Languages, politics and field theory — the question of the autonomy of small literatures

2012 ◽  
Vol 40 (3) ◽  
pp. 315-320 ◽  
Author(s):  
Clémence Scalbert-Yücel

In Imagined Communities: Reflections on the Origin and Spread of Nationalism, Benedict Anderson stressed the role that literature, and particularly the development of the novel, actually played in building a nation as an “imagined community.” Others have emphasized how building a national literature has often gone hand in hand with the creation of a national identity (e.g. Thiesse; Jusdanis). All have underlined the strong relationship between nationalism and literature: literature is a concrete tool that builds the nation as a community; literature also serves to build and spread a national identity.

2011 ◽  
Vol 45 (1) ◽  
pp. 19-34
Author(s):  
Ronen Zeidel

This article is a part of an attempt to show how the Iraqi novel depicts the main sectarian and ethnic groups in Iraq. Concentrating on Iraqi novels in Arabic, written mainly by Arab writers, I will examine the attitude of intellectuals to the Kurds as well as the role accorded to Kurds in the narratives of contemporary Iraqi novels.Benedict Anderson was one of the first scholars to speak about the role of the novel in creating and spreading a national identity. This is done through a creation of an “imagined community” with shared notions of time and space. The Iraqi novel was and still is committed to this idea and most Iraqi (Arab) novelists were partisans of an Iraqi nationalism that strongly supports the integrity of the country within its current borders and envisions a nationalism that contains all of Iraq’s communities.


Author(s):  
Liz Harvey-Kattou

This chapter delves into the psyche of Costa Rica’s identity, providing a historical and sociological analysis of the creation of the dominant – tico – identity from 1870 to the present day, framing these around theories of colonial discourse. Considering work by postcolonial scholars such as Benedict Anderson, Frantz Fanon, Homi Bhabha, Gayatri Spivak, and Judith Butler, it explores how the discourse of centre and ‘Other’ has been created within the nation. It then provides a historical account of ‘Otherness’ within the nation, detailing the existence and rights won by Afro-Costa Rican, feminist, and LGBTQ+ groups, detailing a framework of hybrid subalternity which will be used to consider the challenges put forward to dominant national identity in chapters two and three.


2021 ◽  
Vol 9 (4) ◽  
pp. 41-47
Author(s):  
Shaista Shahzadi ◽  
Muhammad Hanif ◽  
Ali Ahmad ◽  
Hira Ali ◽  
Mehnaz Kousar

Purpose of the study: The main purpose of this study is to analyze the novel The Golden Legend by Nadeem Aslam in the light of the concept of Nationalism given by Benedict Anderson in Imagined communities. Methodology: The entire data is evaluated by the entire text related to nationalism. This research is based on qualitative research skills. The basic resource of this research is the novel of Nadeem Aslam, named The Golden Legend. Further, the other resources used in this research are the journals or the articles regarding or reflecting the explanation of this novel (The Golden Legend). Main Findings: The findings depict a wonderful series of characters who have humanity in their hearts; they have love and respect for others, either the other person is from their religion or a different one. It is a story of sorrow and the game of religions in the world which is being played under the acts of the political authorities. Applications of this study: This study can be applied to the nationalism literature. Novelty/Originality of this study: The study is one of its kind because, after a careful analysis of the literature available, it is safe to say that no study is done up till now on analyzing the concept of nationalism in the Golden Legend.


Author(s):  
Wong Soon Dee

Kajian ini bertujuan untuk mengkaji pembentukan novel Niehai Hua dalam konteks masyarakat pada akhir Dinasti Qing. Teori lapangan Bourdieu telah diaplikasikan dalam kajian ini dan novel Niehai Hua diletakkan dalam suatu lapangan yang berunsurkan masyarakat akhir Dinasti Qing untuk membincang secara menyeluruh tentang pengaruhnya terhadap penulisan novel Niehai Hua. Dapatan kajian menunjukkan bahawa pengalaman kehidupan dan latar masyarakat yang dialami oleh Zeng Pu telah mempengaruhi pemikirannya dalam penulisan dan pembentukan tema novel ini. Kandungan yang dihuraikan dalam novel Niehai Hua berkait rapat dengan realiti masyarakat, maka tema-tema novel ini telah merangkumi kritikan mengenai kemerosotan politik akhir Dinasti Qing, pendedahan tentang pencerobohan kuasa-kuasa imperialisme serta pujian terhadap ideologi pembaharuan dan revolusi. Kesimpulan daripada kajian menunjukkan pengaruh latar masyarakat akhir Dinasti Qing dan latar belakang kehidupan Zeng Pu terhadap penulisan Niehai Hua adalah penting untuk memahami pembentukan novel ini secara terperinci. Implikasi kajian ini dapat membantu kita untuk membuat penilaian semula tentang kedudukan novel akhir Dinasti Qing dalam kesusasteraan China. (This study was aimed to review the formation of the novel Niehai Hua in the context of the society during the late Qing Dynasty. Bourdieu’s field theory has been applied in this study and the novel Niehai Hua was placed in a field that characterises the society of the late Qing Dynasty in order to discuss thoroughly its influence over the novel writing. The findings showed that the life and background of the society experienced by Zeng Pu has influenced his thinking in the writing and the creation of the themes of the novel. The content described in the novel Niehai Hua was closely related to the reality of society. Hence, the themes of this novel include criticism of political decline of the late Qing Dynasty, exposure of the aggression of imperialism power and the compliment towards the ideology of reformation and revolution. As a conclusion, the background of the society during the late Qing Dynasty and biobibliography of Zeng Pu have influenced the writing of Niehai Hua which are important for us to understand the formation of this novel. The implications of this study helps us to make a reassessment of the position of the late Qing Dynasty novel in Chinese literature.)


2021 ◽  
Vol 16 (27) ◽  
pp. 104
Author(s):  
João Vitor Pinto Ferreira ◽  
Carlos Eduardo Marquioni

O RAP é uma base do movimento Hip-Hop; no artigo, o gênero musical é analisado culturalmente (Raymond Williams) considerando o compartilhamento de significados observado entre os indivíduos que estabelecem uma espécie de “comunidade imaginada” (Benedict Anderson) de abrangência global a partir da música, que conta com adaptações a contextos locais. A partir de contextualização histórica, são apresentados casos de ocorrência do RAP no Brasil que evidenciam – complementarmente às (ou para além das) críticas sociais do gênero (eventualmente confundidas pelo senso comum como apologia ao crime) – casos de manifestações de afeto que permitem estabelecer relações com as origens do gênero musical. RAP and Communication: global imagined communities materialized in local communicational practices and processesAbstractRAP music is one basis of Hip-Hop movement; in this paper, the musical genre is analyzed culturally (Raymond Williams), from the sharing of meanings observed between the individuals that pertain to a kind of global “imagined community” (Benedict Anderson) established from the musical genre that has adaptations to local contexts. Starting from a historical contextualization of RAP music, the paper presents cases of its occurrence in Brazil that materialize affect manifestations, enabling to relate contemporary occurrences of RAP with the origins of the musical genre – complementarily to (or even beyond) the usual RAP’s social critics (typically mistaken for apology for crime in commonsense). Keywords: RAP; hip-hop; culture; imagined communities; communication.


2021 ◽  
Author(s):  
◽  
Micheal Warren

<p>Sports matter. Today sport is one of the most enduring social events that humans from across the world participate in, no matter their race, religion or gender. Moreover, the biggest of all those sporting events is the Olympic Games, which is held every four years. The modern version of the Games was founded by Frenchman Baron Pierre de Coubertin and first took place in Athens in 1896. New Zealand first competed alongside Australia as Australasia in London 1908 and Stockholm 1912. Following the games of 1916 which were cancelled due to World War I, New Zealand has competed as a sovereign nation since Antwerp 1920. Since 1908, over 1200 New Zealanders have competed at the Olympic Games, winning more than 100 medals. That performance in itself makes New Zealand one of the most successful nations in Olympic history on a per capita basis. That statistic alone underscores the relationship between the Olympics and national identity, as an embodiment of New Zealanders believing they ‘punch above their weight’ on the world stage.  Benedict Anderson wrote about the imagined community, where the nation is imagined because it is impossible for every citizen to know each other.¹ This research has found that sporting teams like the All Blacks and the New Zealand Olympic Team are perfect avenues to help create this imagined community. New Zealand’s national identity is not fixed, it has evolved, but the one mainstay of that identity is the sense of being an underdog on the world stage.  The research has found that over the past three decades New Zealand governments have increasingly woken up to the importance of high-performance sport and following the disappointment of the 2000 Sydney Olympic Games, funding was increased, which has led to better results and more medals. Today New Zealand athletes are funded on a per-capita basis just as well as many other nations we would compare ourselves with. New Zealand politicians have been quick to associate themselves alongside sportsmen and women and often speak about the close link that exists between sport and identity in New Zealand. However, unlike Australia, New Zealand does not have a national sports museum, and also unlike Australia, and the United Kingdom, New Zealand legislation does not allow for free-to-air television coverage of games of national significance. New Zealand does not adequately showcase its sporting history, and this has the potential to negatively affect the importance New Zealanders place on sport and the Olympic Movement as an important part of its national identity.  Ultimately this research has found that the New Zealand Olympic Team epitomises what it means to be a New Zealander and has found that across multiple levels of analysis, the Olympic Movement has significantly contributed to the development of New Zealand’s national identity. More broadly, the Olympic Games have become a key avenue in which that national identity can be projected to the world.  ¹ Benedict Anderson, ‘Imagined Communities,’ (London: Verso, 2006), pp.6-7.</p>


2021 ◽  
Vol 9 (2) ◽  
pp. 126-144
Author(s):  
Amalu Anil Kumar Anil Kumar

The article entitled "Nation and Narrative: A Study of Nuruddin Farah's Maps" attempts a postcolonial reading of the text trying to froground the assertion of a national self. The manner in which literature offers itself as a powerful platform to assert national identity and the novel adroitly doing the same would serve as the main thrust areas. Elaborate study on the concept of nation as expounded by critics like Homi Bhaba , Benedict Anderson and the like would serve as the background of the analysis. The notion of national identity and the construction of an image of Somalia as attempted by the author stand as testimony to the same. The author trying to reiterate his lost national self and how he skillfully uses literature as its medium, as part of the postcolonial agenda, is the focus point of the article.


2017 ◽  
Vol 53 (3) ◽  
pp. 497-512
Author(s):  
Amelie Daigle

In Imagined Communities, Benedict Anderson describes how sacred script languages (Arabic, Chinese, Latin) were usurped in political primacy by languages based on the spoken vernacular (French, English, German). In this article I examine one instance of these complications through Raja Rao’s classic novel of Indian independence, Kanthapura, a novel written in Indian English that works both with and against Anderson’s concept of nationalism’s linguistic underpinnings. Kanthapura not only proposes a model for Indian English speakers and writers, but performs a rhetorical argument about the necessity for Indian English if India is to cohere as a nation. I argue that the residents of Kanthapura are “translated” into citizens of the nation of India. This movement of translation is echoed by the language of the novel: the largely spoken language of Kannada is translated into the largely written (in India) language of English. English in Kanthapura performs a double function, unifying the nation as a script language while also reflecting the idiosyncrasies of local regional vernaculars. Kanthapura demonstrates that a nativized form of Indian English can serve as an invaluable tool for the development of a national consciousness, and that novels written in Indian English will play a role in determining the shape and identity of the nation.


2003 ◽  
Vol 66 (3) ◽  
pp. 442-455
Author(s):  
MARK WILLIAMS

With defeat in the Pacific War in 1945, the very notion of ‘community’ (as described by Benedict Anderson) in Japan was under threat, the future of the nation dependent, as never before, on the response of the international community. Viewed in a different light, however, the slate was clean—the possibilities, indeed the need, for revised terms of reference for this ‘imagined community’ now of paramount importance. The ensuing attempts to define the parameters of the emerging national identity were far-reaching and multi-faceted, seeking as they did to encompass the memories of loss and devastation through the realm of everyday culture as well as through political discourse. The focus of this paper will be on the contribution to this radical reassessment of the relationship between the nation and the individual made by the group of authors collectively known as the Sengoha (après guerre literary coterie). More specifically, I shall be examining the novellas, Shin'ya no shuen (The midnight banquet, 1947) and Eien naru josho (The eternal preface, 1948), two early texts by the author, Shiina Rinzō, arguably the most representative Sengoha writer, for evidence of the extent to which this literature helped to shape and modify the ‘imagined community’ of Japan.


2017 ◽  
pp. 665-680
Author(s):  
Jovana Saljic

The question of national identity and nationality of the group of people inhabited in a particular geographical area, despite numerous theories which over the last nearly two and a half centuries have been giving the variety of answers, most frequently is related to a common ethnical background, culture, history, tradition, and as it was considered for a longer period of time, a common language. Although it is not uncommon for members of one ethnic group to profess the same religion in the vast majority, the religion, at least according to the theories of the nation, has never been an essential definition of the national identity. It should not be surprising if we take into account the circumstances that led to the awakening of nations and national movements in the 19th century of the European Enlightenment period, when the other form of togetherness started to replace a religion dominant for centuries. Thus, in forming national consciousness, religion found itself in the last place. On the other hand, if nationality formed by a religion was unacceptable for the theories of the nation, forming a national literature by the religious affiliation would have been unthinkable. By the simple analogy, the first was excluding the other which means that if it was not possible for the religion to form a nation, it was also not possible to form a national literature. At least, it was common opinion. However, right in the European region where those theories had been developed, we can also find the first case to refute them. And we can do that with the so-called Bosnian- Muslim literature that have made its first steps during the second half of the 19th century as ? mean in the creation of the new Bosnian nation. It was not the religious literature with religious themes and motifs, but the literature of the religion, of the members of a religion in an effort to create their own national identity based on a religious one. In that sense, there were three most important literary events that made the foundations for the creating the so called ?literary Bosnianhood? in the last decades of the 19th century: a collection of proverbs and lessons called ?National Treasure? by Mehmed-beg Kapetanovic Ljubusak, a collection of epic poems called ?Folk Songs of the Mohammedans in Bosnia and Herzegovina? by Kosta H?rmann and the launch of the literary magazine called ?Bosniak?. The paper presents historical, political and social circumstances that had led to those literary events, the birth of the new type of literature as well as the new Bosnian nation and national identity.


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