‘THESE ARE THE TONES COMMONLY USED’: THE TONOS DE CANTO DE ÓRGANO IN SPANISH BAROQUE MUSIC THEORY

2016 ◽  
Vol 13 (1) ◽  
pp. 73-93
Author(s):  
CRISTÓBAL L. GARCÍA GALLARDO ◽  
PAUL MURPHY
Keyword(s):  
Sixteenth Century ◽  
Music Theory ◽  
Long Period ◽  
Time Period ◽  
Baroque Music ◽  
Spanish Baroque ◽  
Spanish Music ◽  
Varied System ◽  
Modal Systems ◽  
The Church

In the course of the seventeenth and eighteenth centuries, composers and music theorists moved away from the system of the eight ecclesiastical modes that had been elaborated by medieval theorists and was later applied to polyphonic music (including the varied system extended to twelve modes in the sixteenth century) towards modern bimodal tonality. Although several modal systems coexisted within this time period, a distinct variant of the eight modes, often known in modern scholarship as the church keys, developed as a practical solution to problems associated with the performance of psalms and other recited formulas (especially the Magnificat) in alternatim practice between the choir in plainchant and the organ. A scarcity of research on this topic within investigations of Spanish music prompts us to outline an introduction to a matter so crucial to music theory of the baroque period in Spain. Thus we present an overview of the treatment of the church keys or tones in Spanish treatises over a long period of two centuries, and focus briefly on particular contributions made by individual authors.

Spiritus, ecclesiae anima: Colet, Linacre, and a Galenic Mystical Body

Moreana ◽  
2014 ◽  
Vol 51 (Number 197- (3-4) ◽  
pp. 115-137
Author(s):  
Daniel Lochman
Keyword(s):  
Sixteenth Century ◽  
Medical Discourse ◽  
Social Contacts ◽  
Health Related ◽  
John Colet ◽  
The Church ◽  
The Ideal

John Colet knew Thomas Linacre for approximately three decades, from their mutual residence in Italy during the early 1490s through varied pedagogical, professional, and social contacts in and around London prior to Colet’s death in 1519. It is not certain that Colet knew Linacre’s original Latin translations of Galen’s therapeutic works, the first printed in 1517. Yet several of Colet’s works associate a spiritual physician—a phrase linked to Colet himself at least since Thomas More’s 1504 letter inviting him to London—with Paul’s trope of the mystical body. Using Galenic discourse to describe the “physiology” of the ideal mystical body, Colet emphasizes by contrast a diseased ecclesia in need of healing by the Spirit, who alone can invigorate the mediating “vital spirits” that are spiritual physicians—ministers within the church. Colet’s application of sophisticated Galenic discourse to the mystical body coincided with the humanist interest in Galen’s works evident in Linacre’s translations, and it accompanied growing concern for health related to waves of epidemics in London during the first two decades of the sixteenth century as well as Colet’s involvement in licensure of London physicians. This paper explores the implications of Colet’s adaptation of Galenic principles to the mystical body and suggests that Colet fostered a strain of medical discourse that persisted well into the sixteenth century.

The Book of Common Prayer: A Guide

2020 ◽  
Author(s):  
Charles Hefling
Keyword(s):  
Sixteenth Century ◽  
Church Of England ◽  
The United States ◽  
History Of The Book ◽  
Book Of Common Prayer ◽  
Prayer Book ◽  
Corporate Worship ◽  
History Of ◽  
Common Prayer ◽  
The Church

This book surveys the contents and the history of the Book of Common Prayer, a sacred text which has been a foundational document of the Church of England and the other churches in the worldwide community of Anglican Christianity. The Prayer Book is primarily a liturgical text—a set of scripts for enacting events of corporate worship. As such it is at once a standard of theological doctrine and an expression of spirituality. The first part of this survey begins with an examination of one Prayer Book liturgy, known as Divine Service, in some detail. Also discussed are the rites for weddings, ordinations, and funerals and for the sacraments of Baptism and Communion. The second part considers the original version of the Book of Common Prayer in the context of the sixteenth-century Reformation, then as revised and built into the Elizabethan settlement of religion in England. Later chapters discuss the reception, revision, rejection, and restoration of the Prayer Book during its first hundred years. The establishment of the text in its classical form in 1662 was followed by a “golden age” in the eighteenth century, which included the emergence of a modified version in the United States. The narrative concludes with a chapter on the displacement of the Book of Common Prayer as a norm of Anglican identity. Two specialized chapters concentrate on the Prayer Book as a visible artifact and as a text set to music.

‘The healthe of my soule’

2018 ◽  
Author(s):  
Nicola Clark
Keyword(s):  
Sixteenth Century ◽  
Early Stage ◽  
The Reformation ◽  
The Family ◽  
Kinship Relations ◽  
Royal Supremacy ◽  
The Church

Throughout the sixteenth century and beyond, the Howards are usually described as religiously ‘conservative’, resisting the reformist impulse of the Reformation while conforming to the royal supremacy over the Church. The women of the family have played little part in this characterization, yet they too lived through the earliest stages of the Reformation. This chapter shows that what we see is not a family following the lead of its patriarch in religious matters at this early stage of the Reformation, but that this did not stop them maintaining strong kinship relations across the shifting religious spectrum.

Mechanisms for Unity

2018 ◽  
Author(s):  
Samuel K. Cohn, Jr.
Keyword(s):  
Eighteenth Century ◽  
Sixteenth Century ◽  
Black Death ◽  
Men And Women ◽  
The Poor ◽  
Works Of Art ◽  
The Face ◽  
The Church

This chapter investigates changes in mentalities after the Black Death, comparing practices never before analysed in this context—funerary and labour laws and processions to calm God’s anger. While processions were rare or conflictual as in Catania and Messina in 1348, these rituals during later plagues bound communities together in the face of disaster. The chapter then turns to another trend yet to be noticed by historians. Among the multitude of saints and blessed ones canonized from 1348 to the eighteenth century, the Church was deeply reluctant to honour, even name, any of the thousands who sacrificed their lives to succour plague victims, physically or spiritually, especially in 1348: the Church recognized no Black Death martyrs. By the sixteenth century, however, city-wide processions and other communal rituals bound communities together with charity for the poor, works of art, and charitable displays of thanksgiving to long-dead holy men and women.

An Extraordinary Confession

2018 ◽  
Author(s):  
Michael P. DeJonge
Keyword(s):  
Sixteenth Century ◽  
Church Leaders ◽  
Religious Leaders ◽  
Church Members ◽  
Nazi Regime ◽  
Jewish Ancestry ◽  
The Church

If the church decides to seize the wheel, to speak the directly political word, Bonhoeffer writes, then the church will find itself in statu confessionis. This chapter examines the phrase status confessionis to shed further light on Bonhoeffer’s idea of the church’s directly political word (the concern of Chapter 7). The phrase originates in a sixteenth-century episode where the emperor, with help from accommodating religious leaders, forced changes in order and rites on the Lutheran churches. The phrase status confessionis came to be seen as the battle cry of those who resisted these changes, the gnesio-Lutherans. In adopting this language, Bonhoeffer identifies a parallel between the sixteenth century and 1933, when Hitler and the Nazi regime threatened to force changes in church order (especially concerning church members of Jewish ancestry) on the church with accommodation from church leaders.

Hymnody and Liturgy

2019 ◽  
pp. 491-506
Author(s):  
Jonathan Hehn
Keyword(s):  
Nineteenth Century ◽  
Seventeenth Century ◽  
Sixteenth Century ◽  
North American ◽  
John Calvin ◽  
Church Of Scotland ◽  
Metrical Psalmody ◽  
History Of ◽  
The Church

This chapter outlines the history of Presbyterian worship practice from the sixteenth century to the present, with a focus on North American Presbyterians. Tracing both their hymnody and their liturgy ultimately to John Calvin, Presbyterian communions have a distinct heritage of worship inherited from the Church of Scotland via seventeenth-century Puritans. Long marked by metrical psalmody and guided by the Westminster Directory, Presbyterian worship underwent substantial changes in the nineteenth century. Evangelical and liturgical movements led Presbyterians away from a Puritan visual aesthetic, into the use of nonscriptural hymnody, and toward a recovery of liturgical books. Mainline North American and Scottish Presbyterians solidified these trends in the twentieth and twenty-first centuries; however, conservative North American denominations and some other denominations globally continue to rely heavily on the use of a worship directory and metrical psalmody.

Constantine as a ‘Bishop’

1947 ◽  
Vol 37 (1-2) ◽  
pp. 127-131 ◽  
Author(s):  
W. Seston
Keyword(s):  
Sixteenth Century ◽  
The State ◽  
Obiter Dictum ◽  
The Church ◽  
As If

The author of the Vita Constantini (traditionally and persistently identified with Eusebius, despite the silence of St. Jerome), tells us that Constantine ‘at a banquet he was giving to the bishops declared that he too was a bishop. He added these words which I heard with my own ears: ἀλλ᾽ ὑμεῖϛ μὲν τῶν εἴσω τῆϛ ἐκτὸϛ ὑπὸ θεοῦ καθεσταμένοϛ ἐπίσκοπϛ ἂν εἴην ’.In attempts to define the relations between the first Christian emperor and the Church, no phrase is more frequently quoted than this obiter dictum. In the sixteenth century the French scholar Henri de Valois rendered τῶν ἐκτόϛ as if it were the genitive of τὰ ἐκτόϛ, and since then it has been the practice to regard Constantine as an ‘évèque du dehors’: the Emperor either exercised episcopal functions though not consecrated, or supervised mundane affairs (that is, the State), after the fashion of a bishop, or else held from God a temporal commission for ecclesiastical government, the bishops retaining control of dogma, ethics and discipline. Each of these three distinct interpretations is equally admissible.

scholarly journals A Rat on the Plate: The Last Supper Window in Saint Mary's Church, Warwick

2012 ◽  
Vol 12 (4) ◽  
pp. 62-67
Author(s):  
olivier bauer
Keyword(s):  
Sixteenth Century ◽  
The Real ◽  
Common Food ◽  
Last Supper ◽  
The Church

What is a rat doing on a Last Supper plate? Did Jesus and his disciples really eat such a disgusting animal? At the end of the sixteenth century, an anonymous artist positioned a rat in front of Jesus in a Last Supper window of the church of Warwick (UK). The Gospels do not state that Jesus' last meal included rat, and rat was not a common food at that time; so why did the artist include a rat, if it is indeed a rat? The rat could convey a mysterious message. At the Lord's Table, the real “rat” might not be who he seems to be!

scholarly journals Stratigraphy of the wall paintings in the main church of the Praskvica Monastery

Zograf ◽  
2014 ◽  
pp. 153-163
Author(s):  
Dragan Vojvodic
Keyword(s):  
Seventeenth Century ◽  
Sixteenth Century ◽  
Wall Painting ◽  
The Other ◽  
Stylistic Analysis ◽  
Wall Paintings ◽  
The West ◽  
The Third ◽  
Technical Features ◽  
The Church

In the katholikon of the monastery of Praskvica there are remains of two layers of post-Byzantine wall-painting: the earlier, from the third quarter of the sixteenth century, and later, from the first half of the seventeenth century, which is the conclusion based on stylistic analysis and technical features. The portions of frescoes belonging to one or the other layer can be clearly distinguished from one another and the content of the surviving representations read more thoroughly than before. It seems that the remains of wall-painting on what originally was the west facade of the church also belong to the earlier layer. It is possible that the church was not frescoed in the lifetime of its ktetor, Balsa III Balsic.

scholarly journals «ГОСПОДСТВЕННАЯ ВЛАСТЬ» VS ДУШЕПОПЕЧЕНИЕ: ПРАКТИКА ИСПОВЕДИ В РУССКОЙ ДУХОВНОЙ ТРАДИЦИИ СИНОДАЛЬНОГО ПЕРИОДА

2020 ◽  
pp. 71-84
Author(s):  
Алексей Черный
Keyword(s):  
Sixteenth Century ◽  
Russian Orthodox ◽  
Orthodox Church ◽  
Mutual Trust ◽  
Modern Life ◽  
Russian Orthodox Church ◽  
Pastoral Identity ◽  
Personal Interaction ◽  
History Of ◽  
The Church

The article attempts to reconstruct various pastoral models that appeared in the history of the Russian Orthodox Church over several centuries. The author identifies several "images" of confession, which are very different, among them: the realization of "despotical" power in a "confessional" family of the sixteenth century, the fulfillment of conscription, deeply personal interaction based on mutual trust and the value of a hierarchical aspect, counseling under the guidance of a "parish elder". The state, depending on the circumstances, either embeds the pastor in itself as a necessary part of its own mechanism, or considers the priesthood as a foreign element, or completely distances itself from religious affairs. The author suggests that the “types” of confession presented in the article can be compared with the forms of pastoral self-consciousness to be found in the modern life of the church. This in turn suggests that in the Russian Church today is characterized by the search for pastoral identity, in which the priesthood plays a key role.

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