehensif bagaimana hubungan dirinya dengan konteks sosial maupun seting lingkungan yang ada. Tidak terkecuali arsitektur kolonial Belanda di Indonesia. Kolonialisasi di Indonesia terutama yang dilakukan oleh Belanda merupakan salah satu babak sejarah penting di Indonesia karena mampu merubah cara berfikir arsitektur di Hindia Belanda semakin modern mendekati yang terjadi di Barat. Pengaruh modernisme dalam arsitektur tersebut tentunya tidak dapat dilepaskan dari perkembangan cara berfikir masyarakat barat yang bertitik tolak dari cara memandang alam dan manusia melalui pendekatan kategorisasi dan analogi. Setelah melalui kurun waktu yang cukup panjang arsitektur kolonial Belanda di Indonesia akhirnya tidak dapat memaksakan penggunaan arsitektur barat secara penuh. Konteks sosial budaya serta seting lingkungan dan iklim yang berbeda akhirnya mampu mengajak para arsitek untuk mengedepankan cara berfikir yang bertitik tolak pada alam melalui pendekatan analogi alih-alih menonjolkan arsitektur barat sebagai simbol manusia modern melalui pendekatan kategorisasi. Kemunculan arsitektur Indis adalah salah satu buktinya. Selanjutnya melalui metode kajian literatur terhadap sejarah perkembangan filsafat barat, metodologi penelitian arsitektur, dan teori-teori mengenai arsitektur kolonial Belanda di Indonesia peneliti mencoba merunut dan merumuskan bagaimana Posisi keilmuan arsitektur kolonial Belanda di Indonesia dalam konteks sejarah filsafat dan filsafat ilmu. Hasil yang didapatkan dari penelitian ini adalah bahwasanya perkembangan arsitektur kolonial di Indonesia berawal dari cara berfikir dualisme dengan mengambil alam sebagai tidak tolak, kemudian beralih menjadi cara berfikir monisme dengan revolusi industri sebagai latar belakang, dan kemudian kembali ke cara berfikir dualisme dengan menempatkan alam sebagai titik tolak pada abad ke 20.DUTCH COLONIAL ARCHITECTURE IN INDONESIA IN THE HISTORICAL CONTEXT OF PHILOSOPHY AND PHILOSOPHY OF SCIENCE                                                  Architecture is one of the cultural products of human thought that can to comprehensively describe how its relationship with the social context and the existing environmental settings. Dutch colonial architecture in Indonesia is no exception. Colonialism in Indonesia, especially those carried out by the Dutch, is one of the important historical phases in Indonesia because it can change the way of thinking architecture in the Dutch East Indies increasingly modern that is happening in the West. The influence of modernism in architecture indeed cannot be separated from the development of western society's way of thinking, which starts from the way of looking at nature and humans through a categorization and analogy approach. After a long period of time, Dutch colonial architecture in Indonesia finally could not force the full use of western architecture. The socio-cultural context and the different environmental and climatic settings were finally able to invite the architects to put forward the way of thinking that starts with nature through an analogy approach instead of highlighting western architecture as a symbol of modern humans through the categorization approach. The emergence of Indis architecture is one of the proofs. Furthermore, through the method of studying literature on the history of the development of western philosophy, architectural research methodology, and theories about Dutch colonial architecture in Indonesia researchers try to trace and formulate the scientific position of Dutch colonial architecture in Indonesia in the context of the history of philosophy and philosophy of science. The results obtained from this study are that the development of colonial architecture in Indonesia started from the way of thinking of dualism by taking nature as not rejecting, then turning into monism with the industrial revolution as a background, and then returning to the way of thinking of dualism by placing nature as a point starting in the 20th century.


2016 ◽  
Vol 13 (2) ◽  
pp. 149
Author(s):  
Ali Romdhoni

This paper offers an interpretation approach which involves historical data as its important dimension, socio-cultural contexts, and psychological effect on the audience. It is an important thing, since the Quranic interpretation studies in the contemporary era demands an interpretation model which involves historical data, socio-cultural context and psychological effect on the society. Since, the holy Quran given to Prophet Muhammad SAW was revealed in order to respond certain social condition, so each verse given to the prophet was clearly interrelated actively to the space and time. Hereby, each verse of the holy Quran has its own historical context, meaning, and effect.


2021 ◽  
Vol 6 ◽  
Author(s):  
Anita Stasulane

The paper explores the relationship between the religious identity and the ethnic and national identities of Old Believer youth in Latvia. This case is of particular interest in providing an in-depth insight into the intersection of ethnicity, nationality and religion, as the Old Believers are an ethnic and religious minority living in Latvia. Applying the concepts of multiple identities, this article explores the role of religion played in the integration of identity among young people belonging to the Old Believer religious community: their self-understanding as a composition of intersecting identities that influence each other; the manifestations of the intersection of various identities; the relationship of identity integration to religion. The analysis is based on the findings of ethnographic research conducted in the Old Believer youth group in Daugavpils (Latvia) within a framework of the international project “Cultural Heritage and Identities of Europe’s Future”, funded from the European Union’s Horizon 2020 Research and Innovation Program under Grant Agreement No. 770464. The author has highlighted that today’s rapid changes are leading to identity crisis: an individual faces difficulty in shaping and maintaining a stable identity, since economic life is becoming increasingly unpredictable and communities are becoming fragmented. The identity of Latvian Old Believer youth forms and develops in a local cultural context, and is affected by the social change. The qualitative data collected during the fieldwork provided a useful resource for an analysis of belonging, the crucial factor in the formation of identity for Old Believer youth. As the voices of young people in this study reveal, three types of belonging characterize Old Believer youth: their ethnicity, which interacts with national belonging in a complex way; the local belonging, which is stronger than the global one; the European belonging, which conflicts with national belonging and ethnicity.


Author(s):  
Concepcion Barrio ◽  
Mercedes Hernandez ◽  
Paula Helu Fernandez ◽  
Judith A. DeBonis

Social workers in health and mental health and across public and private health sectors are expected to be knowledgeable of comprehensive approaches to effectively serve individuals dealing with psychotic disorders, including family members involved in their care. Effective services require expertise in assessment, diagnostics, treatment planning, and coordination of community support services. This article provides a knowledge base for social work practitioners working with clients challenged by the experience and consequences of serious mental illness, such as schizophrenia spectrum and other psychotic disorders. We begin by reviewing the public health significance of these disorders, clinical phenomenology and its historical context, and symptoms and classification. We then discuss the family and cultural context, evidence-based treatments, and several social and clinical issues that social work practitioners should be aware of when working with this client population.


2019 ◽  
Vol 9 (1) ◽  
pp. 37-45
Author(s):  
Hai Hong Dinh

Purpose The purpose of this paper is to trace the way in which a popular ritual became one of Vietnam’s most important festivals, elevated as a celebration of national heroism and charts its gradual transformation in modern society. Design/methodology/approach This research focuses on the combination of a fertility rite and narratives of St Gióng based on nationalism or heroism created a special festival reflecting many traditional cultural characteristics of Vietnam and the Việt people and the transformation of St Gióng from a mythological to a national symbol of heroism in anti-invader history was recorded in texts. Findings The paper casts light on the mythologization and historicization of St Gióng in Vietnam’s particular historical context by decoding the Gióng symbol as a core element of the folktales and myths about St Gióng to understand the formation and development of St Gióng in the cultural history of Vietnam. Research limitations/implications The paper is not exploring the Gióng symbol within a larger cultural context of nationalism and ethnosymbolic approach in a comparison of national symbolism and heroism. Practical implications The paper includes implications for advised scholars to conduct further exploration of the symbol and myth of not only St Gióng in Vietnam but also Kubera in India and Vaisravana in China to connect Kubera, Vaisravana and St Gióng under the connection of literal myth and heroic symbol. Social implications The paper shows how processes of historicizing myth and mythologizing history are important features of Vietnamese socio-historical research. Originality/value The paper shows how a fertility rite became a historical festival and the figure of St Gióng became a symbol of patriotic heroism.


Babel ◽  
2019 ◽  
Vol 65 (2) ◽  
pp. 153-174
Author(s):  
Xuanmin Luo ◽  
Jiachun Zhu

Abstract Hans Christian Andersen’s fairy tales have been popular among Chinese readers since they were introduced to China through translation a century ago. This paper studies the translation of Andersen’s fairy tales in China by focusing on prominent Chinese translators of Andersen and their landmark translations. Regarding translation as a social activity, the author attempts to interpret the behaviour of the translator in terms of the historical context in which it occurred, as well as the corresponding ideology of literature. It is argued that the language styles and translating strategies adopted by the translators of different ages have varied according to the translator’s understanding of the original works, his purpose of translating, the publishers’ interests and the readers’ expectations in the target culture, as well as the image of Andersen constructed in the socio-cultural context from which the translation emerged. Therefore, the translation practice, which has contributed to the canonization of Andersen in China, is a process of the translators’ negotiations with the fluid Chinese poetics and ideology of the 20th century.


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