Women Making Modernism

Women Making Modernism stands as a corrective to the consistent tension between feminist studies and modernist studies. Despite waves of feminism in the academy, feminism remains ancillary even in the expanded arena of new modernist studies. This volume makes the case for feminism’s necessity in modernist studies, arguing that without an integrated feminist approach our modernism is irresponsible at best and dishonest at worst. And the contributors included here take as their cue the renewed fervor around feminist inquiry in literary studies in the academy—exemplified by the new feminist literary studies journal, Feminist Modernist Studies (FMS), launched in 2018—and beyond. Collectively we assert the value of amplifying the reality of women’s contributions to modernism by exploring a myriad of women writers through a diverse set of approaches. Along the way, many of our authors engage in self-reflection, taking into account their personal histories, social locations, and anxieties, thus bridging the arbitrary division, long enforced by patriarchal postures of intellectualism, between the academic and affective self.

2021 ◽  
Vol 48 (2) ◽  
pp. 170-183
Author(s):  
Chung-ying Cheng

Abstract This article is to argue that virtue is experienced and understood in Confucian ethics as power to act and as performance of a moral action, and that virtue (de 德) as such has to be onto-cosmologically explicated, not just teleologically explained. In other words, it is intended to construct an integrative theory of virtues based on both dao (the Way 道) and de. To do so, we will examine the two features of de, as the power that is derived from self-reflection and self-restraining, and as the motivated action for attaining its practical end in a community. Only by a self-integrated moral consciousness can one’s experience, action and ideal remain in consistency and coherence, which leads us to the Aristotelian notion of virtue as excellence (aretê) and enables us to see how virtue as aretê could be introduced as a second feature of de, namely as the power for effective action in the whole system of virtues, apart from the first feature of de as self-restraining power. We will conclude that reason and virtue are practically united and remain inseparable, and that taking into account the onto-cosmological foundation of virtues, reason and virtue are inevitably the moving and advancing forces for the formation and transformation of human morality just as they are motivating and prompting incentives for individual moral action.


1995 ◽  
Vol 3 (1) ◽  
pp. 1-14
Author(s):  
Terence J. Keegan

AbstractPostmodernism involves recognizing that the objective certitude sought by modern scientific and humanistic methods is not possible. Deconstruction paved the way for postmodernism in literary studies, but it is most evident in the work of some reader-response critics. Many reader-response critics utilize the indeterminacy of postmodern insight but are hesitant to accept its subjectivist implications. Biblical scholars tend to prefer methods that yield verifiable results, but some have successfully used postmodern approaches. Christian scholars, though committed to an idea of transcendence to which postmodernism seems to deny access, can still profitably use postmodern approaches but must be prepared to deal with such questions as inspiration and the relation of scholarship to the Church.


2017 ◽  
Vol 33 (1) ◽  
pp. 47
Author(s):  
Robert YELḰÁTŦE Clifford

My journey to better understand and to live my own WSÁNEĆ legal tradition has always been both complex and incredibly rewarding.  This journey has, at times, also come with its challenges and tensions, including through law school and academia.  Through the use of story I reflect upon this path of learning, and many of my own thoughts and experiences along the way.  I have learned, and continue to learn, from many different people along this path, and I am so grateful to each of them.  While this story is primarily a self-reflection, the themes and tensions that the character of this story (Cedar) embodies may resonant with many Indigenous people.  These themes include family, community, place, identity, stories, law and culture.  Each of these themes comes together and to life in this story through lived experience and my own empowering moments of living and coming to better understand WSÁNEĆ law.  Ultimately, writing this story helped me in a moment when I needed it.  My hope is that you too can find something helpful and rewarding within this story, and that you can use that along your own path. Le périple que j’ai fait pour mieux comprendre et vivre ma propre tradition juridique dans la communauté WSÁNEĆ a toujours été à la fois complexe et incroyablement enrichissant. Bien entendu, cette expérience a également donné lieu à des défis et des tensions, notamment à l’école de droit et dans le milieu universitaire. À l’aide d’un récit, je décris mon cheminement et bon nombre de mes propres réflexions et expériences connexes. Tout au long de mon parcours, j’ai appris et je continue d’apprendre auprès de nombreuses personnes différentes et je leur en suis infiniment reconnaissant. Bien que ce récit soit d’abord et avant tout une autoréflexion, il se pourrait que de nombreux Autochtones retrouvent une part d’eux-mêmes dans les thèmes abordés et les tensions vécues par le personnage central (Cedar). Qu’il s’agisse de la famille, de la communauté, du lieu, de l’identité, du droit ou de la culture, j’aborde chacun de ces thèmes en décrivant des expériences réelles et le cheminement qui m’a permis de mieux comprendre la loi WSÁNEĆ. En définitive, l’écriture de ce récit s’est révélée une expérience positive pour moi à un moment où j’avais besoin d’aide. J’espère que vous trouverez à votre tour des éléments utiles et éclairants dans ce récit et que vous pourrez vous en inspirer au cours de votre propre cheminement. 


Author(s):  
Paulina Pająk

In recent years, the popularity of Virginia Woolf’s oeuvre has substantially increased in Poland. There has been little prior attempt to explain this phenomenon, although it could be beneficial to comparative literature and feminist studies. Therefore, the aim of the paper is to examine the significance of Virginia Woolf’s legacy to contemporary Polish culture, as well as the possible causes of the “Woolf’s Renaissance”. As Urszula Terentowicz-Fotyga has pointed out, until the late 1980s., Woolf remained relatively unknown and perceived as a minor modernist writer. Yet, the third phase of her reception (1990s-present) has brought a significant change, which finally led to the outburst of translations and popularity of Woolf’s works. One result of this “Woolf’s Renaissance” is the influence of Woolf’s legacy on contemporary literature and feminism in Poland. Woolf’s imaginairum has inspired many women writers, such as Joanna Bator, Sylwia Chutnik, Izabela Morska, and Maria Nurowska. It would seem that the popularity of Woolf among Polish women intellectuals stems from the similarity between her opposition to Victorian patriarchal society and their resistance against the radical Catholic conservatism and nationalism in Poland. Besides, the polyphony of Woolf’s oeuvre and the complexity of her biography invite the writers to enter the intertextual dialogue with the author.


Author(s):  
Helena Sanson

This chapter looks at how women finally made their first appearance in the field of linguistic codification, bringing out works on Italian grammar and on language etiquette in a changed political and social context. In their contribution to the creation of a national form of entertainment in the years when radio and television were still far away, women writers took a less traditional approach to the language of their works in order to overcome the fact that discussions on the Questione had come to a standstill. Their first, scattered remarks on the topic show less preoccupation with form and a more generous approach to and understanding of their audience's needs. The language they used, imperfect as it may have been, did not stop women of all classes from being caught up by the fate of young heroines and sharing their passions and misfortunes. Women writers bent language to fit their own requirements, refusing to let it stand in the way of their long-awaited right to express their full imaginative drive.


Author(s):  
Victor X. Wang

Humans have different interpretations of learning theories and different beliefs about how people learn. All these beliefs may come from personal experience, self-reflection, observation of others, and through the experience of trying to teach or persuade someone else to your way of thinking. In a nutshell, everyone keeps learning every waking minute, using different learning theories. In democratic cultures, people may prefer critical thinking as an effective learning theory whereas in authoritarian cultures, people may like rote learning or memorization as an effective learning theory. It is extremely difficult to determine which learning theories are better than others because people are engaged in informal or formal learning to change the way they see themselves, change the way they see other people, and change the way they see situations (Cramer & Wasiak, 2006). All these learning theories are valuable in guiding one’s action in a particular culture, subculture, or even a particular setting. Although scholars have different interpretations of learning theories, the goal of any learning theory is the same. For example, Merriam (2004) explains a learning theory as leading to learners’ growth and development. Mezirow explains the theory of transformative learning as helping learners achieve perspective transformation. Maslow considers the goal of learning to be self-actualization: “the full use of talents, capacities, potentialities, etc.” (p. 150). Some learning theories such as the theory of andragogy encourage learners to be self-directed in learning whereas other theories emphasize the roles of teachers as information transmitters instead of learning facilitators, thus placing learners at the feet of master professors.


Author(s):  
Michael Lundell ◽  
Vincent P. Pecora

Structuralism, generally described, is a twentieth-century intellectual movement associated with linguistic studies in Europe, despite its vast applicability and many adherents. An initial aim of structural linguistics was to investigate – in greater detail than previously – the way language functions as a network of signification. Structuralism’s goal also typically derives from the question of whether universal truth can be revealed in this network in ways that define the constitution of thought. Structuralism focused on the whole of language, the ‘structure’ of the totality, over its individual parts or their historical development. The principles of Structuralism and its later transformations found widespread application outside of linguistics, particularly in anthropology, sociology, literary studies, semiotics, film, musicology, psychology, and philosophy.


Author(s):  
Georgina Fozard ◽  
Philippa Greenfield

Training in psychiatry involves a fascinating and rewarding journey, and is a wonderful career for women. This chapter explores what it means to be a female psychiatric trainee. The authors discuss the recruitment crisis within psychiatry and the way that stigma and financial pressures upon the NHS compound this. They discuss their own experiences as medical students interested in psychiatry, particularly with regard to overcoming prejudices within the wider medical profession. There are certain challenges that are particular to training in psychiatry that women trainees face, including everyday sexism and how it impacts on self-esteem, as well as exposure to violence and stalking, and the effect of social media on medical practice. The authors discuss their own experiences in facing these challenges, what more could be done to support trainees, and they consider the importance of self-care and the way in which training as a psychiatrist can give trainees particular skills of self-reflection and insights into group dynamics that can be invaluable in developing as medical leaders.


2019 ◽  
Vol 100 (4) ◽  
pp. 597-614
Author(s):  
Joseph Acquisto

Abstract This essay examines the way Baudelaire and Proust respond to music in terms of trying to account for being ‘touched’ or ‘struck’ by it. I contrast dramatic music, as it figures in Baudelaire’s writing on Wagner, with the newly emergent notion of ‘absolute music’, as it manifests itself in the fictitious chamber music of Vinteuil in Proust’s novel. The essay thereby demonstrates how emptying music of referential meaning allows writers to fill up that blank space with a verbal reply to the call of music, which itself becomes an act of aesthetic creation. Such an approach to listening, which emerged in the nineteenth century, still resonates with contemporary accounts by scholars working between musicology and literary studies, and shapes their account of aesthetic subjectivity.


PMLA ◽  
2020 ◽  
Vol 135 (1) ◽  
pp. 152-158
Author(s):  
Howard Rambsy II

Let's Cut to the Chase: African American Scholars Occupy the Margins of this Expansive Realm Known as Digital Humanities. Do well-intentioned people want more diversity in DH? Sure, they do. Do black folks participate in DH? Of course, we do. But we've witnessed far too many DH panels with no African American participants or with only one. We've paid close attention to where the major funding for DH goes. Or, we've carefully taken note of who the authors of DH-related articles, books, and bibliographies are. We've studied these things closely enough to realize who resides in prime DH real estate and who doesn't. We could speak defiantly about our marginal status the way Toni Morrison once did when she quipped, “I'm gonna stay out here on the margin, and let the center look for me” (87). Yaasss!At the same time, though, it's worth thinking about some of the reasons why African American scholars dwell on the margins of the DH field. The processes by which we pursue graduate study and become participants in the field of African American literary studies account for why we are slow or reluctant to embrace DH. There's also the matter of segregation—our persistent exclusion from projects and opportunities that are ostensibly open to all but invariably involve primarily white scholars. Immersion in the field of African American literary studies and conversations with senior and emergent scholars reveal some of the reasons why we stand so far from the center of the DH community.


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