scholarly journals The challenge of science in the media

2005 ◽  
Vol 27 (5) ◽  
pp. 39-40
Author(s):  
Claire Bithell
Keyword(s):  

Science and the media do not always mix in the way that scientists may want. Where scientists want the media to educate and inform, the media want scientists to entertain and amaze. At best the relationship between these two different disciplines is fraught.

2020 ◽  
Vol 16 (36) ◽  
pp. 01-20
Author(s):  
Adriana Hoffmann Fernandes ◽  
Helenice Mirabelli Cassino

This article combines thoughts about childhood, visual culture and education. It is known that we live among multiple images that shape the way we see our reality, and researchers in the visual culture field investigate how this role is played out in our culture. The goal is to make some applications those ideas, to think about the relationship between the images and education. This article tries to grasp what visual culture is and in what ways presumptions about childhood generate and are generated by this association. It also discusses the genesis of these presumptions and the images they generate through a philosophical approach, questioning the role of education in a culture tied to the media, and about how children, who are familiar with multiple screens, presage a new visual literacy. We see how images play a fundamental role in the way children give meaning to the world around them and to themselves, in the context of their local culture. Given this context, it is necessary to consider how visual culture is tied to the elementary school, and what challenges confront the generation of wider and more creative ways to approach visual framing in children’s education.


2005 ◽  
Vol 87 (860) ◽  
pp. 649-659
Author(s):  
Arnaud Mercier

AbstractTo consider the relationship between war and the media is to look at the way in which the media are involved in conflict, either as targets (war on the media) or as an auxiliary (war thanks to the media). On the basis of this distinction, four major developments may be cited that today combine to make war above all a media spectacle: photography, which opened the door to manipulation through stage-management; live technologies, which raise the question of journalists' critical distance vis-à-vis the material they broadcast and which can facilitate the process of using them; pressure on the media and media globalization, which have led to a change in the way the political and military authorities go about making propaganda; and, finally, the fact that censorship has increasingly come into disrepute, which has prompted the authorities to think of novel ways of controlling journalists.


2013 ◽  
Vol 11 (12) ◽  
pp. 1433
Author(s):  
Rahmiati Lita ◽  
Yoon C. Cho

Culture affects every part of our lives, every day, from birth to death, and everything in between (Cateora, Gilly, and Graham 2011). This study discusses the way in which customers acceptance of cultures and products has been greatly affected by the media. This study also investigates how customers acceptance leads to attitudinal and behavioral changes. In particular, this study measures the impact of a cultural wave to examine the attitudinal and behavioral changes it causes. This study explores the causes that affect the willingness of people to change their behavior after exposure to the media. In particular, this study investigates 1) how a cultural wave influences product and cultural awareness, 2) the relationship between perceptions of a cultural wave and peoples attitudes and behavior, and 3) the relationship between the strength of peoples attitudes toward acculturation and changes in attitude and behavior. By applying various statistical analyses, this study identifies managerial and theoretical implications.


2021 ◽  
Vol 11 (2) ◽  
pp. 181
Author(s):  
Desti Yuwastina ◽  
Kyrychenko Volodymyr

<p><em>Ondel-ondel</em>, initially believed to have fearsome characteristics and magical ability to ward evil spirits off, is still performed in various areas in Jakarta on particular occasions. <em>Ondel-ondel</em> was originally an ancient artwork named <em>barongan</em>. This research aims to seek a theoretical explanation of the <em>ondel</em>-<em>ondel</em> phenomenon by examining the relationship between the media and local culture. Several defining features of postmodernism are incorporated to reframe <em>ondel-ondel</em> as a form of entertainment, along with the interplay between the tradition and technology-assisted media. This paper seeks to reveal the actual meaning of <em>ondel-ondel</em> for locals and non-locals during their encounters with <em>ondel-ondel</em>. The research found (1) that<em> ondel-ondel</em> is an attempt to reinvent the way people seek entertainment in the face of changes brought about by modernity and (2) that the presence of<em> ondel-ondel</em> communicated in the virtual space generates digital traces in the form of messages contributing to the creation and the re-creation of <em>ondel-ondel</em> itself. </p>


Modern Italy ◽  
2013 ◽  
Vol 18 (1) ◽  
pp. 19-39 ◽  
Author(s):  
Natalie Fullwood

This article seeks to reposition the popular cinematic genrecommedia all'italianawithin the context of the rapid expansion of the media industries which accompanied Italy's postwar economic miracle. The article looks at three distinct aspects of the relationship betweencommedia all'italianaand other media. First, it outlines the important role played by the media during the boom in disseminating images of consumer lifestyles, and highlights the way in whichcommedia all'italianaparticipated in this process. Second, through a discussion of media appearances by Vittorio Gassman and Nino Manfredi, the article emphasises the extent to which theircommedia all'italianastar personas were constructed and circulated in a multimedia context. Finally, it examines how the genre represented other media, focusing in particular on the representation of gender in advertising scenes. Through close readings ofcommedia all'italianaadvertising scenes, the article notes points of continuity with and difference from advertising imagery that was circulating at the time. The article argues that in order to further our understanding ofcommedia all'italianaand its relationship to Italian society, it is essential to understand the genre's relationship to other media production of the period, which both influenced the comedies' representations and was influenced by them in turn.


2014 ◽  
Vol 23 (1) ◽  
pp. 101-108 ◽  
Author(s):  
Rúbia Guimarães Ribeiro ◽  
Maria Henriqueta Luce Kruse

The media challenges us, creating ways of life and showing us how to behave in various situations. Therefore, we propose to understand the investments on beauty conveyed on Para Ti magazine, in 1940, reflecting on the possible conditions of such messages and the way they circulated producing a subjective mindset and teaching their readers how to be beautiful. We understand that the media provides material with which people forge their identity. This is a qualitative study based on post-structuralist cultural studies. The research corpus consists of issues of the Argentinean magazine Para Ti, from 1940. A cultural analysis was carried out based on concepts suggested by philosopher Michel Foucault, such as power and discipline. These analyses were organized under the marker named "the imperative of beauty". Considering the content presented by the magazine, it is possible to understand the relationship we have with today's image of a beautiful body, associating it with thinness, a balanced diet, exercise, normality, and health.


Author(s):  
Floriane Zaslavsky

This presentation is aiming at exposing the media strategy of the dalit movement, an Indian social movement lead by activists, who belong to the so-called « untouchable » populations. This study is especially centered on the way they build media spaces that are seen as both free and safe, allowing them to produce discourses within their community through the mobilisation of the socio-technical tools of the internet. We will expose to begin with the relationship of this movement with the Indian media, marked by a strong rejection fed by a feeling of exclusion. Then, we shall discuss their occupation and mobilisation strategies on the online space, perceived as a place of memory, a safe bubble, as well as an ideological battlefield.


2015 ◽  
Vol 22 (1) ◽  
pp. 83
Author(s):  
Zakiah Zaki

<p><em>This article concerns on how Kompas and Republika framed terrorism news and how they construct a religion (Islam) in those terrorism news. The way of the media exposing and selecting the facts to be published in their newspaper is an important aspect to be studied. This is because each media has its own inclination. Data was gathered using library research. Then, those collected data were analyzed using framing analysis and constructivism perspective. The results show that Kompas and Republika clearly said that Islam has nothing to do with terrorism and the terrorists have relationship with the International radical group like JI and Al-Qaeda. On the other hand, both newspapers have a slight difference in exposing the relationship between terrorists and pesantren. Republika said that those terrorists were not connected with pesantren. Meanwhile Kompas exposed the pro and contra about this matter.  In addition, both media have trivial differences in reporting about dakwah prohibition.  </em></p>


2012 ◽  
Vol 33 (4) ◽  
pp. 227-236 ◽  
Author(s):  
Agata Wytykowska

In Strelau’s theory of temperament (RTT), there are four types of temperament, differentiated according to low vs. high stimulation processing capacity and to the level of their internal harmonization. The type of temperament is considered harmonized when the constellation of all temperamental traits is internally matched to the need for stimulation, which is related to effectiveness of stimulation processing. In nonharmonized temperamental structure, an internal mismatch is observed which is linked to ineffectiveness of stimulation processing. The three studies presented here investigated the relationship between temperamental structures and the strategies of categorization. Results revealed that subjects with harmonized structures efficiently control the level of stimulation stemming from the cognitive activity, independent of the affective value of situation. The pattern of results attained for subjects with nonharmonized structures was more ambiguous: They were as good as subjects with harmonized structures at adjusting the way of information processing to their stimulation processing capacities, but they also proved to be more responsive to the affective character of stimulation (positive or negative mood).


1982 ◽  
Author(s):  
Harvey A. Goldstein
Keyword(s):  

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