REVISUALISASI AKSARA KAGANGA SEBAGAI IDENTITAS LAMPUNG

2019 ◽  
Vol 2 (2) ◽  
pp. 118-125
Author(s):  
Arif Budiman ◽  
PG. Wisnu Wijaya ◽  
Muhammad Hajid An Nur ◽  
Maria Veronika Halawa ◽  
Susi Susyanti
Keyword(s):  
Creative Thinking ◽  
Process Approach ◽  
Aesthetic Value ◽  
Cultural Traditions ◽  
Original Script ◽  
The Public ◽  
Communication Problems ◽  
Thinking Process ◽  
The Aesthetic ◽  
Research And Design

The research and design of the Kaganga Script Revisualization as Lampung Identity or Had Lampung is an attempt to provide aesthetic value to the conventional letter system. The aesthetic aspects that were given derived from Lampung cultural traditions, icons, and other visual idioms, such as ornaments on tapis cloth, carvings, traditional clothing accessories, and the stylization of Lampung's unique flora and fauna. The research method of the Kaganga script re-visualization is using Creative Thinking Process approach of Bryan Lawson, who applies steps in solving visual communication problems through several stages; (1) initial understanding (2) preparation (3) incubation (4) information (5) verification. Data analysis is done by considering several aesthetics factors; legibility, readability and unity. From several design or prototype alternatives that have been tested, the new Kaganga script using the Jungian (ship) motif was selected. This design uses Lampung traditional idioms to stylize the original script, which are the stylization of the Jung / Ship motif and the motif of Gold Thread Embroidery. Furthermore, this design can be continued on to the public testing and introduce it to Lampung public after it has been digitized.

scholarly journals The Cultural Revolution in David Lodge’s Changing Places

2019 ◽  
Author(s):  
AWEJ-tls for Translation & Literary Studies ◽  
Noureddine Friji
Keyword(s):  
Adverse Effects ◽  
University Students ◽  
Cultural Heritage ◽  
Cultural Revolution ◽  
Aesthetic Value ◽  
Cultural Traditions ◽  
One Dimensional ◽  
German Philosopher ◽  
The Aesthetic ◽  
The University

Utilizing Herbert Marcuse’s One-Dimensional Man (1962) and Counterrevolution and Revolt (1972) as a theoretical backdrop, this article seeks to gauge the extent to which the teachings of the German philosopher and political theorist lay the groundwork for the protests mounted by the university students in David Lodge’s campus novel Changing Places (1975). Admittedly, the Student Revolution spilled over into numerous fields. However, given space restrictions, only its cultural manifestations will be examined. It will be clear that at the root of Lodge’s students’ uprising lies an overpowering urge to break with the cultural heritage and with the academics upholding it. It will be equally clear, nonetheless, that these young activists’ faith in Marcuse’s political doctrine is unwelcome to conservative academics on the ground that it has diverse adverse effects on universities. Not only are politically oriented texts and discourses given precedence over traditional ones but also teachers and administrators are, at times, hindered from doing their duties. The plausible conclusion to draw, in the light of the research’s findings, is that although cultural revolutions undeniably pave the way for a number of personal and collective achievements and help us modernize many aspects of life, they should not blind us to the enduring significance of previous cultural traditions and of the aesthetic value of literary works.

scholarly journals Flower and plant variants as abstraction in Javanese batik motifs from classical to contemporary era

2021 ◽  
Vol 905 (1) ◽  
pp. 012145
Author(s):  
S Budi ◽  
T Widiastuti ◽  
D T Ardianto ◽  
S Mataram
Keyword(s):  
Natural Environment ◽  
Aesthetic Value ◽  
The Public ◽  
Basic Substance ◽  
The Aesthetic

Abstract Batik is one of the artworks of old Javanese society which has continued to exist and develop until the present day. In the 18th century, batik was a special type of clothing worn by the nobility, and there were even prohibitions for using batik clothing with certain types of motifs. Its basic substance is the ornamental images made on the fabric. A piece of cloth can change its position and value only because of a difference in decoration. As a visual aesthetic, batik is the work of Javanese artists, created by abstracting the surrounding natural environment, especially various flora, and fauna. Up to 1912, there were more than 100 names of flowers, leaves, and plants that were abstracted to become classical motifs. In the contemporary era, where batik has become more acceptable as clothing for the public, flora-based motifs are no longer the result of abstraction of particular flowers or plants but are considered more for their ornamental aesthetic. The aesthetic value of contemporary batik motifs is no longer determined by the type of flowers or plants abstracted, but by how they are represented for the beauty of clothing.

scholarly journals ESTETIKA RESEPSI BAHASA SASAK PARA PEMBAYUN DALAM UPACARA ADAT SORONG SERAH MASYARAKAT SASAK DI PULAU LOMBOK

2018 ◽  
Vol 15 (2) ◽  
pp. 187-206
Author(s):  
Nana Rosana ◽  
Mahyuni Mahyuni ◽  
Burhanudin Burhanudin
Keyword(s):  
Content Analysis ◽  
Native Speakers ◽  
Moral Values ◽  
Aesthetic Value ◽  
The Public ◽  
The Aesthetic ◽  
Very High

 The research was inspired by the beauty of the language used by the speaker called pembayun in the traditional sorong serah ceremony, the bridal application of Sasak people in Lombok. The tradition does happen however, young generations would have neglected the meaning denoted in the languages of the ceremony that contains high values of culture, wisdom and religiously. This study used content analysis and ethnography. Data were collected using observation, interview, documentation, and records. Informants that were the native speakers of Sasak and Sumbawa and have the authority on the traditional ceremony were selected. The results show: (1) aesthetically, the form of language used in the reception is the highest form in the Sasak language, which not all Sasak people are able to understand and use; (2) the aesthetic function of the reception of the swinging language in the sorong serah event is a means to convey the message, religion, custom and morals; and (3) the aesthetic value contained in the pembayun language refer to very high moral values and needs to be known by the public at large.             

scholarly journals Aspects of ethnocultural values in the strategy for creating an author's brand

2021 ◽  
Vol 6 (3) ◽  
Author(s):  
Marina Timofeeva ◽  
Stanislav Churakov
Keyword(s):  
Main Idea ◽  
Fashion Industry ◽  
Traditional Values ◽  
Cultural Meanings ◽  
Folk Culture ◽  
Sustainable Business ◽  
Aesthetic Value ◽  
Cultural Traditions ◽  
Original Product ◽  
The Aesthetic

The article presents the results of the study of ethnocultural values in the strategy of creating an author's brand. Topical aspects are formulated that form the resources of the brand of the future, with the potential of a sustainable business idea working ahead of schedule. The relevance of the studied topic is revealed in connection with the request of the target audience for self-identification, the need for an original product and the aesthetic value of this product in the fashion industry. And also the emergence of interest in local cultures, as a result — in local brands, and the interaction of identity and competition. It also considers the aspect of emotional satisfaction and the departure from the realities of life's problems through narratives, which resulted in the processes of forming a new reality that affect the whole industry, and an appeal to cultural traditions. The authors analyze the formation of the connection of identities with territory, ecology, psychology, culture, economics. Is considered the influence of tradition and fashion on the landscape of the cultural map of the world. When designers not only create the visual language and design codes of our time, but also preserve the traditional values of folk culture, create a connection with history, invest new meanings in modern fashion, and respond to the requests of entire generations. The article describes the main problems and tasks that the designer should take into account, choosing ethnic conception as the main idea of the brand. The theoretical and applied significance of the work is that the study creates a model of the value of cultural meanings for implementation commercial projects. The work contains illustrative material that renders examples of working with references and using them when creating collections.

scholarly journals The aesthetic evaluation of forest landscape in four urban forest parks: A case study of Nanjing hilly areas, China

2021 ◽  
Author(s):  
Yang Yang ◽  
Xiaolan Tang
Keyword(s):  
Urban Forest ◽  
Principal Component ◽  
Forest Landscape ◽  
Aesthetic Value ◽  
Aesthetic Evaluation ◽  
The Sustainable Development ◽  
The Public ◽  
The Aesthetic ◽  
Forest Parks ◽  
Aesthetic Values

Abstract In recent years, the construction of urban forest parks has run into the fast lane in China. As an indispensable natural landscape resource for urban forest parks, forest landscape has been paid increasing attentions by the public, in contrast, less effort has been made in the field of aesthetic evaluation of forest landscape. Based on the theories of landscape esthetics and psychology, this paper aims to present methods for the aesthetic evaluation, and understand citizen’s aesthetic perceptions of forest landscape using Semantic Differential (SD) and Principal Component Analysis (PCA) methods. Moreover, further suggestions will be put forward for a better development of the forest landscape, thereby giving full play to their landscape and recreation functions. As per the findings of this paper, the vegetation element diversity (PC 1 ), the magnificent feel (PC 2 ), the nature-pastoral feel (PC 3 ) and the sense of space (PC 4 ) present the critical comprehensive indexes affecting the aesthetic values of the forest landscape. The relationship between the comprehensive indexes and the landscape aesthetic value is revealed by multiple regression analyses. PC 3 and PC 4 are found to be less influencing on aesthetic values than PC 1 and PC 2 . At last, three suggestions for the construction and protection of forest landscape are put forward. The results of this study will contribute to the preservation of the forest landscape aesthetic, and the integration of these conclusions into the sustainable development strategies of urban forest parks.

scholarly journals Identifikasi Tahapan Proses Berpikir Kreatif Siswa SMP dalam Aktivitas Pengajuan Masalah Matematika

2019 ◽  
Vol 10 (2) ◽  
pp. 132-140
Author(s):  
Peni Anggareni ◽  
Akhmad Faisal Hidayat
Keyword(s):  
High School ◽  
High School Students ◽  
Junior High School ◽  
Creative Thinking ◽  
Junior High ◽  
Junior High School Students ◽  
School Students ◽  
The Public ◽  
Mathematical Problems ◽  
Thinking Process

Berpikir kreatif merupakan salah satu aspek penting dalam matematika. Penelitian ini bertujuan untuk mengidentifikasi tahapan proses berpikir kreatif siswa SMP dalam aktivitas pengajuan masalah matematika. Tahapan tersebut didasarkan pada hasil Tugas Pengajuan Masalah Matematika (TPMM) dan wawancara. Penelitian ini dilakukan di salah satu SMP Negeri di Kota Jambi. Subjek penelitian ini adalah 2 siswa SMP Kelas IX dengan kriteria kreatif, dengan alat pengumpul data berupa TPMM dan pedoman wawancara. Analisis data TPMM dilakukan dengan menganalisis soal yang dapat diselesaikan, kemudian dilihat berdasarkan indikator berpikir kreatif yaitu kelancaran (fluency), keluwesan (flexibility) dan kebaruan (novelty). Wawancara dilakukan berdasarkan 4 tahap proses berpikir kreatif yaitu persiapan, inkubasi, iluminasi, dan verifikasi. Hasil penelitian menunjukkan bahwa siswa kreatif melewati empat tahap proses berpikir kreatif, yaitu persiapan, inkubasi, iluminasi, dan verifikasi. Pada tahap persiapan siswa berusaha mendapatkan wawasan dalam menghadapi masalah yang diberikan; tahap inkubasi siswa mencari ide; tahap iluminasi siswa memunculkan ide; dan tahap verifikasi siswa menguji ide yang dihasilkan.Creative thinking is one of the important aspects in mathematics. This study aims to identify the stages of the creative thinking process of junior high school students in the activity of submitting mathematical problems. These stages are based on the results of the Task for Submission of Mathematical Problems (TPMM) and interviews. This research was conducted at one of the Public Middle Schools in Jambi City. The subject of this study were 2 junior high school students of Class IX with creative criteria, with data collection tools in the form of TPMM and interview guidelines. TPMM data analysis is done by analyzing the questions that can be solved, then seen based on creative thinking indicators, namely fluency, flexibility and novelty. Interviews were conducted based on 4 stages of the creative thinking process, namely preparation, incubation, illumination, and verification. The results showed that creative students passed the four stages of the creative thinking process, namely preparation, incubation, illumination, and verification. In the preparation stage students try to gain insight in dealing with problems given; incubation stage students look for ideas; the student's illumination stage raises ideas; and the verification stage students test the idea produced.

scholarly journals AESTHETIC VALUE IN TITLE IN “HUJAN BULAN JUNI” BY SAPARDI DJOKO DAMONO AND “MALAIKAT JUGA TAHU” BY DEWI LESTARI

Multilingual ◽  
2020 ◽  
Vol 19 (2) ◽  
pp. 174-182
Author(s):  
Hendrike Priventa
Keyword(s):  
Literary Genre ◽  
Aesthetic Value ◽  
Literary Works ◽  
The Public ◽  
The Aesthetic ◽  
Aesthetic Values

Poetry is a form of literary genre that is full of aesthetic values. The aesthetic value is wrapped in the elements that make up the poetry. This article discusses a comparison of the aesthetic value of the poem “Hujan Bulan Juni” by Sapardi Djoko Damono and “Angels Also Know” by Dewi Lestari. Intertext studies can be used as a medium to find aesthetic values and determine whether literary works are aesthetic or not. The aesthetic value in the poetry "Rain in June" and "Angels Also Know" are shown in several aspects, namely the elements of sound, diction, and image. The linkage of authorship is also shown through the expansion of the use of elements of the poetry structure. The aesthetic value in both poems influences the process of forming new vehicles such as songs and films which are now more popular with the public.

Lighting of Engineering Structures and Industrial Facilities New Aspects of the Topic

2018 ◽  
pp. 29-36
Author(s):  
Nikolai I. Shepetkov ◽  
George N. Cherkasov ◽  
Vladimir A. Novikov
Keyword(s):  
Fundamental Problem ◽  
Lighting Design ◽  
Aesthetic Value ◽  
Engineering Structures ◽  
Industrial Facilities ◽  
Artificial Lighting ◽  
Industrial Structures ◽  
Design Solutions ◽  
Architectural Lighting ◽  
The Aesthetic

This paper considers the fundamental problem of artificial lighting in various types and scales of industrial facilities, focusing on exterior lighting design solutions. There is a lack of interest from investors, customers and society in high­quality lighting design for industrial facilities in Russia, which in many cities are very imaginative structures, practically unused in the evening. Architectural lighting of various types of installations is illustrated with photographs. The purpose of the article is to draw attention to the aesthetic value of industrial structures, provided not only by the architectural, but also by a welldesigned lighting solution.

What's the Message of Architecture?

2014 ◽  
pp. 126-136
Author(s):  
Аndrey G. Velikanov
Keyword(s):  
Separate Entity ◽  
Aesthetic Value ◽  
Current State ◽  
Entire Complex ◽  
History Of ◽  
The Aesthetic

Considers the aspects of architecture as a language able to express the current state and to prophetically indicate the upcoming changes. The aesthetic value of a construction cannot be perceived just as a separate entity, but it can be cognized in the context and not only a visual one, in space. It is necessary to see the entire complex of the accompanying phenomena, all the flow of the unfolding metaphors and values. In the model in view the figure of the author-creator must be reconsidered as no longer conforming to today's reality. The development of the Stalinist Empire style, as well as its transformations, is considered as one of the specific phenomena in the history of well-known constructions

Semi Automatic T-Shirt Folding Machine Berbasis PID (Proportional Integral Derivative)

2020 ◽  
Vol 2 (1) ◽  
Author(s):  
Muhammad Apriliyanto ◽  
Miftachul Ulum ◽  
Koko Joni
Keyword(s):  
Ultrasonic Sensor ◽  
Proportional Integral Derivative ◽  
Servo Motor ◽  
Aesthetic Value ◽  
Proportional Integral ◽  
Door Opening ◽  
Dc Motors ◽  
The Aesthetic ◽  
The Right

<em>The process of folding clothes is one of the activities carried out in the laundry business or household. The activity is fairly easy but many people are still lazy to do it. As a result, clothes that have been washed will fall apart in certain rooms, thereby reducing the aesthetic value of a home. Semi Automatic T-Shirt Folding Machine is the right solution to make folding clothes easier and more time efficient. This tool is equipped with a servo motor that moves the folding board that has been designed in such a way that the user only needs to manghandle the shirt just once and simply push one button then the shirt will fold itself and will be neatly arranged through the clothes stacker board. The PID method is applied to DC motors that move under the clothes folder so that the buildup of clothes underneath will not be pressured upward when the clothes are piled up when they are folded. Ultrasonic sensor will measure the right height between the clothes with the door opening the stacking clothes with kp = 1, ki = 0.1, kd = 0.5 for thin clothes and kp = 5, ki = 1, kd = 2.5 for thick clothes so that the movement of the motor can adjust its speed . This tool can fold one shirt in 16.83 seconds 11 seconds faster than folding clothes manually</em>

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