scholarly journals PRÁXIS FEMINISTA: a presença de Heleieth Saffioti nos estudos e nas lutas no Brasil

Caderno CRH ◽  
2020 ◽  
Vol 33 ◽  
pp. 020028
Author(s):  
Tita Carneiro ◽  
Maíra Kubík Mano
Keyword(s):  
Key Words ◽  
Feminist Theory ◽  
Women's Movement ◽  
The Other ◽  
Feminist Studies ◽  
Symbiotic Relationship ◽  
Mots Clés ◽  
Social Hierarchies ◽  
Class Society ◽  
Other Hand

<p>Heleieth Saffioti foi uma intelectual que durante toda sua trajetória manteve uma postura apoiada sobre a práxis feminista: se, por um lado, suas contribuições teóricas serviram de inspiração e elucidação para a compreensão das desigualdades que impactam, em especial, as mulheres brasileiras; por outro, as pautas feministas e dos movimentos de mulheres foram seus objetos de estudo e alimentaram sua obra. Podemos dizer que Saffioti estabeleceu, em sua produção, uma relação simbiótica própria do campo teórico em que se referencia e procurou, por meio dela, buscar sínteses para transformar a realidade. Neste artigo, refletimos sobre suas contribuições para os estudos e as lutas feministas no Brasil, revisitando seu livro pioneiro A mulher na sociedade de classes no momento de seu lançamento e também buscando compreender de que forma seu instrumental teórico colaborou e colabora para analisarmos e enfrentarmos as hierarquias sociais.</p><p> </p><p>FEMINIST PRAXIS: Heleieth Saffioti’s presence in studies and struggles in Brazil</p><p>Heleieth Saffioti was an intellectual who, throughout her career, maintained a posture based on feminist praxis: if, on one hand, her theoretical contributions served as inspiration and elucidation for the understanding of inequalities that impact, especially, Brazilian women; on the other hand, feminist and women’s movement guidelines were her objects of study and nurtured her work. We can say that Saffioti established, in her production, a symbiotic relationship to the theoretical field in which her work is referenced, to seek syntheses to transform reality. In this article, we reflect on her contributions to feminist studies and struggles in Brazil, revisiting her pioneering book, The Woman in Class Society, at the time of its release and also seeking to understand how her theoretical instrumentality collaborated to analyze and confront social hierarchies.</p><p>Key-words: Academy. Feminist theory. Changing consciousness. Praxis.</p><p> </p><p>PRAXIS FEMINISTE: la présence d’Heleieth Saffioti dans les études et les luttes au Brésil</p><p>Heleieth Saffioti était une intellectuelle qui, tout au long de sa trajectoire, a maintenu une posture basée sur la pratique féministe: si, d’une part, ses contributions théoriques ont servi d’inspiration et d’élucidation pour comprendre les inégalités qui affectent, en particulier, les femmes Brésiliennes; d’autre part, les agendas féministes et les mouvements de femmes étaient ses objets d’étude et alimentaient son travail. On peut dire que Saffioti a établi, dans sa production, une relation symbiotique typique du champ théorique dans lequel elleappartient et, à travers lui, à rechercher des synthèses pour transformer la réalité. Dans cet article, nous réfléchissons sur ses contributions aux études et aux luttes féministes au Brésil, revisitant son livre pionnier La femme dans la société de classe au moment de son apparitionet cherchant également à comprendre comment ses outils théoriques ont collaboré pour analyser et affronter les hiérarchies sociales</p><p>Mots-clés: Académie. Théorie féministe. Changement de conscience. Praxis.</p>

Analysing the Self-Efficacy Levels of Coaches of Different Branches

2021 ◽  
Vol 15 (7) ◽  
pp. 2206-2209
Author(s):  
Nahit Özdayi
Keyword(s):  
Normal Distribution ◽  
Key Words ◽  
Self Efficacy ◽  
The Self ◽  
The Other ◽  
Professional Experience ◽  
Age Group ◽  
Other Hand

Aim: This paper aims to analyse the self-efficacies of coaches of different branches. Methods: This study, which was conducted by using coach self-efficacy scale, reached totally 192 volunteering coaches who lived in Çanakkale and Balıkesir. The data collected were then analysed on the SPSS programme. The kurtosis and skewness values were examined so as to check the distribution of the data, and consequently, the data were found to have normal distribution. Results: As a result, statistically significant differences were found between the coaches aged 28-32 and coaches aged 33-37 in their levels of self-efficacy in general and in the sub-factor of efficacy in impersonating. Accordingly, the coaches who were in 28-32 age group had higher self-efficacy and efficacy in impersonating than the ones who were in 33-37 age group. On the other hand, there were no statistically significant differences between the participants’ levels of self-efficacy according to gender, branch and professional experience. Conclusion: The coaches in the 28-32 age group were found to have higher self-efficacy and efficacy in impersonating than the coaches in the 33-37 age group on examining the results obtained. No differences were found between the participants in the other factors. Key Words: Self-efficacy, coaches, sport

scholarly journals Indecisão plena de promessas: imagens da vida e da infância na filosofia de Henri Bergson

2021 ◽  
Vol 34 (71) ◽  
pp. 565-580
Author(s):  
Magda Costa Carvalho
Keyword(s):  
Key Words ◽  
Dynamic Contact ◽  
The Other ◽  
Henri Bergson ◽  
Key Words Childhood ◽  
Other Hand ◽  
De Se ◽  
Living Nature ◽  
The One ◽  
Élan Vital

Indecisão plena de promessas: imagens da vida e da infância na filosofia de Henri Bergson Resumo: Numa passagem da obra Évolution Créatrice, Bergson recupera a imagem da criança para afirmar que a natureza viva opera através de tendências divergentes. Apesar de não ter desenvolvido um pensamento de pendor educacional, encontram-se na obra bergsoniana referências que, por um lado, recuperam a dimensão criativa e criadora da infância e, por outro, acentuam a forma infantil dos movimentos do élan vital. Estas referências fazem parte da imagética do autor, mostrando como o seu pensamento sugestiona leituras ímpares. O convite para cruzar a imagem da vida como infância com a imagem da infância como vida revela-se, assim, sugestivo para repensar o que nos habita como constitutivamente outro: a criança que fomos e a natureza que somos. E será através da imagem – como forma de contacto dinâmico com o real – que poderemos encontrar algumas respostas para a sugestão bergsoniana de se promover nas escolas um conhecimento infantil (enfantin).Palavras-chave: infância; criança; natureza; imagem; Bergson. Indecision charged with promise: Images of life and childhood in Henri Bergson’s philosophy Abstract: In a passage in his Évolution Créatrice, Bergson reclaims the image of the child to argue that living nature works through divergent tendencies. Although Bergson’s work doesn’t focus specifically on education, it does contain references that, on the one hand, reclaim the creative and creating nature of childhood, while on the other hand accentuating the childlike nature of élan vital’s movements (vital impetus). These references are part of Bergson’s repertoire of imagery and demonstrate how his thought evokes uneven readings. The invitation to cross the image of life as childhood with that of childhood as life ultimately evokes a rethinking of what inhabits us as constitutively other: the child we were and the nature we are. And it is through the notion of image – as a form of dynamic contact with reality – that we will find some answers for Bergson’s suggestion that schools promote a childlike knowledge (enfantin).Key-words: childhood; child; nature; image; Bergson.  Indecisión cargada de promesas: Imagénes de la vida y de la infancia en la filosofía de Henri Bergson Resumen: En un pasaje sobre la obra Évolution Créatrice, Bergson recupera la imagen del niño para afirmar que la naturaleza viva opera a través de tendencias divergentes. A pesar de no haber desarrollado un pensamiento de carácter educacional, se encuentran en la obra bergsoniana referencias que, por un lado, recuperan la dimensión creativa y creadora de la infancia y, por otro, acentúan la forma infantil de los movimientos del impulso vital. Estas referencias hacen parte de la imagen del autor, mostrando como su pensamiento sugestiona lecturas impares. O convite para cruzar la imagen de la vida como infancia con la imagen de la infancia como vida se revela, de esta manera, sugestivo para repensar lo que nos habita como constitutivamente otro: el niño que fuimos y la naturaleza que somos. Y será a través de la imagen – como forma de contacto dinámico con lo real – que podremos encontrar algunas respuestas para la sugestión bergsoniana de promoverse en las escuelas un conocimiento infantil (enfantin).Palavras-clave: infancia; niño; naturaleza; imagen; Bergson. Data de registro: 20/08/2020Data de aceite: 30/11/2020

scholarly journals Is God a Phenomenon? A dialogue between Kierkegaard and Jean-Luc Marion

2020 ◽  
Vol 24 (2) ◽  
Author(s):  
Wellington José Santana
Keyword(s):  
Key Words ◽  
Present Article ◽  
The Other ◽  
Human Being ◽  
Concept Of God ◽  
Saturated Phenomenon ◽  
Other Hand ◽  
Shed Light

The present article analyses critically the paradox of phenomenon claimed by Danish Philosopher Kierkegaard and Marion’s new concept named saturated phenomenon. While the concept of God, by definition, must surpass the realm of empiricism, perhaps the something may shed light over what God must be: Excess. However, Marion developed a new concept of phenomenon that not only occupies the immanence world, but also goes beyond. It is called saturated phenomenon. In order to address the question one might understand the limit of the givenness and then what does it mean saturated givenness. We probably all have had the sense of being overwhelmed by something and this can lead toward a sense of torpor or numbness. In the other hand, Kierkegaard affirms that God is so different than a human being, so totally other that we may think we’re right in demanding God make himself understood and be reasonable towards us. Kierkegaard upholds that we’re always dealing with God in the wrong way. I will argue that Marion, however, following phenomenological footsteps indicates a new path toward how to address God properly.   Key words: Paradox; Saturated phenomenon; freedom; Excess. 

scholarly journals REPRESENTASI KEPRIBADIAN TOKOH SASANA DAN JAKA WANI DALAM NOVEL “PASUNG JIWA” KARYA OKKY MADASARI (REPRESENTATION PERSONALITY SASANA’S AND JAKA WANI’S CHARACTER IN NOVEL “PASUNG JIWA” BY OKKY MADASARI)

2021 ◽  
Vol 11 (2) ◽  
pp. 205
Author(s):  
Intan Kurnia Sari
Keyword(s):  
Key Words ◽  
The Other ◽  
Research Use ◽  
Abstract Representation ◽  
Other Hand ◽  
Psychology Literature

Abstract Representation Personality Sasana’s and Jaka Wani’s Character in Novel “Pasung Jiwa” by Okky Madasari. The purpose of the research are to describe the personality of Sasana and the inner conflict has went trough. This research use quality methode and expressive aprroach. The data research are taken from words, phrases, idoms, and sentences in teh novel “Pasung Jiwa”. The datas has been obtain were analyzed with the study of literature psychology. The results of the study showed there were deviation in the character of Sasana personality and the inner conflict that the character of Jaka Wani has been went through. Personality deviations found in the character Sasana. Sasana change her appearance into a woman. Appearance performance is related to clothes and how to dress up that resembles a woman. The inner conflict experienced by Sasana is related to the change in appearance she does. Sasana feels free when he becomes Sasa, but on the other hand Sasana does not want to hurt his parent’s by becoming a woman. In the character of Jaka Wani no personality deviations were found. The inner conflict experienced by Jaka Wani was feeling guilty for Sasana for leaving Sasana while doing a demonstration. Jaka Wani also felt unhappy while working as a laborer in a television manufacturing factory. Key words: personality, id, ego, superego, psychology literature Abstrak Representasi Kepribadian Tokoh Sasana dan Jaka Wani dalam Novel “Pasung Jiwa” Karya Okky Madasari. Tujuan penelitina ini untuk mendekskripsikan kepribadian tokoh Sasana dan konflik batin yang dialami tokoh Jaka Wani. Penelitian ini menggunakan metode kualitatif dan pendekatan ekspresif. Data penelitian berupa adalah kata, frasa, ungkapan, dan kalimat dalam novel. Sumber data penelitian ini berupa novel “Pasung Jiwa”. Data yang sudah didapat dianalisis dengan kajian psikologi sastra. Hasil penelitian menunjukkan bahwa terdapat penyimpangan kepribadian pada tokoh Sasana dan konflik batin yang dialami oleh tokoh Jaka Wani. Penyimpangan kepribadian yang ditemukan pada tokoh Sasana adalah Sasana mengubah penampilan dirinya menjadi wanita. Penampilan dalm hal ini berkaitan dengan pakaian dan cara berdandan yang menyerupai wanita. Konflik batin yang dialami Sasana berkaitan dengan perubahan penampilan yang dilakukannya. Sasana merasa bebas saat menjadi Sasa, tetapi di sisi lain Sasana tidak ingin melukai hati orang tuanya dengan menjadi seorang wanita. Pada tokoh Jaka Wani tidak ditemukan penyimpangan kepribadian, konflik batin yang dialami Jaka Wani adalah merasa bersalah kepada Sasana karena meninggalkan Sasana saat Jurnal Bahasa, Sastra dan Pembelajarannya Vol 11, No 2, Oktober 2021 ISSN 2089-0117 (Print) Page 205 - 121 ISSN 2580-5932 (Online) 206 ǀ Jurnal Bahasa, Sastra dan Pembelajarannya melakukan demonstrasi. Jaka Wani juga merasa tidak senang saat bekerja sebagai buruh di pabrik pembuatan televisi. Kata-kata kunci: kepribadian, id, ego, superego, psikologi sastra

scholarly journals « L’espace indicible »: conceptions et textualités

2015 ◽  
Author(s):  
Mickaël Labbé
Keyword(s):  
Le Corbusier ◽  
Central Place ◽  
Spiritual Experience ◽  
The Other ◽  
Architectural Theory ◽  
Mots Clés ◽  
The Past ◽  
Other Hand ◽  
The One ◽  
Experiential Quality

Résumé: La notion d’« espace indicible » occupe sans conteste une position centrale dans la théorie architecturale de Le Corbusier après 1945. Loin d’être un simple mot-valise ou un signifiant vide de sens, le concept d’espace indicible vise à penser le sommet de l’expérience esthétique et spirituelle dont est passible l’architecture, cela tant pour rendre compte de l’émotion plastique ressentie face aux chefs-d’œuvre du passé que pour décrire la qualité de l’expérience que l’architecte cherche à produire par ses propres œuvres. Ainsi, dans l’œuvre de Le Corbusier, l’expression « l’espace indicible » désigne non seulement un concept, mais également un ensemble textuel dans lequel la notion est thématisée et au travers duquel elle se constitue progressivement. L’objectif de cet article est double : d’une part, proposer une description des déterminations principales du contenu donné par Le Corbusier à la notion d’« espace indicible » ; d’autre part, à partir de l’examen des archives, faire le point sur les textes dans lesquels ce concept se formule. Abstract: The concept of “ineffable space” unquestionably occupies a central place in Le Corbusier's architectural theory after 1945. Far from being a portmanteau or a signifier devoid of meaning, the concept of ineffable space is aimed at conceiving the height of aesthetic and spiritual experience rendered possible by architecture. This is as much to realise plastic emotion felt in front of masterpiece from the past as to describe the experiential quality that the architect seeks to produce in his/her own work. Thus, in Le Corbusier’s oeuvre, the expression “ineffable space” not only denotes a concept but also a textual whole in which the concept is thematised and through which it is progressively constituted. The aim of this article is two-fold. On the one hand, I propose a description of the principle determinants of the content that Le Corbusier assigns to the concept of “ineffable space”, and on the other hand, analysing the archives, I wish to take stock of the texts in which this concept is formulated.  Mots-clés: Le Corbusier; espace indicible; théorie architecturale. Keywords: Le Corbusier; ineffable space; architectural theory. DOI: http://dx.doi.org/10.4995/LC2015.2015.470

scholarly journals Terorisme dan Simalakama Media Massa

2020 ◽  
Vol 1 (2) ◽  
pp. 107-123
Author(s):  
Farid Pribadi
Keyword(s):  
Mass Media ◽  
Visual Image ◽  
Qualitative Approach ◽  
The Other ◽  
Symbolic Violence ◽  
Symbiotic Relationship ◽  
Combination Technique ◽  
Other Hand ◽  
Terrorist Acts ◽  
Relationship Of

This article discusses the symbiotic relationship of mutualism between mass media andterrorism. Whether we realize it or not, acts of terrorism in the homeland are still interestingand economically valuable news material in front of the mass media. On the other hand, onthe part of terrorists, the news about terrorist acts actually becomes a strategic campaignarea to show their existence. The research uses a qualitative approach to narrative analysismethod. The results of the study are www.okezone.com and www.tribunnews.com placingthe terror terror events in Medan Mapolrestabes as interesting and economically valuablenews material. The style of the news flow is arranged with a choice of tense, dramatic andsensational nuances of words. In addition, the display of photo and video illustrationsshortly after the explosion also aims to display as if the news of the explosion event is true,not engineering, objective and valid. The combination technique of choice of words, storyline, placement techniques and the size of photos and videos all aim to make the emotions ofthe reader participate dissolved in a tense situation as the situation at the scene of theexplosion. The practice of compiling this kind of news flow is called, as Jean Baudrillard'spractice of simulation. The practice of simulation through the practice of compiling newslines and the touch of visual image technology will eventually create conditions ofhyperreality. Namely the conditions between reality will be mixed with the pseudo so it isdifficult to distinguish which is original and fake. Next, the airing of a list of victims ofunknown origin will actually give birth, as Pierre Bourdie calls it symbolic violence. That is,the practice of violent symbols aimed no longer at the physical target but rather consciousthoughts. Symbolic violence in the appearance of the victim list really has the potential tocreate traumatic feelings towards the families of the victims.

scholarly journals Le « jeune » Flaubert et l’apprentissage des genres littéraires

FRANCISOLA ◽  
2018 ◽  
Vol 3 (1) ◽  
pp. 34
Author(s):  
Moulay Youssef SOUSSOU
Keyword(s):  
Turning Point ◽  
The Other ◽  
Mots Clés ◽  
Literary Genres ◽  
Madame Bovary ◽  
Other Hand ◽  
The One ◽  
Young Writer ◽  
Genres Litteraires

RÉSUMÉ. L’étude des premiers écrits de Flaubert est  un domaine encore inexploré. Une telle étude est tellement salutaire pour saisir la formation de l’écrivain et décrire l’évolution de son style à travers les différentes étapes de son œuvre de jeunesse marquée par l’exploration de plusieurs genres littéraires. Pourquoi le jeune écrivain privilégie-t-il deux genres majeurs, le genre autobiographique qui lui permet de concrétiser sa faculté lyrique et le genre théâtral où se révèle sa nature oratoire ? Le style de Flaubert est animé par les deux dimensions lyrique et oratoire, lesquelles dimensions marquent le premier roman de maturité Madame Bovary. Si ce roman marque un tournant dans la carrière de l’auteur c’est d’une part parce qu’il cumule les procédés de l’œuvre de jeunesse et d’autre part constitue le dépouillement du style de cette même œuvre. C’est avec et contre les procédés de l’écriture romantique que Flaubert forgera son style. Mots clés : Evolution, Flaubert, Genre, style, Roman.   ABSTRACT. The study of Flaubert's early writings is a domain that has not been explored yet. Conducting such a study is so beneficial for grasping the writer's formation and describing the evolution of his style through the different stages of his youthful work, which is marked by the exploration of several literary genres. Why does the young writer privilege two major genres, the autobiographical genre that allows him to concretize his lyric faculty and the theatrical genre in which his oratorical nature is revealed? Flaubert's style is animated by the two lyrical and oratorical dimensions, which characterize maturity of his first novel Madame Bovary. If this novel marks a turning point in the author’s career, it is because, on the one hand, it combines the processes of the work of youth, and, on the other hand, it consitutes the emerging style of the same work. It is with and against the processes of romantic writing that Flaubert forges his style. Keywords : Evolution, Flaubert, genre, novel, style.

scholarly journals La actualización revolucionaria de los mitos fundacionales de la nación en la obra del grupo Cine Liberación y el cine histórico cubano (1968 – 1976)

2013 ◽  
pp. 241-264
Author(s):  
Ignacio Del Valle Dávila
Keyword(s):  
The Other ◽  
Mots Clés ◽  
Other Hand ◽  
National Myths ◽  
First Case ◽  
The Sixties ◽  
Cultural Domain ◽  
The Revolution

Resumo No final dos anos sessenta, ocorreu uma eclosão do cinema folclórico-histórico na Argentina e em Cuba. No primeiro caso, isso se deu principalmente devido ao interesse da ditadura de Onganía em utilizar os mitos fundadores da nação como uma metáfora legitimadora do regime. Contrários a essa tendência, o Grupo Cine Liberación elaborou representações desses relatos que buscavam adaptá-los à contingência, especialmente nos filmes La hora de los hornos (1968) e Los hijos del Fierro (1976). Em Cuba, o centenário da Guerra Grande (1868-1878) e a maior rigidez ideológica em matéria cultural durante o Quinquênio Gris (1971-1976) levaram a que se fomentasse a produção de um cinema histórico que representava a Revolução de 1959 como o produto de um século de luta. Os cineastas cubanos e Cine Liberación coincidiram em sua busca por renovar a forma de representação cinematográfica da História, enquanto o cinema comercial argentino apostou em adaptações distantes desse revisionismo. Résumé À la fin des années soixante s’est produit en Argentine et Cuba une éclosion du cinéma folklorique-historique. Dans le premier cas, ceci est dû principalement à l’intérêt de la dictature d’Onganía à se servir des mythes fondateurs de la nation avec l’objectif d’élaborer des métaphores légitimatrices du régime. Face à cela, Grupo Cine Liberación a élaboré des représentations de ces récits tout en cherchant à les adapter à la contingence, notamment dans les films L’heure des brasiers (1968) et Les fils de Fierro (1976). À Cuba le centenaire de la Guerre des dix ans (1968-1878) ainsi qu’une plus grande rigidité idéologique dans le domaine culturel pendant le Quinquennat Gris (1971-1976), ont conduit à l’encouragement de la production d’un cinéma historique où la révolution de 1959 est représentée comme la conclusion d’un siècle de lutte. Les cinéastes cubains et Cine Liberación ont partagé leur intérêt de renouveler les représentations cinématographiques de l’Histoire, tandis que le cinéma commercial argentin a misé sur des adaptations éloignées du révisionnisme.Abstract At the end of the sixties, there was a growth of historical-folkloric cinema in Argentina and Cuba. In the first case, it happened mainly because of the interest of the Onganía’s dictatorship in making use of the nation’s founding myths to develop metaphors to legitimize this regime. On the other hand, Grupo Cine Liberación elaborated representations of these narratives trying to adapt them to the contingency, especially in the movies The hour of the furnaces (1968) and Los hijos del Fierro (1976). In Cuba, the centenary of the War of ten years (1868-1878), as well as an increase of ideological rigidity in the cultural domain during the Grey Quinquennium (1971-1976), encouraged the production of a historical cinema where the revolution of 1959 has been represented as the conclusion of a century of struggle. Cuban filmmakers and Cine Liberación shared their interest in renewing the filmic representations of History, whereas the Argentinean commercial cinema supported adaptations far from this revisionism.Palavras-chave Cinema histórico, legitimação, mitos nacionais Mots-clés Cinéma historique, légitimation, mythes nationauxKeywords Historical cinema, legitimization, national myths 

scholarly journals Diversité floristique du Parc National du Haut Atlas Oriental et des Massifs ayachi et Maâsker (Maroc).

2008 ◽  
Vol 33 ◽  
pp. 125-145 ◽  
Author(s):  
Mohammed Sghir Taleb ◽  
Mohamed Fennane
Keyword(s):  
Key Words ◽  
National Park ◽  
The Other ◽  
Mots Clés ◽  
High Atlas ◽  
Flora Diversity

RÉSUMÉ. Diversité floristique du Parc National du Haut Atlas Oriental et des massifs Ayachi etMaâsker (Maroc). Etant donné la rareté des études sur le Parc National du Haut Atlas Oriental et lesmassifs Ayachi et Maâsker, les connaissances sur la diversité floristique de ces régions, très accidentées,étaient très insuffisantes et fragmentaires. Actuellement la flore vasculaire du Parc, jbels Ayachi etMaâsker est estimée respectivement à 227, 140 et 96 espèces; la flore rare, menacée et/ou endémiqueconstitue une part importante. Le nombre d’endémiques dans le Parc (espèces et sous espèces)représente 6.8 % de l’ensemble des endémiques marocaines. Ce nombre est très important dans l’Ayachiavec 7.5 %. Dans le Maâsker, le nombre d’endémiques est évalué à 3.9 % de l’ensemble des endémiquesmarocaines. La flore rare (espèces et sous-espèces) est représentée par 3.6 % de la flore totale duParc, 4 % de la flore totale du jbel Ayachi et 4 % de la flore totale du jbel Maâsker. Par contre le tauxde la flore très rare est faible, respectivement de l’ordre de 1.9 %, 2 % et 2.4 %.Mots clés. Diversité floristique, Endémisme, Parc National du Haut Atlas Oriental, Maroc.SUMMARY. Flora diversity of the National Park of the Eastern High Atlas and the massifs Ayachiand Mâasker (Morocco). Considering the rare studies on the Eastern High Atlas National Park, Ayachiand Mâasker mountains, the knowledge on the flora diversity of these regions were very insufficient.Their flora is estimated currently 227, 140 and 96 species. The rare flora, threatened and/or endemicconstitutes an important part. The number of endemics in the Park (species and subspecies) represents6.8% of the endemics of Morocco. This number is very important in Ayachi (7.5%). In Maasker, thenumber of endemics is about 3.9% of the endemic of Morocco. The rare flora (species and subspecies)in the Park, Ayachi and Maasker is represented respectively by 3.6%, 4%, and 4%. On the other handthe very rare flora is poor respectively 1.9%, 2% and 2.4%.Key words. Flora diversity, Endemism, National Park of Eastern High Atlas, Morocco.

scholarly journals El poder subversivo de la fábula en sus diversas manifestaciones diacrónicas

2015 ◽  
pp. 153
Author(s):  
Gordana Matic
Keyword(s):  
Key Words ◽  
19Th Century ◽  
The Other ◽  
Critical Aspect ◽  
Other Hand ◽  
Palabras Clave ◽  
Moral Aspect ◽  
Definition Of ◽  
Historical Periods ◽  
Selection Of

<div class="WordSection1"><p><strong>Resumen</strong></p><p>La fábula ha tenido desde siempre una función retórica e ilustrativa que se ha manifestado a lo largo de la historia de modo dual: mostraba para enseñar, lo que muchas veces implicaba el componente moralizador, o para criticar. Mientras se empeñaba en conseguir una de las dos intencionalidades, o las dos simultáneamente, ha podido ser revestida de un tono humorístico, burlón, irónico o sarcástico. Partiendo de las observaciones sobre el género de Fedro, Rodríguez Adrados o Mireya Camurati, en este trabajo nos proponemos analizar una selección de fábulas clásicas, medievales, dieciochescas y decimonónicas, para demostrar que el aspecto crítico e incluso subversivo del género se mantiene abiertamente activo aun en las épocas en las que se potencia su intención didáctico-moralizante.</p><p>Palabras clave: fábula, definiciones del género, estudio diacrónico, aspecto crítico, aspecto didáctico-moralizante</p><p> </p><p><strong>Abstract</strong></p><p>The fable has always had a rhetoric and illustrative function that manifested itself during its long history in two different ways: on one hand, it represented an example in order to teach, which usually implied the moral component, or on the other hand, to criticize. While it strived to achieve one of these intentions, or sometimes both simultaneously, it could have been written in a humorous, mocking, ironic or sarcastic tone. In this paper, we analyze a selection of classical and medieval, 18th and 19th century fables written in Spanish, with definitions proposed by Phaedrus, Rodríguez Adrados and Mireya Camurati as starting points, in order to show that the critical aspect of this genre was openly maintained and taken benefit of even in the historical periods when its didactic and moralizing intention was preferred and strongly emphasized.</p></div><p>Key words: fable, definition of genre, diachronic approach, critical aspect, didactic and moral aspect</p><p> </p>

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